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Poetics of Momin Khan Mimin: مومن خاں مومؔن کی منفرد شعری بوطیقا
No full textIn this paper, a detailed light has been thrown on the unique style and poetic characteristics of the famous ghazal poet Hakeem Momin Khan Momin of the 19th century. Unlike his contemporaries, Momin set a different path for his poetry. He is a poet of beauty and love and through this specific subject, he added to the field of Urdu ghazal and in the era of poets like Zouq and Ghalib, got a distinguished position.
Reference:
Momin Khan Momin, Kulliyat (Jild Awwal), Lahore: Majlis Taraqqi Adab, 1964, p. 212
Zaheer Ahmad Siddiqi, Professor, Doctor, "Momin Shakhsiyat aur Fan," Delhi: Delhi University, Taba Awwal, 1972, pp. 182-183
Niaz Fatehpuri, Allama, "Intiqadiyat" (Hissa Awwal wa Doim), Karachi: Halqa Niaz-o-Nigar, 1996, p. 140
Kalb Ali Khan Faiq Rampuri, "Momin Halat-e-Zindagi aur unke Kalam par Tanqeedi Nazar," Lahore: Majlis Taraqqi Adab, Bar-e-Awwal, 1961, p. 342
Momin Khan Momin, Kulliyat (Jild Awwal), Aeezan, p. 207
Aeezan, p. 175
Idrees Siddiqi, "Urdu Shairi ka Tanqeedi Jaiza," Karachi: Sir Syed Book Company, Ishaat Awwal, 1971, p. 170
Momin Khan Momin, Kulliyat (Jild Awwal), Aeezan, p. 35
Rasheed Hassan Khan, "Momin ki Paicheeda Bayani" Mashmooa Risala Ghalib Nama, Momin Number, Jild 7, Shumara 2, New Delhi: Ghalib Institute, 1985, p. 47
Momin Khan Momin, Kulliyat (Jild Awwal), Aeezan, p. 40
Farzand Ahmad Safeer Bilgrami, Syed, "Tazkirah Jalwah-e-Khizr," Aligarh, Book Centre, Ishaat-e-Saum, 2016, p. 240
Noor-ul-Hasan Hashmi, Doctor, "Adab ka Maqsad," Lucknow, Hindustan Kitab Ghar, 1956, p. 97
Momin Khan Momin, Kulliyat (Jild Awwal), Aeezan, p. 119
Aeezan, p. 36
Aeezan, p. 60
Imdad Imam Asar, Syed, "Kashif-ul-Haqaiq," New Delhi, Taraqqi Urdu Bureau, 1982, p. 224
Momin Khan Momin, Kulliyat (Jild Awwal), Aeezan, p. 127
Nazir Ahmad, Professor, "Momin Khan Momin: Hayat wa Shairi," New Delhi: Ghalib Institute, December 1991, p. 69
Momin Khan Momin, Kulliyat (Jild Awwal), Aeezan, p. 227
Aeezan, p. 146
Zaheer Ahmad Siddiqi, Doctor, "Momin Shakhsiyat aur Fan," Aeezan, p. 183
Momin Khan Momin, Kulliyat (Jild Awwal), Aeezan, p. 168
Aeezan, p. 149
Aeezan, p. 151
Rasheed Hassan Khan, "Momin ki Paicheeda Bayani," Mashmoola Ghalib Nama, Momin Number, Jild 7, Shumara 2, New Delhi: Ghalib Institute, 1985, p. 36
Momin Khan Momin, Kulliyat (Jild Awwal), Aeezan, p. 23
Aeezan, p. 42
Aeezan, p. 161
Syed Abdullah, Doctor, "Kulliyat-e-Momin," Lahore: Majlis Taraqqi Adab, Taba Awwal, July 1964, p. 40
Momin Khan Momin, Kulliyat (Jild Awwal), Aeezan, p. 227
Aeezan, p. 60
Aeezan, p. 44
Aeezan, p. 232
Aeezan, p. 23
Aeezan, p. 3
Text Editing: A Comparative Analysis of Some Important Texts: تدوین متن:چند اہم متون کا تقابلی جائزہ
No full textEditing refers to arranging the text according to the author's intention and identifying the modifications and distortions in it and restoring the text to the state in which the author himself wrote it with the help of other authentic texts and evidence. The main thing is the text. The quality of criticism and research depends on the accuracy of the text. If seen in this sense, the importance of editing becomes clear. The rules and regulations of editing are not scientific and universal in nature. Amendments may be made. In the research study of Urdu language and literature in the first half of the 20th century, the names of Hafiz Mahmood Sherani Mudavvan "Majmua e Naghz", Imtiyaz Ali Khan Arshi Mudavvan "Dewan Ghalib" and Rasheed Hassan Khan Mudavvan"Bagh-o-Bahar" are found. These important authors of Urdu have edited different types of texts and tried to explain the principles and procedures of editing in their prefaces. While reviewing, comparisons will be made so that general principles of editing different types of texts can be brought out.
