Scholarship@Western

Battersby, Alison

Bowker, Sarah

Western
Music
Don Wright Faculty of Music
STUDENT RECITAL
March 9, 2019 
2:00pm, MB 242 
Alison Battersby, voice 
Sarah Bowker, piano
Guinse alfin il momento ... Vieni non tardar 
From Le Nozze di Figaro
W.A. Mozart 
(1756-1791)
Mörike Lieder
Zitronenfalter im April 
Der Knabe und das Immlein 
Im Frühling 
Er Ist’s
H. Wolf 
(1860-1903)
Singing in the Northland M.H. Duncan
Rainfall (b. 1955)
Severance 
Lady Icicle
Be Quiet, Wind (Duet)
Naomi Simpson, Soprano
Le Colibri E. Chausson
(1855-1899)
Le Jardin Mouillé A. Roussel
(1869-1937)
La Statue de Bronze E. Satie
(1866-1925)
Le Rossignol des Lilas R. Hahn
(1874-1947)
Villanelle des Petits Canards E. Chabrier
(1841-1894)


German

Student Recital

Goodyear, Stewart

Western’s
Don Wright 
Faculty of Music
presents
the annual Parsons & Poole 
Concert and Masterclass featuring:
Thank you!
Western University would like to thank the many 
donors who supported the establishment of the 
Parsons & Poole Masterclass Series and Concert 
Fund at the Don Wright Faculty of Music. 
A special thank you must be extended to Dorothy Hollingsworth, BA’56, and 
members of the fundraising committee whose tireless eff orts led to the creation of 
the Parsons & Poole Masterclass Series and Concert Fund. It is because of these 
extraordinary leaders and many generous donors that this wonderful legacy honouring 
Margaret Parsons and Cliff ord Poole was established, thus benefi tting 
a new generation of young musicians. 
Parsons & Poole Fundraising Committee:
Dorothy Hollingsworth 
Melba Billing Matthews 
Irene Bradshaw-Poole 
Catherine R. Charlton 
Judith Craig 
Eleanore D. Honey 
Elizabeth Mason 
The late Barbara J. Rosenberg 
Nancy A. Stormes 
   
If you would like to make a gift to the Parsons & Poole Masterclass Series and 
Concert Fund to continue the work of this tremendous group, please contact the 
Don Wright Faculty of Music at 519.661.2111 x 85695 or karmen.ferraro@uwo.ca.
Support the Don Wright Faculty of Music
The Don Wright Faculty of Music brings the passion and benefi ts of music into the 
community and into the lives of individuals of all ages. It has a strong tradition of 
excellence based on the scope of academic programs, the unique holdings of the 
Music Library, scholarly work of faculty, and its talented alumni.
With the support of our alumni and friends, we can enhance our programs, expand 
our community outreach and prepare students to breathe musical life 
and inspiration into our culture – today and in the future.
A broad range of programs and priorities are available to support. You can make a 
personal and meaningful donation to the Don Wright Faculty of Music by contacting 
Karmen Ferraro at 519.661.2111 x 85695, karmen.ferraro@uwo.ca, or by mail to the 
Don Wright Faculty of Music, Talbot College, Western University, 1151 Richmond St 
N, London, Ontario N6A 3K7.
Concert
Friday, October 11, 2019 at 7:30 p.m.
Masterclass with Stewart Goodyear  
Saturday, October 12, 2019 at 10 a.m. 
(free admission)
Paul Davenport Theatre
Talbot College, Western University
Acclaimed Canadian pianist
Stewart 
Goodyear
Presenting an all-Beethoven 
programme of Andante Favori, 
Sonata Op. 22 and Sonata 
Op. 106 (“Hammerklavier”)
Proclaimed “a phenomenon” by the  
Los Angeles Times and “one of the  
best pianists of his generation” by the 
Philadelphia Inquirer, Stewart Goodyear  
is an accomplished young pianist as a 
concerto soloist, chamber musician, 
recitalist and composer. Mr. Goodyear  
has performed with major orchestras of  
the world , including the Philadelphia 
Orchestra, New York Philharmonic, 
Chicago Symphony, Pittsburgh Symphony, 
San Francisco Symphony, Los Angeles 
Philharmonic, Cleveland Orchestra, 
Academy of St Martin in the Fields, 
Bournemouth Symphony, Frankfurt Radio 
Symphony, MDR Symphony Orchestra 
(Leipzig), Montreal Symphony, Toronto 
Symphony Orchestra, Dallas Symphony , 
Atlanta Symphony, Baltimore Symphony, 
Detroit Symphony, Seattle Symphony, 
Mostly Mozart Festival Orchestra, Royal 
Liverpool Philharmonic, and NHK  
Symphony Orchestra.
 
