Journal of Research (Urdu)
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سرئیلزم اور اردو ناول
No full textCertain revolutionary movements which influenced art and literature markedly attest the cradle of 20th century. Surrealism is one of such movements that acted on fiction particularly. The unreasonable negative and extremist approach of Dadaism triggered a reaction which resulted into surrealism whose foundation was laid on freudian's theory of unconscious; afterwards, Ande Breton structured its constitution properly. Surrealists considered that the purest form of realism lies in unconscious which should be approached prior to conscious affect it. This article goes over the influences of surrealism on Urdu novel.
کلامِ ناصر میں تمثال آفرینی
No full textTamsaal Kaari is a term taken from the Western literature and is a literal translation of Imagery. It means painting through words. In Urdu classical poetry, be it a poem, An elegy or a narrative poem, in the use of imagery has been a part of tradition. Nasir Kazmi makes a wonderful use of imagery in his poetry. His imagery offers newness and a wonderful picture gallery. His imagery not only delivers messages but it ads beauty and versatility also. It's his imagery that makes his poetry great. He can duly be termed as one of the greatest experts in the art of imagery.
تذکرہ "شمیمِ سخن" (حصہ دوم)۔۔۔ایک مطالعہ
No full textTazkra )Autobiographical Accounts, Memoir) is such a literary form which presents the autobiography of the poets as well as their poetry. It is the progressive form of Diary. The art of Tazkra writing in Urdu was borrowed from Persian. Basically the art of Tazkra writing was started in the reign of Mir Taqi Mir and Khawaja Mir Dard. To analyse the educational, literary, ethical and civilized atmosphere of any society in a better way, it is necessary to assess the conditions and thought patterns of half of its population (females). Historians and Tazkra writers have written the autobiography and poetry of the male poets diligently but the female poetesses are almsot neglected or given partially importance. Some Tazkra writers have given special coverage to these poetesses. Muhammad Abdul Hayee is such a writer who wrote "Shamim-e-Sukhan" in which he assessed some poetesses
اردو غزل کا مزاج
No full textEvery genre of literature has its own style and taste. Ghazal also has a very unique style and ever lasting impact on Urdu literature. Ghazal has proved has its identity and individuality over the years. It is the language of codes through which one can express feelings in a very decent way. It gave a new trend to Urdu poets and enhanced their creative skills. It introduced many new metaphors and similes in Urdu poetry
آخری سواریاں: بیانیہ کے تکنیکی محاسن
No full textThe literary craftsmanship is the role of form and style. New techniques are used at both subject and form level to achieve the goal. As Novel is most popular genre of the world literature, Novelist tried to invent modern technique of narration. Syed Muhammad Ashraf in his new novel ''AKHARI SAWARIYAN" used the same methods to construct his narration. He used magic realism, hallucinatory realism, drama technique and other poetic tools in this novel. This research article focuses on the question that what the new techniques are used in "AKHARI SAWARIYAN''. By using the content analyzing method I found that modern narrative, drama and poetry tact’s are used in ''AKHARI SAWARIYAN''. Very unnoticed events and stories are combined in a mural. These miniatures are used in a logic way to convey the subject of novel and a little sensuousness as well
لسانیاتی تنقید کی خشتِ اول: ڈاکٹر محی الدین قادری کے لسانیاتی افکار
No full textOrigin of Urdu Language has been a bone of contention since long among Urdu linguistic circles. The debates may be divided in two main categories, the linguists and armature scholars. This article explores the works of Dr. Mohayyuddeen Qadri Zor, who belongs to the former category. He is the foremost scholar who laid the foundation of Historical and Applied Linguistics in Urdu.
سماجی تبدیلی اور ادبی طنز:سوانح عمری مولانا آزاد
No full textGeneralizations in scholarly works may prove helpful in understanding different literary trends of an era but not without losing many nuances. In Urdu, 19th Century is interpreted in binary oppositional manner with Sir Syed a pivotal point and other writers were considered either his extension or his rivals. The classic example of this generalization is Awadh Punch, a literary Journal which had a different attitude towards colonialism than Sir Syed's. The oversimplifications could only let the scholars to interpret its different authors in anti-Sir Syed perspective. This article attempts to analyze a text by Nawab Syed Muhammad Azad to underscore its distinct qualities and different approach towards colonial imprints on Subcontinent
نواب بہادر یار جنگ کا مکتوباتی سفرنامہ
No full textNawab Bahadar Yar Jung was a renowned Muslim League's leader. He was a great admirer and supporter of Quaid-e-Azam. He reorganized Muslim League on the directives of Quaid. He was a great speaker and he used to snub and subdue his rivals with his great speeches. His letters are of great political and literary importance. In these letters he highlighted the culture and civilization of Muslim countries
لیل و نہار کا فتویٰ نمبر: حریتِ فکر کا ایک باب
No full textLailo-Nahar is a renowned and worth full. Literary Journal which played a very vital role to educate, enlighten the society. Syed Sib-e-Hassan who is a world famed Marxist writer, historian and anthropologist. Tone up and up lift this journal. This research article deals the critical analysis and impact of this special issue “Fatwa, Jawab-e-Fatwa”. In fact this issue is an eye opener and a filler for the stagnant society
اقبال بڑا اُپدیش ہے من باتوں میں موہ لیتا ہے (اقبال کی نظم نگاری کا نوآبادیاتی سیاق: بانگِ درا سے ارمغانِ حجاز تک)
No full textModern Urdu Poem origins of which flourished in the influence of Anjuman-e-Punjab, a colonial institution, kept absorbing every ebb and flow of the Colonial period for more or less one century. In this article an effort has been made to study the creative impulse of the most potent voice of modern Urdu poem Allama Muhammad Iqbal in a colonial context. The article under view is a modest endeavour to pin point the features of colonial conflict in Iqbal's poetry. The article takes into account the entire body of his Urdu poetic works from the first collection (Bang-e-Dra) published in 1924 to the last (Armughan-e-Hijaz),published in 1938