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Screening of biomarkers in autoimmune thyroid diseases (AITDs) : preliminary study based on Raman spectroscopy and MALDI-ToF mass spectrometry
No full textEvaluation of individual and composite CT-based markers in frailty diagnostics in older patients with cancer undergoing major abdominal surgery
No full textLevels of systemic inflammatory markers in women with cervical cancer undergoing definitive chemoradiotherapy depend primarily on pre-treatment and post-teletherapy tumor volume, rather than on the prescribed radiation dose
No full textStandardization of scanning electron microscopy analysis of fibrin fiber diameter measurement : communication from the ISTH SSC subcommittee on FXIII and fibrinogen
No full textThe influence of vegetation on the content and quality of soil organic matter in permafrost-affected soils in central Spitsbergen (Svalbard)
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Development and evaluation of titanium dioxide-free film-coated tablets containing drotaverine hydrochloride
No full textExploring the potential of gamified virtual patients for military trauma care training : a systematic text condensation analysis
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The past that does not want to pass away? : a few remarks on the debate surrounding the project to establish a Museum of Fascism in Predappio
No full textThis chapter dives into salient yet conflicting narratives on the project to establish a museum of fascism in Predappio, taking into account both the historiographical debates and political disputes surrounding the assessment of Benito Mussolini’s rule. In the period between 2014 and 2019, leading Italian and international historians, together with public intellectuals, journalists, and politicians, were involved in a dispute concerning the character of the project itself and its consequences. To understand the complexity of this debate, it is essential to explain the meaning of the Predappio museum in the political culture of Italian fascism and neo-fascism, as well as the impact of the policy of local governments, primarily centre-left ones, which aimed at remaking the image of the city, which Giorgio Frassinetti –the former mayor and main spiritus movens of the project – described as its '"Chernobyl" history'