Journal Online ISI Padangpanjang
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    Perancangan Media Informasi Augmented Reality Wihara Kstigarbha Bodhisattva Tanjungpinang

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    Ksitigarbha Bodhisattva Temple is a place of Buddhist worship and has become a religious and cultural tourist spot in the Riau Islands, Tanjungpinang. The statues at the Ksitigarbha Bodhisattva Temple only display information in Mandarin, even though the tourists who visit there mostly come from outside the area, not even just Buddhists. From interviews with visitors who came to the temple, they stated that apart from getting interesting photos, they also wanted to know what the Ksitigarba Bodhisattva Temple was like. However, due to the lack of communicative information, tourists do not know the information written in Mandarin. So "Designing Augmented Reality Information Media for the Ksitigarbha Bodhisattva Tanjungpinang Temple" was created. The data collection methods used were observation, interviews and literature study. The data analysis method used is SWOT and is aimed at a general target audience of all ages who like to seek new insights and also people who like to visit cultural and religious tourist attractions. After collecting these data, we proceed to the brainstorming stage of creating the work, namely compiling visual and verbal concepts on the designed information media. The results of this design are in the form of Augmented Reality, infographics, e-books, merchandise

    Strategi Pengembangan Terhadap Pelayanan Di Desa Wisata Keranggan Terkait Kepuasan Pengunjung

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    Keranggan Tourism Village is a tourist village that has great potential as a leading tourist destination in Indonesia. However, these tourist destinations each have many challenges that need to be developed further in order to attract the attention of tourists as part of supporting efforts to satisfy visitors. This research aims to identify effective development strategies in increasing the satisfaction of tourists visiting the Keranggan Tourism Village. The research method used is a qualitative approach with data collection techniques through in-depth interviews, observation and literature study. The research results show that infrastructure development, improving the quality of services developed through elements of the Sapta Pesona aspect, appropriate promotional strategies, managing tourist attractions, and active involvement of local communities are key factors in increasing visitor satisfaction. It is hoped that the holistic implementation of interrelated strategies can boost the attractiveness of the Keranggan Tourism Village and make it a sustainable and highly competitive tourist destination

    Pengembangan Seni Pertunjukan untuk Pembangunan Nagari Pariwisata: Studi Kasus Festival Pasa Harau

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    This article is intended to describe the development of performing arts in the tourism industry, with the material object of study being the Pasa Harau Festival in the Harau Valley, 50 Kota Regency, West Sumatra. Using the involved observation method and descriptive analysis approach, this paper describes the following: background; process; and the results of the development of performing arts for tourism purposes in that location. Research shows that tourism development in Nagari Harau is the basis for nagari development in general, because tourism is the greatest potential it has. The development of performing arts is an effort to complement the existing tourist attractions, namely natural beauty. This need then brought together various stakeholders who were then institutionalized into the Harau Valley Community and the Bintang Harau Learning Studio. The forms of performing arts development that are carried out produce works in the form of creative dances and popular musical art performances. These various works are displayed in two designed programs. Musical works are displayed through a program called Haraukustik; while contemporary performing arts are accommodated in a program called Harau Performing Arts (HarPa)

    Motif Harimau Sumatera pada Sepatu Kulit

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    Harimau Sumatera (Panthera Tigris Sumatrae) yang hidup secara alami hampir di seluruh bagian pulau Sumatera. Harimau dalam ekosistem adalah salah satu indikator penting ekosistem yangsehat. Rusaknya ekosistem tidak hanya berdampak pada kepunahan harimau, tetapi juga hilangnyakeanekaragaman hayati dalam ekosistem tersebut. Kepunahan Harimau Sumatera menjadi ide untukmelestarikan hewan yang dilindungi ini melalui karya seni. Metode yang digunakan dimulai daritahap exsplorasi, perencanaan, dan perwujudan. Harimau Sumatera yang akan di visualkan menjadimotif yang terdapat pada sepatu kulit. Penciptaan karya menggunakan bahan kulit samakKrom,Kulit samak Bulu,tapak sepatu dan bahan pendukung lainnya, dengan teknik jahit mesin,teknik solder Phyrografi, dan pembuatan motif menggunakan mesin grafir. Jenis sepatu yangdiwujudkan adalah: Derby Shoes, Loafer Shoes, Chelsea Shoes, Dress Boot Shoes, Desert Shoes,Chukka Boot shoes, dan Blucher Shoes. Sepatu ini digunakan oleh laki- laki dan perempuan dewasaberusia 20- 50 tahun. Sepatu ini bisa dipakai ketika menghadiri acara pernikahan, menghadiri acaraformal, dan ketika di tempat umum. Karena karya sepatu ini memilih desain yang elegan, mengikutitrend anak muda, dan mempertimbangkan desain yang cocok digunakan untuk kelompok umur tua.