References:
Ahmed Raza, Mutrjm: Hindustani Matani Tanqeed ka taruf, Lahore: Kitab Mahal, seen noon, P.79
Karim Uddin Ahmed, Tareekh Shu'ara Urdu, Bahawala: Debacha -e-Murtab,Hafiz Mehmood Sherani,Majmua-e-Naghz,Dehli: Taraqqi Urdu Board,1973,P.Laam
Farman Fatehpuri, Dr. Urdu Shu'ara ke Tazkire aur Tazkira Nigari,Lahore:Majlis Taraqqi Adab,1972, P.11
Ibid P.11
Imtiyaz Ali Khan Arshi,Muqadma,Dewan-e-Ghalib,Lahore:Majlis Taraqqi Adab,1992,P.75
Ibid
Ibid
Rasheed Hassan Khan,Muqadma,Bagh-o-Bahar,Nai Dehli:Anjuman Taraqqi Urdu Hind,1992 ,P.4
New dimensions of urdu short stories: Afsancha and Flash Fiction: اردو افسانہ کی نئی جہات:افسانچہ اور فلیش فکشن
No full textIn the modern era, many stories are coming out. New forms of fiction are in accordance with the contemporary requirements and are trying to make their place in Urdu literature. The experiences of fiction, microfiction, flash fiction, etc. Are becoming a part of Urdu literature. From what point of view these experiments of short fiction with long fiction are being seen and how literary is the artistic and intellectual landscape of the writers who are involved in this trend. In this research article, an attempt has been made to evaluate that the How important role are contemporary requirements playing in presenting new trends in literature?
Reference:
Urdu mein mini afsana, Amina Afreen, Hyderabad, India: Mairaaj publication, September2009, page number17.
Flash kahani, Aaj ki kahani, Qasim Yaqoob , online adbi Website, aik rozen,14feb, 2017.
Siyah hashiy, Saadat husn manto, Lahore: Maktaba Jadeed L, 1948, ashaat awwal, page number16.
Afsanchy ki riwayat, Dr. Aslam jamshed poori, online Website, taameer news, 14 October 2016.
