Scholarship@Western

This tour will be looking at some instances of collaborative labour in the South of Horton neighbourhood in London

Roy, Henrietta

Collaborative Labour

A walking tour of the SoHo community of London based on stories of Childhood

Hogan, Skylee-Storm

Campbell, Sean

Childhood Tour

The notes, powerpoint, and a video of Ariel Beaujot giving her presentatio

Beaujot, Ariel

English

Comfortable Lies Uncomfortable Truths: Public History, Private Memory and Race in 21st C North America

Photo of a tour schedulehttps://ir.lib.uwo.ca/hearhereopening/1022/thumbnail.jp

Zimmerman, Walter

List of tours

Photo of the corner of a house marked 198.https://ir.lib.uwo.ca/hearhereopening/1021/thumbnail.jp

Corner of a House

A photo of a man looking at this phonehttps://ir.lib.uwo.ca/hearhereopening/1019/thumbnail.jp

Man looking at phone

Lanza, Joseph

EARLY MUSIC STUDIO 
Monday, March 25th, 2019 
8 pm., von Kuster Hall 
Joseph Lanza, Director 
Borys Medicky, Keyboard Consultant 
Johnathan Raine, Teaching Assistant 
 
 
From Fantasia no.2 for flute without bass                                     Georg Philipp Telemann (1681-1767) 
Grave – Vivace 
 
Chorales from St. Matthew Passion, BWV 244                          Johann Sebastian Bach (1685-1750) 
Herzliebster Jesu, was hast du verbrochen 
Ich bins, ich sollte büen 
O Haupt voll Blut und Wunden  
 
Sonata a 5                                  Dietrich Becker (1623-1679) 
 
Sonata per violino e violone                                  Giovanni Paolo Cima (1598-1622) 
 
Horn sonata in E-flat major, op.28                                    Franz Danzi (1763-1826) 
Larghetto 
 
 
 
INTERMISSION 
 
 
 
Ciaccona in C                                  Antonio Bertali (1605-1669) 
 
Horn sonata in F major, op.17                              Ludwig van Beethoven (1770-1827) 
Poco adagio, quasi andante 
Rondo: allegro moderato 
 
From Sacro-Profanus Concentus Musicus, 1623                               Johann Heinrich Schmelzer (1623-1680) 
Sonata no.7 a 5 
 
From Magnificat, BWV 243                                                  Johann Sebastian Bach 
Et Misericordia 
 
From Partita in A minor for flute, BWV 1013                                                             Johann Sebastian Bach  
Allemande 
 
Chorales from St. Matthew Passion, BWV 244                                                     Johann Sebastian Bach  
Mir hat die Welt trüglich gericht 
Bin ich gleich von dir gewichen 
Wenn ich einmal soll scheiden 
 
 
 
 
 
 
Instrumentalists 
Violins: Joseph Lanza, Christina Boothby, Frangel Cesena, Darren Mak,  
Mary Elizabeth Rose, Michael Jacob Theriault 
Violas: Sherry Kwong, Elizabeth Carla Van't Voort, Colman Wang 
Cellos: Isaac Lee, Heather Marie White 
Bass: Andrew Kosty 
Theorbo: Raymond Bourne 
Flute: Rachel Gain 
Horns: Josh Dunham, Sarah Rodnick 
Keyboards: Lianna Grace, Daniel Ha, Rachael Regier 
 
Singers 
Jocelyn Hoevenaars Soprano 
Skylar Cameron & Kate Helsen Altos 
Sharang Sharma, Tenor 
Alex Matthews, Bass  
Special thanks to Dr. Kate Helsen for assembling and coaching our chorale quartet 
 
For more information about Western’s Early Music Studio,  
visit music.uwo.ca/ensembles/early-music-studio 
 
For more information, please visit music.uwo.ca/events. Sign up for electronic notices or request a printed concert 
brochure. 
 
                                        
                                                       St Matthew Passion chorales  
 
Set one 
 
Herzliebster Jesu, was hast du verbrochen, 
Jesus, most dear to my heart, what have you done wrong, 
Dass man ein solch scharf Urteil hat gesprochen? 
so that such a harsh judgement is pronounced? 
Was ist die Schuld, in was für Missetaten 
What is your guilt, in what sort of wrongdoing 
Bist du geraten? 
have you been caught 
 
 
Ich bin's, ich sollte büßen, 
I am the one, I should pay for this, 
An Händen und an Füßen 
With hands and feet 
Gebunden in der Höll. 
Bound in hell. 
Die Geißeln und die Banden 
The scourges and the bonds 
Und was du ausgestanden, 
And what you endured ‐ 
Das hat verdienet meine Seel. 
My soul has deserved that. 
 