    The Novel "Anak Rantau" by A. Fuadi as an Idea for Creating Illustrations

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    This article discusses illustrations from the novel "Anak Rantau" by A. Fuadi which is intended as a solution and to minimize the problem of teenagers' reading interest (literacy) and moral crisis using illustration images that are able to motivate teenagers to start reading. By presenting illustrations from the novel "Anak Rantau" by A. Fuadi, teenagers will be interested in understanding the contents of the novel so that the resulting output is moral in accordance with the ethical values taught by the novel. The type of illustration used is digital illustration, as a form of development of digital-based illustration techniques in this era of globalization. The technique used is a manual combination technique which is executed with the help of the Medibang application to digitize it. Pen, waercolour, an oil pastel is a type of pen used for sketching, coloring and final finishing which will be poured on digital paper measuring 40 x 60cm. Based on this discussion, it can be concluded that this work is in the form of illustration as an alternative solution that exists through an approach method with illustration work as a trigger to improve the quality of reading and ends with improving morals in teenagers

    Fungsi properti dalam mendukung suspense adegan fighting film the night comes for us sutradara timo tjahjanto

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    Film merupakan sebuah media berbasis teknologi yang digunakan sebagai penyampaian suatu ide, pesan dan gagasan pencipta untuk disampaikan kepada penonton. Film The Night Comes For Us menggunakan genre Action, Mystery, dan Thriller dengan tujuan utama yaitu memberi rasa ketegangan, penasaran, dan ketidakpastian pada penonton. Pesan moral yang ingin di sampaikan pada film ini yaitu bahwa siklus kekerasan ini sulit untuk dihentikan, dan sering kali berakhir dengan konsekuensi yang merusak bagi semua yang terlibat. Film The Night Comes For Us, penulis mewujudkan penata artistik dari segi penataan seting dan properti. Tata artistik pada karya film ini, didukung dengan teori mise en scene terutamanya suspense. Perancangan tata artistik dimulai dari mengkonsep seting dan properti. Proses dari penelitian karya film ini dilakukan dengan tahap pencarian data yaitu melakukan riset wawancara dengan Iqbal Marjono selaku Art Director dan Sahny Pratama selaku Graphic Designer untuk mendapatkan informasi tentang fungsi properti dalam mendukung ketegangan. Selain itu, tahap pencarian data juga dapat melalui studi kepustakaan yang diperoleh dari jurnal dan buku. Artistik pada film The Night Comes For Us menerapkan konsep seting dan properti yang memperlihatkan unsur kehidupan keseharian di kota

    RITUAL PENERIMAAN ILMU BATIN DARI NENEK MOYANG MENJADI KATORON

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    The traditional culture in Koto Baru village is still very strong, including the culture of transforming inner knowledge to the lineage, which is called Katoron. Katoron is a person who has a lineage from ancestors who had inner knowledge (shamans). Some people in Koto Baru village still believe in treatment through a shaman. In this work entitled "Katoron in healing events" namely people who become lineages to obtain mystic rituals by experiencing several ritual processes determined by their ancestors. The creation methods used are data collection, exploration, improvisation, formation and evaluation. The work "Katoron in a healing event" is supported by 7 dancers consisting of 4 female dancers and 3 male dancers. Part I: Describes someone who is dreaming in his sleep, so he wakes up from sleep and feels something uncomfortable in his body. The atmosphere presented is anxiety, fear and anxiety. Part II: Describes someone seeking treatment from an intelligent person (shaman), using ritual processions and the community's response to someone who is sick. The atmosphere presented is tense and anxious. Part III: Describes the ritual procession of preparing the tools, so that in the end he receives this inner knowledge. The atmosphere presented is a tense atmosphere

