CNS Czasopisma Naukowe w Sieci
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Stationen der Konsumgeschichte einer Stadt am Beispiel Breslau
No full textDieser Artikel soll einen Überblick über Momente in der Geschichte der Stadt Wrocław geben, die als Zäsuren in der Geschichte des Konsums betrachtet werden können, und die Hauptstadt Niederschlesiens als ideales Beispiel für die Verfolgung dieser Prozesse darstellen. Dieses Forschungspotential geht auf die reiche geopolitische und migratorische Vergangenheit dieser Stadt zurück, die sich auf ihre heutige Funktionsweise, Wahrnehmung und Logik auswirkt. Die Forschung in diesem Bereich, nicht nur über Wrocław, befindet sich erst in einem frühen Stadium. Sie ermöglicht es jedoch, nicht nur etwas über die Prozesse des Konsums zu lernen, sondern auch über das Freizeitverhalten, die weit gefasste kulinarische Kultur, den Tourismus und das Theater. Die Geschichte des Konsums ist der einfachste Weg, die Alltagskultur zu studieren.This article aims to provide an overview of moments in the history of the city of Wrocław that can be treated as caesuras in the study of the history of consumption and, moreover, to point to the capital of Lower Silesia as an ideal example for tracing these processes. This is influenced by the rich geopolitical, migratory history of this city, which has an impact on the contemporary functioning, perception and logic of the city. Research in this area, not only in the context of Wrocław, is only at an early stage. However, they make it possible to learn not only about the processes of consumption, but also about leisure time behaviour, broadly defined culinary culture, tourism and theater. The history of consumption is the easiest way to study everyday culture.Dieser Artikel soll einen Überblick über Momente in der Geschichte der Stadt Wrocław geben, die als Zäsuren in der Geschichte des Konsums betrachtet werden können, und die Hauptstadt Niederschlesiens als ideales Beispiel für die Verfolgung dieser Prozesse darstellen. Dieses Forschungspotential geht auf die reiche geopolitische und migratorische Vergangenheit dieser Stadt zurück, die sich auf ihre heutige Funktionsweise, Wahrnehmung und Logik auswirkt. Die Forschung in diesem Bereich, nicht nur über Wrocław, befindet sich erst in einem frühen Stadium. Sie ermöglicht es jedoch, nicht nur etwas über die Prozesse des Konsums zu lernen, sondern auch über das Freizeitverhalten, die weit gefasste kulinarische Kultur, den Tourismus und das Theater. Die Geschichte des Konsums ist der einfachste Weg, die Alltagskultur zu studieren
Sprachliche Synästhesie, Aktive Zonen und kontextuelle Einbettung – eine exemplarische Analyse synästhetischer Ausdrücke
No full textIn der vorliegenden Arbeit werden zunächst in Anlehnung an die einschlägige Literatur die Definitionen und Arten der Synästhesie im neuropsychologischen Bereich dargestellt. Ferner beschäftigt sich der Beitrag mit den Auslegungen der Synästhesie auf der sprachlichen Ebene. Im weiteren Teil wird auf unterschiedliche Auffassungen der sprachlichen Synästhesie im Allgemeinen eingegangen, d.h. ob die synästhetischen Ausdrücke als Metaphern, Metonymien, Metaphtonymien usw. betrachtet werden sollten. In dem analytischen Teil der Untersuchung wird ein deutscher Beispielsatz analysiert, anhand dessen gezeigt wird, dass auf die sprachliche Synästhesie und besonders ihre sprachlich-konzeptuelle Natur unter strenger Berücksichtigung ihrer kontextuellen Einbettung eingegangen werden sollte.The present paper, based on the widely accepted literature, focuses initially on the definitions and modes of synaesthesia on the neuropsychological level. Further attention is paid to the definitions of linguistic synaesthesia. In the next section, the paper deals with the question of how the linguistic synaesthesia in general is approached, i.e. if it should be viewed as metaphor, metonymy or metaphtonymy. In the empirical part, one exemplary German sentence is analyzed in order to show that linguistic synaesthesia and especially its linguistic-conceptual nature should always be approached with strict consideration of the contextual embedding it occurs in.In der vorliegenden Arbeit werden zunächst in Anlehnung an die einschlägige Literatur die Definitionen und Arten der Synästhesie im neuropsychologischen Bereich dargestellt. Ferner beschäftigt sich der Beitrag mit den Auslegungen der Synästhesie auf der sprachlichen Ebene. Im weiteren Teil wird auf unterschiedliche Auffassungen der sprachlichen Synästhesie im Allgemeinen eingegangen, d.h. ob die synästhetischen Ausdrücke als Metaphern, Metonymien, Metaphtonymien usw. betrachtet werden sollten. In dem analytischen Teil der Untersuchung wird ein deutscher Beispielsatz analysiert, anhand dessen gezeigt wird, dass auf die sprachliche Synästhesie und besonders ihre sprachlich-konzeptuelle Natur unter strenger Berücksichtigung ihrer kontextuellen Einbettung eingegangen werden sollte
