Journal of Research (Urdu)
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مسئلہ کشمیر پر مقبوضہ کشمیر میں اُردو افسانہ
No full textIn occupied Kashmir Urdu afsana is clearly representing two different schools of thoughts. There are some who wrote on the topics related to political uncertainty, injustice, corruption, unemployment, curfew, agitation, enforcement of emergency oppression of police and army, rape, mission person and robberies. The prominent writers who have written thoughtful afsanas are Noor Shah, Trannum Riaz, Umer Majid, Manzoora Akhter, Zahid Mukhtar and Nikhat Nazar for instance Manzoora Akhter's two afsanas Pakiza Sahara and Jewan Sathi are depicting pictures of sentiment and agitation of Kashmiri Pundits. On the other hand Anad Lahar and Khalid Hussain's favorite topics covered the life of those people who are living near the boundary line. They deeply look into their feelings psychological/mental disturbances and fearful life. Majority of these writers are from Muslim Community. Further Hindu writers like Wrander Patwari, Depik Kanwal, Depik Badki chose the topics which fully endorsed the status of Kashmiri Pundits, who are homeless and forced by the Indian army to vacate their native homeland. Their state of mind and feelings are fully covered by these writers
اسلام سے قبل عربوں کے دوسری اقوام سے تجارتی تعلقات پر اُردو کی اولین تحریر
No full textShams Ullah Qadri's name is not unknown to the Urdu world. His book of History of Urdu Literature Urdu-e-Qadeem is considered to be a basic writing on this subject. Qadri wrote more than hundred essays on historical, biographical and literary topics. Beside these essays he wrote several books relating to different aspects of the history of the Muslim India. He has the honour to be the first scholar of Urdu who wrote an encyclopedia in this language. He also wrote on the Urdu relation of the Arabs with other nations of the world, before the dawn of Islam. This research article of Qadri is also considered to be the first writing in Urdu on this subject. Islam. This research article of Qadri is also considered to be the first writing in Urdu on this subject. Syyed Suliman Nadvi and Qazi Athar Mubark Puri had also written very detailed and valuable books on this subject, but they wrote on this topic after a long time since Qadri. Qadri published his work in 1906, about 25 years before the appearance of Nadvi's book. In the following lines Qadri's article is reproduced to give (as it a new light almost forgotten) with a brief introduction of Qadri and his works
ملتان کے نمائندہ غزل گوشعرائے اُردو کے فکری و فنی ماخذات
No full textThis article is a study of the intellectual and artistic sources of the leading poets of Multan. The poets, movements, trends and traditions which inspired the poets of Multan have been discussed. Motives of verse writing, shaping the intellectual direction and style of specified poets of Multan are also discussed in this article. It provides a background for the analysis of the modern poem of Multan so that poetic taste of this area may be presented in a better way
جان ٹی پلیٹس،اس کی اردو بہ انگریزی لغت، اس کے پیش رو اور مقلد
No full textJohn Thompson Platts (1830-1904) was a lexicographer whose 'A dictionary of Urdu, classical Hindi and English' (1884) is considered a landmark in the history of Urdu lexicography. This article, aside from tracing Platts' biographical details and his other works, evaluates the contents of the dictionary and traces the influence on Platts of his predecessors, especially John Shakespeare. It also mentions the influence that Platts and John Shakespeare exerted on F. Steingass
ڈاکٹر سلیم اختر کی نفسیاتی تنقید(پس منظر و پیش منظر)
No full textDr. Saleem Akhtar is a famous psychological critic. His domain of criticism is spread over more than 50 years. In psychological criticism, he has paved base for a new critical approach and a distinctive genre. He reaches to the sub-consciousness of the artist in analysis of creativity and reaches to the depth of facts through a difficult way. His criticism is a process of finding the truth in which has empowered his words. In psychological criticism of Urdu, he has proved his best abilities by identifying distinctive and new trends
اردو انشائیہ میں فطرت نگاری
No full textThis article is about a newly introduced genre of Urdu Literature called Inshaiya. It traces the aspects of nature in it. Most of the writers engaged with this form have shown interest in narrating nature in many ways
کیا فقط یاد و ہجرت تھی اُداسی کا سبب؟(مطالعۂ ناصر: برگِ نے اور دیوان کی روشنی میں)
