Jozac Publishers [JP] (former JFP Publishers) (E-Journals)
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Art scholarship: An instrument for ‘Making’ and ‘Selling’ creative young Ghanaian artists who engage in ‘proper Ghana art’
Ghana is a country with great talents, especially in the field of visual arts. Unfortunately, many of the enterprising artists are swept under the carpet because of no or poor scholarship on their art practice. In this 21st century, many of these young Ghanaian artists constantly exhibit the spirit of innovation, experimentation, and exploration in their artistic productions using conventional and non-conventional material
Language and Tiv Cultural Practices in Adan-Wade Kohol Ga
Language is a powerful weapon that expresses the culture of a given people. The study entitled: ‘Language and Tiv Cultural Practices in Adan-Wade Kohol Ga’ clearly looks at linguistic and cultural resources that Suemo Chia discusses in his novel. This study explores aspects of language and examines cultural elements in the novel under study. This study used Benjamin Lee Whorf’s Whorfian Hypothesis or Linguistic Relativity which was propounded in 1956. He theorised that the structure of our native language determines our perception or cosmology. Methodologically, this study used primary and documentary sources. The primary is Adan-Wade Kohol Ga and secondary sources are books, articles, dictionaries and theses. As for the data presentation, the researcher read, extracted relevant linguistic and cultural elements, transcribed and analysed. It has been discovered that Adan-Wade Kohol Ga is novel of growth – bildungsroman. It is also a historical novel that discusses Tiv traditional belief system. It has been found out that the novel under discussion has graphological, phonological, syntactic and semantic deviations. It has also been learnt that Tiv borrowed certain cultural practices from other tribes. The novel has linguistic and cultural archaisms. It has been recommended that the younger generation should study their indigenous literatures so as to understand the culture of their people. Young people should also learn their own languages; hence language defines individuals. Lecturers should recommend indigenous literatures to the students of Languages and Linguistics, Cultural Studies, Literature in English and English Language to read, analyse and translate
Religious imperialism and African religion: In search of religious tolerance
The thrust of this paper is driven by the current reactions of Pentecostal Christians to the African religious (AR) material elements in some parts of Nigeria. There have been occasions of touching the AR artefacts and countermining of AR by these Pentecostal pastors. One of the most disrespected religions which receive discourteous treatments in Africa and by Africans of other faith is African religion. Africa religion (AR) stands out to be a prominent dimension that permeated the cosmological, metaphysical and epistemology comprehension of life by the ancient Africans. The religious experiences of this religion fashioned a spirituality of social relation, communal relationship, and opened-mindedness. Almost all descendants of African societies had a taste of this religion’s spirituality. However, colonialism cum religious imperialism staged a colossal presence with disregard to its gross to the African Religion. In effect, in modern African society, when most Africans pick-up a new religion (whether Islam or Christianity) in sprightliness they treat with contempt the material elements of AR, subvert its beliefs, divest its essence and, retard its progress. This paper will argue that religious imperialism is moral error which demands a moral virtue of religious tolerance. Before arriving at this conclusion, it looked into the nature of religious imperialism and African religion; analyses the Pentecostal attitudes towards AR; a brief overview of AR
Globalization of pandemic and its impact on African political economy: Evidence from COVID-19
Pandemic remains a universal problem because it usually comes with a noxious virus that affects the world and it tends to even more pronounce due to globalization that is directly affecting economy and politics through several ways. Although, the outbreak of the COVID-19 pandemic has less effect on African part in terms of death and casualties in comparison with other parts of the world, but the African political economy has been unswervingly affected, since Africa depends on Western and other developed economies, which are considered as the epicentres of the pandemic. This calls for urgent policy making related to economy within an international system. This study examined the spread of deadly virus across Africa and its implications on African political economy and governance. To accomplish its objectives, this study employed and applied descriptive method where secondary sources of data including books, journals, reports, internet sources and newspapers related to the virus cases and its economic and political impacts were used. Again, theoretical interpretative technique complemented the statistical analysis, where relevant sub-themes are identified and analysed accordingly. Admittedly, the study discovered that COVID-19 pandemic spread speedily in African continent, thanks to globalization, and the pandemic acutely affects the African economy and politics in many ways. Specifically, the study recommends among many that African countries should look inward and identify policies that they can initiate to break the cycle of dependency thereby reducing the level of imports and promoting export
Referencing and transformation in Sarah Kane’s Blasted
Sarah Kane’s Blasted, published in 1995, starts as a conventional familiar piece but progresses to dreadful cruelty and violence. This play was considered by most critics as an attention-pursuing adolescent play whose plot does not substantiate the extent and grade of violence the viewer/reader is required to sustain. The play was only taken seriously after the Royal Court Theatre did a premiere of it and it aggravated a serious explosion of hatred. The harsh critical responses of this play and two others published after it pushed Kane to publish her fourth play, Crave under a pseudonym, hoping to get a fair judgment and analysis. Sarah Kane’s body of work connects extensively to what Aleks Sierz calls in-yer-face theatre. Her use of referencing, transformational and experimental devices is an indicator that age is not, and shouldn’t be a barrier for literary creativity. As such, Kane’s plays should be taken seriously irrespective of the age at which they were written. The purpose of this article is to do an intertextual reading of Sarah Kane’s Blasted to assess how texts can be interrelated with one another. Incorporating the ideas, styles, texts, theories, and history of writers from Britain and other parts of the world to build up her ideas and style is one of the factors that make her plays interesting and worth reading. In its conclusion, the paper demonstrates that Kane’s first play, Blasted, was seriously influenced by history and the writings of Beckett, Artaud, and Baker
