Journal of Research (Urdu)
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اردو بحیثیت دفتری زبان: ایک مختصر جائزہ
No full textUrdu as an official language is an entirely different matter. It is generally said that Urdu does not have the capacity to play the role of an official language. Although, since its inception, Urdu had started to perform its services in an official and professional capacity. This research paper has been written to examine the role of Urdu language as an official language in the past so that the readers can understand that Urdu was ready to assume the status of "official language" from the beginning. has been۔ Even now, despite all the official terms and books being in Urdu, a certain category of Urdu is still in use as the official and educational language. Here, Urdu as an official language is the subject of the areas where the use of Urdu as an official and professional language started in the 19th century
ڈاکٹر مظہر محمود شیرانی : عصر حاضر کا عوامی خاکہ نگار
No full textMazhar Mahmood Shirani belonged to the city of Lord Kana, Pakistan. Mazhar Mahmood Shirani was the grandson of renowned critic, researcher and historian Hafiz Mahmood Shirani and the son of the famous romantic poet Akhtar Shirani who founded a new dimension in poetry. The problems of the city were presented on the basis of the topics, which include city unrest, economics, class consciousness, bankruptcy, patience and gratitude, religious institutions, militancy and grandeur. In these topics, the public color of Akbarabadi emerges. Shabbarat, Diwali, Holi, Jada, Rainy Spring, Ata Dal, Roti, Basant, Koori, Rupee, Bear cub etc. and religious tolerance is very evident in Nazir's speech. Similarly, Mazhar Mahmood Sherani can also be recognized as a public cartoonist of Urdu. Mazhar Mahmood Shirani's sympathies are very wide, the poor and noble, the merchant and the ruler, the ascetic and the slave, the woman and the man, the human and the animal, Hindu and Muslim and even the third creature created by God (eunuch) all have a place in his heart
منٹو کا ٹوبہ ٹیک سنگھ: نو تاریخی مطالعہ
No full textThis new historical study of Saadat Hasan Manto's short story Toba Tek Singh investigates the socio-political and cultural aspects of the 1947 Partition of India as this always reflected clearly in Manto's creative narrative. Set against the backdrop of this historic upheaval, this story critiques the arbitrary divisions of the subcontinent through the experiences of some patients in a mental asylum. This story is particularly focused on the character of Bishan Singh, who is caught between the newly drawn borders of India and Pakistan by the British imperialism. This essay examines how Manto’s portrayal of madness in the asylum describes and serves as an allegory for the collective insanity induced by the painful Partition. In new historical study It considers that the historical context of Manto’s work, exploring the ways in which the political and social fragmentation of the time is mirrored in the character of Bishan Singh’s dislocation, confusion, and loss of identity. By employing new historical methods, this study underscores the intersection of personal and national crises, also highlighting Manto’s critique of nationalism, religious identity, and the human cost of political borders. Through a close reading of this story’s narrative techniques, symbolism, and dark humor, this study tells that Toba Tek Singh is not only a reflection on the trauma of Partition but also a critique of the larger forces that shape national consciousness and collective memory
حضرت خواجہ غلام فرید اوران کی اردو شاعری
No full textKhawaja Farid is one of the crown princes of Saraiki's poetry Kingdom whose power will never fade. They are such a light of thought and vision that will continue to illuminate the atmosphere despite the deep fog of passing time. Farid's Urdu poetry is also a distinctive aspect of his poetic personality. who being out of sight, could not get tribute from the literature.
The era in which Khawaja Farid wrote Urdu poetry is a period of great crisis in terms of history, politics and culture. But for the Urdu language and literature, it has the status of an evolutionary period. Farid's tenure spans from 1846 to 1901.From Farid's Urdu poetry, it is clear that during his time, the new lights of the poetry schools of Lucknow and Delhi could not reach the remote literary desert of Bahawalpur with their full brilliance. According to Farid's Urdu Ghazals, the style and harmony of the early poets in seen to be well established.
Farid's Urdu poetry does not appear to be lively, charming and heartwarming in a cursory review. Because Farid's Saraiki is able to stand on the throne of greatness in poetry. We want to see it unconsciously close to the same standard in Urdu poetry as well. But if we analyze Farid's poetry keeping in front of the facts of distance from cultural and academic centers, literary isolation of Bahawalpur and the slow pace of evolution of Urdu literature at the regional level, then we can see glimpses of his uniqueness and greatness in this too. They are visible and their artistic confidence and lyrical ego have to be convinced
مجلہ”ہمایوں“ کا تحریک آزادی اور قیامِ پاکستان میں کردار
No full textLiterary journals have played an important role in the promotion and development of Urdu language. There was a literary service. Humayun tried his best to make the Urdu movement a success. Humayun has been the best reflection of Eastern, cultural, scientific and literary life. Humayun created healthy literature and also expressed healthy values. Humayun tried to make literature bound to a specific oriental style of ethics and did not give it a specific standard. Humayun established a certain standard of literature and aesthetics. In 1937, Bashir Ahmed joined the Muslim League at Bar-at-Law. He was associated with the ideology of the two nations. According to Humayun's magazine, literature and politics are two different things. From 1946 until the founding of Pakistan, Humayun wrote very few articles on politics. When Pakistan was formed, an anthem was written in Humayun's Magazine in September. Humayun's views changed radically in November 1948
معاصر اردو نظم :ماحولیاتی تنقید کے تناظر میں
No full textFor the last few years, the discussion of Ecocriticism has been greatly promoted in Urdu language and literature, but most of the critics have limited the scope of environmental studies by considering it as similar to naturalism. In this article, an attempt has been made to look at contemporary Urdu poetry in the context of environmental criticism and without getting involved in theoretical debates, the trends emerging in contemporary Urdu poetry have been marked which are based on environmental resistance and eco feminism.
