Slavistica Vilnensis
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Из истории становления словацкого литературного языка: кодификация А. Бернолака и формирование нормы в текстах бернолаковцев А. Руднаи и Ф. К. Габела
Get PDFKonstantin V. LifanovFrom the History of Formation of the Slovak Literary Language: A. Bernolák’s Codification and Norm Formation in Texts of Bernolák’s Supporters A. Rudnay and Fr.K. Habel
This paper deals with Bernolák’s codification in comparison with the real form of Bernolák’s literary language presented in sermons of the Hungarian Cardinal A. Rudnay and translation of the religious treatise from German by Fr. X. Habel. This comparison shows that in real practice Bernolák’s language changed its character, coming nearer to norm of traditional Slovak writing. As a result typical elements, the most widespread in a West Slovak dialect or characterizing peripheral the Záhorie dialect of West Slovakia and the Czech language, forced out the elements concentrated in the Central Slovak dialect. The found out phenomena testifies that the norm essentially different from codification was formed in Bernolák‘s language
Балто-славянская конференция памяти Владимира Николаевича Топорова. Славистика в центральноевропейском контексте
No full textПамятник книжной культуры староверов Даугавпилсского р-на
Get PDFGrigory MiheevThe Historical Book of russian Old Believers found in the Daugavpils Region
This article presens the description of the old print book of Russian Old Believers found and researched in Daugavpils, Latvia in 2010. This old print of the Book of Psalmes, with some handwritten inscriptions presents an unfinished work of an unknown scribe and restorator of incunable Books of Psalms. The description contains as following: the condition of the book binding and features of preserved part of printed texts, paper and 8 types of watermarks that were found on it. The pictures of filigrees and short details about paper mills, where the similar filigrees were used, are attached. The author provides the reproduction of the font, miniature, colophon, initials, three of publications and two hand written records. The print is identified as being close or similar to the Books of Psalmes and the other books printed by Pyotr Mstislavets, Vasil Garaburda and Mamonichi in the years between 1574 and 1601. The finding has been defined as similar to the “Black Dot Book of Psalms”, presumably printed by Mamnochis printing house in Vilnus. Its closest copy might be considered “The Red Dot Book of Psalmes” printed by Pyotr Mstislavets in 1678 in the same printing house. The date of the described print has been estimated as not later than July, 1600
Русско-словенские лексические параллели
Get PDFJelena KonickajaRussian-Slovene Lexical Parallels
The article examines word pairs in two Slavic languages, Russian and Slovene, that stem from a shared etymon, or root in the shared protolanguage. These words can preserve a certain similarity on both the phonological (expressive) and semantic (content) levels. Within the analysis such doublets can also be included other pairs that relate to a given lexicosemantic field: for example, Rus. tverdyj – Slov. trd, trden; Rus. krepkij, cherstvyj – Slov. krepak, čvrst. The article proposes using minimal-context translation, avoiding word formations and sentences, in order to establish differential semes, or semantic components. A set of differential semes is presented for Rus. celyj, ves’ – Slov. cel, ves
Dyskusje na temat pomnika Adama Mickiewicza w Wilnie na łamach prasy wileńskiej z lat 1925–1927
Get PDFIrena FedorovichDiscussions on the Project of A. Mickiewicz’s Monument in Vilna in Press of 1925–1927
The first monument in honour of A. Mickiewicz in Vilna was a bust unveiled in the church of Saint Johns ’ in 1899. However, the Vilnius town-dwellers were willing to erect a monument in a public place. This topic stimulated lots of emotions, especially in the years 1925–1927. Readers of the daily newspapers “Word” (“Słowo”) and “Courier of Vilna” (“Kurier Wileński”) were divided into supporters and opponents of the project of the monument of A. Mickiewicz created by the sculptor S. Szukalski. He was the winner of the competition held in 1926. Under the pressure of public opinion that project was never materialized.Discussion on the monument to A. Mickiewicz in Vilna became a part of a typical Polish cultural discourse in the thirties on the topic of modern art and attitudes of the artists towards the romanticism tradition