Dyskretny urok codzienności. Etykiety producentów z Torunia i regionu w dwudziestoleciu międzywojennym (na podstawie zbiorów Biblioteki Uniwersyteckiej w Toruniu)
Get PDFThis article presents everyday life in the pictorial and textual messages inscribed in commercial labels from the food industry. The basic research material consists of the collection of labels used by the food producers from Toruń and the region in the interwar period, collected in the Department of Social Life Documents of the University Library in Toruń. Labels of 12 producers from nine towns of the present Kuyavian-Pomeranian Voivodeship were subjected to a descriptive analysis. In the Second Polish Republic, this region included two voivodeships: the Pomeranian Voivodeship with its capital in Toruń (Bydgoszcz since 1938, Chełmno, Chojnice, Grudziądz, Sępólno Krajeńskie, Toruń, Wąbrzeźno) and the Poznań Voivodeship (Bydgoszcz until 1938, Inowrocław, Żnin). The labels tell a story about people from the interwar period. They constitute a rich iconographic material, which provides the attentive viewer with many possibilities of interpretation. In documentary research, label text information can be used as a complementary source for archival and press materials.Celem artykułu jest zaprezentowanie codzienności w przekazie obrazowo-tekstowym etykiet przemysłu spożywczego. Podstawowym materiałem badawczym jest kolekcja etykiet producentów z Torunia i regionu z czasów II RP zgromadzona w Gabinecie Dokumentów Życia Społecznego Biblioteki Uniwersyteckiej w Toruniu. Analizie opisowej poddane zostały etykiety 12 producentów z dziewięciu miast obecnego województwa kujawsko-pomorskiego. W II RP region ten obejmował dwa województwa: pomorskie ze stolicą w Toruniu (Bydgoszcz od 1938 roku, Chełmno, Chojnice, Grudziądz, Sępólno Krajeńskie, Toruń, Wąbrzeźno) oraz poznańskie (Bydgoszcz do 1938, Inowrocław, Żnin). Etykiety opowiadają historię o ludziach z czasów II RP. Stanowią bogaty materiał ikonograficzny, który uważnemu odbiorcy dostarcza wielu możliwości interpretacyjnych. W badaniach dokumentacyjnych informacje zawarte w warstwie tekstowej etykiet mogą posłużyć jako źródło komplementarne dla materiałów archiwalnych i prasowych
Sztrajfy — afisze o wyjątkowym formacie i propagandowej użyteczności
Get PDFThis paper discusses stripes (Polish sztrajfy; German Streifen) — ephemera in the shape of narrow, usually horizontal cards, which are a medium of short information, often with propaganda content. Stripes have the same function as posters but they stand out from them and are distinguished by their peculiar format. The aim of this paper is to present the concept of sztrajf and various terms which refer to this kind of publications as well as to describe the formal features of this type of prints and their usability. To discuss selected examples, a descriptive approach and semiotic reading of logovisual objects are used — this method allows to present content potentiality of the analyzed messages. Undoubtedly, stripes were a popular information medium, whose content contained a suggestive composition, which affected their recipients, and met the need of the moment.Sztrajf — szczególny rodzaj afisza. Konteksty terminologiczne. Cechy formalne
Polish research on publishing in Poland between 1945 and 2015: Themes, legacy and implications for further research
