Departmental Research Journal IDRAK
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قرۃ العین حیدر کے ناولوں میں ہندوستانی موسیقی کے عناصر"
No full textQurat ul Ain Haider is known as one of the most influential and outstanding literary figures in Urdu literature of twentieth century. A prolific writer, who started writing at the age of 11 and her literary master pieces includes 12 Novels and 04 short stories. River of Fire “Aag ka Dariya” has been marked as magnum opus of all times. In her novels she described extensively the culture, civilization and religious history of Indian Subcontinent especially the vast history of Hindu religion. Hinduism is considered as one of the old religions and philosophies of the world. In this article it is tried to search out the basis of Hindu or Indian music which is known as the primary sources of Hindu religion. nbsp;Music has been the sign of unity, affection and love in the Hindu religion and its roots can be traced out in the Vedak period. Music echoes in the Indian history for the last 4 thousand years. It is also the oldest history of music in the world. Music embeds and imprints significant impacts on Indian culture, religions, society and life of its people. She tried to shed light on its various contents, types, instruments, sounds, lyrics which were and being used in contemporary era by the Indian musicians. Further it has been considered as integral and indispensable part of their religious, social and cultural rituals. Though it is a proper subject or knowledge but still Hindus have firm belief that it was taught by their God Shiva for tranquility
منتخب آپ بیتیوں میں تاریخ ،سماج اور ثقافت کی عکاسی
Full text linkThis article contains many angles of the human related things, which have been discussed in the autobiographies since beginning. It is fact that every literal as well as commonsense person wants to know about history of the area or the world and try to trace out which depends upon the facts and figures. But history has always shown the only the side of the kings or the dominants’ but not present the whole truth about the society. On the other hand autobiographies show the picture of whole the phenomenon and original aspects of the prevailing norms of civilization.
To present the truth, authenticity and importance of the autobiographies in the literature as well as to elaborate such kind of accuracy in biographies, this research article has been written for this purpose
اُردو تنقیدکا ارتقاء اور فتح محمدملک بطور نقاد
No full textProper Start of Criticism in Urdu Literature started in the 19th century, but critics are there since beginning. There is critical aspect in every genre like Novel, Drama and poetry in some aspects. Criticism was given highlighted importance in the age of Sir Syed Ahmad Khan. Moulana Shibli nomani is known as the father of Criticism in Urdu Literature. Later on, in Romantic and Progressive Movements, there was proper placement of critism is very little but it was given importance in different phases of Literature attractive.Thios article highlights the history of criticism and participation of great names in the field if this genre from the beginning to the present age.This Article present the criticism start and Development and also show the Fateh muhmammad malik as a critics.
اردو ناولوں میں مسیحیوں کی نمائندگی کا کلامیاتی تجزیہ
No full textThis study explores the changing relationship of communities in Colonial and Post-colonial Urdu Literature. It attempts to map out the communal space in the symbolic world of literature given to the Christians over a century by Urdu fiction writers. In colonial India, the missionary activities especially for female education evoked Christians responses among Urdu writers. It is interesting to note that female novelists are more accommodating and they presented a positive picture of female Christian characters as compared to the male writers who used female body, social and reformative activities and modern living styles of the Christian females for pleasure. But ironically sometimes presented them as iconic characters of social change. After independence the social position of Christians went through a major change in different parts of the subcontinent. The social space in the ideological Muslim state was very different and somewhat deteriorating for the Christians. Their representation also incorporated these changes. The characters chosen in fiction had a different social background now. This study will help us in understanding the broader communal representation of Christians by digging into the linguistic and intertextual strategies adopted by the Urdu fiction writers
مراثی ِ دبیر میں رثائیت کے عناصر
No full textMirza Dabeer is one of the most prominent marsiya writers in the history of Urdu literature. Mirza Dabeer belonged to Lucknavi School of Thought. Generally, it is said that elements of mourning are lesser in the marsiyas of Mirza Dabeer. He had focused more on other elements. Marsiya is a literary genre. It deals with the incidents of someone’s death. The marsiya writer’s main purpose is to make people mourn the dead. In this article, effort has been made to find and elaborate the elements of mourn in the marsiyas of Mirza Dabeer.
