Journal Online ISI Padangpanjang
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The Application of Virtual Reality (VR) in the Contemporary Dance Work “Sabitah Eternity”
Get PDF Penerapan Virtual Reality (Vr) dalam Karya Tari Kontemporer “ Sabitah Eternity ” SABITAH ETERNITY's work is a dance work that tries to be a bridge to connect education to the audience watching this work. The aim is to increase theaudience's sense of empathy and social towards those who are trying to adapt to an era that is often considered an issue that until now is still not very popular. is heavily questioned as a complicated social phenomenon, in this case the Talang Mamak tribe and its Bedukun Balai Terbang treatment rituals. The artist tries to convey how the Talang Mamak people and their healing rituals can go through various situations and conditions towards modern times and adapt in it. This is for the sake of the continuity of culture and community groups, as well asphase of change and response of the Bedukun Balai Terbang ritual performers. In this case the negotiating body of tribal society towards the present era. The use of expression and technology as a medium of communication means that we never know what everyone is feeling. The use of Virtual Reality technology is something new in a form of dance performance that conveys a lot of the content that the artist wants to convey. ABSTRAKKarya SABITAH ETERNITY salah satu karya tari yang mencoba menjadi jembatan penyambung edukasi terhadap audience yang menyaksikan pertunjukan karya ini, bertujuan agar dapat meningkatkan rasa empati dan sosial penonton terhadapmereka yang sedang mencoba beradaptasi dengan zaman yang sering dianggap sebagai isu yang sampai saat ini masih tidakterlalu gencar dipermasalahkan sebagai fenomena sosial yang rumit, dalam hal ini suku Talang Mamak dan ritualpengobatan Bedukun Balai Terbangnya. Pengkarya mencoba menyampaikan bagaimana masyarakat Talang Mamak dan ritual pengobatannya dapat melewati berbagai situasi dan kondisi menuju masa modern dan beradaptasi di dalamnya. Hal itu demi keberlangsungan budaya dan kelompok masyarakatnya, serta fase perubahan dan respon pelaku ritual BedukunBalai Terbang. Dalam hal ini negosiasi tubuh masyarakat suku terhadap era sekarang. Penggunaan ekspresi dan teknologisebagai media komunikasi, bahwa kita tidak pernah tau apa yang dirasakan setiap orang. Penggunaan teknologi Virtual Reality menjadi suatu hal baru dalam suatu bentuk pertunjukan tari yang banyak menyampaikan isi yang ingin disampaikan pengkarya.
Joget Bontek Dance of the Asli Tribe in Tanjung Padang Village, Meranti Regency, Riau Province
Get PDFMeranti district community consists of a variety of ethnic groups, including Melayu, Tiong hoa, Minang, and others. One of the tribes that still exists in Meranti district is Asli Tribe. Asli Tribe has numerous arts that flourish and develop in their culture. The art that exists in Asli Tribe is Joget Bontek dance, Joget Bontek is a dance of joy and entertainment that is usually performed at wedding receptions, circumsicion ceremonies, welcoming guests, and others. Joget Bontek dance is comprised of dance movements, floor patterns, music, dynamics, themes, makeup and costumes that combined, make Joget Bontek dance become more interisting. To obtain accurate and precise data, the author uses analysis descriptive method using qualitative data. Data collection techniques in this research using non-participan observations, guided interviews, documentation using camera to take photographs and recordings of Joget Bontek dance in an effort to strengthen the research results obtained from secondary sources
Penerapan Teknik Komposisi Musik CONCRETE pada Karya Musik OUR SONG dengan Konsep Soundscape
Get PDFTujuan penggarapan karya musik ini adalah untuk menerapkan teknik komposisi musik concrete pada karya musik multimedia Our Song (Musik Concrete dengan Konsep Soundscape). Selama penggarapan pengkarya menggunakan metode yang dikemukakan oleh Alma M. Haukins, yaitu terdapat tiga metode di yaitu; (1) Exploration{eksplorasi}, (2) Improvisation{percobaan}, dan (3) Forming{pemvbentukan}(Gustami, 2004: 13-15).Karya ini menceritakan tentang kehidupan sehari-hari para pasien yang mengidap depresi antara pasien yang sudah melewati masa terapi dengan pasien yang memasuki wilayah RSJ dengan tingkat emosi yang masih belum stabil, terbagi dari 3 bagian dan introduction yang masing masingnya menginterpretasikan emosi dan suasana dari karya tersebut. Pada bagian pertama berisikan suasana keseharian yang tentram dan damai dari para pasien yang sudah melewati masa terapi dengan alunan musik yang berasal