Get PDFThe history of publishing in Poland encompasses many issues associated with the emergence and dissemination of printed books. Of fundamental significance to the study of these issues are the records of the publishing output: while we have nearly complete, though still underexamined, records of this output for the period from the 15th to the 18th century, documented in bibliographies and catalogues, the situation is worse when it comes to the 19th and 20th centuries, until the outbreak of the Second World War. In this respect, what we need is not only a continuation, but a radical intensification of bibliographic work. This concerns works published in the Latin, Cyrillic, Hebrew and Greek scripts, as well as musical notation. Polish book scholars have devoted a lot of attention to the beginnings of printing in Poland. The historiography concerning various typographic workshops located in the former Polish-Lithuanian Commonwealth is rich; however, it still requires further extensive studies. Scholars have also been interested in phenomena influ- encing the content structure of printed publications, such as publishing privileges (in the former Polish-Lithuanian Commonwealth), censorship and restrictions imposed by the partitioning powers and later by Poland’s communist authorities, as a result of which Polish publications had to be printed abroad and an independent publishing movement emerged. The scholars’ research interests have also focused on books as products of printers and publishers and on the publication of written works. Scholars have examined both the various components of the book (title page, printer’s signet, stemmata, etc.) and its editorial composition as a whole. Their undoubted achievements in the studies of the history of publishing in Poland are significant, yet in many areas they need to be continued and expanded (one important task is the edition of sources for the study of the history of Polish publishing) and to investigate the phenomena that stem from developmental tendencies in modern book studies.The history of publishing in Poland encompasses many issues associated with the emergence and dissemination of printed books. Of fundamental significance to the study of these issues are the records of the publishing output: while we have nearly complete, though still underexamined, records of this output for the period from the 15th to the 18th century, documented in bibliographies and catalogues, the situation is worse when it comes to the 19th and 20th centuries, until the outbreak of the Second World War. In this respect, what we need is not only a continuation, but a radical intensification of bibliographic work. This concerns works published in the Latin, Cyrillic, Hebrew and Greek scripts, as well as musical notation. Polish book scholars have devoted a lot of attention to the beginnings of printing in Poland. The historiography concerning various typographic workshops located in the former Polish-Lithuanian Commonwealth is rich; however, it still requires further extensive studies. Scholars have also been interested in phenomena influ- encing the content structure of printed publications, such as publishing privileges (in the former Polish-Lithuanian Commonwealth), censorship and restrictions imposed by the partitioning powers and later by Poland’s communist authorities, as a result of which Polish publications had to be printed abroad and an independent publishing movement emerged. The scholars’ research interests have also focused on books as products of printers and publishers and on the publication of written works. Scholars have examined both the various components of the book (title page, printer’s signet, stemmata, etc.) and its editorial composition as a whole. Their undoubted achievements in the studies of the history of publishing in Poland are significant, yet in many areas they need to be continued and expanded (one important task is the edition of sources for the study of the history of Polish publishing) and to investigate the phenomena that stem from developmental tendencies in modern book studies
Budowniczki wspólnot. Strategie partycypacyjno-performatywne współczesnych graficzek