    TARI KEJAI DI SANGGAR PINANG BELAPIS KABUPATEN REJANG LEBONG PROVINSI BENGKULU DALAM KAJIAN ESTETIKA

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    This study aims to discuss the aesthetics contained in the Kejai dance in the Pinang Belapis Studio, Rejang Lebong Regency, Bengkulu Province. The method used in this study is a qualitative research method that uses descriptive analysis in accordance with the problems formulated. All data obtained, both written data and data in the field, are then described and analyzed according to the research problem. To discuss all the problems, Nyoman Khuta Ratna used aesthetic theory along with a companion theory to discuss the form and content of the Kejai dance by A.A.M Djelantik. Regarding the form, the opinion of Y. Sumandyo Hadi is used. Kejai dance is a dance that lives and develops among the people of Rejang Lebong Regency, one of which is in the Pinang Belapis Studio. The results showed that the aesthetics contained in the Kejai dance at Pinang Belapis Studio lies in the form of the performance in the form. The aesthetic value contained in the Kejai dance at Pinang Belapis Studio is not only seen from the form of beauty but also has a good value in the form of the performance

    Praktik Studio Sebagai Metode Penciptaan Monodrama Nasib Sial Seorang Badut

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    Pemeranan tokoh badut dalam monodrama membutuhkan pendekatan mendalam untuk menciptakan karakter yang kuat. Dalam lakon monodrama"Nasib Sial Seorang Badut" karya Agus Noor, kisah seorang badut yang menghadapi berbagai tantangan hidup diwujudkan dengan menggunakan metode praktik studio. Dalam praktiknya, penelitian ini bertujuan mengeksplorasi berbagai kemungkinan yang didapatkan dalam proses praktik tersebut. Menggunakan tahapan studi pustaka, pengumpulana data, pengolahan data dan praktik studio, emphasis kekaryaan menekankan studi acting realisme dan kolaborasi teknologi media sebagai kekuatan kekaryaan

    URANG SIAK: PERTUNJUKAN SENI RELIGIUS DALAM UPACARA DIKIA MULUIK KECAMATAN BATIPUH

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    Keberagaman budaya masyarakat lokal terlihat dari kekayaan seni budaya masyarakat, diantaranya pada kesenian Dikia Muluik (Dzikir Maulid). Kegiatan ini membutuhkan peran Urang Siak. Urang Siak merupakan sebutan bagi seseorang yang mengabdikan dirinya dalam mendalami ajaran islam dan berperan penting dalam Pendidikan religi di surau, menjadi imam masjid serta patokan atau guru bagi masyarakat sekitar dalam mendalami ajaran islam. Penelitian ini bertujuan untuk mengetahui sejauh mana peran Urang Siak di dalam kegiatan Dikia Muluik di Nagari Sabu Kecamatan Batipuh Kabupaten Tanah Datar. Metode yang dipakai dalam penelitian ini adalah kualitatif, melalui pengumpulan data yang di lakukan dengan observasi dan wawancara serta di dukung dengan analisa dan pengujian data. Hasil yang dicapai dari penelitian ini, yaitu menjelaskan bahwa peran Urang Siak memang sangat esensial dalam kehidupan masyarakat dapat juga dilihat dari kuatnya peran Urang Siak sebagai tokoh kharismatik, berkedudukan status sosial tinggi sebagai imam masjid, pemimpin ritual agama, mediator penengah dalam masyarakat, sebagai ulama, penceramah agama dan penjaga tradisi budaya. Hasil penelitian inilah yang kemudian disusun dalam bentuk skripsi. Kata Kunci: Urang Siak, Seni Religius, Dikia Muluik, Nagari Sab

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