Smart Moves Journal IJELLH (International Journal of English language, literature in humanities)
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    Comparing Writing Errors of English Compositions for Boy and Girl Students in the English Graders of Southern Taiwan

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    This study aims to investigate the comparison of the English writing errors for both boy and girl students in the eighth graders’ English writing performance. The researcher collected 26 copies of English writing pieces from 26 boy and girl students in the eighth graders at Affiliated Junior High School of National Kaohsiung Normal University. This study is conducted with both qualitative and quantitative analysis. The major findings of this study are summarized as follows: The results show that the levels of boy and girl students’ English writing proficiency are mixed and most boy and girl students are less-experienced writers. All of the errors committed by boy and girl students are mainly fall upon lexical errors and grammatical errors. In addition, subcategorization is made 11 subcategories are listed under the two major error types. Among 26 copies of writing pieces, approximately about 65 % refers to grammatical errors and 26 % refers to lexical errors respectively. Possible factors in the English writing errors may refer to interlingual interference, intralingual interference, induced errors, cultural differences, structural differences, and carelessness

    Women in Patriarchy: A Study of Sexual Colonialism in Colleen McCullough’s The Thorn Birds

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    Colleen McCullough, a famous Australian women novelist, extensively deals with the issue of sexual colonization by exhibiting the fact that this world belongs to men not to women where women suffer and men cause them pain. Meggie, the central character in the novel is shown as the victim, sufferer and the colonized individual and Paddy, Ralph and Luke are shown as the epitome of the British colonizers who misused, misbehaved and degraded the women during their colonial rule. The novelist while sketching women characters does not asseverate as ostensible women of letters but for the delineation of patriarchy in the novel The Thorn Birds which clearly manifests her declivity in the vicinity of the infringement with women in Australian society.&nbsp

    Kiran Desai’s Hullabaloo in the Guava Orchard: A Critique

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    In Hullabaloo in the Guava Orchard, her debut novel, Kiran Desai has experimented in the making of a comic fable.  She presents a hilarious story of life, love, and family relationships - simultaneously capturing the vivid culture of the Indian subcontinent and the universal intricacies of human experience.  The story is set in a small Indian but fictitious town called Shahkot.  Sampath is the protagonist who belongs to a middle class family.  After experiencing drastic boredom in his life, Sampath decides to spend his life in trees.  And then after, the story reveals its real mood.  At a deeper level, the novel displays the theme of alienation, magic realism, rebellion, etc.  Desai is a masterful dialogue writer, and she uses this skill to great effect in Hullabaloo in the Guava Orchard.  She infuses the dialogue with local idioms and paints a vivid portrait of life in a small city in India.  With a clear objective of writing a comic satire, she also makes a satirical attack against the creation of gurus in Indian society

    Conversation: The Urges of Regional Language Dominance in India

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    This paper focuses on regional language dominance. India is a land of diverse languages. Its user follows the pattern of two or three language uses for their communication, i.e. one is \u27national language\u27, the second is ‘mother tongue’, and the next is a ‘foreign language’. It is that no languages in India accepted as a national language like other countries as it has. We Indians are urging anyone language recognised as a national language. But the problem is to choose a lucky language. The answers are ‘many’. Hindi may be renowned as our national language

    Patriarchal Myths in the Novels of Margaret Atwood: A Critical Study

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    The article acquaints and explains the consideration of Margaret Atwood’s novels: ‘Surfacing’ (1972), ‘The Handmaid’s Tale’ (1985), and ‘The Robber Bride’ (1993), which presents the role of patriarchal myths in the era of post-modern. She tried to represent the situation of women in contemporary society, where society demands mute acceptance from a woman considered as “weaker sex” or “inferior sex”. Feminism both as a concept and a movement has emerged as a reaction against the atrocities of patriarchy. By myth-making, Margaret is testing her identity, perception, recording the world, and value systems projected is the past