Get PDFThis paper presents an analysis of the performative-participatory nature of creative activities undertaken in the field of graphic arts in the last decade. This formula of the artist-work-recipient relationship (which is relatively novel for graphic arts) is described using the concept of participatory art in accordance with the approach proposed by Claire Bishop in 2012. The concept of graphic dispositive is then redefined to supplement this methodology. In the course of the analyzed projects, it undergoes a farreaching transformation compared to the form in which it previously functioned in graphic arts. The reflection undertaken in the article emphasizes the community-creating nature of the activities of two graphic artists, Zuzanna Dyrda (Poland) and Priscilla Romero Cubero (Costa Rica), pointing to the role that the artistic practice proposed by each of them plays in transforming the perception of the graphic medium in the current field of art. The discussed projects are both significant contributions to the development of graphic arts in the so-called expanded field and serve as good examples of the possibilities available to this artistic medium in terms of animating, raising awareness and building micro- and macro-communities based on the emotional involvement of recipients and emphasizing corporeality as an important aspect of constituting emotions.Artykuł przedstawia analizę performatywno-partycypacyjnego charakteru działań twórczych podejmowanych w obrębie sztuk graficznych w ostatniej dekadzie. Ta stosunkowo nowa dla sztuk graficznych formuła relacji artysta — dzieło — odbiorca opisana została przy pomocy koncepcji sztuki partycypacyjnej zgodnej z jej ujęciem zaproponowanym w 2012 roku przez Claire Bishop. Uzupełnieniem metodologicznym jest redefinicja pojęcia dyspozytywu graficznego, który w ramach analizowanych projektów ulega daleko idącemu przekształceniu w stosunku do postaci, w jakiej dotychczas funkcjonował w obrębie sztuk graficznych. Refleksja podjęta w artykule dotyczy wspólnototwórczego charakteru działań dwóch graficzek, Zuzanny Dyrdy (Polska) i Priscilli Romero Cubero (Kostaryka), i wskazuje na rolę, jaką zaproponowana przez każdą z nich praktyka artystyczna odgrywa w przekształcaniu postrzegania medium graficznego w aktualnym polu sztuki. Omówione projekty reprezentują istotny wkład w rozwój sztuk graficznych w tak zwanym poszerzonym polu i stanowią dobry przykład możliwości, jakimi dysponuje to medium artystyczne w zakresie aktywizowania, budzenia świadomości oraz budowania mikro- i makro-wspólnot opartych na emocjonalnym zaangażowaniu odbiorców i kładących nacisk na cielesność jako istotny aspekt konstytuowania emocji
Which companies among the SMEs operate in accordance with the Sustainable Development Goals
Get PDFThe purpose of the article is to identify the factors that have a significant impact on the decision of SMEs to operate in accordance with the Sustainable Development Goals (SDGs). The identification was made on the basis of data collected in December 2022 during a survey of a sample of 303 SMEs from all over Poland. In order to identify the above-mentioned factors, the following were analyzed: type of business, industry to which the primary economic activity of the surveyed company is assigned, age of the company, type of ownership, scope of activity, organizational and legal form, number of employees, average annual net income. Correlation tests confirmed the hypotheses of the relationship between the number of employees and average annual net income and operation in accordance with the SDGs. Further verification of the relationship, performed using a logit model, confirmed that average annual net income and industry are significant variables. There is a relationship between these variables and acting in accordance with the SDGs. The chance of making a decision by a company about operating in accordance with the SDGs increases as the average annual net income increases. The probability of operating in accordance with the SDGs is higher if the company operates in the following industries, i.a.: real estate activities, transportation, financial and insurance, construction, agriculture.The purpose of the article is to identify the factors that have a significant impact on the decision of SMEs to operate in accordance with the Sustainable Development Goals (SDGs). The identification was made on the basis of data collected in December 2022 during a survey of a sample of 303 SMEs from all over Poland. In order to identify the above-mentioned factors, the following were analyzed: type of business, industry to which the primary economic activity of the surveyed company is assigned, age of the company, type of ownership, scope of activity, organizational and legal form, number of