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Державне управління комунальними закладами охорони здоров’я в Україні: аналіз організаційноправового забезпечення діяльності на прикладі Комунального некомерційного підприємства: «Вишнівська міська лікарня» Вишневої міської ради Бучанського району Київської області
No full textThis article presents an analysis of the organizational and legal support provided by the state to medical institutions using the example of the communal non-profit entity, the Vyshneve City Hospital governed by the Vyshneve City Council (Bucha Raion, Kiev Oblast) in the 2020–2022 period, and the impact it had on the development trends in state governance of communal medical facilities in Ukraine. One of the main goals of these considerations was to determine the defining characteristics and operating principles of the institution during an ongoing transformation of the field.
It was established that legislation and statues of medical facilities define the organizational-regulatory principles pertaining to communal medical facilities in Ukraine. The analysis of the functioning of communal medical facilies facilities on the basis of the Vyshneve City Hospital led the authors to conclude that said institutions cater to different age and gender demographics (men, women, children) and people of various regional backgrounds (residents of rural and urban areas). The Vyshneve City Hospital was recognized as a multidisciplinary entity, as it provides medical activities to both adults and children. However, the scope of its activities is mostly limited to urban areas.
Preventive medicine was recognized as one of the defining medical services provided by communal medical facilities. It allows diagnosing and preventing various occupational, infectious and chronic non-infectious diseases. The analysis of personnel and staff shows that the Vyshneve City Hospital is equipped to provide specialized medical care in both inpatient and outpatient settings, as well as emergency and primary medical care.Аналіз організаційно-правового забезпечення діяльності медичних закладів на прикладі Комунального некомерційного підприємства «Вишнівська міська лікарня» Вишневої міської ради Бучанського району Київської області та його вплив на розвиток державного управління комунальними закладами охорони здоров’я в Україні.
Завдання дослідження: проаналізувати нормативно-правове забезпечення діяльності закладів охорони здоров’я; здійснити аналіз організаційно-правового забезпечення діяльності медичних закладів на прикладі Комунального некомерційного підприємства «Вишнівська міська лікарня» Вишневої міської ради Бучанського району Київської області у 2020–2022 роках; визначити особливості діяльності Комунального некомерційного підприємства «Вишнівська міська лікарня» Вишневої міської ради Бучанського району Київської області в умовах трансформації галузі.
Встановлено, що організаційно-правові засади діяльності комунальних закладів охорони здоров’я визначаються у законодавстві України та Статутах медичногоих закладів.
Аналіз організаційно-правової діяльності комунального закладу охорони здоров’я на прикладі КНП «Вишнівська міська лікарня» дав можливість сегментувати медичні послуги за такими показниками діяльності: за цільовою аудиторією ― пацієнтами (чоловіки, жінки, діти), це свідчить про те, що КНП є багатопрофільним медичним закладом для дорослих і дітей; за територіальною ознакою (міські та сільські жителі) встановлено, що діяльність КНП орієнтована надавати медичну допомогу міському населенню.
Особливістю діяльності КНП є проведення профілактичних оглядів, що надає можливість виявити (попередити) професійні, інфекційні та хронічні неінфекційні захворювання. Здійснений аналіз чисельності персоналу КНП та аналіз укомплектованості медичного пер- соналу, дає можливість зробити висновок, що особливістю діяльності КНП є надання спеціалізованої медичної допомоги як в стаціонарних умовах, так і в амбулаторних, а також екстреної та первинної медичної допомоги
Realizm allotopii i realizm ludotopii. Wprowadzenie do teorii interfejsów światotwórczych
No full textThe article aims at tackling the issue of realist interfaces whilst answering a question of whether there is such a thing as a realist interface and whether it remains relevant to user experience design in video games at all. Having utilized the nomenclature of cognitive and transmedial narrative theory, narrative-driven world-building studies, and game studies, the author proceeds to critical examination of interfaces in Dark Souls, Elden Ring, Baldur’s Gate 3, Divinity: Original Sin 2 and Red Dead Redemption 2, in order to trace most bothersome components that can badly influence the learning curve of the player as well as the experience of coherent gaming reality. This examination aims to distinguish the realism within the ludotopia (i.e. the gameworld) and the allotopia (i.e. the imagined world wherein the gameworld can exist), addressing the needs related to understanding game rules and the principles governing the designed reality. The article concludes with a proposal of five different criteria (competence, predisposition, consequence, navigation, and perception) of world-building interfaces and a revision to the current structural classification of diegetic and non-diegetic interfaces
Accessibility of video games in the context of disability. A historical overview
No full textThis article briefly presents the history of making video games “accessible” to people with disabilities almost from the beginning of the medium to the present day. It outlines the conditions that influence the current state of accessibility in games, as well as the main issues that have emerged in the discourse on this issue. It also discusses some of the accessibility solutions developed by the video game industry and advocacy organisations