Mahana risala, shayar Bombay India,AbbasKhan, decemeber 2007, shumara number 12, jald number78,page number20
shakar paaray, Mubasher Ali zaidi, Karachi: A G printing sources, feb 2014,page number, 55
Syed Majid Shah, Faisal abad: Misaal publishers, 2018, page number, 52
Adbi conference Aurang Abad, online Website: G N K Urdu, 5 augst, 2023
Ibid
Ibid
Urdu fiction mein naya takhleeqi mnzrnamha, Muneer Abbas Supra, Lahore: Inhimak international publications, June 2021, page number, 278
Ibid page no.28
Intellectual & Technical Review of Shakeb Jalali’s Verse: شکیب جلالی کے کلام کا فکری وفنی جائزہ
Full text linkShakeb Jalali is the representative poet of the present age. He is mainly a ghazal poet. After independence, it seemed that Urdu ghazal would die but Shakeb is one of the poets who gave new life to it. He uses contemporary themes which make most of his poems famous like proverbs. He had a short life span but he gave ghazal a new form. He is convinced to explain big topics with great simplicity. He spent all his life in depression; even then the element of despair is less visible in his verse. His ghazals are a great asset of Urdu poetry which would influence the readers forever. His verse is based on innovation presenting an entirely new style. He was convinced to describe his experiences, observations, conditions and internal events with truth and authenticity instead of deception, deceit, and lies. His individuality distinguishes him from the poets of his era through his verse that is intellectually and technically different and the new generation seems to be influenced by it. This article analyses Shakeb’s verse in terms of technique and intellect.
Reference:
Zulfikar Aihsan,Shakeeb jalali aik mutaliya,Rawal pindi: naqash gar publications.2009,p:41.
Riaz Ahmed shad,professor,roshni ka safer,mushmoola: shakeeb jalali fan aur shakhsiyat.muratba: zulfiqar aihsan ,Rawalpindi : naqash gar publications.2009,p:71
Shakeeb jalali,roshni aiy roshni,Lukhnow,maktaba deen o adab 1998,p:44.
Aizan p: 31.
Aizan P:43.
Iqbal Minhaas ,shakeeb ki munfarid ghazal,mushmoola:shakeeb jalali awur fan aur shakhsiyat,muratba:Zulfiqar aihsan ,Rawalpindi: naqash gar publications.2009,p:49.
Shakeeb jalali,roshni aiy roshni,p: 36.
Aizan,P:41.
Zulfikar Aihsan,Shakeeb jalali aik mutaliya,Rawal pindi: naqash gar publications.2009,p:14
Shakeeb jalali,roshni aiy roshni,p:55.
Khawer Ejaz,shakeeb aur chand.mushmoola shakeeb jalali aur fan aur shakhsiyat,p:75.
Shakeeb jalali roshni aiy roshni,p: 73.
Aizan,P:45.
Shams ur Rehman farooqi,marfat shair noo,muratab:syed Irshad Haidr,Haider abad:al insaar publications,2010,P: 232.
Malik javaid abbas,professor,shakeeb jalali aik hassas shair,mushmoola: shakeeb jalali aur fan aur shakhsiyat,p: 136.
Shakeeb jalali,roshni aiy roshni,p: 38.
Aizan,p: 39.
Aizan p: 3
Research & Critical Review of “Dewan-e-Turab” Edited by Dr. M. Sultana Bakhsh: ڈاکٹر ایم سلطانہ بخش کے مدوّنہ”دیوانِ تراب“ کا تحقیقی و تنقیدی جائزہ
No full textDr. Sultana Bakhsh is a prominent scholar in the field of research and textual editing, recognized as an authoritative critic in modern editing practices. Her contributions extend beyond the research and compilation of classical texts, as she has also established principles and standards for contemporary research and editing methodologies. The tradition of Urdu text compilation, initiated in the early 20th century by pioneers such as Maulvi Abdul Haq, Hafiz Mahmood Sherani, Maulana Imtiaz Ali Arshi, Malik Ram, Rasheed Hassan Khan, Dr. Jameel Jalibi, and Dr. Waheed Qureshi, deeply influenced Dr. Sultana Bakhsh. Aligned with this legacy, she demonstrated exceptional skill in applying scientific principles of textual criticism, pronunciation, and orthography. One of the defining characteristics of her work is her meticulous approach to punctuation, enhancing the accessibility and authenticity of classical Urdu texts. Her expertise is particularly evident in her editorial work on Diwan-e-Turab, where her refined techniques and editorial acumen are showcased. This research paper explores Dr. Sultana Bakhsh's editorial methodology, emphasizing her significant contributions to the field of classical Urdu text editing
Three Unpublished Stage Plays of Athar Shah Jodi: A Research and Critical Review: اطہر شاہ جیدی کے تین غیر مطبوعہ سٹیج ڈرامے: تحقیقی و تنقیدی جائزہ
No full textAthar Shah Khan, a renowned Pakistani Urdu comedian, poet, actor, and director, began his career at Radio Pakistan Karachi, where he gained recognition and showcased his talent. He later transitioned into drama writing, creating several successful plays for Pakistan Television, many of which he also acted in. Khan’s work extended beyond television, as he also wrote and directed stage plays for Al Hamra Arts Council Lahore, further establishing his creative influence. These stage plays played a significant role in highlighting his unique style and his contribution to the world of theatre. This paper provides a brief review of three of his unpublished stage plays, offering insight into his distinctive storytelling approach and his impact on the theatrical world.