Mr. Goodyear began his training at The 
Royal Conservatory in Toronto, received his 
bachelor’s degree from Curtis Institute of 
Music, and completed his master’s at The 
Juilliard School. Known as an improviser 
and composer, he has been commissioned 
by orchestras and chamber music 
organizations, and performs his own solo 
works. Last year, Mr. Goodyear premiered 
his suite for piano and orchestra, Callaloo, 
with Kristjan Jarvi and MDR Symphony 
Orchestra in Leipzig, and last summer, the 
Clarosa Quartet premiered his Piano Quartet 
commissioned by the Kingston Chamber 
Music Festival. Mr. Goodyear performed all 
32 Beethoven Piano Sonatas in one day at 
Koerner Hall, McCarter Theatre, the Mondavi 
Center, and the AT&T Performing Arts  
Center in Dallas.
 
Mr. Goodyear’s discography includes the  
complete Beethoven piano sonatas and  
Diabelli Variations, concertos by Tchaikovsky, 
Grieg and Rachmaninov, his own transcription  
of Tchaikovsky’s The Nutcracker, piano 
works of Ravel, and a CD that pays homage 
to Glenn Gould. Mr. Goodyear’s recording 
of his Callaloo suite, his piano sonata, and 
Gershwin’s Rhapsody in Blue, was released 
on the Orchid Classics label June 2019.  
Mr. Goodyear has just recorded the  
complete Beethoven Piano Concertos  
with the BBC National Orchestra of Wales 
under Andrew Constantine, and this 
recording will be released on Orchid  
Classics this fall.
 
Highlights of the 2019-20 season include 
a UK and US tour with Chineke!, return 
engagements with the Phoenix and 
Wichita symphonies, the premiere of his 
cello concerto by the National Arts Centre 
Orchestra, and performances for Chamber 
Music Cincinnati and the Isabel Centre 
for the Performing Arts. Learn more at 
stewartgoodyearpiano.com
Glamorous, talented and world-famous, 
the husband and wife pianists were not 
typical professors at Western in the 
1950s. Margaret Parsons and Clifford 
Poole balanced performance tours  
as a piano duo with teaching and  
inspiring young musicians. They also 
recorded their work, created educational 
materials and started the Gilbert & 
Sullivan productions which had a long  
run at Western.
They came to London in 1948 to teach  
at the Western Ontario Music 
Conservatory, Music Teachers’ College 
and Department of Music at Western. 
Already well known, the pair joined the 
staff two years after Alfred Rose, Gustav 
Mahler’s nephew. During the next few 
years, the three organizations evolved, 
each focusing on a different level of music 
education. As J.R.W. Gwynne-Timothy 
wrote in his Western’s First Century: 
“The concerts of the well-known piano 
duo, Clifford Poole and his wife Margaret 
Parsons, carried far and wide the name 
of music at Western as public relations 
emissaries for the college.”
A group of alumni who studied with 
Parsons & Poole created an artist-in-
residence program, called the Parsons 
& Poole Masterclass Series and Concert 
Fund to carry their names into the future. 
The project gives students an opportunity 
to study with musicians who bring the 
same level of acclaim and expertise as 
Parsons and Poole.
The benefits of the Parsons & Poole 
Masterclass Series and Concert Fund  
will go beyond the music faculty,  
providing opportunities for inter-
disciplinary scholarship and cultural 
enrichment for the community. This is  
a fitting continuation of the kind of 
projects the duo undertook while in 
London. They composed and arranged 
piano music for young players, and  
their Parsons-Poole Festival Piano  
Series and Poole’s many pedagogical 
piano pieces remain favourites. The pair 
also established a community concert 
series and toured to many Ontario 
towns and cities, often with students 
to showcase their talents and gain 
experience in performing.
Margaret Parsons 
and Clifford Poole
Stewart Goodyear, pianist
Sara Davis Buechner, October 2018  
Charles Richard-Hamelin, October 2017
John O’Conor, October 2016
Anagnoson and Kinton, piano duo, October 2015
Angela Hewitt, October 2014
Menahem Pressler, October 2013
André LaPlante, October 2012
Past Parsons & Poole Concert Performers
Parsons & Poole Concert Program
Friday, October 11, 2019 at 7:30 p.m.
Paul Davenport Theatre
Talbot College, Western University
Andante for piano in F major (“Andante favori”) WoO 57 L. van Beethoven
(1770-1827)
Sonata No. 11 in B-flat major, Op. 22 
  I. Allegro con brio
 II. Adagio con molto espressione
 III. Menuetto
 IV. Rondo: Allegretto
Intermission
Sonata No. 29 in B-flat major, Op. 106 “Hammerklavier” 
  I. Allegro
 II. Scherzo: Assai vivace
 III. Adagio sostenuto
 IV. Introduzione: Largo...Allegro - Fuga: Allegro risoluto