dari sound samples para pasien untuk mendukung suasana dari bagian pertama tersebut. Pada bagian kedua berisikan suasana para pasien yang baru memasuki wilayah RSJ dengan perasaan diiringi track audio para pasien yang mengeluarkan suara-suara yang menggambarkan depresi mereka. Pada bagian ketiga berisikan suasana para pasien yang sudah tidak kuat denga napa yang mereka alami dengan iringan musik yang mendukung suasana, lalu di akhiri dengan track audio pasien yang mengatakan bahwa hidup cukup dijalani saja. Pengkarya mengolah ekspresi musik melalui proses kreatif pada penggunaan teknologi yaitu dengan software Digital Audio Workstation yang melibatkan pemakaian VST, dan Plugin bawaan dari software tersebut. Sebagai hasil output diperdengarkan dengan pengaplikasian dari teknik stereo sound. Kata Kunci : Concrete, Soundscape, Depresi
RELASI MUSIK DAN SAWER DALAM PERTUNJUKAN DANGDUT NEW MONATA
Get PDFThis research is motivated by sawer activities in the New Monata dangdut music performance space. Sawer and dangdut music have a close relationship as performing arts. What we want to explain in this article is how saweran occurs in New Monata dangdut music performances and what the relationship is between music and saweran activities. This research was conducted using qualitative methods with stages of observation, interviews, document study, data presentation, data analysis, and drawing conclusions. Based on the analysis, it was found that the saweran activity in the New Monata dangdut music performance was carried out during the song. The act of nyawer is a reflective (spontaneous) and non-reflective (planned) action of the audience. Sawer is part of the reaction to the action of New Monata's dangdut music presentation. The relationship between music and sawer is a cause and effect relationship. The action of New Monata's dangdut music is the cause, the audience's reaction is the effect. Action and reaction are a natural phenomenon in a dangdut performance, music as action, and sawer as reaction
SONGKET UNGGAN KARYA DITA HARPENI DALAM FOTOGRAFI FASHION
Get PDFPenciptaan Karya ini dilakukan dengan proses yang kompleks. Motif songket unggan dalam nuansa glamor adalah sumber inspirasi penciptaan karya seni karena memiliki makna yang menarik. Songket unggan memiliki dua motif yaitu unggan saribu bukik dan lansek manih. Kedua ornamen motif tersebut memiliki makna kekompakan dalam kerja sama, kegigihan dan keinginan untuk maju. Proses penciptaan karya seni ini dilakukan dengan tiga tahap sebagai proses penciptaan karya yaitu eksplorasi, perencanaan, dan perwujudan yang menjadi langkah utama dalam penciptaan karya ini. Eksplorasi merupakan tahap awal untuk menggali sumber ide berupa trend fashion terkini dan mendalami filosofi songket itu sendiri. Fotografi fashion itu sendiri merupakan jenis foto yang menampilkan berbagai mode pakaian yang terkait dengan gaya hidup. Metode kedua yaitu perencanaan\yang merangkum tentang rancangan desain berupa project release untuk rancangan dalam tahap pemotretan. Metode ketiga yaitu perwujudan karya, dalam hal ini pengkarya mewujudkan ide, konsep, gagasan, dan rancangan menjadi karya busana dalam wujud yang sebenarnya. Konsep dari visual songket unggan ini merupakan gambaran baru untuk memperkenalkan kepada masyarakat dalam menciptakan busana-busana yang elegan dan modern namun tetap mempertahankan nilai filosofi yang terkandung dengan menggunakan teknik pencahayaan.
ANAK BERKEBUTUHAN KHUSUS DI SLBN 1 LIMA KAUM DALAM FOTOGRAFI DOKUMENTER
Get PDFObjek penciptaan karya Tugas Akhir ini membahas tentang Anak anak Berkebutuhan Khusus di Sekolah Luar Biasa Negeri (SLBN) 1 Lima Kaum Kabupaten Tanah Datar. Penciptaan karya ini didasari oleh pengalaman pribadi terhadap ketertarikan mengetahui lebih dalam bagaimana anak-anak berkebutuhan khusus belajar di sekolah mereka. Serta untuk mengabadikan aktivitas keseharian mereka saat di sekolah melalui karya fotografi dokumenter. Dengan diciptakan karya ini, diharapkan masyarakat dapat melihat sebuah realita yang ada. Penciptaan karya foto ini menggunakan teori fotografi dokumenter. Fotografi dokumenter merupakan gambaran dunia nyata yang divisualisasikan oleh fotografer dengan maksud untuk menyampaikan sesuatu yang penting sehingga dapat dipahami oleh kalayak umum. Sedangkan metode pengambilan karya yang digunakan adalah metode edfat. diantaranya ada Entire, Detail Frame Angle, dan Time. Hasil karya ini berupa 21 karya yang menceritakan kehidupan anak-anak berkebutuhan khusus di SLBN 1 Lima Kaum, yang merujuk pada judul Anak Berkebutuhan Khusus di SLBN 1 Lima Kaum dalam Fotografi Dokumenter pada Fotografi Dokumenter.