Investigating into the varieties of language spoken at Benue State University, Makurdi
In a multilingual speech community like Benue State University, Makurdi, where the members thereof have different native language backgrounds and English is chosen to be the official language, members of the university community speak different varieties of language in different domains. The paper entitled ‘Investigating into the varieties of language spoken at Benue State University (BSU), Makurdi’ is set to examine the varieties of language spoken on the BSU’s campus. The survey design was adopted, and questionnaires were used as the instruments for data collection for the paper. The analysis of the varieties of language spoken at the university was based on William Labov’s Variationist Theory which claims that differences are featured in the use of language among individuals based on the contexts. Through the analysis of the data, the researchers discovered that English, Pidgin, and native languages such as Tiv, Idoma, Igede, Etulo, Igbo, Hausa, among others, are spoken at the university. The study also discovered that Pidgin is predominantly used at the university despite the fact that English is the official language because academics and lecture rooms may be the only domains and settings that compulsorily enforce the use of English. The researchers, therefore, suggest that more efforts should be made to ensure a predominant use of English on the BSU’s campus since it is the official and prestigious language of Nigeria
Towards using mediation approach in resolving conflicts
As there are many conflicts in the world, efforts should be made to resolve these conflicts and promote peaceful coexistence among people. One of such efforts is mediation. This paper explores the mediation approach to resolving conflicts among two or more people. It presents some issues that are to be taken into consideration in mediating and resolving conflicts. It concludes that mediators should be more professional in handling the mediation process when they are resolving conflicts meditatively
Ideology, Power and Gender Representation in two Selected Nollywood Movies
This paper examines the discursive representation of power distribution between men (as husbands) and women (as wives) in Nollywood movies to unravel the ideological resource(s) against which such power is vested. Gender representation in Nollywood movies is imbued with ideologies that index differential power relations between men and women within the family circle. The bone of contention remains the distribution of power between men and women, with a tendency to always see women as victimized and sidelined social actors. Movie producers either sustain or subvert these ideological propensities. From this perspective, this paper examines the role of ideology in power distribution between men (as husbands) and women (as wives) within the marriage institution in an attempt to answer the following questions. What resource (s) is/are depicted as power resource(s) in Nollywood movies? Through what discursive means are these ideological propensities sustained or subverted in the two selected movies? As a follow-up to these questions, this paper hypothesized that wealth/money is ideologically tantamount to power within the family unit. Nollywood filmmakers use discursive linguistic and non-linguistic strategies to sustain this ideology. The analysis demonstrates that wealth is represented as a power resource, a representation that engenders unwarranted pursuit for wealth/money to wield power. The representation and understanding of women’s domestic roles, sex roles, and other related political roles as marginal rather than complementary have tended to create resistance resulting in miscommunication and unnecessary tensions
Factors influencing uptake of career counselling services among university students in Nairobi City County, Kenya
Failure to take up career counselling services among university students continues to be a concern for learning institutions and policy makers. The concern has been marked by policy interventions aimed at ensuring graduates access career information. In Kenya, universities have developed policies and programmes that encourage uptake of career counselling services. Despite these attempts, there has been minimal uptake of the services among students. The purpose of the study was to assess the level of uptake of career counselling services in Kenyan universities. The target population was fourth-year undergraduate students. A stratified simple random sampling method was used. Standardized instruments were used to collect data. Data was analysed using descriptive and inferential statistics and presented using tables. Quantitative data was analysed using the Statistical Package for Social Sciences, version 24. The level of uptake of career counselling services was low. The study recommended clear policies and guidelines that would reinforce career counselling programmes in universities in Nairobi City County
(Re) Thinking the representation of Nigerian traditional religious practices and Western religion in selected Nollywood movies
This paper sets out to analyze the depiction of Nigerian traditional religious practices vis-à-vis Western religious practices in some Nigerian movies against the backdrop that some Nollywood films are imbued with ideologies that uphold and promulgate western Christian values at the expense of core Nigerian traditional religious values. Previous studies demonstrate that the tendency in Western religious thought has been to see African cultural practices and spirituality as void of moral character in the history of human civilization deserving distillation. It is unfortunate that the tendency for most African filmmakers is still to produce contents that discredit Nigerian spirituality by portraying it as void of moral character. The study is informed by Multimodal Discourse Analysis which provides methodological tools applied in the analyses of the selected movies. The paper, therefore, analyses the discursive strategies used to promote western Christian practices against those of Nigeria in particular and Africa at large in the movies under study. This paper assumes that Nigerian traditional religions and spirituality are depicted in contrast to western religious values in a conflicting space. By depicting custodians of Nigerian traditional religions and spirituality in malevolent practices in contrast to custodians of western religion depicted as benevolent, the filmmakers in the films under study undermine the essence of Nigerian core values. The analyses demonstrate that the Nollywood movies selected for the study are imbued with stereotypes that serve a colonial agenda by properly engaging Nigeria’s religious history with western religions. They serve as a medium through which western religious ideologies are upheld at the detriment of traditional Nigerian values in particular and African in general.