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From Silent Suffering to Strong Self Identity: A Study of Anees Jung’s Breaking the Silence
Anees Jung is one of the widely read post–independence Indian English women writers who write consciously of the issues that concern the educated middle-class women in Indian society. She attempts to closely analyze man-woman relationship within the family and the contemporary social set-up. She focuses on the captivating problems and the suffocating environs of her female characters who struggle hard in this malicious and male-dominated world to discover their true self identity. Jung does not advocate separation from the partner but a diplomatic assertion of one’s identity from silent suffering
Identity and the Language in NoViolet Bulawayo’s We Need New Names
Humans have been migrating for centuries. This paper tries to delineate the formation of hybrid identities using the transnational theory of migration in a postcolonial context. Throughout the colonial and the postcolonial history, the voices of migrant experiences have been overlooked. They had accepted their position as silent spectators to their own stories without a voice, without opinion and without choice. Their Silence was being read as a form of acceptance and approval without delving much into the social, political and economic milieu of the era. This paper aims at understanding the dynamics of language and the choice of the migrant community to rise above their status as silenced subjects and oppressed people and share their experiences. It intends to explore the language differences and the search for an identity in NoViolet Bulawayo’s We Need New Names which tells the story of a diasporic African teenager who tries to grapple with the host country culture while still holding to the memories of her homeland and a yearning to go back home. The paper tries to understand the search and development of a hybrid and transnational identity of the migrant
A Paradigmatic Critique of Harold Pinter’s The Caretaker
Harold Pinter lived and wrote his plays after the World War period. In this period scholars were associated with the portrayal of unrefined and crude factors of warfare which were, directly and indirectly, related to the people of that time. They also depicted how governments were exploiting common people in the name of safety and warfare. Despite the fact that Pinter's plays are not actually about warfare or the circumstance of Wars, his plays have the impressions of warfare in various shades. His plays display various levels of human existence. There is an exploration of mental, social, financial, human relationship, and the existential methodology of existence with ludicrousness in his plays. Pinter’s relationship is with the real elements of human existence and activities. He denies the idea of realism in his plays and says that “If you press me for a definition. I would say that what goes on in my plays is realistic, but what I’m doing is not realism” (The Essential Pinter, 11). He always tried to depict concrete and particular idea in his plays through concrete characters. He never wrote his plays for any kind of abstract idea. He is associated with realism in the matter of approach of depiction to the crude and drastic realities of the time. He has represented the post-war British socio-political issues, sensibilities and psychological as well as mental states of the human mind
Theme of Alienation in John Steinbeck’s Of Mice and Men
Of Mice and Men (1937) is a novella written by Steinbeck. He has expressed his strong concern for the impoverished and disadvantaged, particularly migrant labourers. He depicts believable individuals in this work to show a glorious past. He has been acquainted with the poor, notably migrant agricultural laborers, both American and Mexican, since arriving in California in the 1930s, and has written from their perspective. His main purpose is to provide a genuine portrait of these people. One of Steinbeck’s most recurring themes is loneliness. Every character in Of Mice and Men, for example, is dealing with loneliness and isolation in some way; the two main characters, George and Lennie, have no families, no social circle, and no background to speak of. They've displaced ranch employees who appear out of nowhere at the start of the tale, with nowhere else to turn but each other. They currently constitute a single entity, each complementing the other. But Lennie is physically strong but intellectually frail, George is mentally strong but physically frail; Lennie is a spendthrift, whereas George is a saver. Lennie has no notion what the ramifications of his actions will be; he acts on instinct. George, on the other hand, is always trying to restrict him and giving him advice on the dos and don’ts of social interaction. Even this George and Lennie team is shattered by the novel's conclusion when George is compelled to murder Lennie to spare him from a far more terrible death. George’s loneliness and isolation must be palpable now that Lennie isn't at his side to keep him company and make him feel alive
Writing on the Wall and our Shortsightedness
The Silent Spring by Rachel Carson, which brought the issue of pesticides to the center stage is dedicated to Albert Schweitzer, who said, “Man has lost the capacity to foresee and to forestall. He will end by destroying the Earth”. This paper will try to understand and analyse our position with regard to the prediction made by Albert Schweitzer. Are we still moving in the same direction of self-destruction or have we regained our capacity to foresee and forestall? Man’s interaction with nature has altered it in very significant ways which in turn has been affecting the life of man in unpredictable ways. The way forward is from adverse Anthropocene to conscious Anthropocene. Shankar’s 2018 release, Akshay Kumar and Rajnikanth starrer 2.0 warn us about the problems of radiation which will wipe away the birds from Earth before us going the same way. How the overcrowded telephone network towers and the radiation from them will wreak havoc, if not checked right away is the point of discussion in the movie. 2016 release Remo D’ Souza’s A flying Jatt, starring Tiger Shroff also speaks of the impending doom if we do not manage our waste properly. The pollutants which we are releasing generously into the environment are nothing but our own suicide in installments. The writing has been on the wall for long. Poornachandra Tejaswi in his novel Chidambara Rahasya depicts the picture of a society which ignores this writing on the wall for short term gains and this shortsightedness results in the destruction of nature, culture and the life as we know. This paper intends to study the equation between man and nature as depicted in the above mentioned movies and literature
