Revistas Científicas da Universidade Católica Portuguesa
Not a member yet
13577 research outputs found
Sort by
Direitos patrimoniais de autor – CA Versailles, 1.ª ch., 21 de abril de 2020, RG n.º 16/00766
A contrafação de uma obra musical deve ser avaliada em relação à combinação de notas e à sua repetição. Desde que a melodia da segunda obra apresente semelhanças muito fortes com a da primeira obra e estas semelhanças sejam acentuadas pelas semelhanças harmónicas, esta repetição dos elementos que caracterizam a originalidade da primeira obra é suscetível de constituir contrafação. Contudo, o réu pode demonstrar que é o resultado de um encontro fortuito, desde que o possa provar, apresentando todos os elementos úteis nesse sentido, que não poderia ter conhecido a obra original
As necessidades da família no processo de doação de órgãos e tecidos: scoping review
Introduction: The process of organ and tissue transplantation has achieved success through its remarkable and swift advances, given that the technical and scientific progress recorded in the last decades in the field of medicine has made it possible to improve significantly the therapeutic possibilities and quality of life of the organ recipient. During the donation process, the organ donor’s family experiences several challenges associated with fear and a lack of information regarding the process, which inspires the need to provide support to the family in dealing with feelings, doubts, and anguish, thus creating a therapeutic relationship. The role of the healthcare team is crucial not only in providing care to the organ donor but also to their family, which is why the family’s experience throughout the donation process has been the subject of discussion in several studies. The identification and recognition by health professionals of the needs of families allows the latter to better adapt to the donation process. Objective: Mapping the organ donor family’s needs during the organ donation process. Methodology: The methodology proposed by the Joanna Briggs Institute was used for this scoping review. We considered any articles freely available in full text that included the families of organ donors as the population (P), addressing the concept (C) of the needs of families in the context (C) of organ and tissue donation, in Portuguese, English, and Spanish, without time restrictions. Results: The complete analysis of the seven articles that made up the final sample allowed us to summarize the needs into four categories. The most frequently mentioned were the need for information on the concept of brain death and organ donation, and the need for emotional support, particularly in referring the family to support groups. In addition to these, material and environmental needs were stated, such as consideration for privacy and the existence of a safe and free space for communication with the family. Ultimately the need for follow-up, with family monitoring up to one week after organ donation. Conclusions: By mapping the available evidence of the family’s needs in the organ donation process, four categories emerged: the need for information, the need for emotional support, material and environmental needs, and, finally, the need for follow-up. This scoping review can serve as a basis for future research, leaving the challenge of developing primary studies.Introdução: O processo de transplante de órgãos e tecidos é um processo de sucesso pelo tanto que evoluiu em tão pouco tempo, sendo que os progressos técnicos e científicos registados nas últimas décadas na área da medicina permitiram melhorar as possibilidades terapêuticas e a qualidade de vida do recetor de órgãos. Durante o processo de doação, a família do dador experiencia diversos desafios relacionados com o medo e a reduzida informação sobre os procedimentos, tornando-se fundamental o apoio à mesma para lidar com emoções, dúvidas e angústias, criando uma relação terapêutica. O papel das equipas de saúde é determinante na prestação do cuidado não só face ao dador de órgãos, como também à sua família, pelo que a experiência da família em todo este processo tem sido alvo de discussão em vários estudos. A identificação e reconhecimento pelos profissionais de saúde das necessidades das famílias permite uma melhor adaptação da família ao processo de doação. Objetivo: Mapear as necessidades da família do dador no processo de doação de órgãos. Materiais e métodos: Para esta scoping review foi utilizada a metodologia proposta pelo Joanna Briggs Institute. Foram considerados quaisquer artigos, disponíveis gratuitamente com texto integral, que incluíssem como população (P) as famílias dos dadores de órgãos, abordando o conceito (C) das necessidades das famílias no contexto (C) de doação de órgãos e tecidos, em língua portuguesa, inglesa e castelhana, sem restrição temporal. Resultados: Da