Perancangan Mini Akuaponik Portable untuk Meningkatkan Ketahanan Pangan Secara Mandiri Dimasa Pandemi Covid-19 di Lingkungan Rumah
Get PDFThe COVID-19 pandemic, which forced people to stay at home, has sparked a new culture of gardening in home yards with organic vegetables. As the pandemic continues, we have plenty of free time to stay at home. To relieve boredom, one alternative we can do to make use of this free time is by optimizing our home yards as a source of family food supply. Thus, even though outside activities are still limited, the nutritional needs of the family are still met. Consuming vegetables from our own garden is relatively safer and simultaneously provides a solution for household-scale food fulfillment, which is cost-effective and easy to implement. According to Minister of Agriculture Syahrul from the BKP of Agriculture, gardening activities are one of the strategies in maintaining food security, especially during the COVID-19 pandemic and in facing the dry season. Minister Syahrul has even urged local government leaders to encourage the use of home yards as a source of family food supply, because national food security starts from family food security. The creation of Mini Portable Aquaponics. Aquaponics is an alternative method of growing plants and raising fish within the same container. It is a process where plants utilize nutrients derived from fish waste, which if left in the pond would become toxic to the fish. The plants then function as a vegetation filter that breaks down these toxic substances into harmless substances for the fish, and supplies oxygen to the water used to sustain the fish. With this cycle, a mutually beneficial cycle occurs and for those of us implementing it, it is certainly very advantageous, as the land used is not too extensive
Community Response to the Existence of Mural Artwork in Gampong Peunayong, Banda Aceh City
Get PDFMural art is a work of fine art that is depicted on a large, flat medium, such as the wall or ceiling of a room. Murals first appeared as a means of aspiration during the Indonesian war for independence. At that time, the street walls were covered with various kinds of critical and satirical murals. This research activity was carried out in Gampong Peunayong, Banda Aceh City. This research aims to find out how traders and the local community react and respond to the existence of murals on the walls of Gampong Peunayong buildings. In terms of examining research objects and subjects, researchers use qualitative research methods, which discuss descriptively the entire data obtained during the research. As a supporting tool, researchers used Clive Bell's Form Theory to examine the shapes in the murals in Gampong Peunayong briefly. The research method used is qualitative research. This research aims to find out how the local community that lives around the murals exists and examine information about the murals depicted on the walls of Gampong Peunayoung. Based on the results of research in the form of explanations and responses from the community regarding the existence of murals in Gampong Peunayong, some people accept and are happy with the presence of murals in their environment, especially traders at the Peunayong market. However, some others did not like the visual mural that was presented. The impact of murals on the economic growth of traders at Peunayong Market is also not really felt; whether or not there are murals, traders still have customers
Cunduk Mentul sebagai Inspirasi Motif Kain dengan Teknik Laser Cutting pada Penciptaan Ready to Wear Deluxe Bergaya Romantic Edgy
Get PDFCunduk mentul, better known as kembang goyang, is an original Indonesian headdress accessory that symbolizes the blessing of female beauty in the hope of being able to face life wisely. The younger generation does not know the meaning and philosophy of this local wisdom, so there is a need to preserve this cultural heritage. This work aims to create a romantic edgy style deluxe ready to wear fashion with laser cutting technique inspired by the cunduk mentul motif. The shape of cunduk mentul is transformed into a fabric motif with laser cutting technique applied to ready to wear deluxe in romantic edgy style. The methods used are exploration, design, and realization. The hope of this work is to add to the diversity of motif designs and works of Indonesian fashion as well as to add insight and a sense of concern for the younger generation towards the preservation of cunduk mentul accessories. The results of the work were realized in six deluxe ready to wear fashion looks presented in the Fashion Show Jogja Fashion Parade (JFP) 2024
Bentuk Penyajian Kesenian Didong Grup Musara Bintang di Desa Linung Bulen II Kecamatan Bintang Kabupaten Aceh Tengah
Get PDFThis research is entitled "Forms of Presentation of the Didong Arts of the Musara Bintang Group in Linung Bulen II Village, Bintang District, Central Aceh Regency". The author examines the form of presentation of Didong art by the Musara Bintang Group in Linung Bulen II Village, Bintang District, Central Aceh Regency. The research method used is a descriptive qualitative approach. Data obtained in the field used observation, interview and documentation techniques.The theory used in this research is the presentation theory from Djelantik's theory which states that form is the basic element of manifestation. In the form of presentation, it means that form is a fundamental element of a performance. These elements include artists, musicians, seating formation, movement, songs presented, costumes, performance venue, and audience. Based on the results of research in presentation, Didong art is played by 15 people consisting of: 1 Ceh Apit (Ceh Companion), 1 Main Ceh, and 2 Penepok Pumu and 2 Penepok pillow splits, each of which acts as a pillow act, split pillow , and 9 players who act as penepok/penunung (followers). The Didong art performance consists of 9 stages, for the costumes the players wear black unity t-shirts with the words "Musara Bintang" written on the chest and wear a headband called Jembolang