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André Wogenscky and Marta Pan’s House Workshop: Thoughts on Conservation and Museography
The aim of the Fondation Marta Pan — André Wogenscky is to promote the work of the architect and the work of the sculptor. Nowadays there are a lot of issues that arise regarding the accessibility and the museography of the house/workshop in Saint-Rémy-lès-Chevreuse. This house/workshop deserves a wider recognition and in that sense, before making any changes, the intervention has to be considered in the interest of the work's integrity. The house is a complex heritage object due to its conception made by an architect and an artist at the same time, evolving according to their needs and aspirations
An Intangible Heritage in Use. Portuguese Institute of Oncology
The Portuguese Institute of Oncology (IPO) built in modern Lisbon, between 1927 and 1948, and added to until 1996, is the result of the Francisco Gentil effort to study and treat cancer. It is part of the Portuguese modern healthcare network and a reference concerning social, urban and architecture innovations, where the architects Cristino da Silva (1896–1936), Carlos Ramos (1897–1969), Raul Lino (1879–1974), Ernest Koop (1890–1962), Walter Diestel (1904–) and Raul Rodrigues de Lima (1909–1980) took part. By highlighting its cultural value this essay aims to stress the importance of achieving public and institutional awareness, in dealing with its everyday intensive use and transformation, towards a sustainable future
Manuel Salgado interviewed by Ana Tostões
On August 2016, Ana Tostões interviewed the architect Manuel Salgado, councilor of the Municipality of Lisbon since 2007, in order to discuss the main policies undertaken and his ideas on urban planning in its connection to mobility infrastructures, public space and the continuous reconstruction of park and green areas, in Lisbon.
Manuel Salgado was born in 1944, Lisbon, and studied architecture at the Lisbon School of Fine Art (1968). From 1971 to 1982, he was the technical responsible for the architectural office CIPRO and in 1984 he became manager of the architectural office Risco. From 2002 to 2008, he was architecture professor, at Instituto Superior Técnico. He has participated in conferences worldwide and widely published, on urban planning, and has designed major urban projects and buildings in Portugal: the Belém Cultural Centre (with Vittorio Gregotti), the Lisbon Theatre and Film School, the Polytechnic Institute of Setúbal, the Expo’98 public areas, the FC Porto Dragão Stadium, the Lisbon Luz Hospital, etc. His architectural and public space projects received several awards: the Valmor Award (1980, 1998), the International Award Architecture in Stone (1993), the AICA Award (1998); the Portuguese National Design Award (1999) and the Brick in Architecture Award (2003). Within the Municipality of Lisbon, he took the position of councilor of the Urbanism and Strategic Planning Department in 2007, which accumulates, from 2009 to 2013, with the Municipality Vice-Presidency. Currently, as councilor, heads the Department of Planning, Urbanism, Urban Rehabilitation, Public Space and Construction of the Municipality of Lisbon
The Cité de l’Etoile, Bobigny, 1956–1963, Georges Candilis, Alexis Josic, Shadrach Woods Architects
The Cité de l’Etoile, in Bobigny, design by Candilis Josic and Woods (1954–1963) is one of the housing estates, results of the french national competition named opération Million. Commissioned by Emmaüs, the 737 homes are a kind of synthesis of the experiments of Candilis in Marocco and the city planning thinking of the team. The demolition planned in 2008 has been avoided and the Cité de l’Etoile has been labelled 20th century heritage. The rehabilitation project brings to light the contradictions of an highly conflicting situation. Between blind demolition and a well-thought out project of restoration the question of the safeguard of collective social housing complex of the second half of the 20th century is still waiting solutions
Cassiano Branco. Modern Visions of an “Inconvenient” Architect
Cassiano Branco (1897-1970) belonged to the pioneer generation of modern Portuguese architects, who worked during the years of the dictatorship. During the 1930s, Cassiano produced an anti-conservative and eloquent architecture, contrasting with the guidelines of the regime. The discomfort about his personality came also from his ideological opposition to the government. Among his peers he has been considered “an exception to the rule”, working, mainly for private investors, on programs for rental housing, movie theaters and tourism facilities, which were built along the boulevards of Lisbon or in the natural and intact regional areas of Portugal
José Augusto França interviewed by Ana Tostões
On April 2016, Ana Tostões interviewed Professor José-Augusto França, the Portuguese modern art researcher of reference on the contemporary era, in order to discuss the key modern structure that made the shift towards a Modern Lisbon.
