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انشاء اللہ خان انشا کے تجربات کا
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Syed Insha is a famous Urdu poet and prose writer. He was born in Murshidabad, India. His father’s name is Mir Mashallah Khan, Syed Insha’s grandfather was Mir Noor Ullah Hakim. Belonging to a scholarly and literary family. He spoke Turkish, Hindi, Arabic, Porbi, Pashto, Punjabi, Kashmiri and Bengali fluently. Thanks to this linguist, he works in prose. In prose Syed Insha wrote two stories. In both of them he had two different experiments. In the story of Rani Ketki, Insha did not use any word of Persian and Arabic۔ For him Urdu is a separate language. Apart from these two languages and without the use of these two languages, excellent writing can also be written in Urdu. In Silk-e-Gohar he used words that did not have dots, he wrote the story with pointless words. Both these experiments of Syed Insha are valued in Urdu literature. Because no other literature has adopted this style
انتظار حسین کی سفر نامہ نگاری کا تحقیقی و تنقیدی جائزہ
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One of the most important features of a travelogue is that it is based on historical facts. The traveler’s involvement in the journey takes place at all times and places. When the traveler enjoys the civilizational, cultural, social life, and scenery of a city or country, he describes in detail the different types of experiences and observations that occur during the journey so that the readers can enjoy the journey with him. A study of Intizar Hussain's travelogues shows that the author has successfully tried to see India's ancient civilization, culture, rituals and religious beliefs in the historical and geographical background and has traveled more in the past than in the present. Intizar Hussain's travelogues are not like the travelogues of other writers, in which the traveler feels like a romantic creature who is becoming the center of attention of another person
نوشی گیلانی کی منفرد شاعری کا تجزیاتی مطالعہ
No full textNoshi Gilani(1964) is a unique poetess of today's era who, despite belonging to a backward area, made her poetry a true expression of women's emotions and feelings with true spirit.Along with colors, butterflies, fireflies, she incorporated the beauty of nature in her poetry and revealed the bitter realities of life. In this way, we get thematic diversity in her poetry. One of the aspect of al features of her poetry is the expression of female emotions and feelings. Through her poetry, she also presented the immoderations found in class and social attitudes as the subject of her poetry to give a true picture of life reflects in her poetry. This research paper highlights the different aspects of her poetry, due to which she looks different from other poets of her time
جیلانی بانو کے ناولوں کا تانیثی مطالعہ: سیموں دی بووا کے تانیثی نظریات کے تناظر میں
No full textJilani Bano(1936) is an Indian Urdu fiction writer who has made the domestic and social life of women and their problems in all herliterary works. The time when she started her literary life was the last period of the rise of the Progressive movement. Hyderabad Deccan (India) was going through a period of political chaos and emergency.The feudal environment and society were ending.In her novels Aiwan-e-Ghazal (1976) and Barish-e-Sang(1985), she has made the subject of women's helplessness, psychological problems and exploitation in the decadent feudal society.Where women are considered speechless and second-class creatures. Her freedom is taken away by imposing unnecessary restrictions.They are considered as a mere means of sexual indulgence.Among the important theorists of feminist thought, the French writer Simone de Beauvoir (1908-1986) has also described the oppression of women in the feudal system. Simon always remained in the forefront of the struggle for women's rights. In her book The Second Sex(1949), Simon discussed the existence of women and their exploitation. She explained the gender and sexual problems of women openly. According to Simon, women as a gender are considered as a despised and inferior thing. She is treated as a second-class creature, she is deprived of economic, political and sexual autonomy. A man considers a woman as his fief and asserts his right of ownership over her. In the feudal system, such words are used for men and women which prove that men are superior and women are inferior. According to Simon, this world has always belonged to men and there is only their domination. In the light of the ideas expressed by Simon de Beauvoir in her book The Second Sex, the novels Aiwan-e- Ghazal and Barish-e- Sang by Jilani Bano will be analyzed.
Keywords:Jilani Bano, feminism, Exploitation, Feudal system, Second Sex, Simon de Beauvoir, Progressive movement,women's rights
مرزا اطہر بیگ کے ناول ’’غلام باغ‘‘ میں جادوئی حقیقت نگاری کا تجزیاتی مطالعہ
No full textMirza Athar Baig's novel Ghulam Bagh is a unique novel that combines astonishment and reality in its story. Through his distinctive style and unique subjects, Mirza Athar Beg has established his own identity in literature. The cultural and civilizational collapse that occurred after the global wars of the 20th century profoundly affected the human mind. As a reaction, a technique was introduced in literature and arts that kept the human mind away from reality. Magical realism is also a product of that era, which was used in creative works to depict post-colonial and post-modern conditions in Latin America and later in Europe. In magical realism, supernatural, extraordinary, and unseen experiences are presented in a way that they appear to be real, and the reader's mind accepts them. The analysis of Ghulam Bagh incorporates the elements of magical realism. This novel contains numerous elements of magical realism, including a plot filled with forgotten stories, extraordinary characters, events, and the coexistence of the real and supernatural worlds, the manipulation of time, and the use of dreams. The strange and unusual events and characters in Ghulam Bagh are rooted in our cultural and religious beliefs, which are presented in a magical and divine manner. Like Latin American writers, Mirza Athar Baig has used this style to present political, social, and post-colonial realities and the unevenness of post-modernism.