English

Parsons & Poole Concert

Braun, Adi

King, Tom

‘ 
FRIDAYS @ 12:30 SERIES 
Friday, September 27, 2019 
12:30 p.m., von Kuster Hall 
Adi Braun, vocalist 
Tom King, piano	
 
 
 
 
 
 
 
 
Moderne Frau Adi Braun 
    
Surabaya Johnny Kurt Weill/Bertolt Brecht 
    
Nannas Lied Kurt Weill/Bertolt Brecht 
    
Buddy On the Night Shift Kurt Weill/Oscar Hammerstein 
    
Josephine  Adi Braun 
    
Stranger Here Myself Kurt Weill/Ogden Nash 
    
Du sollst es leise sagen Franz Grothe/Robert Gilbert 
    
Leben ohne Liebe Mischa Spoliansky/Robert Gilbert 
    
Gestern   Adi Braun 
    
Und was bekam des Soldaten Weib  Kurt Weill/Bertolt Brecht 
    
Mack the Knife  Kurt Weill/Bertolt Brecht 
    
 
 
Program is subject to change  
THE ARTISTS 
 
Critically-acclaimed singer/songwriter Adi Braun launches her latest recording, Moderne Frau, 
which pays tribute to the women of Weimar Berlin and the music of the 1920s. Stirred by her lifelong 
passion for German cabaret, Braun’s 5th recording features music by leading composers of that era 
and includes three of her own original songs. 
Moderne Frau follows Adi’s previous celebrated recordings: Canadian Scenes I (2010), which marked 
her singer/songwriter debut; Live at the Metropolitan Room (2007), recorded off-the-floor at New 
York’s renowned jazz/cabaret venue; The Rules of the Game (2006), from which the song Show Me 
Yours was featured on the hit U.S. TV series The “L” Word and Delishious (2003), short-listed for a 
2004 Juno Award nomination. 
Her sophisticated style and subtle delivery evokes such vocal greats as Sarah Vaughan, Lotte Lenya, 
Judy Garland and Rosemary Clooney. Elizabeth Ahlfors of New York’s Cabaret Scenes describes Adi 
as, "A tad Dinah Washington, a hint of Lena Horne, the enveloping warmth of Doris Day, all gift-wrapped 
up in a unique sound that is singular Adi Braun!" Adi’s repertoire ranges from the Great American 
Songbook, to European cabaret, to contemporary songs by Canada legend’s Shirley Eikhard and 
Gordon Lightfoot as well as her own originals. Whether she is singing in English, French, Spanish or 
German, Adi Braun is “a power-frau who gives jazz standards a unique touch, telling stories that are 
miniature life moments” (Rheinische Post, Düsseldorf, Germany). 
Born in Toronto, Adi Braun grew up in Europe surrounded by music and musicians. Her parents were 
opera singers, and her father, Victor Braun, was one of Canada’s leading baritones.  Her first 
instrument was piano, which she began studying at the age of six.  With no formal voice lessons, she 
made her first pop/jazz recording at age 19.  Following family tradition, Adi trained classically at the 
Royal Conservatory of Music and the University of Toronto’s Faculty of Music. She began her singing 
career as a classical recitalist, a soloist with orchestra and on-stage in operas and operettas alongside 
her brother, baritone Russell Braun. In addition to her many musical roles, Adi teaches German art 
song at the Royal Conservatory of Music and is a German diction coach for the Canadian Opera 
Company.   
Adi started “singing sideways” in the late ‘90s and returned to the music she loves – which she calls 
“cabarazz” – drawing on aspects from both cabaret and jazz. After winning a local competition in 2001, 
she was catapulted to centre-stage as one of Canada’s leading jazz vocalists. In 2007, Adi was 
nominated as Best Major Jazz Vocalist of the Year by the Manhattan Association of Cabarets and Clubs 
(MAC).  
 
