Journal Online ISI Padangpanjang
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Pelatihan Kreasi Membuat Soal Online Berbasis Kahoot dan Quizizz Bagi Guru-Guru SMP IT Baitul Qur’an
Di era digital, penggunaan teknologi tidak hanya pada saat proses pembelajaran saja, tetapi juga pada proses evaluasi atau penilaian siswa. Contohnya adalah melalui penggunaan aplikasi Kahoot dan Quizizz oleh guru dalam membuat kreasi soal Online. Soal interaktif yang dirancang dapat meningkatkan pemahaman dan motivasi belajar siswa. Adapun tujuan diselenggarakannya program pengabdian kepada masyarakat ini adalah (1) Memberikan sharing kepada guru-guru SMP IT Baitul Qur’an bagaimana membuat soal online yang baik dan benar; dan (2) Memberikan pelatihan bagaimana membuat kreasi soal Online berbasis Kahoot dan Quizizz. Adapun metode pelaksanaan kegiatan pengabdian ini diawali dengan melaksanakan studi awal, mencari paham permasalahan mitra, menjustifikasi solusi, menentukan tujuan, output dan outcome yang akan dihasilkan nantinya. Khalayak sasaran adalah guru-guru SMP IT Baitul Qur’an. Selanjutnya juga dapat dikembangkan secara berkelanjutan sehingga meningkatkan pembelajaran yang optimal. Akhir pertemuan untuk melihat keberhasilan dalam pelaksanaan tim pengabdi memberikan latihan kepada guru-guru untuk mengembangkan pembuatan soal berbasis quizizz dan kahoot
SEMIOTIKA ROLAND BARTHES DALAM IKLAN LAYANAN MASYARAKAT ‘STOP HOAX’ INDOSIAR
AbstrakMedia sosial hadir bukan hanya sekedar memberikan hiburan, menyebarkan berita palsu dan meningkatkan popularitas semata. Melainkan sebagai media untuk memberikan dan menerima informasi yang bermanfaat bagi masyarakat luas. Maraknya kasus penyebaran berita hoax di tengah pesatnya perkembangan teknologi informasi dan komunikasi saat ini, bisa menimbulkan keresahan, ketegangan dan saling mencurigai yang akan bermuara pada tindakan kekerasan di tengah masyarakat. Sadar akan hal itu, Indosiar hadir untuk mengatasi masalah tersebut melalui perancangan Iklan Layanan Masyarakat ‘Stop Hoax!’ Yuk Gunakan Sosial Media Kalian Untuk Hal Yang Lebih Positif. Kajian dalam penelitian ini menggunakan pendekatan semiotika Roland Barthes yakni denotasi dan konotasi. Analisis dilakukan dengan cara membedah struktur tanda secara individual dan kombinasi tanda yang membentuk sebuah teks. Secara kontekstual, sistem tanda dalam iklan ini memiliki relasi yang kuat terhadap pokok permasalahan, sehingga pesan yang disampaikan cukup efektif dalam mempersuasif masyarakat luas terhadap penyebaran berita hoax yang begitu masif. Kata Kunci: media sosial, stop hoax, denotasi dan konotasi.AbstractSocial media exists not only to provide entertainment, spread fake news, and increase popularity. become a medium for giving and receiving useful information for the wider community. The rise of cases of spreading hoax news amid the rapid development of information and communication technology today can cause anxiety, tension and mutual suspicion which will lead to acts of violence in society. Realizing this, Indosiar is here to solve this problem by designing a Public Advertising Service 'Stop Hoax!' Let's Use Your Social Media For More Positive Things. The study in this study used Roland Barthes's semiotic approach, namely denotation and connotation. The analysis is carried out by dissecting the individual structural signs and the combination of signs that make up a text. Contextually, the sign system in this advertisement has a strong relationship to the subject matter, so that the message conveyed is quite effective in persuading the wider community against the massive spread of hoax news.