employees, average annual net income. Correlation tests confirmed the hypotheses of the relationship between the number of employees and average annual net income and operation in accordance with the SDGs. Further verification of the relationship, performed using a logit model, confirmed that average annual net income and industry are significant variables. There is a relationship between these variables and acting in accordance with the SDGs. The chance of making a decision by a company about operating in accordance with the SDGs increases as the average annual net income increases. The probability of operating in accordance with the SDGs is higher if the company operates in the following industries, i.a.: real estate activities, transportation, financial and insurance, construction, agriculture
Zadania inteligencji. Współpraca Romana Jaworskiego z „Robotnikiem” w kontekście jego działalności publicystycznej
No full textThe article aims to present Roman Jaworski’s (1883–1944) contributions as a literary and theatrical reviewer with the magazine Robotnik, the organ of the Polish Socialist Party, in 1933. Meanwhile, setting it in the context of the writer’s entire journalistic activity. Roman Jaworski is still best known for his debut collection of short stories, Historie Maniaków (1910), and his project of ‘difficult and ugly’ grotesque art. His roles as a political publicist and theatrical reviewer have been virtually forgotten or are not given much importance today. But these work was abundant and accompanied the writer throughout most of his life, and thus reflect Jaworski’s search for the most appropriate option for firstly regaining independence of Poland, then developing and rebuilding the new state. In the article, I focus on Jaworski’s texts, additionally comparing them with the reviews of Irzykowski – the writer’s partner and mentor since 1911 – in terms of their attitude to politics and the discussion of art and criticism.Głównym celem artykułu jest przybliżenie współpracy Romana Jaworskiego (1883–1944) jako recenzenta literackiego i teatralnego z czasopismem Robotnik – organem Polskiej Partii Socjalistycznej – w 1933 roku, a ponadto osadzenie jej w kontekście całej działalności publicystycznej pisarza. Roman Jaworski wciąż pozostaje znany przede wszystkim ze swojego debiutanckiego zbioru opowiadań Historie maniaków (1910) i projektu groteskowej sztuki „trudnej i brzydkiej”. Jego role publicysty politycznego oraz recenzenta teatralnego zostały praktycznie zapomniane lub nie przypisuje się im dużej wagi. Tymczasem była to działalność nie tylko bogata, lecz także towarzysząca pisarzowi niemal przez całe życie, a co za tym idzie – odzwierciedlająca poszukiwania Jaworskiego najodpowiedniejszej opcji dla najpierw odzyskania niepodległości, później rozwoju i odbudowy nowego państwa. W artykule skupiam się na tekstach Jaworskiego, dodatkowo porównuję je z recenzjami Irzykowskiego – partnera i mentora pisarza od 1911 roku – pod kątem ich stosunku do polityki, sztuki i krytyki
Rewolucyjne siły reprodukcji? Esej recenzyjny wokół książki Stefanii Barci, „Forces of Reproduction: Notes for a Counter-Hegemonic Anthropocene” (2020, Cambridge University Press)
Get PDFThis article is a review essay of Stefania Barca’s book Forces of Reproduction: Notes for a Counter-Hegemonic Anthropocene. The author conducts a critical reconstruction of the book’s key theses and situates them in the context of debates taking place within the framework of ecosocialist theory and Marxist feminism. A particular emphasis is put on rethinking the relationship between emancipatory processes and the development of productive forces in Marxist theory and Marxism, and on framing the class struggle from the perspective of social reproduction theory.Niniejszy artykuł stanowi esej recenzyjny książki Stefanii Barci Forces of Reproduction: Notes for a Counter-Hegemonic Anthropocene. Autorka artykułu przeprowadza w nim krytyczną rekonstrukcję najważniejszych tez książki i sytuuje je w kontekście debat toczących się w ramach teorii ekosocjalistycznej i feminizmu marksistowskiego. Szczególny nacisk zostaje położny na przemyślenie związku między procesami emancypacyjnymi a rozwojem sił wytwórczych w teorii Marksowskiej i marksizmie oraz ujęcie walki klasowej z perspektywy teorii społecznej reprodukcji