URDU (Journal)
Not a member yet
208 research outputs found
Sort by
بلھے شاہ کے اقبال پر اثرات
No full textNature arranges the creation and upbringing of some individuals with great planning.Bulleh shah is also one of such people.He found a very refined nature and a subtle temperament.it is no less than a blessing to have such a brilliant artist born in a literature.The world's vanity, the expression of facts and knowledge, along with the effectiveness of style, find their place in his poetry. If we examine the tradition of collective thought and art of the subcontinent, Bulleh Shah's poetry is a strong pillar of this tradition. The themes of unity of existence, self improvement, mysticism, real and imaginary love, avoidance of hypocrisy, divine knowledge, improvement of circumstances, awakening of the soul, vastness of the divine and observation of human psychology are common in his poetry. Iqbal was raised in a mystical environment, so all these intellectual elements influenced Iqbal's poetry. This article explores the intellectual and artistic elements of Bulleh Shah that influenced Iqbal
ڈاکٹر نجم الاسلام اور منسوباتی ادب کی تحقیق
No full textoai:urdu.atup.org.pk:article/68627172614dcDr. Najmul Islam (1933-2001), head of the department of Urdu, in the University of Sindh, was a well-known researcher of Urdu language and literature. He was a man of multi-dimensional personality. In this article, pseudepigraphic literature of Dr. Najmul Islam is discussed briefly and comprehensively. In this dimension, his work is self-written, translated, extracted, edited and on the principles of pseudepigraphic research. He pointed out Allama Shibli Nomani as the founder of pseudepigraphic research in Urdu language. He defined the term pseudepigraphic research first of all comprehensively. Translated work is actually the research of renowned researchers of Persian language on pseudepigraphic research. Tenth and Eleventh Common Issue of the departmental research journal Tehqeeq of the University of Sindh, Jamshoro was published on Gosha-e-Tehqeeq-e-Mansubat in his editorship. Actually, he launched a campaign for researchers in this field. His work on pseudepigraphic research is unparallel in Urdu language
مغربی بنگال میں اردو شاعری
No full textThis paper is focuses on Urdu Poetry (Shayri) in West Bengal. To know when Urdu Poetry came into vogue in Bengal, it is very important to study the ancient Pothi literature of the Bengali language. Urdu poetry holds a significant place in West Bengal culture amp; as well as all over India, with a rich history dating back centuries, where poets often used the language to express deep emotions, philosophical ideas, and even critique societal issues, with prominent figures like Mir Amman, Nassakh, Insha Allah Khan Insha,Shams Kalkattwi,Wahshat Kalkattwi, Jameel Mazhari, Parvez Shahdi,Alqama Shibli etc. being particularly revered; today, Urdu poetry is still widely appreciated and performed in Mushairas (poetic recitals) across West Bengal, particularly in the form of Ghazals and Nazms
اردو تنقید میں روایت کے مباحث اور محمد حسن عسکری
No full textMuhammad Hassan Askari started the discussion on narration in Urdu criticism. Certainly Askari is the most competent and readable scholar. In literary criticism, he is attention seeker and has a distinct place. In This article The Discussion on Narration in Urdu Criticism and Muhammad Hassan Askari have been evaluated. Hassan Askari believes that without understanding the narration, literature is unintelligible and the West has failed to understand narration. He also rejects TS Eliot's conception of narration because narrations are associated with the metaphysics to which the West remained ignorant. However he agrees to the conceptions of French scholar Rhene Gaino. Askari's conception of narration was widely discussed not only in his life but also after his death. So, Askari's conception of narration was critically discussed keeping in mind all of its pros and cons.The most famous critics of Askari's conception include Shams ur Rehman Farooqi, Siraj Muneer, Saleem Ahmad, Jamal Pani Pati, Mumtaz Hussain, Muhammad Ali Sadiqui, Muhammad Irshad and Professor Muhammad Usman
واجد علی شاہ بحیثیت مثنوی نگار: ’’حزنِ اختر‘‘ کے حوالے سے
No full textUrdu literature comprises various genres, one of which is Habsiyati Adab (prison literature). A remarkable example of this is Wajid Ali Shah’s masnavi Huzn-e-Akhtar, written in 1859 and published in 1860 in Calcutta. In this poetic work, he narrates the days of his imprisonment at Fort William. The masnavi describes the annexation of his kingdom, after which he sets out on a journey to London to seek justice. However, upon reaching Calcutta, he falls ill and, as a result, sends his mother, son, and brother ahead to London while he stays in Mochi Khola, Calcutta. Just as he begins to recover, the Revolt of 1857 breaks out, throwing the region into turmoil. In response, the British authorities imprison him at Fort William.
In Huzn-e-Akhtar, Wajid Ali Shah Akhtar not only mentions his family members and household staff but also reflects on the passing of his mother, brother, and child.
In terms of language and style, the masnavi is characterized by clarity, elegance, fluency, and eloquence. It reflects the charm of the Lucknavi dialect, especially Begamati Zaban (the refined speech of noblewomen), along with literary embellishments. The smooth flow, spontaneity, and careful use of idioms and expressions make its tone highly engaging. The portrayal of events, emotions, and personal experiences is strikingly vivid, though its spelling differs significantly from modern conventions.