 
 
 
 
 
 
O Haupt voll Blut und Wunden, 
O head full of blood and wounds, 
Voll Schmerz und voller Hohn, 
Full of sorrow and full of scorn, 
O Haupt, zu Spott gebunden 
O head bound in mockery 
Mit einer Dornenkron, 
With a crown of thorns, 
O Haupt, sonst schön gezieret 
O head once beautifully adorned 
Mit höchster Ehr und Zier, 
With greatest honour and adornment, 
Jetzt aber hoch schimpfieret, 
But now most shamefully mistreated, 
Gegrüßet seist du mir! 
Let me greet you!  
 
Du edles Angesichte, 
You noble face 
Dafür sonst schrickt und scheut 
Before which at other times shrinks and shies away 
Das große Weltgewichte, 
The great weight of the world, 
Wie bist du so bespeit; 
How are you spat upon, 
Wie bist du so erbleichet! 
How pale you are! 
Wer hat dein Augenlicht, 
By whom has the light of your eyes 
Dem sonst kein Licht nicht gleichet, 
To which at other times no light can be compared, 
So schändlich zugericht'? 
Been so shamefully treated? 
 
 
 
 
 
 
 
 
 
 
 
 
                                                                           set two 
 
 
Mir hat die Welt trüglich gericht' 
I have been judged deceitfully by the world 
Mit Lügen und mit falschem G'dicht, 
With lies and with false statements, 
Viel Netz und heimlich Stricke. 
With nets and secret snares. 
Herr, nimm mein wahr in dieser G'fahr, 
Lord, guard me in this danger, 
B'hüt mich für falschen Tücken! 
Protect me from false deceit! 
 
 
Bin ich gleich von dir gewichen, 
Although I have strayed from you, 
Stell ich mich doch wieder ein; 
Yet I turn back once again; 
Hat uns doch dein Sohn verglichen 
Your son has settled the account for us 
Durch sein' Angst und Todespein. 
Through his anguish and death agony. 
Ich verleugne nicht die Schuld; 
I do not deny my guilt; 
Aber deine Gnad und Huld 
But your grace and favour 
Ist viel größer als die Sünde, 
is much greater than the sins 
Die ich stets in mir befinde. 
I find constantly in myself. 
 
 
Wenn ich einmal soll scheiden, 
When I one day must depart from here 
So scheide nicht von mir, 
Then do not depart from me, 
Wenn ich den Tod soll leiden, 
When I must suffer death 
So tritt du denn herfür! 
Then step forward next to me! 
Wenn mir am allerbängsten 
When most full of fear 
Wird um das Herze sein, 
I am in my heart, 
So reiß mich aus den Ängsten 
Then snatch me from my fears 
Kraft deiner Angst und Pein! 
By the strength of your agony and pain! 