 
Born and raised in Regina, Saskatchewan, Toronto-based pianist Tom King is at home in a wide variety 
of styles and genres. He holds a Bachelor of Music from the University of Ottawa and a Masters of 
Music degree from Western University. Tom is a music director at the Second City Toronto where he 
also completed as an actor, the Second City Training Centre Improvisation Program and is a graduate 
of the Second City Long-Form Improvisation Conservatory. 
 
 
 
 
Music changes lives. So do our donors. 
Charitable gifts from music lovers, like you, provide critical support for the Don Wright Faculty of Music’s 
performances and educational programming. To help us to continue to enrich our community through the 
power of music, donations can be made by phone at (519) 661-2111 x85695 online at music.uwo.ca, or  
by mail c/o Karmen Ferraro, Alumni and Development Officer, Talbot College,  
Western University, London, Ontario N6A 3K7. 


Fridays @ 12:30 Series

Van Veld, Jazzmine

Western
Music
Don Wright Faculty of Music
STUDENT RECITAL
March 16, 2019 
6 p.m., von Kuster Hall 
Jazzmine Van Veld, trumpet 
Sarah Bowker, piano
Sonata
Allegro pomposo 
Andante maestoso 
Allegro ma non troppo
Three Preludes
Allegro ben mitrico 
Andante con moto
Henry Purcell 
(1659-1695)
George Gershwin 
(1898-1937)
Sonata Kent Kennan
With strength and vigor (1913-2003)
Rather slowly and with freedom  
Moderately fast, with energy
-Intermission-
Concerto
Allegro
Largo
Vivace
Johann Baptiste Georg Neruda 
(1708-1780)
Intrada Arthur Honegger 
(1892-1955)
This recital is presented in partial fulfillment o f  the requirements fo r  the 
Bachelor o f  Music (Performance) degree.


Mukhtarian, Kathleen

Bratishko, Olena

Western
Music
Don Wright Faculty of Music
STUDENT RECITAL
March 16, 2019 
6 p.m., Studio 242 
Kathleen Mukhtarian, voice 
Olena Bratishko, piano
Oh! Didst thou know the pains of absent G. F. Handel (1685-1759)love... As when the dove laments her love from Acis and GalateaSe delitto è l’adorarti A. Scarlatti (1660-1725)Spesso vibra per suo gioco Son tutta duolo Già il sole dal GangeSelections from Zwölf Gesänge, Op. 8 F. Mendelssohn (1809-1847)
Pilgerspruch 
Romanze 
Maienlied 
HexenliedDeux poèmes de Louis Aragon F. Poulenc (1899-1963)
C.
Fêtes galantesTwo Ukrainian Art Songs K. Stetsenko (1882-1922)"BeHipHH nicHa" (Evensong)"naaBafi, naaBafi, aeöeflOHbKo" (Float, float, dear swan)
Come to me in my dreams F. Bridge (1879-1941)So early in the morning, O
This recital is presented in partial fulfillment of the requirements for the Bachelor of Music
(Performance) degree.


Roussy, Luke

Cho, Brian

STUDENT RECITALWestern
Music
Don Wright Faculty of Music
March 15, 2019 
6 p.m., von Kuster Hall 
Luke Roussy, Bass Trombone 
Brian Cho, piano
Cameos for Bass Trombone 
V.I.P.
Nostalgic Singer 
Nimble Dancer 
Phantom Procession 
Derby WinnerAt Devotions
Gordon Jacob (1895-1984)
Eduard Lassen (1830-1904)
Concerto for Bass Trombone 
Andante con moto 
Andante Expressivo 
Allegro Ritmico
Eric Ewazen (b. 1954)
This recital is presented in partial fulfillment of the requirements 
for the Bachelor of Music (Performance) degree.


