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DOES A PLACE CALLED HOME BY PREETI SHENOY SUCESSFULLY WIN EVERYONE’S HEART?
Full text linkThe goal of this research is to offer a Marxist reading of the book, focusing on the ways in which the narrative presents class conflict and social caste inequalities. The book begins with an introduction to the main characters and themes of the work. It draws attention to how important context is in an Indian culture, where people's identities and destiny are greatly influenced by the intersection of the caste and class systems. The second segment looks at the analysis from a Marxist perspective. It explains the key tenets of Marxist thought, with an emphasis on how the theory attempts to shed light on the hidden power structures of class-based society. Marx's criticism of caste discrimination as a tool to subjugate the working class and preserve social order is also discussed.
The 2nd section of the thesis presents the main instances and instances from the book that illustrates the caste and social status disparities. The study examines how the protagonists' socioeconomic circumstances impact their prospects for growth and success. The text portrays the characters belonging to lower castes and classes as being subjected to marginalization, alienation, and exploitation. This demonstrates the practical effects of caste discrimination and class strife in contemporary Indian society. The study will conclude with a succinct Marxist overview of the main findings. It draws attention to how Preeti Shenoy's portrayal of caste and class disparities in A Place Called Home speaks to broader social issues and the necessity of Marxist theory in understanding and addressing such injustices.. The study also emphasizes the value of literature as a means of discussing important topics related to societal development and transformation. This Marxist analysis of A Place Called Home elucidates the fascinating interplay between social stratification and caste in an Indian context. The study encourages readers to pose questions about the current quo via its critical investigation of social structures and personality dynamics, shedding light on the realities of advantage, oppression, along with struggle that endure within the greater fabric of society
اردو غزل کے ہیئتی مباحث اور آزاد غزل
No full textAlthough the genre and form of Ghazal has been the subject of debate, the fundamental identification of its form has irrevocably been the presence of end-rhyme in every second verse throughout the Ghazal, except for the first pair of verse, a couplet and a pair of end-rhyming verse. In the sixties, the experimental use or lack of it in meter, rhyme, stress and other essentials of Ghazal was named rhyme-less or free Ghazal. Mazhar Imam from India claimed to be its originator and initiator, but MeeابraJee had already made such experiments. This experimentation did not significantly increase the possibilities in Ghazal, but in response, the form of Ghazal further strengthened its importance
جاگیردارانہ اور سرمایہ دارانہ نظام کا ارتقا
No full textOn the first day, the earth has been the main source of livelihood for mankind. In this regard, agriculture is considered to be the first occupation. As well as meeting the needs of human food, the land is also the best source of income. The system created by the increase in thee sources of income is called the feudal system. Every ruler needs manpower for agriculture. Those who do not become rulersbeecome subjugated and continue the process of agricultural production. The ruler becomes the owner of all income without participation. This process continued for centuries, which was transformed by the mechanized age of human development into a system of achieving better and faster production.Thuscapitalism was introduced along with feudalism. This article presents the evolutionary stage of the journey of the capitalist system from the feudal system to the new World Order of the twentieth century
پروفیسر سیّد محمد کبیر احمد مظہرؔ کی تدریسی وتصنیفی خدمات
No full textProf. Syed Muhammad Kabir Ahmad Mazhar served University of the Punjab, Lahore for thirty one years. He joined the University as lecturer in Arabic and retired as professor amp; Chair Department of Arabic. His teaching career spans over thirty odd years. He also extended his teaching and scholarly services to the Ulema Academy Auqaf Department and Civil Services Academy, Lahore. Besides teaching, he authored more than twenty books on different topics chiefly on Arabic literature and Sufism. The article covers Prof. Syed Kabir’s teaching as well as writing services in detail
جدید ترک اور اردو نظم کی شعریات : ایک تقابلی مطالعہ
No full textComparative studies in world literature started in the early nineteenth century, but not considerable work has come out in this esteem in Urdu literature. Modern Turkish and Urdu poetry began more or less at the same time, but despite hundreds of years of cultural connections, no concerted effort was made to translate modern Turkish poetry into Urdu. In this paper, an effort has been made to compare modern Turkish poetry with modern Urdu poetry. In the above context, the translation work of Prof. Asuman Belen from Turkish to Urdu has been reviewed to explore the poetics of modern Urdu and Turkish poetry. It can be hoped that this paper will open new horizons of comparative studies in the modern Urdu literature
اظہر جاوید کی شخصیت نگاری
No full textAzhar Javed’s name is prominent and unique in many respects in Urdu litrerature. Azhar javed man was a well known editore, reasearcher, poet, fiction writer, columnist, translator and journalist. He was bron on January 4,1938 in Rawalpindi. Editor Azhar Javed is a mature critic. He has experimented in all genres of Urdu literature.his personal articals are rich in critical awareness and insight. His articals, though very few in numbers, are unique in trems of criticism. He has tried to express his point of view simply. Thses personal articals of Azhar Javed were publeshd in various magazines of Urdu literature. These articals are sketches of famous people of Urdu literature which came to the public with critical facts. The critcals review of thses essays is presented to you.
ڈاكٹرسہیل احمد بہ طور مترجم
No full textDr. Sohail Ahmad Khan has translated numerous unique poetry from Latin, Spanish, and English while keeping in mind the requirement for translation. English is the native tongue of Sohail Ahmad, both in prose and poetry. Although he was fully aware that translation is an essential component of modern literature, he insisted that it is neither an artificial nor extraneous feature
بہاول پورکےچند مزارات کے فارسی کتبات و اشعار
No full textInscriptions are an important source of history yet contrary to it's significance, very few steps are being taken to preserve these sources. Some of the reasons behind squandering of these sources include historical changes, revolutions, renovations, lack of education and goofy attitudes. In the following article, there is a short review about some of the Persian inscriptions and verses found on the tombstones of saints burried in Bahawalpur state, because in the era of Nawaban-e Bahawalpur, it was a common practice to narrate historical poetic verses and pen down the lineage of significant constructions
معاصر اردو نظم : ایک نئی ہیئتی ساخت کا اظہاریہ (ادریس بابر کےعشرے:حدود اور امکانات)
No full textAshraa is a new poetic genre of contemporary Urdu poem. It consists of ten lines. In recent times it has gained wide popularity with the new generation. A few months ago Idris Babur who is also the initiator of this genre, published his first collection of Ashraas in book form. This study is aimed at to determine the limits and possibilities of this new genre in the realm of contemporary Urdu poetry