MATAN (Urdu Research Journal)
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مجید امجد شناسی کا ایک اہم حوالہ ’’کون دیس گئیو‘‘ از ناصر شہزاد کا تحقیقی و تنقیدی مطالعہ
No full textMajeed Amjad is one of the most important poets of modern Urdu poetry. Especially in the tradition of Urdu Nazm, he is considered as a trend setter poet. He was born in Jhang on 29 June 1914 and died in Sahiwal on 11 May 1974. Although he was from Jhung but he spent the last 30 years of his life in Sahiwal. During his stay, he was an integral part of Sahiwal's literary circle and he also played an important role in strengthening the literary tradition of Sahiwal. He had a wide circle of literary friends in Sahiwal, of which Nasir Shahzad was the closest. Nasir Shahzad has written his long relationship with Majeed Amjad in book form, whose name is Kon Das Geyo. (کون دیس گئیو). This is one of the most important books for understanding the poetry and personality of Majeed Amjad and this book is considered as the primary reference. In addition, this book is also an important reference for understanding Nasir Shahzad himself, especially his unique style of writing. In this article, the scholar has provided important research information about Majeed Amjad and Nasir Shahzad himself through Nasir Shahzad's book
خواجہ شمس الدّین عظیمی: سیرتی ادب میں سائنسی اُسلوب کے موجد
No full textKhawaja Shamsuddin Azeemi, Chief editor of monthly Qalandar Shaoor (Urdu and English) and Rohani digest (Urdu) Karachi and international, is a Famous Pakistani Scholar of international level in the field of Seerat Nigari and spiritualism. He is the successor of his Divine Grace Qalandar Baba Auliya. He has unique literary style of writing. He has written 42 books and 80 pamphlets and articles. He has written remarkable books on Seerat-e-Rasool (S.A.W) titled as "Muhammad (P.B.U.H) The Prophet of God". In the first Volume, he has given detail of the Struggles of the Holy Prophet for spreading Islam. In the Second Volume, he has explained the miracles of the Holy Prophet in the light of Metaphysical Science. In third Volume, he has given a detailed account of the events of the lives of the Prophets of God. "Baraan-e-Rehmat" is another literary book on Seerat-e-Rasool (S.A.W).The Writer has distinguished in his style with realism, contemplation and profound study. He is considered first Seerat Nigar who have invented a simple, literary and Scientific style. This article presents the analysis of characteristics of his style of Seerat Nigari
مجید امجد کی نظم اور عملِ خیر کا تسلسل
No full textMajeed Amjad is a prominent figure of urdu poetry in modern era. His poetical ideology has a strong connection with the love of humanity.A great sorrow over the miseries of common man, Labourers and farmers can be seen in his poetry. He has condemned the cruel behavior of the upper class of society and has written many poems to express his anger over the said attitude. Unfortunately Majeed Amjad's poetry has not been praised from progressive point of view but infact most of the content of his poetry is much associated with progressive themes. Majeed Amjad believes that that there is a succession of goodness that has been commenced from eternity and will remain endless. He has admired this sequence in his poems through unique metaphors
غالب اور مابعد جدیدیت
No full textPostmodernism coming forth in the 20th century, is such a visionary movement and situation which is affecting all the world in one way or another. Postmodernism in its essence is the set of theories; the rival to authority and the ideology, having decentralization project that rejects all kind of fixations and meta-narratives. If we see in respect of age, the 19th century's Urdu poet Mirza Ghalib pertains no relation with postmodernism, but it has been tried to understand Ghalib's mind composition, his style and visionary paradigm, he seems quite close to postmodernism. In this research paper which is basically consists of Mr. Rashid Saeedi's M. Phil thesis (2016) findings. It has been attempted to reveal Ghalib's contemporary vision, skepticism, anti-postcolonial ideology, anti-metanarrative, and deconstructive thinking that proves Ghalib a postmodern poet
میر گل خان نصیر کی اُردو شاعری کا قومی انقلابی پہلو
No full textMir Gul Khan Naseer is one of those great names who worked hard in introducing Urdu poetry Balochistan. As Mir Gul Kahn Naseer has the title of "Malik u Shura" in Balochi poetry he is also the top tanked poet of Urdu in Balochistan. With his creative power he made the Balochi people aware of beauty of Urdu poetry. He added a color of Balochi culture in Urdu poetry and entered the group of people who struggled to spread Urdu in Balochistan.
In this paper, I have reviewed technical aspects of Mir Gull Khan Naseer's Urdu poetry. With this paper the beauty of his poetry as a sample, Urdu can be promoted in Balochistan
انوار احمد کے افسانو ں میں سیاسی و سماجی شعور
No full textAnwaar Ahmad is a famous short story writer as well as a fiction critic. If we study the themes of his fictions, we find that most of his fictions are about the tyranny of martial law, social tyranny, oppression and exploitation of the individual, class division, restriction on freedom of speech and unfavourable situation. Written on resistance. Anwaar Ahmed is familiar with the whole sixteen embellishments of the story. They tell the story in a way that communicates to the reader. Anwaar Ahmed is in fact a man of pain, so whenever any form of exploitation is adopted at the local, social, economic, religious, national or international level. So, Anwar Ahmed's pen starts moving
معاصر اردو تنقید کا منظر نامہ
No full textIn this paper contemporary horizon of Urdu literary criticism has been viewed by a teacher who has been teaching criticism in different universities over a period of 4 decades. Though in these days we are focusing on the relationship of linguistics and criticism and theories of criticism yet this article has a view point inviting other perceptions to differ. We will welcome those dissenting views as well.
مولوی احمد دین کی تصنیف ’’اقبال‘‘ علامہ اقبال کی نظر میں
No full textIn this essay the first book written on Allama Iqbal ‘‘Iqbal by Ahmed Din’’ has been analysed. Allama Iqbal’s first poetic collection was still in process when one of his close friends Ahmad Din published a book ‘Iqbal’ on the thought and art of Iqbal by collecting Iqbal’s poetry from different newspapers, magazines and from the proceedings of Anjaman Himayat Islam. He did not seek Iqbal’s permission in doing so. He thought Iqbal would appreciate the publication, but Iqbal strongly disliked it. The reasons of Iqbal’s dislike for that book have been analysed in this essay for which Ahmad Din has to burn its all copies and how Iqbal permitted its publications again. The importance of this book in the study of Iqbaliat has also been discussed
فینٹسی کے بنیادی عناصر
No full textFantasy is that element of a legend or story which is baseless, contrary to reality strange, weird and occult. It is infested with incredible events. Animal fantasy, epic fantasy, heroic fantasy, historical fantasy, romantic fantasy, scientific fantasy, fable fantasy, mythical fantasy, fantasy of other world, planetary fantasy, magical fantasy, adulthood fantasy, narcissist fantasy, idealist fantasy are its primary elements. This article deals with the literary significance of these elements of fantasy
طنز و مزاح کی نوعیت اور پطرس کا ایک فن پارہ
No full textThe article throws light on the different views expressed on the reasons and nature of laughter and humor and seek to see as to how the great Urdu humorist Ahmad Shah Patras Bukhari applies different ways of humor to make his write-ups catchy. The humor may be divided into Four catagories i.e. Pure Humor, Satire, Parody and irony. The article focuses on One write-up of Patras "Maibal aur main" taken from his book "Patras Kay Mazameen" in which the great humorist blended all these four types to make his piece of writing witty. A deeper look into the writings of Patras make us realize that it's not the case of the mentioned write-up as each and every piece of writing, included in his book presents the same grip on the natural humor produced by the legendry Urdu writer.