German

Early Music Studio

Moorcroft, Annemarie

Lee, Elissa

Western
Music
Don Wright Faculty of Music
GUEST ARTIST RECITAL
Wednesday, January 23, 2019 
6 p.m., von Küster Hall 
Annemarie Moorcroft, viola 
Elissa Lee, violin
Cello Suite No. 3 
Prelude 
Allemande 
Courante 
Sarabande
Bo/ H
Gigue
J.S Bach 
(1685-1750)
Viola Suite No. 2 Max Reger
/. Con m oto non troppo vivace (1873-1916)
//. Andante 
HL A llegretto  
IV. Vivace
Three Madrigals for Violin and Viola, H. 313 Bohuslav Martinu
i  Poco allegro (1890-1959)
II. Poco andante 
III. Allegro
Music changes lives. So do our donors.
Charitable g ifts from music lovers, like you, provide critica l support for the Don Wright Faculty o f Music's 
performances and educational programming. To help us to continue to enrich our community through the 
power o f music, donations can be made by phone a t (519) 661-2111x85695online a t music, uwo. ca, or
by m ail c/oKarmen Ferraro, Alumni and Development Officer, Talbot College,
Western University, London, Ontario N6A 3K7.
THE ARTISTS
Annemarie M oorcro ft Canadian violist Annemarie M oorcroft was born in 
London, Ontario and began playing the violin at the age of 4. A fter seeing the 
light in 1985, she switched to viola and studied at U.W.O. with Ralph Aldrich 
before moving to Germany where she continued her studies with Igor Ozim 
and Rainer Moog in Cologne. Annemarie M oorcroft completed her musical 
education in New York where she studied with Michael Tree and Cynthia 
Phelps, receiving her Masters degree from  the Manhattan School of Music in 
1995.
In 1996 Ms. Moorcroft was appointed principal violist of the German Symphony Orchestra of 
Berlin and soon after made her Berlin debut playing Don Quixote with Yo-Yo Ma under Vladim ir 
Ashkenazy. Since then, she has performed concertos all around the world under conductors 
Leonard Slatkin, Kent Nagano and Roger Norrington, among others.
Annemarie Moorcroft is also a versatile chamber musician: perform ing at the Marlboro 
Festival with Midori, touring Denmark, Germany and Japan with the Henschel Quartet and 
joining the Breuninger String Quartet in 1998 are among the highlights of her career. Recently 
she collaborated with such diverse artists as Christine Schafer, Peter Serkin, Daniel Hope and 
Rufus Wainwright.
Through her experience teaching at the Hans Eisler School of Music in Berlin, the Centre for 
Orchestral Studies in North Rhine-Westphalia and coaching the German National Youth 
Orchestra, Annemarie came to realize the primary importance of healthy posture and body 
use for musicians and became a student of the Alexander Technique. A fter 4 years of tra ining 
she received her certification as an Alexander Technique teacher in 2010.
Elisa Lee, winner of the 23rd Eckhardt-Gramatté Strings 
Competition, Elissa Lee has appeared as a soloist with the Toronto 
Symphony Orchestra, l’Orchestre Symphonique de Québec, the Boris 
Brott Festival Orchestra, the University of Toronto Symphony 
Orchestra, 1‘Orchestre de Chambre de Montréal and the Royal 
Conservatory of Music Orchestra.
Elissa Lee was born in Toronto, Canada where she studied with V ictor 
Danchenko at the Royal Conservatory of Toronto and, extensively, 
with Lorand Fenyves at the University of Toronto where she received 
a masters degree in performance. As an undergraduate she was the recipient of the 
prestigious Eaton Scholarship. Elissa Lee then moved to  Germany to study privately with 
Andreas Reiner in Munich and Thomas Brandis at the Hochschule der Künste in Berlin. There 
she won second prize in the Gyarfas Competition and her graduation recital was awarded with 
Excellence.


Guest Artist Recital

Heinbuch, John

Scarsellone, Natalina

Joewono, Leonardi

S 3  Western 
W  Music
Don Wright Faculty of Music
CHAMBER RECITAL
March 9, 2019 
4 p.m., von Küster Hall 
Joel Heinbuch, oboe 
Natalina Scarsellone, flute 
Leonardi Joewono, piano
Trio
Allegro con brio 
Andante semplice 
Allegro giocoso
Madeleine Dring 
(1 9 2 3 -1 9 7 7 )
Triosonate BWV. 1039 
Adagio
Allegro ma non presto
Adagio
Presto
Johann Sebastian Bach 
(1 6 8 5 -1 7 5 0 )
- Intermission -
Deux Interludes
1. Andante espressivo
Jacques Ibert 
(1 8 9 0 -1 9 6 2 )
Marbella Fantasy for oboe, flute, and piano Andrey Rubstov 
(b. 1982)
This recital is presented in partial fulfillment o f the requirements 
For the Chamber Music Course


Chamber Recital

Li, Rachelle

Cho, Brian

Western
Music
Don Wright Faculty of Music
Cinema Paradiso
STUDENT RECITAL
February 9, 2019 
8 p.m., Studio 242 
Rachelle Li, violin 
Brian Cho, pianoE. Morricone (b. 1928)
Violin Sonata No. 3, Op. 45 E. Grieg
Allegro molto ed appasionata (1843-1907)
Allegretto esprissivo alla Romanza 
Allegro animato
-  Intermission -
Scottish Fantasy, Op. 46 M. Bruch
Introduction: Grave. Adagio cantabile (1838-1920)
Scherzo: Allegro 
Andante sostenuto 
Finale: Allegro guerriero
This recital is presented in partial fulfillment of the requirements for the 
Music Performance Diploma (three-year).
Special thanks to Professor Mel Martin for providing the utmost support over the past 
years. Our lessons will be one of the things I will miss the most from my undergraduate 
experience at Western. Thankyou to my wonderful family and friends for the 
unconditional encouragement and for attending this special night.
You are invited to a post-recital reception in MB254.


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