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A Probe into the Global Development Trend of Hakka Language Cultures
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The Localization of Borders and Identity of Hakka Ethnic Groups in French Polynesia
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Between the Tahitian Hakka and Tangren （唐人）: A Study of Mandarin Language Use in Tahiti
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International Symposium “Future of the Museum : An Anthropological Perspective”
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Figure–ground Reversal of Art Projects:Thinking from the Process of a Rice Paddy Field Becominga “Rice Terrace” or “Art”＜Special Theme : Anthropology of Collaborations and Processes : From Studies of Contemporaneous Art Practices＞
Get PDF1990 年代以降，日本各地に拡大した「アートプロジェクト」は，学際性や
領域横断性によって価値づけられてきた。本稿では，あるアートプロジェクト
に関わることで農業やアート・政治などが複合的に駆動した場「棚田」を，身
体やモノ・物理的環境を含む実践的世界に向き合う人類学の見地から捉え返
す。「大地の芸術祭の里」のサイトスペシフィックな作品は，設置された場で
起きる物事や人との関係性の中で変化し続ける。「田んぼ」が棚田になってい
く過程では，アートが様々な人やもの・制度と結びつきながら，新たな現実や
イメージを生み出していくさまを明らかにする。さらに長野県北部地震後，新
たに現れた「アート」としての棚田を起点に，作品と地域のイメージが図地転
換しながら，物事を再配置する状況を分析する。Since the 1990s, art projects spread widely across regions of Japan, were
appreciated by interdisciplinarity and cross-disciplinarity. This paper presents
a re-examination of “Tanada” related to an art project: a place where agriculture,
art, and politics are driven in a complex manner from the perspective of
anthropology. Site-specific works of the “Echigo-Tsumari Art Field” continue
to change while interacting with things and people at the place in which they
were set up. The author reveals the artistic process of creating new realities
and images when rice fields are turned into rice terraces, with specific examination
of connections with various people, objects, and systems.Furthermore, starting from newly transformed Tanada after the earthquake in
northern Nagano, the author analyzes the reassembling of things while the
artwork and the image of the area are figure–ground reversed.departmental bulletin pape
