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Smart Life and Smart Life Engineering
No full textThis open access book defines the field of Smart Life and Smart Life Engineering, identifying a clear scope of what constitutes “smart” in the context of digital technologies, develops a cross-field perspective, provides insights into various related disciplines, and offers illustrative examples of existing works in the field. To this end, it contains thirteen chapters divided into four parts: “Fundamentals of Smart Life and Smart Life Engineering” begins with an exploration of the concept of Smart Life, defines a detailed taxonomy of smart applications and their evolution over time, and, finally, delivers a comprehensive review of social, behavioral, and ethical considerations. Next, “Conceptual Contributions to Smart Life” explores innovative ideas in smart environment, smart home, smart city, and smart tourism. Subsequently, “Smart Life Applications” examines real-world implementations and their impact on various domains including viticulture, elevators, and overtourism. Eventually, “Experience Reports of Smart Life Applications” presents smart city experiences of the cities of Leuven and Monserrate respectively. Written for researchers and industrial professionals from a very large set of fields, this book explores the fascinating domain of smart technologies and their impact on our daily lives and brings together the works around societal, methodological, and technological aspects of Smart Life
Blockchain Technology in Project Finance
Get PDFThere is currently no comprehensive scientific study that addresses the problem of financing projects using Distributed Ledger (blockchain) Technology (DLT) that are not themselves embedded in the blockchain ecosystem, particularly in the context of long-term and capital-intensive investments. This book fills this gap. It poses a number of research questions such as what financing model/mechanism is the most effective in the long term where very large financial resources are concerned; are there appropriate legal regulations in place; and can DLT (blockchain) technology provide usability and solutions that can be used in the process of financing capital-intensive investments?
The book ultimately shows that it is possible to build a legal and economic model that would effectively enable the financing of long-term and capital-intensive investments, based on a specially prepared integrated platform operating on the basis of blockchain technology. As a result of the mechanisms of smart contracts, the platform would enable, the issuance and service of tokens, including equity tokens, but also auxiliary and payment or utility tokens, and the automation of relations between stakeholders. It would also allow the creation of a virtual decentralized autonomous organization (DAO) that would control the implementation of the project, and a decentralized exchange that would enable token trading.
The core readership for the book is academics, scholars and researchers in the fields of economics, finance and law, particularly those focused on blockchain technology, distributed ledger systems, and innovative financing mechanisms for large-scale investments. Policymakers and regulators involved in developing policies and legal frameworks for blockchain technology, cryptocurrencies, and financial innovation would find it to be a practical reference
Vicki Baum: Ausgewählte Werke. Kommentierte Ausgabe. Bd. 4: Leben ohne Geheimnis
No full textIn her novel “Leben ohne Geheimnis” (Engl.: “Falling Star”), published by Ullstein in 1932, Vicki Baum takes up current topics and discourses in the transition phase from silent movies to so-called “talkies”: film as a new mass product, the beginnings of 'celebrity culture', the self-marketing of stars with the exploitation of their private lives for PR purposes, the culture industry with its fan culture. She presents Hollywood – which she got to know when she was involved in the production of the film adaption of her novel “Menschen im Hotel” (Engl.: “Grand Hotel”) – as “Sehnsuchtstopos” (“topos of longing”) in which her characters act in various stages of disillusionment, and confronts them with the film production companies‘ capitalist greed for profit; she shows that sexual exploitation was already omnipresent in the film industry around 1930. Using cinematic narrative techniques, she demonstrates how the characters behave in the game of appearance and reality, how they lose old identities and form new ones as emigrants
Open Access Musicology
No full textOpen Access Musicology (OAM) publishes peer-reviewed, scholarly essays primarily intended to serve students and teachers of music history, ethno/musicology, and music studies. The constantly evolving collection ensures that recent research and scholarship inspires classroom practice. OAM essays provide diverse and methodologically transparent models for student research, and introduce different modes of inquiry to inspire classroom discussion and varied assignments. Addressing a range of histories, methods, voices, and sounds, OAM embraces changes and tensions in the field to help students understand music scholarship. These essays are intended for undergraduates, graduate students, and interested readers without any particular expertise. The topics introduce and explore a variety of subjects, practices, and methods but, above all, seek to stimulate classroom discussion on music history’s relevance to performers, listeners, and citizens. Open Access Musicology will never pretend to present complete histories, cover all elements of a subject, or satisfy the agenda of every reader. Rather, each essay provides an opening to further contemplation and study. The third volume of Open Access Musicology presents provocative case studies and analyses through which readers can choose their own path while also putting these essays in conversations from those in previous volumes of OAM. This new volume challenges us to ask difficult questions about the place and function of music in our societies, on our stages, and in our institutions. The authors demonstrate ways in which the past can be re-imagined as well as the ways legacies of the past are inscribed in present-day practices, structures, histories, and beliefs. We invite readers to follow the thematic links between essays, pursue notes and other online resources, or simply repurpose the essay’s questions into new and exciting forms of research and creativity
Chapter Nudging e architettura delle scelte: gli strumenti dell’economia comportamentale e della rappresentazione per la lotta al cambiamento climatico
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Chapter Descrizioni testuali di repertori grafici: i disegni per il mattatoio di Roma a Piazza del Popolo nel XIX secolo
No full textConversations with Christian Metz
No full textFrom 1968 to 1991 the acclaimed film theorist Christian Metz wrote several remarkable books on film theory: Essais sur la signifi cation au cinéma, tome1 et 2; Langage et cinéma; Le signifiant imaginaire; and L'Enonciation impersonnelle. These books set the agenda of academic film studies during its formative period. Metz's ideas were taken up, digested, refined,reinterpreted, criticized and sometimes dismissed, but rarely ignored., This volume collects and translates into English for the first time a series of interviews with Metz, who offers readable summaries,elaborations, and explanations of his sometimes complex and demanding theories of film. He speaks informally of the most fundamental concepts that constitute the heart of film theory as an academic discipline — concepts borrowed from linguistics, semiotics, rhetoric, narratology, and psychoanalysis., Within the colloquial language of the interview, we witness Metz's initial formation and development of his film theory. The interviewers act as curious readers who pose probing questions to Metz about his books, and seek clarification and elaboration of his key concepts. We also discover the contents of his unpublished manuscript on jokes, his relation to Roland Barthes, and the social networks operative in the French intellectual community during the 1970s and 1980s
Archival Irruptions: Constructing Religion and Criminalizing Obeah in Eighteenth-Century Jamaica
No full textKatharine Gerbner traces how British colonial authorities in mid-eighteenth-century Jamaica came to criminalize Obeah, a religious practice held by enslaved Africans