Smart Moves Journal IJELLH (International Journal of English language, literature in humanities)
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A Bolt from the Blue in Kazuo Ishiguro’s The Remains of the Day
Kazuo Ishiguro, receiver of the Nobel Prize for Literature in the year 2017, isa Nagasaki-born writer. He developed his writing career in the year 1982 and many of his novels have historical contextual ideas. The literary attributes of Ishiguro\u27s works are acknowledged for his uniqueness in English writing and method. It blends the sequence of the plot, to the extraordinary subjectivity of the portrayal, and to the historical sensitivity which truly interweaves with the depictions.The nostalgic and evocative characteristics of his writings make him the master of prodigious artistic works. The renowned novel of Kazuo Ishiguro, The Remains of the Day, which bagged him the prestigious Booker Prize in the year 1989, portrays the psychological niceties associated with the protagonist of the novel, Stevens. Stevens is a butler who works under an aristocrat whom he revered the most at the beginning but later he was betrayed by knowing the facts of his lordship being associated with the Nazis during the World War. Through the Trauma Theory this paper anatomizes the traumatic experiences of the mind, ramifications of thoughts and also the restrained dealings of human nature.This theory investigates the effect of trauma in writings and society, by examining its mental, logical, and social criticalness.The novel relocates the inherent presence of the theory throughplenteous incidents and contemplates on Stevens’ thoughts.
 
Cultural Shock in Anita Desai’s Novels
Cultural Shock is a phenomenon which is generally experienced by the migrants whether they migrate for jobs, studies or in case of women, after marriage. Anita Desai has dealt with Cultural Shock in her novels along with other major themes.
Anita Desai is one of the pioneers of Indian English Literature. Her novels are replete with themes of Cultural hybridity, alienation, nostalgia cross-cultural clashes etc. These themes are studied under the gamut of theme of Cultural Shock which forms a prominent theme of Desai’s novels. The characters she potrays in her novels undergo a transition from one culture to another wherein they receive this Cultural Shock because the new culture appears to them completely alien and contradictory to their opionions. Critics have often praised her for her lucid writing style and fecundity of thought in various books, edited volumes and research articles. However, the theme of Cultural Shock explicitly expressed in her novels has not caught the attention of many critics. There seems to be a considerable dearth of critcal appraisal with regard to the experience of Cultural Shock by her characters once they migrate from homelands to abroad.
The present study aims to fill this void by emphasizing and critically examining the novels of Anita Desai with respect to the theme of Cultural Shock. The Cultural Shock of individuals which Anita Desai has potrayed in her books once they migrate from subcontinent towards the western world. The characters make a conscious choice or sometimes a forced decisions to migrate in expectation of better future and life in the new found worlds. The paper analyses the experience of Cultural Shock by these migrants once they reach and confront the alien cultures.
The paper will also deal with the resultant themes of alienation, depression, nostalgia and agony experienced by the characters once they migrate from eastern cultures to western culture. The research article also delves deep into the cross-cultural connections and hybridity produced once the two culture meet and mingle in an individual’s personal life.
 
The Dark Phase of Cultural Conflict in The Novel ‘Twilight in Delhi’
Twilight in Delhi is a very fine novel crafted by Ahmed Ali presenting the cultural conflict of pre-independence Delhi. Ali captured the very essence of the Old Delhi in the first part of the novel whereas moving to the last part he painfully portrayed the drastic change of the Old Delhi with a noted shift in the culture and tradition. The plot of the novel develops around the central character Mir Nihal and his son Asghar, with their contradicting ethics. Ali’s mastery in creating literary pieces is evident at the point where he changes his characters to powerful symbols to highlight the theme of the novel. Mir Nihal, an upper-middle class person with his ideologies deep-rooted in the rich Muslim culture seems to pose a challenge to Asghar’s doctrine with its base on Western culture
Orthodox Belief and Social Stigma in Sudha Murthy’s Novel Mahashweta
Among the various prolific writers of English in India is a name that does not need an introduction per se. Sudha Murthy is an immensely accomplished business woman, teacher, social worker and an author to reckon with.
Feminism plays an essential role in women rights and Sudha Murthy’s novels are rich in dealing with it. This paper is an attempt to analysis Sudha Murthy\u27s novel Mahashweta, a powerful text that tells the story of the female protagonist Anupama, who suffered from leucoderma after her marriage and how the social stigma marred her beautiful and confident personality temporarily not permanently because Sudha Murthy’s female characters suffer ,struggle under pressure to come out as polished diamonds. They survive the atrocities practiced against them
A Study of Minor Characters in William Shakespeare’s Great Tragedies.
The abstract summarizes the analysis and interpretation of the significance of minor characters in Shakespeare’s major tragedies and concludes that Shakespeare is the greatest creator of characters. His greatness lies of course, in creating and heroic characters like Hamlet, Othello, Lear and Macbeth but what is significant is that even the minor characters are as immortal as the major ones. The great Villain Iago are great characters but the less important characters like Horatio, Fortinbras, Edgar, Cassio and Banquo are equally important.
Besides, Shakespeare’s women characters, mostly assigned minor roles, create niche in our heart. Ophelia, Cordelia, Desdemona and Lady Macbeth have their own place. Nobody will forget them. In fact, they bring spice to the development of the plot and so do Horatio Ophelia, Lady Macbeth, Banquo, Macduff, Earl of Gloster , Edgar, Cassio and Emilia in tragedies
Chekhov’s Death of a Clerk: A Critical Appreciation
The present paper proposes to undertake a deep study of the Death of a Clerk. This beautiful short story has been written by Anton Chekhov, a prominent story teller of Russia. This story has been translated into English from Russian by Ivy Litvinov. This translation of Ivy Litvinov has been made the basis of the present study. The period of 1880-1885 is a very important period in the career of Anton Chekhov. During this period, he wrote hundreds of humorous tales. They show a keen sense of the social scene and of the incongruities of life. These tales reveal a deep feeling for human injustice and suffering. In these stories Anton Chekhov attempted to see things as they were and to deal with them as he saw them. According to him a reasoned life without a clear-cut point of view is not a life, but a burden and a horror. This was a strange idea for that day but it played a significant role in his works. Chekhov’s Death of a Clerk is one of them. It beautifully presents the picture of the life of a society based on tyranny and servility.  