Rupaki, Pytalik i Krześlaki z rozwianą grzywą, czyli o ilustracjach Elżbiety Gaudasińskiej do poezji dla dzieci
No full textThe dominant area of Elzbieta Gaudasinska’s work is book illustration for children’s and youth literature. A not insignificant part of the artist’s output, covering half a century of activity in this field of art, is connected with poetic works. The greatest development of Gaudasinska’s career occurred in the 1970s and 1980s, and from this period come the illustrations to the four volumes analysed in this article: Daję słowo kolorowe (I give my colourful word) by Jerzy Ficowski (1975), Rupaki by Danuta Wawilow (1977), Krześlaki z rozwianą grzywą (Krzeslaki with a flared mane) by Joanna Kulmowa (1978), and Pytalik by Joanna Pollakowna (1982). The relationship of the oratio vincta to sequences of paintings, individual compositions and the artist’s various graphic treatments have been traced and described in detail. A graduate of the Warsaw Academy of Fine Arts, she has developed a recognizable style, the features of which include a high degree of decorativeness, a flowing contour clearly limiting round forms, and an excellent sense of colour. All these distinguishing features can also be found in the sets of illustrations discussed in the article, often constituting an original visual interpretation of the lyrical substance
Counter-colonial unfoldings of cubism in Latin America: The works of Wifredo Lam, Fernando de Szyszlo, and Francisco Matto
No full textThe exceptional cubist configuration is often thought of as a French movement. Nevertheless, beneath the geographical label lies a hidden truth: an art that arises in Paris but relies on the cooperation of artists, critics, and art historians of various nationalities. On the one hand, the channels by which cubism established transatlantic dialogues and exchanges in different moments were diverse and in other periods. For example, by direct contact of Modern Latin American artists with the movement, art students and painters that attended the French academies, and distinguished visitors related to the movement. On the other, as in other regions, cubism circulated in Latin America, catalyzing different artistic approaches and practices that, despite sharing the same origin, resulted in a manifold of proposals and plastic forms.
The cubist influence in Latin America was not strong enough to break with previous cultural traditions. In a similar way to how Pablo Picasso and Georges Braque assimilated the lesson of African sculpture, Latin American artists also dialogued with the so-called primitive cultures of their regions, maintaining and resizing their original symbolic and mythical value.
Artists such as Tarsila de Amaral (Brazil), Cándido Portinari (Brazil), José Cúneo (Uruguay), Emilio Petorutti (Argentina), Diego Rivera (Mexico), among many others, assimilated its morphological aspect. But other artists understood cubism as a way of thinking. They assimilated its structural dimension, such as Wifredo Lam (Cuba), Francisco Matto (Uruguay), Joaquín Torres García (Uruguay), and Fernando de Szyszlo (Peru), among others.
With a theoretical frame following the considerations of Carl Einstein, Daniel- Henry Kahnweiler, and Vincenc Kramář, three art theorists who tackled cubism from different angles and in terms of man’s active participation in the creation of a new, more dynamic view of the world, this paper approaches the works of Wifredo Lam, Fernando de Szyszlo and Francisco Matto, privileging the way they deal with space and their dialogue with local ancestral traditions in the context of modern societies
Średniowieczny kopiariusz jako księga kancelaryjna i nośnik pamięci. Stan i perspektywy badań
Get PDFCartularies are among the most important source materials – they record many documents, a bulk of which were not preserved in original form, and are considered a product of the medieval chancery and a proof of its organization level. The paper aims to outline the functioning of cartularies in a medieval chancery and to present some reflection in the field of source studies on the discussed issue, as well as a review of research about medieval cartularies in Polish historiography
Focalization, Subjectivity, and Magic(al) Realism in “Night in the Woods”
No full textThe main aim of our analysis is to consider the use and function of focalization in Night in the Woods (Infinite Fall, 2017) and the resulting magic(al) realism subjectivity of perception and fluidity of the gameworld in the framework of post-classical narratology. Our suggestion is that the specific ludonarrative features and functions of the game and its playable protagonist, Mae Borowski, pose questions pertaining to the ontological status of the gameworld, making it an in-between, undetermined magic(al) realism space. Taking into account the conventional formulas and themes utilized in the game, it has already been discussed as an American story following the tradition of the so-called Rust Belt Gothic. This approach, albeit highly accurate, fails to exhaust the possibility that the events presented in the game, specifically in the fourth act, are only subjectively perceived by the protagonist/focalizer, Mae Borowski. In our text, we discuss the potential markers of subjectivity present in the game, with a focus on the game music and soundscape
Perspectiva y temporalidad en “El camino” de Miguel Delibes: desde la ambigüedad hasta la paradoja
