Smart Moves Journal IJELLH (International Journal of English language, literature in humanities)
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    Question of Identity: Orhan Pamuk’s The White Castle

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    Orhan Pamuk is a leading contemporary Turkish writer and winner of the 2006 Nobel Prize for Literature. In his novels he tackles certain universal themes, such as the search for a new identity, the conflict between East and West, the domination of Western culture and its impact on Turkish society, the spread of consumerism, feminism, the search for love and its vanity. Pamuk is influenced by the rich literary tradition of Turkey and at an equivalent time he is affected with the writers like Dostoevsky, Albert Camus, Miller and plenty of others. As a postmodernist author, Orhan pamuk’s fiction echoes the priority for the identity of someone. This novel The White Castle is studied for the exploration of the Question of identity like what is real identity of the person. Pamuk himself has faced the perplexity of identity as he is suspect by media of revealing the national sentiment. The protagonist’s Hoja and the Venetian traveler are not happy with their gift identity and within the course of their life they assume a replacement identity

    Decoding Cli-Fi Dynamics in Barbara Kingsolver’s Flight Behaviour

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    Flight Behaviouris an integration of many important issues that humanity faces today like climate change, global warming, species extinction, and the advent of the age of Anthropocene. The novel is set in rural Tennessee and it explores the reaction of a bible belt community to the arrival of millions of monarch butterflies on the mountains of their hometown. This astonishing phenomenon is branded as a miracle by the townsfolk but the arrival of a research team reveals the troubling truth behind the butterflies’ presence. They have been driven away from their usual Mexican winter grounds because of devastating mudslides and flooding that affected the area. Kingsolver, in simple words, expresses the alarming reality of how changing climate affects biodiversity and leads many species to the verge of extinction. She artfully links the monarch’s struggle for survival with the protagonist’s search for identity, independence and self-expression

    Ethnic Discrimination in The Bluest Eye

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    Ethnicity is one of the most debatable topics in contemporary times. Human culture is divided along ethnic and national lines. Ethnicity and Race function as most powerful language of human difference and human community. An ethnic group that is dominant often tends to make its own culture specific traits normative in that society. The Bluest Eye is one of the landmark novels of Toni Morrison in which the markings of ethnicity play a great role. The aim of this paper is to explore the traces of ethnic discrimination of the African Americans at the hands of dominant White Americans in the novel The Bluest Eye.  It illustrates how ethnic stereotypes propagated by White Americans for their selfish purposes victimised the black people at that time. Particular emphasis is given on the psychological effects of the oppressive environment on the protagonist Pecola. Morrison portrays Pecola as a marginalized and oppressed character who yearns to have blue eyes to have a respectable position in the community

    The Solitary Rover: Niceties of Frankl’s Logotherapy in Vallee’s Wild

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    The meaninglessness of existential philosophy was celebrated and was at its peak until the formulation of the psychotherapic theories by Austrian neurologist and psychiatrist as well as a Holocaust survivor, Viktor Emil Frankl.  Frankl introduced new psychoanalytic and psychotherapic terms into the realm of studies related to the complexities of human mind. It was in his seminal work, Man’s Search for Meaning (1946), that Frankl introduced the idea of Logotherapy, as a clinical as well as a psychological term. Frankl with his notion of logotherapy refuted the nihilistic aspects of existentialism and certain like philosophies.” Here, the protagonist, Cheryl Strayed, in Vallee’s Wild (2014) sets out for a journey to find out about herself and the ultimate meaning of her life. Cheryl, during her journey, leaves all of her material possessions and familial relations behind. Here, one may tend to see her  as an “existential “one but in a more wider sense, she is not celebrating the meaninglessness, rather she strives hard to find a meaning in her life to live on. This paper opens a new outlook towards this movie, especially towards the character of Cheryl Strayed

    Beyond Polaroid: Visual Rhetoric in Shaping Refugee’s Identity

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    Photographs tend to have an ability to influence the collective consciousness of humanity. Sonja K. Foss, a rhetorical educator, opines that language is general while images are concrete and specific. Many a time, photographs have become spokespersons of the suffering and needy lot. Throughout its history, photography has created opinions, constructed realities of people and brought human tragedies to the forefront. The refugee crisis is in no way an exception. In fact, the conscience of the whole world in regard to the refugees was awakened by an appalling photograph of a three-year-old Syrian toddler, Aylan Kurdi, lying face-down into the sand. Such photographs, often symbolic and termed as visual rhetoric, slowly turned into stereotypes defining the refugee crisis. This paper discusses on how these visual narratives have shaped the identity of refugees and created various regimes of seeing

    Symbols of the songs by Leela Benare in Vijay Tendulkar’s play Silence! The court is in session