Pertunjukan Solis Gitar dengan Repertoar Concerto in D Major Rv 93, Laila Canggung, dan Ephiphany (Guitar Solis Performance with Repertoire Concerto in D Major Rv 93, Laila Awkward, and Ephiphany)
Artikel ini memuat tentang pertunjukan repertoar gitar dan analisis permainan karya seni musik instrumen gitar klasik dan elektrik dengan repertoar yang dipilih yaitu Concerto In D Major, Laila Canggung dan Ephiphany. Analisis yang dihadirkan berupa permainan teknik gitar klasik serta gitar elektrik seperti Tirando dan appoyando, Apergio Right Hand, Legato, Barrer, Palm Mute, Vibrato, Slide dan Bending, Form Musik, gaya dan genre, serta metode pertunjukan. Ketiga repertoar yang dipilih ditinjau dari tingkat kesulitan sebagai bentuk pencapaian dari hasil pembelajaran musik di kampus ISI PadangpanjangKata Kunci: Pertunjukan Solois; Teknik Gitar Klasik dan Elektrik; Repertoar; ConcertoABSTRACTThis article contains an repertoire show and analysis of the playing of classical and electric guitar instruments with the selected repertoire of Concerto In D Major, Laila Canggung and Ephiphany. The analysis presented is in the form of playing classical guitar and electric guitar techniques such as Tirando and appoyando, Right Hand Apergio, Legato, Barrer, Palm Mute, Vibrato, Slide and Bending, Music Form, style and genre, and performance methods. The three repertoires chosen are reviewed from the level of difficulty as a form of achievement from the results of music learning at the ISI Padangpanjang campus.Keywords: Soloist Performance; Classical and Electric Guitar Technique; Repertoire; Concert
Potensi Daya Tarik Wisata Pada Masjid Al-Hakim Kota Padang
Al-Hakim Padang Mosque has the main function as a place of prayer for Muslims, but now it is also being used as a tourist destination. The phenomenon of utilizing the Mosque as a tourist destination needs to be studied so that the Jam'ah of the Mosque who are praying is not disturbed and the Tourism Attraction can be managed. This research aims to identify the Tourism Attraction of Al-Hakim Mosque in Padang City for tourists who have visited. This research uses qualitative methods with conclusions in the form of descriptive results. Data analysis refers to the Miles model with data reduction and narrative data presenting. Data collection was made by using observation, documentation, and interviews with 15 informants with details, 10 tourists, 1 manager of the Al-Hakim Mosque, 1 parking attendant of the Al-Hakim Mosque, 2 local street peddlers around the Al-Hakim Mosque. The results of this study showed that the Padang AlHakim Mosque has a tourist attraction in terms of location, spiritual activities, beach views, facilities, and mosque architecture
Analysis of the Influence of Colonialism on Music in Jambi Province
Propinsi Jambi merupakan salah satu bagian dari propinsi yang ada di Indonesia dan pernah diduduki oleh bangsa penjajah. Dampak penjajahan tersebut meninggalkan jejak-jejak yang masih tersisa hingga di Jambi, salah satu di antaranya bertemunya budaya musik yang berbeda. Musik yang berbeda itu menyatu dalam ruang baru, hingga memunculkan identitas yang baru pula akibat bertemunya dua unsur kebudayaan. Tujuan penelitian ini untuk menganalisis kebudayaan musik Jambi yang ada saat ini dipengaruhi kolonial, hingga menemukan identitasnya sendiri. Metode yang digunakan untuk itu data kualitatif. Hasilnya musik jambi "krinok adalah hasil percampuran alat musik, namun musik dari aspek bunyi menjadi identitasnya.Kata Kunci: Musik ; Krinok; Viul, Kolonial.ABSTRACTJambi Province is a part of the province in Indonesia and was once occupied by the colonizers. The impact of this colonization left traces that still remained in Jambi, one of which was the meeting of different musical cultures. These different kinds of music unite in a new space, thus creating a new identity as a result of the meeting of two cultural elements. The purpose of this study is to analyze Jambi's musical culture which is currently influenced by colonialism so that it finds its own identity. The method used for that data is qualitative. The result is Jambi music "krinok" is the result of mixing musical instruments, but music from the sound aspect becomes its identity.Keywords: Music ; Krinok; Viul, Colonial
REFLEKSI ATAS TUBUH DALAM KARYA PUTU SUTAWIJAYA “ENERGI TUNGGAL”
"Analyzing Putu Sutawijaya's painting titled "Energi Tunggal" (Single Energy) portrays the body as a central focus, through documentation and direct observation of his paintings, which are then analyzed using Roland Barthes' semiotic approach, Foucault's genealogy of the body, Ponty's Phenomenology, Heidegger's Existentialism, and Freud's Psychoanalysis. Roland Barthes' semiotic approach divides signs into denotation and connotation. At the denotative level, Putu depicts a figure's movement with the burdens surrounding it. At the connotative level, it explains that the burden on the social and value systems binds and does not liberate its people. Then Foucault describes the body as a soft body. Putu shows the absence of freedom that a free person owns over his own body. In Ponty's Phenomenology, the world is available to individuals. Thus, the relationship between humans and their world is never genuinely distant but needs to be more dialectical. Heidegger's Existentialism views the relationship of the body with its world. In his paintings, Putu sees that culture always constructs an individual, showing the form of a person's relationship with his world. Freud's Psychoanalysis on libido, there is a form of individual freedom to actualize themselves that is always limited by rules, values, and norms. Putu's work depicts efforts to break free but are still burdened by social considerations. This study on the painting is to spur the spirit of creating art and enrich new discourses in the Indonesian visual arts world
Pemahaman Desain Produk dengan Pendekatan Sejarah Desain dan Peran Desain