References:
Irfan Pasha, Dr., "Ya Waftegan": Ataur Shah Khan Jidi, Daily Dunya, Digital Edition, May 9, 2023 (https://dunya.com.pk/index.php/special-edition/2023-05-09/3815)
Interview: Abdul Rehman Umer, "Main Hun Ataur Shah Khan Jidi": Hum Sub, Digital Edition, May 14, 2020.(https://www.humsub.com.pk/318342/abdul-rehman-umer-5)
Ataur Shah Khan, Bewaqoof, Lahore: Handwritten Manuscript, Collection, Alhamra Arts Council Library, March 18, 1973, p. 51.
Ataur Shah Khan, Horn De Kar Pass Karain, Lahore: Handwritten Manuscript, Collection, Alhamra Arts Council Library, October 1978, p. 19.
Advertisement, Daily Jang, Lahore: January 1, 1988.
Muhammad Naveed, The Role of Alhamra Lahore in the Promotion of Urdu Stage Drama, Unpublished Ph.D. Thesis, Department of Urdu, Government College University, Lahore, 2016, p. 189.
Ataur Shah Khan, Andar Aana Mana Hai, Lahore: Handwritten Manuscript, Collection, Alhamra Arts Council Library, 1978, p. 7
A reading of Premchand's Urdu stories in Political, Social, Economic and Rural Contexts: پریم چند کی اُردو کہانیوں کی پڑھت،سیاسی، سماجی، معاشی و دیہی تناظر میں
No full textPremchand is a famous writer of his time and era. Those who have used different dimensions in presenting their works, among which fiction and novels are considered in the forefront. Premchand's speeches on politics are also a basic and important reference, his sermon on the progressive movement is also a comprehensive and detailed document, but he earned his name in fiction writing and is known throughout the subcontinent for the same genre. are recognized. Basically, fiction writing is his real and best identity. It is only through his fiction writing that we can identify each of them as well as our own psychological study of Premchand, keeping in mind his creations. One can study the personality, habits and manners and their lifestyle without looking at the political life as well. In the following article, an attempt has been made to study the social, economic and psychological aspects of the legends written about their villages and shed light on their literary life. This article is also important because it contains important references for new writers
A Critical Study of the Novel “Shahr khali, Kucha Khali”: ناول”شہرخالی،کوچہ خالی“ کا تنقیدی مطالعہ
No full text"Shahr Khali Kocha Khali" is a renowned novel written by Mustansar Hussain Tarar, a prominent Pakistani writer and travelogue author. The novel was first published in 1979 and has since become a classic of Pakistani literature. Tarar's writing evokes a sense of nostalgia for a bygone era while also addressing contemporary issues. "Shahr Khali Kocha Khali" is not just a novel but a commentary on urbanization, societal changes, and the complexities of human relationships. It captures the essence of Lahore's history and culture, making it a significant work in Pakistani literature.
