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Ulnar nerve snagged on Kirschner wire following surgery for supracondylar fracture of humerus
Full text linkA 9-year-old boy fell off his skateboard, resulting in a supracondylar fracture of his left humerus. The fracture was surgically repaired on the same day using two Kirschner wires inserted from the medial and lateral sides. Following surgery, the patient developed ulnar nerve palsy, prompting reoperation. It was discovered that the ulnar nerve was located anterior to the medial epicondyle and was snagged on the Kirschner wire, causing compression. Despite clear confirmation of the wire entry site, the presence of an unstable ulnar nerve anterior to the medial epicondyle necessitates caution to prevent ulnar nerve injury.departmental bulletin pape
A case of an ectopic Pacinian corpuscle in the pancreas mimicking pancreatic metastasis of renal cell carcinoma
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帝国が集まる場所 : 東京駅と帝都東京の共同的創造
Full text linkTokyo Station opened to great fanfare in 1914 with a ceremony that doubled as a celebration of the expanding empire. As a jubilant crowd gathered in the plaza in front of the station, the “triumphant generals” from the invasion of German territories in China paraded through the celebratory “Great Green Arch” and “Green Pyramidal Towers” on their way to the Imperial Palace to report their victories to the Emperor as the crowd cheered “banzai” and fireworks exploded in the sky. Tokyo Station, then, capped a space of both emperor and empire at the heart of the city, mediating Japan’s aspirations as a first-class world power as much as Tokyo’s status as the metropolis of an overseas empire. Like Tokyo Station itself, Tokyo’s reputation as the “Imperial Capital” (teito) took several decades to emerge. This paper revisits the contested planning of Tokyo Station to retrace how popular conceptions of both the station and the city whose name it bore changed over the Meiji Period as planners, technology, materials, and practices tested in colonial proving grounds converged on the city from around the empire to remake Tokyo into the imperial capital. In this way, Tokyo as the imperial capital was not only the engine, but also the product, of modern Japanese state-formation and empire-building. Originally planned as a cargo depot, the station was vociferously opposed by provincial politicians, business leaders, and local Tokyo residents for different reasons. Yet, as the Japanese empire spread overseas, opposition to the station was replaced by collective calls for a more grandiose structure suitable as a monumental “gateway to the imperial capital.” In this way, the evolving design of Tokyo Station manifested not only an emergence consensus about Tokyo’s status as Japan’s imperial capital, but also the strengthening imperial ideology and nationalism of the Meiji Period.departmental bulletin pape
清末中国の学校唱歌に表象された「明治日本」
Full text linkThis paper examines the representation of Japan by analyzing Chinese school songs from the late Qing Dynasty, a period during which Japan demonstrated its military power in both the Sino-Japanese War and the Russo-Japanese War. I identified 20 songs that depict Japan in the school song textbooks of late Qing China and conducted a detailed analysis of each one. The analysis revealed a diverse and ambivalent image of Japan during the Meiji period. For instance, some songs portrayed Japan as a small country, while others depicted it as a nation with great ambitions to occupy the territories of other nations. Some songs expressed Japan as a modern nation, while others portrayed it as traditional. In some instances, the Japanese were described as brave, whereas in others, they were characterized as cowardly. This duality reflects both the reality of Japan and the imaginative perceptions held by the Chinese. Although it is challenging to delineate the truth of history due to its complexities and differing perspectives, these songs undoubtedly reflect how Japan was viewed by the Chinese at the time, highlighting the significance of this research.departmental bulletin pape
国際シンポジウム「EMPIRE, MIGRATION, and MEMORY」をめぐって
Full text link会場・会期: 名古屋大学文系総合館7階 カンファレンスホール（2025年2月1日）departmental bulletin pape