A Critical & Comparative Study of Freudian Concept with Bhagwad Geeta
“Shrimad Bhagwad Geeta” is a part of the great epic ‘Mahabharata” written thousands of years back by the sage Ved Vyaas. The book has eighteen chapters, which contain the quintessence of the entire philosophy and vast ocean of spiritual knowledge of Vedas, Upnishads, Shastras, combined with all the other scriptures and literatures of the ancient India and Sanatan Hindus. But Bhagwad Geeta is not for a particular person, or religion, race, caste, or country, rather it is that divine treasure of knowledge that has been given by the Lord Krishna Himself to the entire humanity. Each individual, who is alive and breathing on this earth, has an equal claim and right over the unparalleled and liberating knowledge of this wonderful song sung by Krishna. Saying anything about Bhagwad Geeta is like showing a lamp to the sun but at the same time it is absolutely pertinent and important to keep spreading the most invaluable gems and pearls of this divine source of knowledge with people in this era when everyone around seems to be stressed and depressed mentally, psychologically, emotionally, and spiritually because this great scripture has the immense potential within itself to answer all the questions and complications that are facing the modern civilizations and men today. It is the elixir that can bring the humanity to immortality and can free it of all the psychological bondages and make it healthy and blissful forever. This research paper attempts to draw the similarities between the theories of Freudian psychologically and the teachings from Geeta and at the same time it endeavours to highlight how this scripture marvelously resolves all the conflicts that remain unanswered by the modern scientific psychological thought. 
Defeat Depression in Adherence to Spiritual Pathway in Bhagvad Gita
Dhritrashtra desires to know about the battlefield of Kurushetra. Dhritrashtra is inquisitive in relation to the combat zone. He denotes his sons as Kauravas and his brother’s son as Pandavas. He enquires Sanjay, “What my sons Kauravas and my brother’s sons Pandavas are doing in the war arena. He is concerned about his sons and calls them “Mine”. He is not worried about his brother’s sons and calls them “Others”. The way Dhritrashtra’s is characterized, it represents one thing that is his psychology, it’s critically analyzed his personality by his words. When he speaks something about war frontline his emphasis is on the words, “My sons”. When a person defines himself as “Me” and “Myself” and describes the others as “You” and “Yourselves”. Here the quarrel begins. Duryodhan is Dhritrastra’s son, whatsoever is the nature of Dhritrashtra, and broadly the son also has the same behavior. He said, “What my lads and Pandava’s lads are doing in the war - front”, from now, excess of love and affection towards his sons is revealed. He cogitates that, “Either, I ought to reign the country, or my sons might sovereign the nation, and no one else should be the supreme ruler. I would survive and my sons should subsist. My all possessions are supposed to stay secured and others should be empty handed. This is the language of self -centeredness. Dhritrastra had the mean mentality. Great writers have printed their writings, about those who notify these clothes are mine, these houses are mine, these jewels are mine, these are my eatables, these are my resting places, those whom speak everything is mine, the persons whom emphasize themselves by the words, “Me” and “Mine”, the evil deaths are sure for those persons, they will die badly. A writer has very beautifully depicted in a few lines, the way it is written that has been told. This is not the sayings of a saint. It’s just like a meaningful sequence, some lines have been written in verses. Let’s visualize
Alice Walker’s Perspective of Empowerment of Black Women as Revealed in her Novel “The Third Life of Grange Copeland”
Alice Walker is a Black American novelist, essayist, short story writer, poetic, critic, biographer, editor and Pulitzer Prize laureate. Alice Walker captures the experience of Black women in her works as a series of movements from women who are victimized by the society to women who have taken control of their lives consciously. She has explored the lives of Black women in depth even questions their fate. She has courage to see through the seeds of time and declares that in future black women would no longer live in suspension. “The Third Life of Grange Copeland” (1970) was the first novel of Alice Walker. The focus is on Black women characters in The Third Life who empower themselves through education and economic independence. This novel introduces the domination of powerless women by equally powerless men. The novel challenges African Americans to take a scrutinizing look at them. Mary Margaret Richards observes that “The Oldest generation represented by Grange finds itself trapped in a share cropper system... a form of slavery (African -American Writers, p.744). The novel introduces many of her prevalent themes, particularly the domination of powerless women by equally powerless men
The Monomyth of Vikramaditya
The legendary king Vikramaditya, revered in India as an epitome of valour and justice is an enigmatic paradox of historical reality and mythic truth. Despite several textual references, his historical presence, is ambiguous and lacking in epigraphic evidence. The credibility of the Vikramaditya legend has often been disregarded by factual historians sniffing and screening out elements of fantasy in the tales. However, the eternal spirit of Vikramaditya is beyond what eyes can see and beyond what the mind can prove. While from a historical standpoint an accurate account of the King would inevitably remain incomplete, Vikramaditya, the archetypal hero is absolute and ephemeral. His identity as an archetypal the hero, typically confirms to the archetypal structure of the ‘mono-myth’ and is analogous to mythic parallels of several cultures. This paper undertakes to examine king Vikramaditya with respect to the archetypal manifestation of his existence, in the mythic perspective