A Telescopic Vision of K.V. Dominic’s Poetic World through Cataracts of Compassion
An attempt to present the poetic world of a particular poet particularly based on a particular volume is thought to be a herculean task. Can it be possible? is the question. Generally, the poetic world of a poet is known or understood with the help of the close study of his all works where his all feelings, passions and emotions are reflected vividly and variously. There is a saying in this world that possibility resides in impossibility and hither is our ray of hope as the work of a poet is the result of all the generative energy that he possesses. Time, place and position are also the dominant deciding factors in shaping the poetic world of a poet .None can prevent him from the above said things. The other thing is that feelings, passions and emotions are the recurring things that recur in each and every work of a poet in various forms. This is why, here, a little step is taken to have a telescopic vision of his poetic world through his particular anthology The Cataracts of Compassion. Its possibility is to be seen in an affirmative way as without any major distinction the mind, psyche and tendency of a poet is present in his all works. Miniatures always present the giants i.e. they attribute the real and ubiquity of a poet is known to all so there is no harm to have a telescopic visions of Prof. Dominic’s poetic world through the Cataracts of Compassion
Identity Crisis in Kazuo Ishiguro’s Never Let Me Go
In never Let Me Go, the cloned protagonist proves unable to resist a fate that is finalize by others and 'completion' results in their inevitable death. The uniqueness of theme of organ donations provides the focus of the clone narrator's story. We might expect a showdown scheme where the clones discover their true identity. However, Ishiguro refuses to meet such expectations. Kathy H. and her friends Tommy and Ruth are consumed with questions about themselves and their place in the world. The children attain a sense of identity through their treasured collections, creativity artwork and delicate social structures. Part of their identity therefore always remains a mystery to them and this adds their confusion about who they are and what is their place in the world. No one appear exempt from the harsh reality offered by the ambiguity of human identity
Representation of the Namasudras in Literature
In Bengali Dalit literature, the Namasudra writers and poets play a crucial role in combating the complete social margsinalization of Dalits, their movements, iconography, experiences, and worldview. According to Manohar Mouli Biswas, “It is a counter cultural movement that has been aiming to undo the age-old caste ridden oppressions against the dalits by representing their lives, deprivations, struggles, histories and promoting their culture and liberation through literature” (Biswas XXV). There have recently been many books written by Dalit Namasudra authors, some of which have been published in English. Using these archives and texts, we may now see the Dalit Namasudras from a different perspective, one that previously would not have been possible through the use of traditional historical archives and writings. Among them mentionable are Manohar Mouli Biswas’s Amar Bhubane Ami Benche Thaki translated as Surviving in My World, Manoranjan Byapari’s Itibritte Chandal Jiban translated as Interrogating My Chandal Life, Dr. Manoranjan Sarkar’s Ekjan Daliter Atmakatha, Jatin Bala’s Sikar Chenra Jiban and so on. This article attempts to rebuild the alternate history of the Namasudras by deconstructing the standard material on the subject using historical and literary analysis
Subdued Voices: Women Characters and their Author in Inside the Haveli
Rama Mehta is an eminent novelist who contributed significantly to Indian English fiction by bringing female issues to the fore through her exemplary novel, Inside the Haveli. The novel shows a predominant concern with the subjugating condition of women characters shackled in the Indian patriarchal structure and brings, particularly, into light the repressed state of female characters and the elements that determine their submission. Simultaneously, based on the incident, the novel reveals silence and submission on the part of the novelist as well. Nevertheless, the work seems stifled when dealing with women's issues; its movements are confusing, contradicting and oscillating. The characters and their author appear tense under pressure showing a disinclination to adopt a bold stance. This cramped and oscillating situation speaks of their helplessness and repressed situation
Women in Different Dimensions in Margaret Atwood and Anita Desai
In Margaret Atwood's novel The Edible Woman and Anita Desai's novels Cry, the Peacock, Voices in the City and Where Shall We Go This Summer? attempts have been made by some women characters to 'liberate' themselves from and to find alternatives to the institution of marriage. A study of the careers of these women characters enables one to arrive at the attitudes of these two women novelists towards the institution of marriage and the women's liberation movement