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اردو کے چند مکتوباتی ناول
No full textCreative literature written in the technique of letters is called epistolary. The firstattempt in this regard is the novel Cárcel de Amor (1492) by the Spanish writer Diegode San Pedro. While James Howell's novel Familiar Letters is predominant inEnglish, this technique gained popularity following the publication of SamuelRichardson's novel Pamela (1740). The first Urdu novel, Joya Haq published in 1917,1919, 1921. After him, Qazi Abdul Ghaffar, Majnoon Gorakhpuri, M. Aslam andMustansir Hussain Tarar have used this technique in some of their novels. This articlewill examine the features of epistolary techniques and their future prospects in Urdunovels
خدیجہ مستور کے ناول میں تاریخ کا متبادل بیانیہ
No full textLiterature in general and fiction in particular presents and uses the sociological and historical details of the external world. The detail sometimes helps the writer to construct the fictional world and in other times the writer presents an alternative image of the contemporary wold. Angan, a renowned novel, constructs its narrative with the prevalent political and historical situation. The narrative reflects upon the prejudices, biases and shallowness of the contemporary political culture in an alternative perspective which helps the reader to revisit and see the picture of political movements in the mirror of a family. This article analyses the novel and argues that literature can be an alternative narrative of the history
محمد دین تاثیر کی نظم اور سرمایہ داری
No full textCapitalism is part of the Continuity of the feudal system. This system is
directly realted to the French Revolution and the Russian Revolution. The
Bolshevik movement served as oxygen in the pursuit of the rights of
workers and peasants. He did a lot of work on workers and peasants,
which also had an impact on world literature. Regular Russian ideology
was propagated under the influeuce of the peogressive movement in the
1936. Poets of the subcontinent played and important role in the
promotion of Marxist and socialist ideologies, among which the names of
Sajjad zaheer, Ali Sardar Jafri, Faiz, Sahir and Ahmad Nadeem Qasmi are
prominent. MD Taseer's name is charecteristically not eworthy. This
article contains MD Taseer's views on Capitalism
اجمل کمال کے آج میں فکشن کی تفہیم: تعارف، تجزیہ اشاریہ
No full textAjmal Kamal is publishing a renowned quarterly literary journal 'Aaj' from Karachi (Pakistan) since 1989. This journal is celebrated for its translations of fiction from English, Arabic, French, Hindi, Persian amp; German language. Ajmal Kamal as editor selects world's best literature for his journal's readers and get it translated in Urdu. His selection is from different genres of literature but he prefers stories whether it is short-story or novel. 'Aaj' has also given a vital movement to a considerably new genre of Urdu poetry named as "Nasri Nazm" and introduced the great literary works of poets like Afzal Hussain Syed, Zeeshan Sahil amp; Azra Abbas in this regard. Besides all this, very notable, well written and significant literary criticism has also been published in 'Aaj'. Critical essays of celebrated writers on fiction, poetry, language amp; linguistics, religion, social sciences and reviews of different books have been published in different issues. Distinguished critics of "Aaj" from Urdu world are Nayyer Masood, C.M. Naim, M. Khalid Akhtar, Shamsur Rehman Farooqi, Ajmal Kamal, Fehmeeda Riaz, Arjumand Ara, Bakht Bedar and Muzzafar Ali Syed. This article presents an introduction, analysis and index of all that criticism published in 'Aaj' on fiction
نئی شاعری اور جدید شعریات
No full textIn the decade of 1960s from " Halqa e Arbab e Zoq" a new trend of poetry emerged as a revolt against prevelant linguistic principles. In this context new poets presented the theory of " Nae Lisani Tashkilat" which totally changed syntax of urdu language. That's how the structure of modern urdu verse was devised and 'words’ were given the status of 'Thing' through new metaphorical symbols, rules and personification, so new urdu verse was bestowed complexity. In this regard modern poets introduced this form of new poetry into their verse. This article presents a study of above said literary movement and analyses the all aspects of new poets who personified the new verse
جدید اردو اور پنجابی غزل میں زندگی کا روایتی تصور
No full text Ghazal is the most popular genre of poetry. Besides basic topics of ghazal. Some traditional topics also became a part of it. The transienty nature of the world is one of them. Under the influence of religious values and mysticism this topic was introduced in modern urdu and punjabi ghazal after the creation of Pakistan, with the tradition of classical ghazal. With the help of this traditional topic positive and negative effects can be witnessed on human temperament in modern ghazal. It highlights true meaning of human life and a man tries to make his brief span of life memorable through his actions. In this research paper, the continuity of the usage of this traditional topic in modern urdu and punjabi ghazal will be analysed. Furthermore, this topic will be compared to the ghazals of both the languages to highlight its intellectual harmony to demonstrate that ghazal is still depicting true ideology of human life
اردو ناول میں تاریخیت اور نو تاریخیت
No full textHistoricism as a literary theory Considers history a background of literature, whereas New Historicism envisages and practices a mode of Study where the literary text and Non_ literary Context are given equal weightage. This Article presents a critical overview of Selected Urdu novels in the context of these two theories
انیسویں صدی کے ایک گمنام ناول "نشتر" کے مرکزی کرداروں کا اجمالی تجزیہ
No full textSajjad Husain Anjum Kasmandvi appeared in the last decade of the 19th
century with his important but neglected or very less disenssed novel "Nishter".
According to the author "Nishter" is the urdu translation of Syed Hassan Shah's
biographic persion novel "Nishter" which he wrote in 1793. But the persion version of
Nishter never founded. In this artical a brief analysis of main characters Hassan Shah
and Khanum Jan in presented
وارث علوی کا تنقیدی اسلوب
No full textWaris Alvi is a prominent critic of fiction in Urdu. Beside it, he has parted a majorrole to build the theory based upon pure literary standards against the inflexiblecritical system of Tarraqi Pasand critics. Waris Alvi has played a significant role inUrdu criticism but he has not appreciated as much. It is necessary to study histhoughts as a whole and present it for the guidance of Urdu critics as well Urdufiction writers. In this article, a discussion has been opened after analyzing briefly thestyle of this prominent Urdu critic and it willopen a window for the Urdu criticismand studies of fiction
فلسفہ اقبال: ڈاکٹر جاوید اقبال کی نظر میں
No full textDr.Javed Iqbal has attested the truthfulness of Iqbal s ideology in the light ofcontemporary philosophical theories. He has perfectly analyzed metaphysical, ethicaland aesthetical thoughts of Iqbal. He is of the view that the central point of Iqbal'sideology is KHUDI (self) and his all other thoughts revolve around it. He refuted allallegations against him with rational approach