McAuley, Rachael

STUDENT RECITALWestern
Music
Don Wright Faculty of Music
Frondi tenere...Ombra mai fu From SerseNeruda Songs
Si no fuera porque tus ojos tienen color de luna 
Amor, las nubes a la torre del cielo 
No estes lejos de mi un solo dia 
Amor mio, si muero y  tu no mueres
-  Intermission -
Chansons Villageoises
Chansons du clair tamis 
Les gars qui vont à la fête 
C'est le joli printemps 
Le mendiant 
Chanson de la fille frivole 
Le retour du sergentGoethe-Lieder
Anakreons Grab 
Die BekehrteMörike-Lieder
Elfenlied
Verborgenheit
March 20, 2019 
6 p.m., von Kuster Hall 
Rachael McAuley, voice 
Brian Cho, piano
G. F. Handel (1685-1759)P. Lieberson (1946-2011)
F. Poulenc (1899-1963)
H. Wolf (1860-1903)
This recital is presented in partial fulfillment of the requirements for the Master of Music
(Literature and Performance) degree.


French

Berg, Rachel

Digout, Paul

Western
Music
Don Wright Faculty of Music
STUDENT RECITAL
March 27th, 2019 6 p.m., von Kuster Hall Rachel Berg, voice Paul Digout, piano
Ich folge dir gleichfalls J.S. BachFrom St. John Passion (1685-1750)
Shaelyn Archibald, flute
Sergey Rachmaninoff (1873-1943) Nikolai Rimsky-Korsakov (1844-1908) Alexander Glazunov (1865-1936)
Vedrò con mio diletto Antonio VivaldiFrom Arsilda, regina di ponto (1678-1741)Io son quell gelsomino From Il Giustino
B MOÆHaHbH HOHH TaHHOH 
PegeeT oö^aKOB ^eTynan rpgga 
CHOBHgeHHe
-Intermission-
Sweeter than Roses Henry PurcellThe Blessed Virgin's Expostulation (1659-1695)With realization by Benjamin Britten (1913-1976)
My Fancy Late and Early: John GreerA Maiden's Life and Love in Canadian Folk Song (b. 1954)
This recital is presented in partial fulfillment o f the requirements for the 
Master o f Music Performance (Literature & Performance) degree.


Culham, Rod

Kendell, Lydia

HOMECOMING 2019 
ALUMNI CHOIR CONCERT 
Saturday, October 19, 2019 
4 p.m., von Kuster Hall 
 
 
 
Repertoire to be announced from the stage. 
 
 
Alumni Choir 
Conductors: Rod Culham, Lydia Kendell 
Andrew Petrasiunas, accompanist 
 
 
 
King Abel, BMus’73, DipEd’74 
Chris Abrams 
Billie Anderson, BA’19 
Rosemary Bannerman, BMus’82, BEd’84 
Estel Brown, BMusA’84, BEd’85 
Francine Cormier, BMus’84 
Pamela Deacon, BMus’83, BEd’87 
Maria Duncan, BMus’88 
Natalka Duncan, BA’19 
Brooks Gorst, BMus’04 
Melissa Hambleton, BMus’04, BEd’05 
Gerard Herlihey, BMus’84, BEd’85 
Linda Herlihey, BMus’85 
Patti Hopper, BMus’90, BEd’91 
 
Brenda Jeffrey, BMus’84, BEd’87 
Morgan Kuepfer, student 
Betty Lee-Daigle, BMus’84, BEd’85 
Nancy Lott, BMusA’77 
Chad Louwerse, MMus’15, student 
Lucas McHugh 
Tracy Ohman, BMusA’83, BEd’87 
Monica Sass, BA’04, BEd’05 
Heather Scaldwell, BA’72, Cert’73 
Barbara Steed Young, BA’69, Cert’70 
Julie Weeks, BMus’84, BEd’85 
David Willms, BMus’86 
Alison Witty (Tomie), BMusA’77, DipEd’78 
 
 
 
 
 
 
Please join us for a reception in the Music Building lobby after the concert.  
All are welcome to attend. 
 
