Journal of Research (Urdu)
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پریم چند کے ناولوں میں طبقاتی شعور
No full textPrem Chand is a well known personality of Urdu fiction. He manifested social realism in his short stories and novels. His literary asset shows conscious confrontation. He depicts his social awareness or longings through subtle satire in a delicate way. He makes his reader promising regarding psychological conscious and perfect artistic skills through his style. He, usually, presents countryside life in an appropriate inactive way. He did not appear as passive viewer but strived hard to achieve ideal situation
مابعد جدیدیت، ترقی پسندی ، نومارکسیت
No full textThis article seeks to find and analyze relations between Postmodernism, New Marxism and Progressive criticism at thematic and epistemological levels. In common parlance of contemporary Urdu criticism Postmodernism is dubbed as antagonist of Progressive thinking and Marxism, but the author of this article presents a different view referring to critical texts of Urdu and Euro-American ones. It has been tried to establish that Postmodernism relies on new left philosophy particularly founded by Frankfurt school after Second World War. It has been mentioned that thinker like Michel Foucault and Jacques Derrida referred to New Marxism in some of their writings
اردو افسانے کی دو نمائندہ انقلابی آوازیں
No full textWhen we take a glimpse of the history of Urdu short story we came to know that this genre of Urdu literature became a very powerful tool of women writers who criticized the social standards of the male dominating society and produced stones revealing feminism. In this regard Dr. Rasheed Jahan of its early period and Ms. Zahida Hina of present ERA are impressive and exemplary writers. This dissertation covers the feministic approach of both these ladies who revolted against the set values of male chauvinism and demanded to recognize their identity
دکنی تحقیقات : نوعیت و معیار
No full textHayderabad Dakan was considered a large and independent state of India, Where its historical importance is admitted, the existence of Urdu literature remains incomplete without its literary history. A large number of researchers made authentic research on classical Urdu literature. They have given it new innovation and expansion. In this article, the contributions of the researchers and institution that took part in the discoveries of Dakane literature has been enclosed
سبطِ حسن: مارکس اور مشرق
No full textSyed Sibt-e-Hassan is a renowned Marxist philosopher who's services regarding to educate he people specially the young is remarkable. He tried to make the mind enlightened rational and scientific. In most of his writing Sibt-e-Hassan makes a synthesis of ideology and literary materialism this article intends to trace this synthesis in this writing "Mark Aur Mashriq". This article reflects the analytical and critical study of Syed Sibt-e-Hassan's view which is based on scientific, logical and rational approach.
علمِ بدیع: تعارف اور چند تجاویز
No full textThe Knowledge of Badi (Rhetoric) is an important field of oriental studies. This study deals with the "Saan-i-Laafzi" and "Saan-i-Maanvi" and describes "what are the ways which ornament the speech". This article covers the introduction and important fields of the mentioned study. In this respect, it also analysis the views of some radical critics and illuminates the mutual. Relation between the "Illm-e-Bayaan", "Illm-e-Maani, and "Illm-e-Baadi". In the end, there are given some suggestion which can make this study better and useful regarding the mentioned study. It also highlights the new avenues of research.
خواتین شعرا ء کا مزاحمتی رنگ
No full textExploited humanity and suppressed segments of society has always been the subject of Urdu writers. From Pakistan movement to date one can see that Urdu writers have always raised voices for the people falling prey to the cruelties of the oppressors. The role of Pakistani women poets, in this connection is significant in the sense that more often than not they have raised voices against the internal oppression rather than external aggression. In order to keep it brief, this study focuses on only Fehmida Riaz, Parvin Shakir and Kishver Nahid otherwise women poets like Sara Shagufat, Zahra Nigar, Noshi Gilani, Rehana Qamar, Nasim Akhtar and many other can be mentioned who not only raised voice for women rights rather they made our women realize that they are not to be fallen prey to exploitation and male dominance. Fehmida Riaz showed the women poets the new avenues of expression and for the first time challenged the male dominance. Parvin Shakir, besides pin-pointing and promoting the sensitivity and slender attributes of the eastern women, stimulated them to stand up for their rights and not to allow the males to devour them like a funny cake. Kishver Nahid is not an exception in this connection but instead of coming up as an upright rebellion, she adopted a moderate expression. However, Kishver believes that women should not be subjected to follow man-made rules, they must be allowed to lead the life in accordance with their conscience
شبنم شکیل کی شاعری میں نسائی شعور
No full textShabnam Sahkeel is one of the preliminary poetesses who expressed the feminist approach in her poetry. She is among the few who understood the nature and true spirit of the 'Ghazal' and has employed that to her work with an amazing poetic skill. Shabnam raised her spontaneous voice reflecting a clear indication for eastern women in her poetry. 'Shabzad', 'Izterab' and 'Musafat raeygn thi' are her beautiful poetry collections. Being a daughter of an eminent intellectual and literary personality 'Syed Abid Ali Abid', Shabnam grew up in a literary environment. In her poetry she pointed out the social exploitation which every eastern woman faces in her everyday life from dawn to dusk. Shabnam wants to gain that status for women which are captured by patriarchal system
تضمیناتِ فیض: تخلیقی صورت پذیری کا خلاقانہ اظہار
No full textThe greatness of Faiz's poetry draws upon his distinct, novel and exquisite use of lexis with stylistic variations. There is a definite link of his poetry with the classical tradition which uses comprehensive and artistic attributes. Faiz has used these artistic attributes in his poetry in his own peculiar manner. His poetry definitely, is an amalgam of both art and creativity. His poetry transmits meaning elaborately and succintly.''Borrowing", means use of another poet's lines in one's own poetry in such a way that it seems suitable and appropriate, is another distinctive feature of Faiz's poetry
صلیبیں مرے دریچے میں: تجزیاتی مطالعہ
No full textFaiz Ahmad Faiz, a legendary poet was convicted under Rawalpindi conspiracy case in 1951. He remained in prison for four years. During his imprisonment, Faiz fed his loneliness with propinquity. He shared with his wife through his letters published as "Saleebain Meray Dareechay Mein". His letters comprise of myriad of varied discussions between the two. He expressed his loneliness as a bird confined to a corner of the garden, scorned by other birds for losing its fundamental ability to fly. This article is an effort on Faiz's letters which give a new impression of freshness because of his individualistic and internal rhythm, new metaphors, new ways and search for expression.