Reference:
1. Nasir Kazmi, Bergine, Lahore: Fazl-e-Haq and Sons Darbar Market, 1992, p. 592. Mustansar Hussain Tarar, Shahr Khali, Kocha Khali, Lahore: Sang-e-Mail Publications, 2020, p. 1233. Issue, Quarterly Literary Magazine, Karachi: October to December 2013, p. 724. Mumtaz Ahmad Khan, Dr., Urdu Novels After Independence, Karachi: Anjaman Urdu Tragqi Pakistan, 1997, p. 1785. Mustansar Hussain Tarar, Shahr Khali, Kocha Khali, p. 726. Ibid, p. 257. Ibid, p. 228. Ibid, pp. 27-289. Ibid, pp. 55-5610. Khuram Sohail, interview with Mustansar Hussain Tarar, Dawn News, January 17, 2019.11. Naeem Ahmed, Dr., Sigmund Freud, Theory of Psychoanalysis, Lahore: Negarshat Publishers, 2021, p. 8012. Mustansar Hussain Tarar, Shahr Khali, Kocha Khali, p. 9013. Ibid, p. 7814. Rubina Shaheen, Ph.D., Psychology and Literary Creativity, Reflections International, Book 28, April 2018, p. 1115. Mustansar Hussain Tarar, Shahr Khali, Kocha Khali, p. 6516. Ibid, p.8417. Ibid, p. 17618. Khuram Sohail, interview with Mustansar Hussain Tarar, Dawn News, January 17, 2019.19. Mustansar Hussain Tarar, Shahr Khali, Kocha Khali, p. 11920. Dr. Saleem Akhtar, Psychological Critique, Lahore: Sang-e-Mail Publications, 15 20 A.D., p. 22821. Anwar Jamal, Professor, Literary Terms, Islamabad: National Book Foundation, January 2016, p. 9522. Mustansar Hussain Tarar, Shahr Khali, Kocha Khali, p. 17123. Ibid, p. 17124. Sultana Bakhsh, Tales and Humor, Islamabad: National Book Foundation, 2012, p. 4025. Mustansar Hussain Tarar, Shahr Khali, Kocha Khali, p.6826. Mumtaz Ahmad Khan, Dr., Few Important Aspects of Urdu Novel, Karachi: Anjuman Tragqi Urdu Pakistan, 2003, p. 6327. Mustansar Hussain Tarar, Shahr Khali, Kocha Khali, p.7
Iqbal: A Critique of Contemporary Education: اقبال :عصر حاضر کے نظامِ تعلیم سے شکایات کا تحقیقی وتنقیدی جائزہ
No full textEach nation has its own philosophy and objectives of life. The education system of every nation is built to achieve these objectives. Iqbal warns us not to replicate west in their systems as the Muslim Ummat has an entirely different view of life as compared to the western secular nations. His main critique on the contemporary education is from the same perspective. For Iqbal the very basic kernel of each Islamic concept and system is its relevance to the concept of Tawheed, and the main objective of an Islamic way of education is to strengthen its recipients’ personality and individuality. The main question is whether the contemporary education is relevant to our own ‘Deen’ and whether our teachers are being able to develop dynamic Muslims. This research is qualitative in nature and analyzes Iqbal’s educational thought through investigation of Iqbal’s relevant literature. A substantial portion of Iqbal’s work is on the development of individual and Muslim ummah, which is also one of the core objectives of education. Iqbal gives us clear directives for development of individual and what causes the failure in the development of the required vicegerent or Naib of the Creator. His complaint is directed towards the educationists and educational institutions in focusing on the western objectives of life and pinning down the students to petty matters of this life rather than focusing on its higher endeavors. Before Iqbal the objective of the education should be the development of highly dynamic human beings with the enthusiasm and excitement to prepare for great challenges of life in the cause of molding world order as required by our Creator.