No full textNasir Kazmi (1925-1972), a renowned poet of Modern Urdu Ghazal, mentioned in his last interview that his poetry was not something romantic but a symbol of growth. This statement opened new horizons for the study of Nasir's poetry but sadly the truth is that most of Nasir's critics have been elaborating his work in only one direction that was either nostalgic or romantic. They hardly made an effort to explore his poetry apart from migration and memories linked to it. No doubt, Nasir suffered from dejection but he didn't take much time to accept that move of history as a fact. So, while studying his poetry critically, we didn't find Nasir's sadness all about his past memories, rather it is more relevant to the socio-political scenario of his time. In Nasir's poetry, sadness is a metaphor of poverty, helplessness, ignorance, anxiousness and protest rather than remembrance and loneliness. In fact, his lonely feelings are also attached to the same state of mind mentioned over as sadness. In this article, efforts have been made to analyze and interpret/explain Nasir's poetry in his socio-political context and to make his critics think what if Nasir Kazmi didn't belong to his contemporary famous ideological group of progressive writers, his poetry has its own ideology belongs to a dialectical phenomena mentioned by the poet as 'growth'
قیام ِ پاکستان کے بعد اُستاد قمر جلالوی کے اوراق کی بازیابی
No full textQamar Jalalvi[1887-1968]is best known for his Ghazals and unique subjects in Urdu Poetry. His pen name "Qamar Jalalvi" overshadowed his real name Syed Muhammad Hussain Abidi. Though a traditionalist poet, he added depth and uniqueness in various aspects of Urdu Poetry such as Ghazal, Ruba'i and Marsiyah. He was not a student or disciple of any particular poet, yet he was inspired by Ameer Minaai and used to regard him as his spiritual mentor. Ustaad Qamar Jalalvi, himself, was known among his contemporary poets as "Ustaad" (teacher). He had numerous students and followers in his literary and poetic circles. In this article the researcher has highlighted various turns and twists of his life but focused upon the worth and merit of his poetic contribution. His humble socioeconomic status and poor source of earning enhanced the circle of his sympathizers. Mr. Z.A. Bukhari introduced him to the public of Pakistan through Radio Pakistan. Ustaad achieved great fame in Indo-Pak subcontinent the field of "Ghazal" and was awarded a lifelong monthly scholarship from government of Pakistan as a token of appreciation for his literary services. In this article, four of his poetic collections have been discussed including "Gham-e-Javedaa'n, Aqeedat-e-Javedaa'n, Auj-e-Qamar and Rashk-e-Qamar. In fact traditional poetry always needs to be revisited to re assess its worth and charm
اقبال اور چودھری محمد حسین(باہمی تعلقات: مکاتیبِ اقبال کی روشنی میں)
No full textChaudhry Muhammad Hussain is considered among the ones who spent more than twenty years being intimate friend of Allama Muhammad Iqbal and having great poetic insight in Iqbal's poetry. His being a man of letters and a deep learning is even endorsed by Iqbal himself. He joined Punjab Civil Secretariat in 1925 as an Article Writer and soon promoted as the Officer In-charge Press Branch in the Home Department and owing to his great services Indian Govt awarded him the titles of "Khan Shahib" and "Khan Bahadur" On the auspices of Allama Iqbal and to his great admiration, he translated POLITICAL THOUGHTS IN ISLAM in Urdu as KHILAFAT-E-ISLAMYA. It is owing to his advice that Iqbal got his works published in different collections. Iqbal would discuss literary and even personal matters with him. During serving in Press Branch he kept Allama Iqbal well informed about current political affairs. He accompanied him in the journeys to Madrass, Pani Put and Surhind. In this article the relations of Allama Iqbal and Chaudhry Muhammad Hussain are tried to be meticulously encompassed by the writer
اردو غزل کے حوالے سے سرسید کا حاسۂ انتقاد
No full textBefore Sir Syed Urdu criticism about Urdu Ghazal does not connect itself with the subject narrated in it. It deals only with the poetic aesthetic only. Sir Syed is the very first man in Urdu criticism who analysis the subject narrated in it. He thinks this form may be need for moral, political, cultural and historical subject too. He condemns the poets who only used their genre for their falls feeling and the experience. He thinks that the language of the form should be simple and near to daily uses instead of constructed one or artificial