History says that design is actually rooted in artistic activities that have grown towards one sphere of culture in its essence to another: the means of everyday human life. When historical descriptions state that the primitive people make cangulals as a tool that is a transformation of the extension of the hand: often questions about design, art or technology. Design is challenged to have to engage in a variety of cultural weather. As with technology, design is required to immediately formulate the situation in line with the development of other cultural sectors. The construction of the Bauhus in Germany, with the prophecy of Walter Gropius, is considered a milestone in the development of modern design history. The basic philosophy of the Bauhaus departs from the idea that the methods of industrial production of the 19th century have led to the disregard of the relationship between the process of design and handicraft or the ability of the hand, the unity between the creator and the product is broken. In fact, the influence, the Bauhaus principles that later evolved into an International style, were not the product of experiments produced by the instructors (Meister) and his students, but the methodology of visual arts education and the design methodology that he taught. The fundamental role of a designer will never change, but what will change is his commercial situation. Technology, research, and manufacturing techniques of different products drive manufacturers to produce similar items. Keywords: History; Product Design; Design Rol
TUNAS BAMBU DALAM KARYA KERAMIK
Bamboo shoots are plants that grow at the base of a bamboo clump filled with gluggut (bamboo hair) which when touched the body feels itchy. Bamboo shoots have a unique and varied shape, there are small, large, straight, curved, and others. The characteristic shape of bamboo shoots is that they are round and tapered (cone) so that this bamboo plant is very attractive as a work of art using ceramic media.The method of creating bamboo shoots in ceramics goes through three stages, namely the exploration stage is to find sources of reference data for writing books, journals, web and direct data in the field. The design stage is making pictures of ceramicworks into alternative sketches and selecting sketches to be used as designs for works of art, the embodiment stage is the process of embodiment of the work that has been designed into a work of art using Earthenware clay as the main ingredient,tools, techniques, both massage, slab , rotate, so as to produce work entitled always, useful, proud, my wish and my hope
BATIK TULIS UBA DI SMKN 8 PADANG
Uba is one of the natural dyes derived from the bark of salam, besides being used as a dye and preserving fish nets, uba can also be used to dye fabrics in batik. This article aims to introduce batik using uba dye and the presence of uba is expected to add to the collection of the diversity of natural batik dyes in Indonesia. This research method is qualitative with descriptive research type. The dyeing was carried out three times using alum fixation, lime and tunjung. Fixation using alum produces a lighter color close to the base color, lime produces a light yellowish color and tunjung produces colors that tend to be dark brown and dark. The longer the soaking and dyeing process, the darker the color of the fabric and the resulting classic and attractive color. Success in the manufacture of uba dye depends on the concentration of the solution, the fixation used, high artistic taste and special care.ABSTRAK Uba merupakan salah satu pewarna alam yang berasal dari kulit batang salam, selain digunakan sebagai pewarna dan mengawetkan jala ikan, uba juga dapat digunakan untuk mewarna kain pada batik. Artikel ini bertujuan untuk memperkenalkan batik dengan menggunakan pewarna uba dan kehadiran uba diharapkan bisa menambah koleksi dari keanekaragaman pewarna alam batik yang ada di Indonesia. Metode penelitian ini adalah kualitatif dengan jenis penelitian deskriptif. Pencelupan dilakukan sebanyak tiga kali menggunakan fiksasi tawas, kapur dan tunjung. Fiksasi menggunakan tawas menghasilkan warna yang lebih muda mendekati warna dasar, kapur menghasilkan warna yang terang kekuningan dan tunjung menghasilkan warna yang cenderung cokelat tua dan gelap. Semakin lama proses perendaman dan pencelupan maka warna kain semakin pekat dan warna yang dihasilkan klasik dan menarik. Keberhasilan dalam pembuatan pewarna uba tergantung pada konsentrasi larutan, fiksasi yang digunakan, cita rasa seni yang tinggi serta perawatan khusus
DAWET BAYAT DAN POHON AREN DALAM BUSANA VINTAGE
The creation of this Final Project is titled “Dawet Bayat and Palm Trees in Vintage” is a from of ideas and appreciation developed by individuals with the aim of understanding the concept of making batik motifs by taking a dawet Bayat idea. The process and embodiment of batik works with dawet Bayat batik motif with remasol color substances, which are processed by individuals to create batik that has an aesthetic value and feelings from the author conveyed to the connoisseur of work, and as well as being the urge to keep the author. Dawet Bayat and plam trees are the art value in a work of batik motif can be channeled directly to the community, especially the people in the Bayat area. Everything is poured directly by the author into Batik art works and visual art to be a work that is acceptable to the public, and the creation of batik works that have difference from batik spread in Indonesia. The media used in fashion is the cotton cloth. This work realization process uses a method of creation that can help the process of work. Creation methods include data collection, data analysis, work designer, and labor embodiment. In the embodiment this final task, it makes 4 works, the entire collection of works is called “Dawet Wigunani” which is inspired by the Dawet Bayat and palm tree