José-Augusto França (b. 1922, Tomar) is historian, sociologist and critic of art. He has a graduation in Historical and Philosophical Sciences (1944, Faculty of Letters, University of Lisbon), a PhD in History (1962, Paris-Sorbonne University, Une Ville des Lumères: la Lisbonne de Pombal), a diploma on Sociology of the Art (1963, L'Art et la Société Portugaise au XXè siècle) and a PhD in Letters (1969, Paris-Sorbonne University, Le Romantisme au Portugal). He is professor emeritus of the Nova University of Lisbon, where he created the first Art History masters of the country (1976). He was Director of the Portuguese Cultural Center of the Calouste Gulbenkian Foundation in Paris (1983), President of the National Academy of Fine Arts (1985) and member of the UNESCO Comité du Patrimoine Mondial. He is a reference author in the field of visual and cultural arts in Portugal, being the first one identifying and presenting modern architecture in Portugal in his Arte em Portugal no Século XX (1974). Among his works stand out studies on art in Portugal in the 19th and 20th centuries, as several volumes of essays on historical, sociological and aesthetic reflection on contemporary art issues. He has received the Medal of Honor of the City of Lisbon (1992), the Grand Officer (1991) and the Grand Cross (2006) of the Infante D. Henrique Order and the Grand Cross of the Order of Public Instruction (1992)
Postwar Residential Housing Landscapes in France: A Retro-Prospective Approach
In the residential districts built after the Second World War, the qualities of landscapes are not, in most cases, taken into account in understanding projects nor are they considered as a resource in renovation projects except as a “compensatory greening” once the main spaces have been divided, privatized and fenced off. We suggest considering this residential landscape heritage as a potentially structuring one, through the landscape approach, based on three levels for interpreting space: that of the relation to the geographic and urban site; that of the neighborhood defined by its open and public spaces; and lastly, that of the materiality of places and practices. We see it as relevant since it is more global and adapted to the current context of projects
The Miremont-le-Crêt: Preserving a Geneva Post-War Modern Icon
The collective apartment building, Miremont-le-Crêt, in Geneva is the product of the inventiveness of the local architect Marc Joseph Saugey (1908–1971), who planned and built it between 1953 and 1957. Listed as a Cantonal monument in 2002, it is considered today an original and unique example, far beyond the context of Geneva. Recently, it has become the object of a large rehabilitation project, led by the Geneva-based architecture office, Meier+associés. Mainly focused on the building's envelope, the project also includes several technical improvements of some of its other components; all of them introduced with respect to Saugey's spirit and the building's existing substance
The Marseille Unité d’Habitation after Le Corbusier: Or the Chronicle of a Permanent Construction Site
Now that Le Corbusier's architectural oeuvre has been nominated for the third time for inclusion in the list of UNESCO World Heritage Sites, it is useful to revisit one of his icons built in the aftermath of World War II: the Unité d’Habitation in Marseille. Far from wishing to retrace the genesis of this outstanding building, it is a different story that I would like to sketch out here. Less well known, it is, however, fundamental to the material understanding and conservation of modern architecture. It is a history of the many repairs and other restoration projects that have accompanied this monument of 20th century architecture ever since its inception
Ruy Jervis d'Athouguia. A Modern Architect in the Garden-City
In the 1950s, when the social, aesthetic and technological assumptions of the Modern Movement seemed to be consolidated, there was hesitation in Portugal. Two possibilities were open to what could be viewed as post-war understanding of modernity. Some architects focused on the possible confrontation between the heritage of tradition and avant-garde proposals, in tune with the international movement. Others assimilated the universal appeal of the Modern Movement and aimed to operate within those contexts, facing the shortage of technological tools and of scarce theoretical production. Ruy Jervis d'Athouguia (1917–2006), an important Portuguese architect, belonged to the latter