مثنویاتِ امیرؔکا عہد اور ان کا ذہنی اور فکری ادراک
No full textAmeer Ahmad Ameer Meenai was a poet of urdu and Persian.He is also known as a lexicographer, sufi, scholar, editor, prose writer, translator. He wrote poetry in almost every genre including ghazal, na’at, qasida, masnavi, tarkib band and tarji band. Ameer Meenai started his poetic career from Lucknow and shifted to Rampur after the destruction of Lucknow.He created the best of poetry during the reigns of Nawab Yusuf Ali Khan and Nawab Kalab Ali Khan. His Masnaviyat or poetic collection of anecdotes and stories show glimpses of 2 eras. Besidesbeing impressed by the civilization of Lucknow and glimpses of peaceful life of Rampur ,he was also impressed by the Sir Syed movement because the poetry of his last days portrays simplicity and purposiveness.Ameer’smasnivyat are steps or transition from the ancient era to the modern one which has been studied in the under view article.
منیر نیازی کی شاعری کا بدیعی رنگ و آہنگ
No full textMunir Niazi came to the fore as one of the most influential voices of Urdu poetry in the last half of the twentieth century. His poetry is a coalescence of reality and awe and fascination .In his poetry, the reality peers out from the mirror of fascination and admiration. The poetic experiences of Munir Niazi manifest through an affinity to nature. There are outstanding examples of "Ilm-e-badii" (the rules of consistency, eloquence, rhetoric and ingenuity). In "Ilm-e-badii" the literal and metaphorical meanings of a word are put into use. Looking from another prospective, "Ilm-e-badii" is a kind of rhetoric, where the literal and metaphorical meanings of words are employed in such a masterful way that they become an organic whole, resulting in effective and expressive verses. The present article explores the figures of speech engaged in Munir's poetry. The different forms of "saanat-e-tajnees" (paronomasia like Homophonic, Homographic, Homonymic, Recursive and compound)," saanat-e -takraar(Repetition like Apostrophe, Diacope, Epizeuxis, polyptoton and Epanalepsis) and "Sanaat-e-Tazaad" (contrast like Antithesis, Oxymoron and paradox) and many other tropes of speech and rhetoric.
In Munir Niazi's oeuvre, above mentioned figures of speech have been manipulated with such consummate artistry and wizardry that there are no convolutions and results in efficacy and lucidity. The astute and expedient use of these figures is no mean task and some of the poets cannot maintain a befitting balance but Munir Niazi's poetry is free of any such blemishes.
تربیت اور کردارسازی فکرِ اقبال کی روشنی میں
No full text"Training" is an Arabic word which means to take a person out of lowliness and lead him on the path of elevation and perfection and to nurture him properly by taking care of the qualities he needs to move forward. Iqbal is a reformer and educator of the 20th century who has especially played an important role in the education and character building of Muslim children and youth through his Urdu and Persian poetry. In his Persian and Urdu poems, his main addressees are the youth who are the asset and future of the nation and the Muslim world. Iqbal is a moral teacher like Sheikh Sadi and an ambassador of peace and harmony like Khawaja Hafiz Shirazi. The main purpose of his poetry is self-realization, self-improvement and humanization. He is looking for a person who can change the society with his character, speech and thoughts. With the same thought and view, in his poetry, there are themes such as courage, valor, continuous struggle, constant action, justice, equality, kindness, etc.
In this article, considering Iqbal's Urdu and Persian poetry, human training and character building will be highlighted in the light of his thoughts
محمد حمید شاہد اور احمد جاوید کے افسانوں میں عہدِ جدید کی ثقافت کا تقابلی جائزہ
No full textFiction means a short, fictitious story or narrative in which an important aspect or event of life is presented. The identity of a nation or country is called its civilization or culture, which separates it from other nations. The main purpose of a nation's civilization is to define the boundaries of that nation. Various poets and writers have resorted to their works for the promotion of culture. Muhammad Hameed Shahid was born on 23 March 1957 in Pindi Gheb District Attock. His literary taste was nurtured by the home environment. He took up the pen in fiction writing along with criticism, novel writing and column writing. Ahmad Javed was born on April 22, 1948 in Campbell pur district of Attock. His affinity towards literary taste was due to his MA in Urdu and his affiliation with the teaching department. His words, his stories and his mood show pure literary seriousness.In the fictions of Muhammad Hameed Shahid and Ahmad Javed, all aspects of religious and social culture are described which characterize all aspects of rural and urban life. They have made a unique effort to highlight all aspects of culture through his fiction and highlighted the civilization of their society by including many cultural colors in their legends
کلامِ میر میں اختلاجِ قلب کاامکانی نشاطِ کرب (موضوع و معروض کے مباحثی تناظر میں)
No full textAny ailment in human body affects its senses very intensively. A literary artist, owing to be more sensitive feels the pains and sufferings of others on his own very soul, but what if he goes through such critical condition himself? In such cases an extraordinary empiricism and sublimity of oxymoron emerges in his writings. No doubt, this is a matter of reader-oriented criticism and involves the discourse of subjective amp;objective point of views as well In this article, a few poetic expressions on cardiac disorder especially "Heart Attack" textualized by some heart attack struck survivors (by the grace of God.) like Meer, Shehzad Ahmad and Faiz Ahmed Faiz etc. have been discussed, analyzed and concluded in medio-lateral perspective.