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Cultural conflicts in select Diaspora Novels: Kiran Desai’s The Inheritance of Loss & Jumpha Lahiri’s The Namesake
People are identified by their culture basically. When we know the new culture it will enrich our knowledge but adopting the same and living in an alien land will affect our freedom of thought and life. Folks move from one place to another for all kind of betterment. Change of whereabouts and language from one to other drag the people to a further complicated world. They drop all their hopes towards the newness and try to adjust or struggle for their life in the unexpected circumstances. Man Booker Prize winner, a famous Indian Diaspora writer, Kiran Desai’s The Inheritance of Loss discusses different kind of losses take place by man’s displacement. The characters Biju, Sai and Bela represent the pain and affliction of departers. They are longing for identity and want to create a comfort zone in the alien soil leads them frustrated. Jumpha Lahiri, the Pulitzer Prize winner, put across the same expatriate sensibility in her novel The Namesake. The protagonist Gogol and others Ashoke, Ashima migrate to another country still wants to follow their culture and traditional values there. These novels traced the concept of cultural identity with rootlessness and ancestral expectation. The present paper deals with identity predicament in the basis of cultural conflict through the characters’ strife of unfamiliar terrain
A Study of Diasporic Divulgencies in the Works of Rohinton Mistry
Diaspora fiction deals with the issues of two different social milieus having discriminating margins, disintegration or combination of cultures and is also lingers over the related feelings such as nostalgia, loneliness, alienation, existential rootlessness, homelessness, quest of identity, protest, assertions and questioning etc. Rohinton Mistry is one such writer who is well known for his depiction of these psycho-sociological problems by the emigrants and immigrants. Rohinton belongs to the Parsi Zoroastrain religious minority while residing in Brampton, Ontario, Canada. Being himself a victim, most of his works are concerned to scrutinize the complexities of contemporary rootlessness and alienated identities of the Parsi community he describes. While in India these Parsis are called “Ghatis” and when they move towards the United States and Canada, they are called “Pakis”, and Mistry considers both of them to be dehumanizing. He raises voice against the victimization of these emigrants and immigrants and highlights their struggle also
The Inconspicuous Relationships between Language Acquisition and Learning
This research paper throws light on the inconspicuous relationships between language acquisition and learning. It introduces the meanings of language acquisition and learning based on the researches of Pritz Hutabarat and Imran Hussain. Tools for language acquisition, such as movies, games and social networks, are explained clearly in this research paper followed by the definitions of language acquisition and its characteristics. Tools of language learning, such as classroom education and activities, are explained in detail along with the definitions of language learning and its characteristics. These mentioned parts have the testimonials of Fernandes Arung, Aladdin Assaiqeli, Yolanda A.Rankin, Rachel Gold, Bruce Gooch, Hosni M.El-Dali, Parlingdungan Pardede, Eva Alcon, and Jenny X. Montano-Gonzalez. Behaviourist Theory, The Innateness Theory, Cognitive Theory, The Motherese Theory, and Socio-Cultural Theory are the theories of language development that present in this research paper. To prove these language developmental theories, Entisar Khalifa Aljoundi and Dr. Md. Enamel Hoque’s research findings based on the experimental findings of Edward Thorndike, B.F Skinner, Noam Chomsky, Jean Piaget and Lev Vygotsky are provided with suitable examples. This research paper is aimed to spotlight the two most inconspicuous relationships between language acquisition and learning
Applicability of Ancient Myths and Cultures used in the play Yayati
Girish Karnad was among the most prolific playwrights of modern India. He took birth in the reign of British India, witness the independence of our country, learnt from the motherland of English, came back to his motherland only to become English poet, but ended up writing plays only in his native language, using the core of Indian origin in his pen. He had the best farsightedness of life which he projected very sharply in his plays. Each of his plays are enriched with the diverse forms of Indian cultures and myths. Although, it has never been mentioned of him studying psychology in a professional manner but his plays has always has the capacity of comforting or at least focusing the flaws of mankind. The main objective of this research paper is to highlight the ancient myths and culture used in one of the Karnad's play Yayati, and its relevancy in the present scenario
Magic Realism in the Works of Isabel Allende and Gabriel García and Laura Esquivel