análise integral dos sete artigos que compuseram a amostra final, foram sintetizadas as necessidades em quatro categorias, sendo as mais relevantes a necessidade de informação sobre o conceito de morte cerebral e de doação de órgãos e a necessidade de suporte emocional, nomeadamente, no encaminhamento da família para grupos de apoio. Para além destas, foram mencionadas necessidades materiais e ambientais como a consideração pela privacidade e a existência de um espaço seguro e livre para a comunicação com a família e, por fim, a necessidade de follow-up, com o acompanhamento da família até uma semana após a doação de órgãos. Conclusões: Ao mapear a evidência disponível das necessidades da família perante o processo de doação de órgãos, emergiram quatro categorias: a necessidade de informação, a necessidade de suporte emocional, as necessidades materiais e ambientais e, por fim, a necessidade de follow-up. Considera-se que esta scoping review pode servir de base para futura investigação, deixando o desafio para a elaboração de estudos primários
Nostalgia and the Loss of Truth: Sketches Towards a Hauntology of the “Post-Truth” Condition
Among the most popular attempts to give a coherent diagnosis of the political frictions of contemporary Western societies resides the concept of a supposed “post-truth” era. While the underlying premise of a once vivid and now lost culture of truth has been debunked many times, attempts to understand more closely what is actually meant when “the truth” is proclaimed dead are exceedingly rare. By drawing from the works of Jacques Derrida, Zygmunt Bauman and Ernesto Laclau, this paper will shift the analytical focus towards a hauntological reading of the “post-truth” condition. Through examining both liberal and populist cultures of truth as well as their guiding political imaginaries, the paper will show that, as vastly different as their respective notions of “the truth” might be, they are both guided by retrotopian nostalgia for a fictionalized past, that not only forces them to bury “the truth” but to inherit its legacy
Embodied nostalgia in the age of digitalization
Nostalgia is a multimedia digital and on-site installation by the artist Rita Ravasco. The piece is part of Diffractions issue (8) on the topic of Nostalgia and funded by CECC. With her very own interpretation of nostalgia and memory, Rita Ravasco adds to the varied explorations and functions of this affective relationship with the past. 
The portuguese demand for money function
As of the mid 1970’s, estimation of money demand functions for the U.S. and other developed countries has shown symptoms of misbehavior of the relationship. In particular, some doubts have appeared about the theoretical foundations of the widely used Chow real partial adjustment hypothesis. Also, some other authors have pointed out the likely inappropriateness of the conventional closed economy specification. Using annual data from 1960 to 1983, it was found that the foreign opportunity cost variables did not play a relevant role in the explanation of the long-run demand for money in Portugal. Using quarterly data for that same period, three alternative short-run specifications were compared. The tests reported suggest that the use of a partial nominal adjustment hypothesis is more appropriate. Finally, the use of the cusum of squares test suggests that the demand for M1 and M2 have been stable over that period
To Perform: Listening, Transindividually
This paper explores listening as action in perception, which extends into bodily movement or evokes imaginary movement. Five cases of listening are featured: a commemoration of political event, a community dance practice, a technical object of recording music, and two encounters between technics and material on a performance stage. The cases show how embodiment registers the social history of sounds transindividually, in synchronization and transmission of common cultural memory by way of materials, tools and skills shared in making and use. Through each case, I inquire into ways of transindividual listening whereby individuals and groups co-evolve in a deliberate effort, thanks to mutual relations of transformation and to the regeneration of what is common to many
A Performative Reading of a Postcard Never Sent: Simondon, Derrida and Performance
This article uses some of the illustrations offered by Simondon in his never-sent letter to Derrida to analyse the programme of techno-aesthetics. This analysis includes not only what is meant by techno-aesthetic sensibility, but also the delayed trajectory of this correspondence in the light of Derrida\u27s theory of performativity, of which the postal device emerges as a privileged figure. Finally, both approaches are intertwined in order to reflect on possible contributions and problematizations of performance studies today