ALUMNI CONCERT DIRECTORS 
 
 
Rod Culham (BMus’84, BEd’85) - Conductor 
Rod is a retired high school music and drama teacher who taught at North Middlesex District High 
School for the last 25 years of his career. Rod has directed, music directed, produced and acted in 
countless community theatre productions in London and the surrounding area. He has conducted 
Broadway Singers and London Pro Musica, music directed several church choirs, and volunteered 
with many community programs including El Sistema Aeolian and Camp Wendake. In 2016, he co-
founded Pride Men’s Chorus London with Western Music grad, Clark Bryan. He now co-conducts 
PMCL with Western Music grad, Markus Howard. Rod has also had many compositions and 
arrangements of his performed in and around the London area; nothing is published...yet. He 
climbed Mt. Kilimanjaro in August of last year and intends on taking off more time so he can check 
off items on his bucket list.  
 
 
 
Lydia Kendell (BMus’04, BEd’05) - Conductor 
Lydia Kendell grew up in Grand Falls-Windsor, Newfoundland. She started playing the piano when 
she was five years old and performed in music festivals across the province. At Western, she 
majored in piano and studied with Tina Yanchus. Lydia also sang in choirs with Jen Moir at Western 
and in the Gerald Fagan Singers and Chor Amica Chamber Choirs in London. After graduating from 
Western University with a Bachelor of Music in Music Education in 2004, she became a teacher with 
the Thames Valley District School Board, starting her career teaching strings at Sir Wilfrid Laurier 
Secondary School in London. She is currently the department head of music at Medway High 
School where vocal music is her main focus. She also currently co-conducts the Amabile Treble 
Training Choir in London. She loves to be part of a choir and to get others excited about singing. 
 
 
 
Andrew Petrasiunas (BMus’84, BEd’85) - Accompanist 
Andrew was a Western Music conductor for 10 years (1988-1998), and has conducted or 
accompanied several area community and church choirs. While he recently retired from a 33 year 
teaching career, he is best known as a Musical Director and musician in theatre. He has directed 
over 50 productions and has composed music for a combination of over 60 theatrical and choral 
projects. Most of Andrew’s work has been at The Grand Theatre in London but he has also worked at 
the Charlottetown Festival and at the Young People’s Theatre in Toronto. Andrew is currently 
preparing to play in the orchestra for the Grand Theatre’s late fall production of “Mary Poppins, The 
Musical” and is very excited to be the Musical Director of the world premiere of “Grow”, also at The 
Grand Theatre, in the spring of 2020.  


Homecoming 2019 Alumni Choir Concert

Cyr, Jennifer

Lee, Samantha

STUDENT RECITALWestern
Music
Don Wright Faculty of Music
March 29th, 2019 
12:30 p.m., von Kuster Hall 
Jennifer Cyr, soprano 
Samantha Lee, piano
White Cat Blues 
White Cat Blues 
The Colour Blue 
Shadow
Leslie Uyeda 
b .1953
Midnight Watch Leslie Uyeda
Owl’s Take on Man 
Crow ’s Take on Man 
Midnight Watch
Mother and I, Walking Leslie Uyeda
This recital is presented in partial fulfillment of the requirements for the 
Doctor of Musical Arts in Performance degree.
Western
Music
Don Wright Faculty of Music
STUDENT RECITAL
Jennifer Cyr, soprano, is currently pursuing her Doctorate of Musical Arts in Vocal 
Performance at Western University. Jennifer is an avid performer who was selected as one of 
eight Canadian singers to embark on a concert tour of China. While in China, Jennifer performed 
Western opera arias and ensembles as well as traditional Chinese folk songs in ten cities 
including Beijing, Shanghai, Harbin, and Kunming. Jennifer recently performed in Western 
Opera’s production of Le Nozze di Figaro as Contessa Almaviva.
Jennifer’s past operatic roles include Donna Anna from Don Giovanni by Mozart, Suor 
Angelica from Suor Angelica by Puccini, the Governess in The Turn of the Screw by Britten, 
Musetta from La Bohème by Puccini, Antonia from Les Contes D ’Hoffmann by Offenbach, 
Micaela from Carmen by Bizet, and Pamina from Die Zauberflöte by Mozart. Jennifer has been 
fortunate to work with many wonderful opera programs and companies including Vancouver 
Opera, La Musica Lirica, the Accademia Europea dell’Opera, the Canadian Operatic Arts 
Academy, ViVace, the Centre for Opera Studies in Italy, Opera Nuova, and Opera on the 
Avalon.


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