Overall, Huzn-e-Akhtar is an autobiographical, historical, prison-themed, and poetic travelogue. Through this work, Wajid Ali Shah expresses the sorrow and hardships he endured during this difficult period of his life
اکیسویں صدی کے پاکستانی اردو ادب میں تانیثیت
No full textLiterature, a vital interpreter of societal narratives, unveils cultural intricacies often overlooked. In poetry and prose, the exploration of womanhood vividly portrays women's resilience, contributing to societal progress. Modern literature, with feminism as a driving force, narrates societal construction amid injustices. Influential figures like Sir Syed Ahmad Khan shape Urdu literature, advocating for women's rights. The distinction between Western and Eastern feminism is pivotal in 21st century literature, providing a nuanced exploration of women's experiences. Authors like Kishwar Naheed, Fahmida Riaz, and others challenge societal norms in the evolving gender dynamics landscape. The persistent tradition of addressing feminism in Urdu literature reflects the eloquence of writers, emphasizing the need to discern disparities between Eastern and Western cultures, societal norms, and genuine freedoms granted to women in Muslim societies
پروفیسر عبدالحق کی اقبال شناسی: تحقیقی مطالعہ
No full textCritical study broadens thought and criticism. Without studying the thought of Iqbal, a critical perspective cannot be awakened. Professor Abdul Haq has made invaluable contributions to Urdu language and literature, as well as Iqbaliyat. His insightful reflections have played a significant role in the field of criticism. His understanding clearly demonstrates that the Sheikh and the Brahmin are not only symbols of our poetic traditions but also represent two great civilizations. He regarded the art of writing as a sacred discovery of civilization. His thoughts and theories encompass a wide range of topics. He believes that expressing weakness is akin to death. By studying Iqbal's thought, we and our culture can achieve honor and elevation. He holds the view that if Iqbal's poetry is present alongside the Quran and the Hadith in Muslim households, our history will change. He has made remarkable efforts for the promotion of the Urdu language and the expansion of Iqbaliyat.
His services hold immense global significance. His contributions to the advancement of Urdu language and literature are highly valuable from many perspectives
اردو میں تدوینِ متن بحوالہ نثری داستانوں کی روایت
No full textThis article presents a comprehensive study on the tradition of editing and textual correction in Urdu prose narratives. It highlights the significance of textual editing, its historical evolution, and the influences of different linguistic traditions, including Arabic, Persian, and Western textual criticism. The study examines how Urdu adopted and adapted these traditions to establish its own scholarly editing practices.
The article emphasizes that the foundation of Urdu textual editing was laid on the principles of Hadith compilation, where preserving the author’s original text was of utmost importance. Unlike Western editing principles, where minor alterations to an author's work are sometimes permissible, Urdu editing strictly adheres to the integrity of the original text, considering any modification a serious breach of scholarly ethics.
The study provides an in-depth analysis of key figures in Urdu textual editing, such as Maulvi Abdul Haq, Imtiaz Ali Khan Arshi, Professor Noor-ul-Hasan Hashmi, Rasheed Hasan Khan, and others. It discusses their contributions and examines the textual characteristics of significant edited works, including Bagh-o-Bahar, Fasana-e-Ajaib, Sab Ras, Nau Tarz-e-Mursas, and Qissa Mehr Afroz-o- Dilbar.
In conclusion, the article asserts that the tradition of editing classical Urdu prose narratives is well-established and has been significantly enriched by the efforts of dedicated scholars. Their contributions have played a crucial role in preserving ancient texts, structuring them on scientific principles, and promoting research-based textual correction in Urdu literature
غلام عباس کے ناولٹ ’’دھنک‘‘ میں مذہبی پس ماندگی اور جدیدیت کے لیے جدوجہد: نصف صدی قبل کے پاکستان میں طاقت، سائنس اورجدت کا سماجی تقابلی مطالعہ
No full textThis research article analyses Ghulam Abbas's novella Dhanak from various perspectives. Specifically, it examines how Dhanak portrays the religious backwardness in Pakistan half a century ago and emphasizes the exploitation of Islam by religious leaders for their own power. The novella highlights Pakistan's scientific progress while also depicting the leaders' mistrust and discouragement of innovation. Once, under governmental control, these leaders ultimately devastate the country's development. This study employs comparative literary analysis to explore themes such as religious regression, the struggle for modernity, and the impact of political power on social progress. By conducting literary reviews, textual analyses, and considering historical contexts, this research identifies parallels between the socio-political conditions of mid-20th century Pakistan and contemporary issues. The comparative analysis draws on current academic articles and sociological studies to underscore the persistent challenges in balancing tradition with modernity. The findings reveal that the themes of Dhanak remain relevant to our present society, reflecting the enduring struggle between progressive ideals and conservative forces in Pakistan. This study helps to understand how historical literary works can shed light on contemporary societal issues, offering a comprehensive perspective on the ongoing tension between innovation and tradition in Pakistan's socio-political landscape
فرانز کافکا کے فکشن میں تجریدیت
No full textAbstractionism is a Western term that emerged as a trend in the modernist movement. Followers of abstractionism emphasize that the unconscious emotions and desires of man are the source of individual thought and should be expressed in literature. Thomas Mann, George Orwell, James Joyce, Camus, and Franz Kafka have made successful experiments in Western abstract literature. Franz Kafka's stories The Metamorphosis, The Hunter, The Trail, The Castle are excellent examples of abstraction. A unique feature of these stories is the facelessness and blurring of characters and objects, which gives them the form of shadows and their identification is based solely on their moods, emotions and feelings. Kafka's stories are characterized by blurring, vagueness, uncertainty, ambiguity and dreaminess. In fact, he has made the loneliness of the individual and the decline of civilization and morality the subject and has presented pictures of a scattered and chaotic life with abstract expressions and qualities