تقسیمِ ہند، فرقہ وارانہ فسادات اور اردو ادب
No full textThis article is about riots of 1947 which occurred during the partition of India, had a profound impact on Urdu literature. These riots effected the lives of millions of people, and their reflection is evident in Urdu literature. The partition of India in 1947, accompanied by intense communal violence, profoundly influenced Urdu literature. This abstract explores how Urdu writers responded to and depicted the communal issues and human tragedies of this period. The partition of India in 1947, which resulted in the creation of Pakistan, was marked by widespread communal violence, mass displacement, and profound trauma. Urdu literature, deeply embedded in the cultural fabric of the subcontinent, played a significant role in documenting and reflecting on these events writers such as Saadat Hassan Manto, Ismat Chughtai, Krishan Chander and Ahmad Nadeem Qasmi vividly portrayed the communal strife and its devastating impact on individuals and communities. Urdu literature of the partition period server as a vital record of historical events and offers deep insights into the human condition, highlighting themes of identity, loss and resilience through their works, these authors not only documented the tragedies of partition but also questioned the larger socio-political constructs that led to such upheaval, making significant contributions to both literature and historical discourse
کلام آتش میں تلمیحات کی متنوع جہات
No full textHaider Ali is the representative poet of Atash Dabestan Lucknow. Atash describes poetry as minimalist. The use of artifice in his speech makes him unique and distinguished from other poets. In Kalam Atash, many industries of art and art are used. They prefer words with good meaning. Artifice, complexity, and literalness are the prominent features of his poetry. Kalam Atash contains a wealth of personal allusions. Which is a proof of his ability and understanding of language. They bring forth the diverse situation of political, social, socio-geographical decline specific to their era through the descriptions of Islamic, historical and mythological characters. Through these personal allusions, instead of compromising with the political and social situation of his era, he creates a poetic atmosphere of reaction against it
مسعود اشعر کی افسانہ نگاری
No full textMasood Ashar is a modern short story writer who holds a new trend in his style. The political awareness, the suppression of material laws, the hardship and difficulties of prison, political suffocation, the psychological and inter problems are present in his writings in an imaginative and alienated way. His short stories have depicted terror and fear, restlessness, discontentment, shortage of meaningfulness, uncertainty, inner and outer disturbance and almost all the present aspect in a new allegoric way. There are other short story writers who wrote in allegoric and symbolic style. Their list includes the names of Mansha Yad, Rasheed Amjad, Ejaz Rahi, Munir Sheikh, Sami Ahoja. Younas Javed, Asad Umar Khan, Mazharul Islam, Anwar Sajjad, Saleem Akhtar and Arsh Siddiqui. Masood Ashar give a new style to the short story and is easy recognized with his originality. The spirit of his time energy and the sensitive is the essence of his stories
مشاعرہ: تہذیب سے تفریح تک (مہمان اداریہ)
No full textڈاکٹر ناصر عباس نیّر کا شمار ہمارے عہد کے معتبر ناقدین اور افسانہ نگاروں میں ہوتا ہے۔ وہ ایک طویل عرصہ اورینٹل کالج پنجاب یونیورسٹی لاہور میں اردو کی تدریس پر مومور رہے۔ انھوں نے ڈائریکٹرجنرل اردو سائنس بورڈ کی حیثیت سے بھی گراں قدر خدمات انجام دیں۔ آج کل پاکستان کے معتبر تحقیقی و تدریسی ادارے لمز لاہور سے وابستہ ہیں اور موقر تحقیقی جریدے "بنیاد" کے مدیر ہیں۔ ڈاکٹر ناصر عباس نیّر نے جرنل آف ریسرچ(اردو) کے شمارہ نمبر 40 کی جلد1 کے لیے یہ نہایت دلچسپ اور اہم موضوع پر مہمان اداریہ تحریر کیا جو جرنل آف ریسرچ(اردو) کے لیے اعزاز کی بات ہے۔ مجلسِ ادارت اس عطا پر اُن کی شکرگزار ہے