ORIENTAL COLLEGE MAGAZINE
Not a member yet
620 research outputs found
Sort by
اردو انشائیہ میں فطرت انسانی کی عکاسی
No full textThe article explores the treatment of human nature in Urdu Inshaya analytically. It establishes that Urdu Inshaya is the proper genre which has the capacity to reflect human nature in all its manifestations and diversities. The human nature is intricately related to apparent human behavior which has been excellently explicated in Urdu Inshaya. If studied profoundly, Urdu Inshaya can be helpful in understanding various dimensions and aspects of human psychology properly.
میراجی کی جدیدیت: ’خلا‘کی جمالیات خلا ہی خلا ہے، خلاہی خلا ہے
No full textThis article deals with the particular form of modernism that sculpts the poetics of Meeraji's Nazm. Meeraji pioneered modernist theme, style and technique in Urdu Nazm avoiding all kinds of clichés. Asserting the basic preamble of modernity that man is the measure of all things, Meeraji ascertains the paradoxes of centrality of human agency as well. Duality is one of the major themes of modernist poetry that has been dealt with by Meeraji employing the context of mythology. On one side Meeraji discerns the void that presented itself as the destiny of modern man; on the other he seems to have been transforming it into womb i.e., a source of unusual creative energy. It has been asserted that Meeraji's modernity dispels the common perception of the modernist poetry as being apolitical
نظریے کی تخلیق اورادب کے سماجی رشتے
No full textThis article sheds light upon the fact that creativity asks for freedom on both individual and macro levels. This freedom also demands ransom which both the individual and the nation have to pay. The friction formed by this crisis helps to create literature. Despite this price, literature has to maintain high moral values. The article further explains that man needs attitude of faith which makes him capable of winning a personality here and hereafter. It is only by rising to a fresh vision of his origin and future, that man eventually triumphs over a society motivated by an inhuman competition, and a civilization which has lost its spiritual unity by its inner conflict of religious and political values.
ڈاکٹر شبیہ الحسن کی تنقید کا نفسیاتی پہلو
No full textA genuine critic hardly compromises the set standards of criticism by turning deaf ears to the psychological voices of a literary piece. If he does so it is considered as bad omen for the literary criticism. Dr. Shabi-ul Hasan is such a true psycho-critic who does not involve himself in mere literary hair splitting rather tries to give an unbiased critical psycho-analysis of literary works. Dr. Shabi's criticism is an impeccable manifestation of psycho-criticism. He is a multifaceted critic and his style of criticism is unique and unprecedented. Dr. Shabi's psycho-analysis of literary pieces is of great merit. This article focuses Dr. Shabi's services as a psycho-critic.
حفیظ جالندھری: جدید گیت نگاری کا موجد
No full textAlthough song writing in Urdu language is as old as Urdu poetry itself yet it was never recognized as a literary form. Reason being, the songs were only preserved in the memories of the masses as a folk heritage. However, in the second quarter of the twentieth century, renowned Urdu poet Hafeez Jalandhry who was already famous for his extraordinary talent, style and diction inclined towards song writing and succeeded in establishing it as an independent genre of Urdu poetry. It's why he is truly called the father of modern song writing in Urdu. He not only wrote famous songs himself but also got the song writing registered as a literary form.
ادب اور اخلاقیات: ارتباط و اختلاف
No full textLiterature and ethics are two different realms of knowledge but their harmonious relationship and synchronism establish the enduring literary values. Amplification or debasing of one at the cost of other diminishes the role and significance of both. The coerce expression of ethical values transforms it into a piece of propaganda and makes the literature jugglery of words divesting it from social, religious and contemporary imperatives. Hence there is a great need that equilibrium and evenness be maintained between the aesthetic and ethical considerations so that artistic and cultivated incorporation of ethical values may enrich the significance and meaningfulness of literature.
قرةالعین حیدر کی تحریروں میں تہذیبی شعورکی پیش کش
No full textQura Tul Ain holds a unique place in Urdu literature. Her personality and creativity display a wide range of diversity and multidimensionality. She produced four collections of short stories, five novellas and seven novels. Besides this, she tried her creative genius in myriad other genres to establish herself as a genuine writer. Her writings are representative of the spirit of our times as well as our civilization. The tragedy of the disintegration is as palpable in her writing as the search for identity and roots. She has penned the history and civilization in such a way that a holistic picture of our cultural history comes to forth. She laments the loss of our shared heritage throughout her writings.
تہذیبی آویزش اور اقبال
No full textIqbal started his intellectual career as an ardent Indian nationalist. However, his stay in Europe enabled him to foresee the disastrous direction in which the political doctrine of territorial nationalism was driving the world. He realized that territorial patriotism would circumscribe human vision to parochialism. Humanity was in need of a just socio-economic political system which could enable it to form a peaceful comity of the nations. At this point, Iqbal's poetry and thought stirred the Muslim India. Renowned Irani scholar Ali Shariati reconsolidated Iqbal's vision through his writings. Both Iqbal and Shariati resisted the imperialist strategy of the West and offered a better solution to the world for peaceful co-existence
کئی چاند تھے سرِ آسماں: زبان و بیان
No full textShams-ur-Rahman Farooqi is a great Urdu novelist of modern age. For any novel to be successful it needs pinnacle of expression and engaging language. If entrances of language and that too such a sweet and vigorous one as Urdu, are not taken into account, the novel fails to find recognition. Taken in this context, KAI CHAND THEY SAR-E-AASMAN should be ranked as a masterpiece. The article is an effort to study the said novel's diction and style.
اُردو شاعری میں انفرادی نوحوں کی روایت ایک نفسیاتی مطالعہ
No full textThis article deals with the tradition of Individual Elegiac Poems in the course of Urdu poetry, focusing upon their psychological studies. This psychological study involves the firm theoretical background in the realm of 'Grief, Mourning and Melancholia' in twentieth century psychology. It distinguishes between 'Grief and Grieving' and resultantly, indicates the line of separation between 'Grief reaction' and 'Grief response'. With such detailed explanation, it tells how an elegiac poet's 'Relations' the world and its surroundings and empowers his lost personality after bereavement by jotting down the elegies. Along with these pithy perspectives, the article studies selective elegies in Urdu poetry with their psychological enchantment.