To begin, this article provides a short overview of Magic Realism. The meaning of the term the origins and development of Magical Realist literature, as well as "Magic Realism," must be explored next. Three famous authors will be discussed: Garcia Marquez, Isabelle Allende, and Laura Esquivel, as well as female writers Isabelle Allende and Laura Esquivel. In addition, a number of outstanding works by well-known authors connected with the literary movement Magical Realism are critically analysed. A Very Old Man with Enormous Wings, Like Water for Chocolate and The House of the Spirits are among the notable literary works to be studied in terms of their Magical Realist aspects
The Characters of Muriel Spark and their Universal Experiences
The paper discusses some universal experiences and worldly phenomena which Mrs. Spark very beautifully reveals through her characters. But these experiences are universal in this sense that they are applicable not to a particular person but to every human being of the world. It also studies the reactions of Mrs. Spark’s characters to these universal attributes. The universal phenomena explored by Mrs. Spark are Death as a natural phenomenon, jealousy, decaying materialistic civilization, moral degradation, suffering etc. Her novels; Memento Mori depicts the importance of Death which is inevitable part of our life, The Bachelors presents the problems and shortcomings of celibates and The Only Problem reveals the significance of suffering which is ever mixed with pleasure. Generally, the world of Mrs. Spark's novels is a fallen one and she emphasizes the revelation of degeneration of worldly men. The Ballad of Peckham Rye and The Public Image are such novels as depict the worldliness materialism and loss of spiritualism of the modern human beings
Element of Irishness in Seamus Heaney’s poem ‘Digging’
Seamus Heaney is considered one of the greatest poets of the postmodern era, his name and fame travelled across the Irish borders by winning the 1995 Nobel Prize in literature. Seamus Heaney was born in Ireland; he was the only child in his family to attend the school, His family members were traditional potato farmers. Seamus Heaney broke his family tradition of farming by choosing to become a writer. While growing up to become a first graduate among his family Seamus Heaney’s mind was captured by this sense of gloom that he was unable to follow his family tradition of farming. Seamus Heaney promises himself that he will pay rich tribute and let the world know about the hardships of Irish farming life. Seamus Heaney’s main concern for writing poetry was to keep alive Irish culture and its heritage alive. Since Ireland was under the colonial rule of England and Seamus Heaney was of the view that colonization is not only a political problem, but it destroys the country's culture and identity. This was the main reason that Heaney’s poetry revolves around Irishness, its people and culture. There is an enormous reflection of Irish identity and culture in his poetry. This paper will focus on elements of Irishness in Seamus Heaney’s poem ‘Digging’. 
Epic Woman Stepping into Reality: Depiction of Draupadi with a Feminist Lens with Reference to Three Indian Novels
Lower status of women is a stain on any society. The problem is becoming glaring in India in the wake of atrocities caused against women ‘from womb to tomb’. Even in this twenty first century, the impact of manuvadi ideology is getting evidently felt. ‘A thinking woman spoils everything’ is still the mindset. Maladies like honour killing, bride burning are still gloating over the security of women in the wake of the internalized mindset of patriarchal dictum, viz. ‘A woman does not deserve any freedom’ (Na stri swatantryam arhati). Since time immemorial, she was always taken for granted though she had never remained silent. The depiction of Draupadi in various writings underscores woman’s protest against male dichotomy and her refusal to live by disabling definitions that mark women as inferior
Pain and Pleasure in Kamala Das’ My Story
Pain and Pleasure are the two psychological terms, used in English language and literature to show or describe the state of human mind with the perception of occurring incidents in their lives. In the relation of meaning, both of the terms are adversative adjectives to each other but both have the most important elements in the existence of human beings in the absence of each other. Pain describes the dark side of life or mental the state of human sufferings while pleasure is expressed during the mental state of joy and entertainment or light side of the life. Both of the terms have been well expressed in the autobiographical work of Kamala Das, My Story published in February 1973. This paper is going to explore the human state of mind in the most autobiographical work of Kamala Das, the female Keats and Lawrence of Indian English literature
The Meeting of a Saint and a Poet: W.B. Yeats and Purohit Swami
A literary artist seldom works in a vacuum, in isolation; rather, he draws materials of his art from the social, cultural, political and philosophical currents of his milieu, and eventually contributes his interpretation of these ideas to society. Yeats is not an exception; but his critical sensibility looked far towards Indian ideas. He found Indian ideas of art, philosophy, and religion inspiring and stimulating to such an extent that a vital part of career was engaged in assimilating as well as reproducing them through his own art. Though Yeats’ critics and biographers have already noted the impact of Indian thought on his poetry, the present paper endeavors to show the interface between Yeats and Purohit Swami and how their friendship resulted in a mutual enrichment