میر انیسؔ : اپنے ہم عصر ناقدین کی نظر میں (بہ حوالۂ خصوصی:آزادؔ، حالیؔ، اثرؔ، شبلیؔ)
No full textElegiacal Poetry in Urdu is referred to "Marsia"; a famous genre of Urdu Literature, and Mir Anis (1803–1874) is the beacon of this genre. Hailing from Faizabad (Oudh State) Mir Anis stayed in Lukhnow and formed a marvelous tradition of Marsia in Urdu. His Marsias are best known for analogy, imagery and dramatic illustration of situation in Urdu. Among the early critics of Urdu, Muhammad Hussain Azad, Altaf Hussain Hali, Imdad Imam Asar and Maulana Shibli Nomani have the distinction that they were born during the reign of Mir Anis. Not only this, but they also got their basic critical insight from the socio–political condition and scholarly culture of Anis's time. They wrote excellent criticism of Mir Anis's poetry which became a beacon for future researchers. Among them, Azad wrote superficially on Mir Anis, but Hali, Asar and Shibli wrote in more detail. In the tradition of Anis Shinasi, Shibli's work is often referred to the comparison of Mir Anis and Mirza Dabeer, but among these critics, Anis has been analyzed in a very unconventional and unique way by Imdad Imam Asar because he compared the epic aspects of his poetry with European classical poets like Homer amp; Shakespeare. He found the quality of drama writing more solid in Anis rather than those of Europe. This article covers the critical views of the said four contemporary critics of Mir Anis
فکر اقبال کے چند زوایے اور معاصر عہد
No full textAllama Iqbal's poetry and his thoughts present a perfect cure for the present-day unfortunate cultural and social environment predominant at both the national and international level. If we want to progress like the forward-looking countries and live according to our Islamic identity and cultural values as a respectable nation, we will have to make Allama Iqbal's message a part of our national character. In the following research paper, the author has tried to emphasize this central theme
اسماعیل میرٹھی کی شاعری میں انسان کا دیگر مخلوقات سےتعلق:ماحولیاتی مطالعہ
No full textIsmail Merathi’s name is very well known and important among the poets of Urdu literature. He is well known as children’s poet and writer of nature in literature. It would not be wrong to call him as an all-rounder poet. His poetry demands that the way it is read should be changed and new directions should be explored. The article under review attempts to make an ecological study of his selected poetry which also brings to the fore the colonial aspects. Ecocriticism is a new critical theory that emphasizes the interrelationship between humans an environment. Below this theory, man’s relation to other creatures and their connection with the whole ecosystem is described in the form of various examples. Which is our initial attempt.
نثار عزیز بٹ کا ناول نگری نگری پھرا مسافر اور رحیم گل کا ناول جنت کی تلاش میں آدرشی کرداروں کا تقابلی جائزہ
No full textIn Urdu literature, “novel” is a type of prose writings in which the facts of life are told in the form of a story. In other words, the novel is a pattern of combination of reality and imagination. Just as the novel has a prominent position in prose writings, so as the “Aadurshi” character in different types of characters in the novel.
“Aadursh” is a Sanskrit word which means “imaginative”. The term refers to anything that is related to idea or imagination. In Urdu literature, the term refers to the highest idea or goal which the ultimate distinction of human actions, thoughts, desires and characters. A common man can live as he pleases, but a sensitive and a serious man goes through great hardship in his life. His this anguish arises from the conflict of reality and imagination. His thinking, his ideology and his mission are different from an ordinary man. He wants to fulfill his mission in the society but when his wishes are not fulfilled then his goals turn into “Aadursh” which give him the means to live. He tries to fulfill his ideology or mission in the society.
Nisar Aziz Butts novel “Nagri Nagri pehra Mussafer” and Rahim Guls novels “Jannat key Talash” have an “Aadarshi” characters. In these novel it is necessary to find out the “Aadarshi” characters, examine their ideas, mental thoughts and perceptions and then to compare them
محمد حامد سراج کے افسانوں میں خوف کے عناصر
No full textMuhammad Hamid Siraj is a popular and widely known name among contemporary fiction writers. His work of fiction convers a variety of human emotions and behaviors. One such emotion that his fictional characters express is fear or phobia. Hamid Siraj, through his characters, tells us that bad past, experiences, problems of the present, helplessness and vulnerability to those problems, exploitation, terrorism and hostility, decline of civilization and constant worrying about the future are some of the reasons that lead to the feeling of fear and phobia. Such feeling manifests itself in the form of restlessness, mental suffering, anxiety and escapism