    Man and Nature: The Everlasting Bond

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    Interdependent relationship between man and nature in Ruskin Bond’s short stories can be come across. Emphasis is given to the protection of animals and trees. He exhorts man to return to the lap of nature.  The stories are powerful enough to stimulate and inspire children towards nature. It is important for all to be aware of ecocriticism as a movement in literature.  The author highlights the human threats to nature like deforestation and quarry mining. Village life brings contentment and the people derive joys out of nature. Nature becomes a character in Ruskin Bond’s stories. This study focuses on the relationship between man and nature and the need to enlighten children about preservation of nature through literature

    Imprisoned Womanhood in Nawal El Saadawi\u27s Woman at Point Zero and Tehmina Durrani\u27s Blasphemy: A Comparative Study

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    The prism of female writing has expanded itself in the current scenario. Contemporary writers have broken all the shackles of the feudal society and have come forward to make people aware of the ubiquitous and distressing condition of women. The unapologetic and unabashedly realistic portrayal of women bound in the shackles of caste and gender in Tehmina Durrani’s Blasphemy and Nawal El Saadawi’s Woman at Point Zero brings to surface some of the major issues concerning women’s plight. The issues of captivity, matrimony, violence, subjugation and sexism are delineated with prowess. Blasphemy and Woman at Point Zero through the narratives of their protagonists Heer and Firdaus disclose religious and patriarchal norms as a tool to subjugate and oppress women in an orthodox society. Tehmina Durrani’s Blasphemy depicts how distorted Islamic family code of conduct is thrust upon women compelling them to cohere to fundamental values of wedlock, motherhood, servitude and domesticity. Heer becomes a prisoner in her own haveli after her marriage to Pir Sain. Whereas Nawal El Saadawi in Woman at Point Zero portrays the captive life of Firdaus who is a female prisoner, waiting for her execution. The female characters demonstrate how the social, cultural and political structures are responsible for their captivity, degradation and violation. The present paper attempts to critically study and draw comparison between the two female protagonists. Heer and Firdaus turn captives in the haveli and prison respectively, but eventually they rip off the fake mask of the society which claims to protect women behind the veil of hypocrisy, strangulating even their basic right to be treated as a human

    S K Pottekkatt’s In the Land of the Kappiris: A Journey into the Heart of Africa

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    Exploration and mapping of Africa began around 1850 and continued intothe nineteenth century.S. K Pottekkatt, the Indian travel writer from Kerala State in India, set out to Africa. This study focusses on S. K Pottekkat as a travel writer who made Malayalis aware of the geography, life and culture of Africa. The Kappiri had no place in the land of his birth. Beira was a source of great relief for Indians travelling from other countries because Portuguese Africa was fairly free from racial discrimination. The Gujarati businessman was prominent. They had mastered the language of the natives and had in depth knowledge of their customs as well as their needs and so prospered well. Who had the greater right in Africa: the British or the Indians

    Mahesh Dattani’s “Do the Needful”: An Unconventional Romantic Comedy

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    Mahesh Dattani is a contemporary Indian English Dramatist who gave voice to the 60 million English speakers of India through his drama. He is the first dramatist recognised for his contribution in this field. Through his plays, he raises the problems of eunuch, homosexuality, transgender, child- sexual abuse, gender-discrimination, thought towards HIV-infected people etc. To such issues, he called them ‘fringe issue’ to whom we face but never take it as a part of society. Through ‘Do the Needful’ Mahesh Dattani has presented the problems of male homosexuality. The play was broadcasted by BBC. The play ‘Do the Needful’ is actually an unconventional romantic comedy

    Images of Nature in the Poetry of Abu Al-Qasim Al-Shabbi

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    The article proposes to explore the images of nature in the poetry of Abu Al-Qasim Al-Shabbi. Nature is an essential element that has played a significant part in Arabic Romantic poetry. Nature and Romanticism are synonyms with each other that we can not talk about Romanticism without talking about nature. Al-Shabbi took from it a refuge during hard times where he finds himself in dire need for lap away from the social injustice particularly when his country, Tunisia, was under the French colonialism. According to him, there is a spiritual unity and shared awareness between nature and a man. Al-Shabbi as an Arabic Romantic poet, nature has occupied a place and become an intellectual content in his poetry. He used different images of nature such as morning, evening, night, love and autumn to express his philosophy towards life and people

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    Smart Moves Journal IJELLH (International Journal of English language, literature in humanities)
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