Journal of Research (Urdu)
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اقبال کا فلسفۂ جبر و قدر اور تقدیرِ الٰہی(مکاتیبِ اقبال کی روشنی میں)
While writing an essay on the non Semitic eastern philosophy and having deep study in Persian Literature and Mystics Iqbal discovered Muslims' disappointment to be the outcome of their wrong concept of fatalism which too resulted in their cold indifference to learning and hence their downfall. He found Muslims' collective Inertia and inferiorities to be eliminated only by the concept of Khudi which is Qur'anic concept as quite evident in many instances in Masnavi Maulana Rum. According to him the understanding of the philosophy of fatalism and determinism is the only way to sustain Islamic revolutionary concepts. Correspondence between Iqbal and Shad not only helped his ideas build on his philosophy of fatalism and determinism but it also helped giving him inspirations for his many verses. That's why in the essay this correspondence is especially taken up to help understand his philosophy of fatalism and determinism
پس ِجدیدت: چند غور طلب سوالات
Post-modern discourse basically has been imported from France, U.K, U.S.A Urdu critic and scholars wrote some explanatory and introductory articles about it. Although the writers like Dr. Muhammad Ali Siddiqui and Imran Shahid Bhinder has raised some basic questions upon this discourse, but no critical attitude has developed about this western tradition. This article raises some basic questions about it
شکوہ : صدی بھر کی تعبیرات
Shikwa is the famous poem written by Iqbal presented in one of the public gathering of Anjuman Himayat-e-Islam. This article deals with a variety of interpretations of this poem. It traces a long history of critical appreciations of the poem from Sir, Abdul Qadir to Salim Ahmad. It also traces that some of the interpreters were inspired by Syed Abid Ali Abid and their articles, have its echoes
راشد کی شاعری میں کردار
N.M. Rashid is considered a well established modern poet in Urdu. He was all the tools and techniques introduced by modernism. One of these techniques is to construct a poem with living characters. This article deals with such poems. Rashid introduces Hassan Kozagar, Jahanzad and others
الف لیلیٰ کی جمالیات
"ALF LAILA" is an important tale of fiction in Arabic Literature. This tale comprises of Iranian and Arabic influence and has been translated in other Eastern languages as well. In terms of aesthetics this tale is beautifully equipped with parables, decorative gardens, exemplary characters, magical caves and adventures of beauty and love. "ALF LAILA" is also about the story of a common man's world which is full of aesthetics and imagination. This aesthetic approach is visible to us in the culture and society of Egypt and Baghdad; where the streets, palaces of rich, gardens and jewels are presented in their full glory. In the aesthetic life of Arab dance parties and beautiful ladies also appear. "ALF LAILA" is a sense of taste in which represents the natural landscapes, the salves of heaven and grand palaces whose arches are decorated with pearls, Almas and turquoises. This tale is very close to human nature where the conflict between right and wrong are present
علامہ اقبال اور ابنِ خلدون کا عمرانیاتی فلسفہ
It is worth mentioning that there lies an acute resemblance in the philosophy of sociology between both the Muslim philosophers i.e Allama Muhammad Iqbal and Ibn-e-Khaldoon. Both these towering philosophers give, continuous efforts and ever moving attitude an ample emphasis for the survival of Group or community life .Ibn-e-Khaldoon’s philosophy is rational in nature while Iqbal’s metaphysical. But unanimously both the philosophers give paramount importance to the Religion of Islam to be adapted as a code of life for the people of their groups or communities. Ibn-e-khaldoon emphatically states that partisanship plays a key role in the evolution of civilization. Surprisingly enough, Iqbal's knowledge of the self is basically the evaluated form of partisanship. Above mentioned philosophers strongly weigh and recommend the Bedouin life style for the nourishment and inculcation of spiritual feelings for the people of their groups and communities. The under discussed research paper is a keen devour to project the ambling resemblance between the sociological philosophy of above mentioned Muslim Philosophers
ترجمہ اور لسانیات: نئے مباحث
This brief article narrates the relation of translation with linguistics. Apparently it look there may be no relation between these two thing depending upon one common thing language. But interestingly the writer has shown some similarities between these two spheres of knowledge
عجائباتِ فرنگ کے تشکیکی پہلو
Ajaibat-e-Farang is an authentic reference in the tradition of Urdu Travelogue. The discourse under view does not relate to the discussion about the standard of Ajaibat-e-Farang, but actually is skepticism against the travelogue and its author, Yousuf Khan Kamal Posh. The text of the discourse and other references argue, whether Kamal Posh had been the propaganda agent of imperialism and his text had been written keeping in view some special purposes. Moreover some queries have been raised in relation with the writer and his creation
احسان دانش کا غیر مطبوعہ شعری کلام
As a poet Ehsan Danish has a unique diction and style. His poetry is true presentation of realism, truth, honesty and love in Urdu poetry. We find diversity of themes in his verse. He has written a variety of genres for the expression of his poetic art, i.e. Poem, Ghazal, Elegy, Sonnet, Hamd, Naat, Quatrain Lyric. Seventeen collections of his verses have already been published, while much of his poetry is yet unpublished. The writer has compiled '23' out of all poetic collections of his unpublished verses from various sources. This paper presents the details regarding the categorizing and compilation of these verses collections
سرائیکی صوفی شعرا ء کا اُردو کلام۔اُردو کی لسانی و ادبی تشکیل: ایک مطالعہ
Similarities between Urdu and Siraiki like Hafiz Mehmood Sheerani, Mohey-o-Din Qadri Zor, Mehr Abdul Haq and orientlists especially Dr. Schakle. This article discovers another aspect of this area. It discusses the poets who were Siraiki and contributed much in their first/ mother language but created poetry in Urdu too. They have a hybrid taste comprising Urdu and Siraiki