No full textThe aim of the article is to explore the narrative composition of the novel El camino by Miguel Delibes focusing on its perspectival and temporal structuring. It is argued that ambiguous perspective is one of the key aspects of its compositional features. This narrative technique is used to mix multiple perspectives in a manner that ends up creating paradoxical representations in depicting the narrative episodes. The article claims that such perspectival configurations, which are to a large extent also based on the temporal dimension, have to be described in terms of networks of local perspectival choices and are best understood via the concept of compression of perspectives.El objetivo de este trabajo es explorar el uso de la perspectiva narrativa en la novela El camino de Miguel Delibes en tanto técnica narrativa que en gran parte define la originalidad de la composición de esta novela. Teniendo en cuenta los modelos teóricos más recientes de la perspectiva narrativa, nos propondremos un análisis de la ambigüedad perspectival característica de la organización narrativa de El camino. Esta ambigüedad se despliega de una manera tan peculiar que merece una atención más detallada de la que se le ha prestado hasta ahora. Señalaremos cómo las redes perspectivales de El camino, construidas en estrecha interrelación con la temporalidad y elaboradas hasta configuraciones paradójicas, se tienen que analizar a nivel local de la construcción narrativa y se pueden describir a través del concepto de la compresión de perspectivas
Wybrane przejawy sowietyzacji Ukraińskiej Socjalistycznej Republiki Radzieckiej na początku lat trzydziestych XX wieku w rozpoznaniu Oddziału II Sztabu Głównego Wojska Polskiego i władz politycznych II RP — część II
No full textThe aim of this article is to expand upon the considerations initiated in the first part of the article on the manifestations of the progressive sovietization of the Ukrainian Soviet Socialist Republic in the early 1930s. The article addresses a thesis according to which the sovietization of the Ukrainian Soviet Socialist Republic in the years in question prevented the implementation of Ukrainian national liberation slogans. It was also an unfavorable direction in the broader context of Poland’s security in regard to the policy pursued by Moscow as well as the proximity of the Second Polish Republic to the Ukrainian Soviet Socialist Republic. The presented arguments have led to the conclusion that the sovietization of the Ukrainian Soviet Socialist Republic in the early 1930s nullified the chance for implementing Ukrainian national liberation slogans. The policy pursued by the Soviet Union led to full integration of the Ukrainian Soviet Socialist Republic in the structures of the Soviet state. The sovietization methods limited the right to self-determination of the Ukrainian people. The diversity of methods and spheres covered by the phenomenon of sovietization in the Ukrainian Soviet Socialist Republic was one of the most important determinants of the effectiveness of this process in the early 1930s.The aim of this article is to expand upon the considerations initiated in the first part of the article on the manifestations of the progressive sovietization of the Ukrainian Soviet Socialist Republic in the early 1930s. The article addresses a thesis according to which the sovietization of the Ukrainian Soviet Socialist Republic in the years in question prevented the implementation of Ukrainian national liberation slogans. It was also an unfavorable direction in the broader context of Poland’s security in regard to the policy pursued by Moscow as well as the proximity of the Second Polish Republic to the Ukrainian Soviet Socialist Republic. The presented arguments have led to the conclusion that the sovietization of the Ukrainian Soviet Socialist Republic in the early 1930s nullified the chance for implementing Ukrainian national liberation slogans. The policy pursued by the Soviet Union led to full integration of the Ukrainian Soviet Socialist Republic in the structures of the Soviet state. The sovietization methods limited the right to self-determination of the Ukrainian people. The diversity of methods and spheres covered by the phenomenon of sovietization in the Ukrainian Soviet Socialist Republic was one of the most important determinants of the effectiveness of this process in the early 1930s
Spektrum medialnego zaangażowania jako wyzwanie dla polskiego medioznawstwa
No full textThe phenomenon of media engagement is almost untouched by Polish media studies. Due to its complexity, however, it requires intensive description and investigation. This text aims to furnish a overview of the most significant and intriguing theories pertaining to the phenomenon of media engagement. It discusses both the work of researchers from the 20th century (such as Horton and Wohl or Rubin and Perse) and the most recent concepts related to this issue (such as Annette Hill, John Corner, or Elizabeth Evans). The text concludes by highlighting the general challenges for Polish media studies related to the study of this phenomenon.Zjawisko medialnego zaangażowania to zagadnienie, które jest niemalże niepodejmowane w polskiej literaturze medioznawczej. Z uwagi na swoją złożoność wymaga jednak głębokiego opisania oraz zbadania. W związku z tym celem niniejszego tekstu był przegląd najważniejszych i najciekawszych teorii związanych ze wspominanym zjawiskiem. Wskazany został zarówno dorobek badaczy pracujących jeszcze w XX wieku (na przykład Donalda Hortona i Richarda Wohla lub Alana M. Rubina i Elizabeth M. Perse), jak i najnowsze koncepcje dotyczące tego zagadnienia (na przykład Annette Hill, Johna Cornera lub Elizabeth Evans). Podsumowaniem tekstu jest wskazanie na ogólne wyzwania dla polskiego medioznawstwa związane z badaniem medialnego zaangażowania