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    The current study explores and sheds light on the trials and tribulations of an independent Women, Miss. Leela Benare, in Vijay Tendulkar’s play Silence! The Court is in session. Here Tendulkar dwells on gender Discriminations. Till the commencement of the mock- trial, Benare is the most cheerful, talkative Character. She makes comments on her own independent life, on the behaviour of her fellow actors, she Sings and shows her vitality and assertiveness even in the second act when the mock trial with her as the Accused begins. In this context her songs are relevant to the structural design of the play as well as these Highlight the mental agony and pangs of a deep rooted mother. In Silence! The Court is in Session, though the dialogues of the characters are set in unvarnished prosaic terms, four songs and one poem have been used in order to add lyrical flavour to unvarnished language of reality. Tendulkar has these songs sung by Benare, the protagonist of the play, not by other characters. A song is no doubt a lyric that expresses a set of emotion, feeling and ideas and thereby exposes the psychic life of the speaker. The four songs in the play, of which two are derivative and the other two are composed by the dramatist, are set in Benare’s mouth in order to equip the woman with the right to narrate her life in lyrical terms

    Shashi Deshpande, Anita Desai, and Bharati Mukherjee: A Comparative Study

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    Shashi Deshpande, Anita Desai and Bharati Mukherjee are contemporary Indian English Writers. They have represented the case of Indian women who are the subject of negligence, suffering, suppression and exploitation. The problems of identity figures more prominently in the novels of Bharati Mukherjee and Anita Desai.  Shashi Deshpande’s main concern also has been to trace out the root cause of denial of women’s self and their struggle for self-identity. Thus all these factors give rise to emergent trends and tendencies like hybrid cultural forms among the migrants. These three female authors who have been under the influence of trans-nationalism, immigration, migration as well as re-housement, began to take deep interest in study of the women’s problems in India and giving them insight and outlook that have some relevance with the Western culture and social back-grounds

    The Craft of Short Story : A Critique of The Habit of Love

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    Author of several  works  of  fiction and non fiction , Namita Gokhale is a well known name in the field of Indian Writing in English  not only  as  a writer but also as a publisher  and as a founder director of Jaipur Literature Festival . Her  short stories   published under the title  The Habit of Love  ( 2012)   are  remarkable for adding a new dimension to the  craft of short story writing. The Habit of Love  is a collection of thirteen short stories  encapsulating the  myriad  experiences of their female protagonists  who lay bare before the readers their inner world – their desires , passions, fear , anxiety,  happiness, anger ,  ennui and sadness – in kaleidoscopic lights.  Based mainly on the themes of love, lust and death , these stories are interwoven with the motifs of time, memory , dreams travels and mountains. The writer frequently shifts from present to past or vice versa , making  several technical innovations  like unexpected , abrupt endings; use of startling similes/ metaphors; choice of  queer , quirky titles for these short   stories. The use of the  technique of  first person narrative in many of these stories imparts more intimacy to them as if the narrator is engaged in a tete- a- tete with her readers. Gokhale  emphasizes the importance of  a convincing narrative voice  in making a short story effective. In response to a question as to which is the most critical part of a story: the storyline, the characters or the storytelling, she says, “Finding the right voice that convincingly tells the story, whether in first person or otherwise is the most crucial part.”( Recap: Twitter chat with Namita Gokhale,TNN,22 March 2018

    Demystifying Violence in Stanley Kubrick’s Movie, A Clockwork Orange: A Zizekian Perspective

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    The Merriam-Webster dictionary defines violence as the “use of physical force so as to injure, abuse, damage, or destroy”. In this regard, violence is a dominating theme in the movie, A Clockwork Orange. Removing it from the equation, the movie loses its soul. The movie is too violent in its treatment and for the very reason, invited a lot of criticism and animosity from various quarters. It was highly controversial at the time of its release for its unusually explicit demonstrations of sex and violence. What exactly could be the purpose of this “ultra-violence”? Does it necessarily have a purpose and motive? A brief overview of the movie must be helpful in better understanding the various dimensions of violence in it

    Sarojini Naidu’s Love for Nature

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    Sarojini Naidu, a poetess with perfect knowledge of English language gained the spectacular success as the nightingale of India. She was a successful poet of early twentieth century along with being a true patriot. Sarojini Naidu looked into the locations, sounds, colours, quality and moods of nature remarkably and incredibly. She was a versatile poet and had written her poetry on different themes. Her poems project different themes like love, folk life, challenges of life and death, nature, Indian customs and traditions, but she was always inclined towards nature, specially towards spring season. The poet was particularly enticed and mesmerized by the bliss and astonishing gifts of springs. In spite of the short tenure of her artistry she had lyrical elegance, exquisite passion and enchanting melody in her poetry. Her major works The Golden Threshold, The Bird of Time and The Broken Wing overflow with many wonderful and picturesque beauty of Indian natural landscape.      &nbsp

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    Smart Moves Journal IJELLH (International Journal of English language, literature in humanities)
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