References
Muhammad Iqbal, Allama, zrb e Kalim, Lahore, Kapoor printing press ,1977, p.267
Muhammad Iqbal, Allama, kuliyat e Iqbal ma sharah, Lahore, Maktaba Danyal,2014, p.342
Muhammad Iqbal, Allama, zrb e Kalim, 1944, p.166
Muhammad Iqbal, Allama, Asaraar e khudi, sharah ( Yousuf Saleem Chishti ) Lahore, Iqbal Acadmi,1944, p.31
Salamat ul allah, Dr, Taleem, falsafah aur samaaj, Dehli , maktaba jamea maliya ,1974,p.16
Muhammad Iqbal, Allama, kuliyat e Iqbal ma sharah,2014, p.391
Muhammad Ali, Sheikh, Nazriaat o Afkaar Iqbal, Islamabad, National book Foundation ,1984, p.162
Muhammad Iqbal, Allama, zrb e kalim, 1944, p.67
Muhammad Iqbal, Allama, kuliyat e Iqbal (baal butchertown Jibreel), Islamabad, National book Foundation ,2014, p.368
Muhammad Iqbal, Allama, zrb e Kalim, 1944, p.13
Ibid, p.19
Muhammad Iqbal, Allama, kuliyat e Iqbal ma sharah, Lahore, Maktaba Danyal p.156
p. 125
Salamat ul Allah, Dr, Taleem, Falsafah aur samaaj, Dehli , Maktaba Jamea Maliya ,1974,p.18
Muhammad Iqbal, Allama, kuliyat e Iqbal ma sharah, p.254
khwaja Hamid Yazdani, Dr, Saleem Akhtar, Dr, Sharah Armghan Hijaz, Lahore, Sang mil Publikishnz, 2004, p.93
Ghulam Umar, Dr, Iqbal ka Insaan kaamil, Lahore, Maktaba Alia,1976, p.71
Muhammad Amin, Dr, Hamara Taleemi bohraan aur is ka hal, Lahore, Idaara Mtboaat talba ,2010, p.21
Ghulam Umar, Dr, Iqbal ka insaan kaamil, Lahore, Maktaba Alia,1976, p.75
Hamid Yazdani, Sharah zarb claim, Lahore, Sang butchertown Mil Oblikshnz,1976, p.80
Ibid, p.81
Ibid, p.93
Muhammad Amin, Dr, Hamara Taleemi bohraan aur is ka hal, 2010, p.20
Ibid, p.3
Discussions on National Integrity in Urdu Poetic Criticism- In Complete Books: اردو انتقاد شعر میں قومی یک جہتی کے مباحث
Full text linkLiterature of any language reflects the culture and thinking style of its people; in poetry it becomes more expressive. So the literature plays a vital role in promoting national integrity. In poetic criticism, various books are written in order to discuss the national integrity as prominent feature in poetry. Gopi Chand Narang, Sahil Ahmad, Muzaffar Abbas, Mahmood-ul-Hassan, Syed Majawar Hussain etc. are the prominent critics in this context. This article analyses their contribution in dealing with the discussions about national integrity in Urdu poetic criticism.
Reference:
Aziz Ahmed qureshi,Hmari qaumi aur inqalabi shairi,siri nagar,shaheen book dipu,1960,p:38.
Syed majawer hussain,urdu shairi main yuk jehti kay anasir,Alla abad,shaheen ,publications,1975,p: 448-449.
Raam Aasra raz,Dr Urdu shairi main qaumi yukjehti ki rawayat,dehli: jamal printing press,1977,p: 35-36.
Sahil Ahmed ,jang Azadi main urdu shairi ka hissa ,Ala abad : Urdu righters gld.1998.p:15-16.
Narrinder nath weermini,Urdu nazmo main qumiat aur watniyat ,bhopaal : maalwa publications,2001,p:35.
Gopi chand narang,Hindustan ki tehreek e azadi aur urdu shairi,new dehli.qaumi coumcil brauy frogh urdu zaban :2023,p:396-397.
Shan ul Haq haqi(muratab),Nasheed ,hurreet,Karachi,Idara matbooaat Pakistan,1957,p:bay.
Ali jawad zaidi, (muratab),Urdu main qaumi shairi kay so saal ,Alla Abad: mahakmaa Itlaat utar perdaish,1959,p: