TERBITAN BERKALA ILMIAH ONLINE FAKULTAS ILMU BUDAYA UNIVERSITAS HALU OLEO
Not a member yet
1538 research outputs found
Sort by
Revitalisasi Kawasan Pecinan Sebagai Pilar Integrasi Sosial Masyarakat Desa Karangturi
No full textKarangturi Village has a community of various religions and ethnic differences, this diversity creates tolerance and acculturation in the community, many are found in buildings in the Chinatown area. This research aims to find out how building revitalization in maintaining the social integration of multicultural communities. This study uses Karl Marx’s commodification theory (Ritzer, 2012) with a qualitative research method of descriptive approach, data collection is carried out by observation, interviews, and documentation. The results of the study show that the revitalization of buildings as tourist destinations is carried out to maintain, preserve, and introduce buildings to the wider community inseparable from the role of community groups, namely, village governments, entrepreneurs, communities, pokdarwis, and the community. Various kinds of activities carried out by community groups are able to create integration between people of different religions and ethnicities through cooperative relationships between entrepreneurs and employees so that their business continues to run. In addition, cooperation is also carried out by communities, pokdarwis, village governments, communities, and other institutions. So that building revitalization not only preserves the building and obtains economic benefits, but is also able to maintain the integration of the Karangturi Village community
Ritual Maddoja Bine dalam Praktik Pertanian Padi: Studi Etnografi
No full textThis study is entitled "Maddoja Bine Ritual: Local Tradition of Bugis People in the Rice Farming System of Mondoke Village, Lambandia District, East Kolaka Regency". This study aims to describe and explain the Maddoja Bine ritual procession and to find out the reasons why the Maddoja Bine ritual is still maintained and in the community of Mondoke Village, Lambandia District, East Kolaka Regency. This study uses the theory of cultural ecology by Julian H Steward using an ethnographic approach. The results of the study can be concluded that the maddoja bine ritual is a ritual carried out before spreading rice seeds in the fields and is closely related to the process of farming rice in the fields. The maddoja bine process includes mappamula ase, deliberation (tudang sipulung) determining the day, preparing ritual dishes, ma\u27baca-baca, manre sipulung and mattabela. In its implementation, the maddoja bine ritual has undergone changes due to the influence of agricultural technology, but the reason the maddoja bine ritual is still carried out today is to maintain the traditions passed down by previous generations and to honor Sangiang Serri with the hope of being given protection when carrying out the rice planting process, being given good results, abundant when harvesting and an expression of gratitude for the harvest process
Ritual Kampua Bagi Orang Muna di Desa Waara Kecamatan Lohia Kabupaten Muna
No full textThe purposes of this study were (1) to analyze the reasons for using goats as a complete custom in the Kampua ritual in Waara Village, Lohia District, Muna Regency. (2) To describe the meaning of goat slaughter in the Kampua ritual for muna people in Waara Village, Lohia District, Muna Regency. This study uses the theory of symbols from Geertz. The data collection technique is field research using ethnographic methods of involved observation and interviews. The data analysis technique used is descriptive qualitative.The results of the study show that (1) Kampua ritual for the Muna people is one of the most important religious rituals among the Muna people. So that the Muna people consider this ritual as a sacred ritual that has been passed down from their ancestors for generations. In the Kampua ritual, there is also the slaughter of goats, which is a hereditary tradition that is still maintained today and is carried out repeatedly. (2) The process of carrying out the Kampua ritual for muna people in Waara Village, Lohia District, Muna Regency has several stages, namely (a) Katununo incense (burning incense) (b) Kabasano Bharasandi (barsanji reading) (c) Kaalano Wulu (hair cutting) (d) ) katanda Wite (laying the ground) (e) Kabasano Haroa (reading the haroa prayer), the prayer is intended as one of the activities to ask for peace and comfort in the life of children in Kampua.
Penjual Pisang Nugget
No full textThis research aims to examine and describe how service is provided to consumers and how social responsibility is carried out by Banana Kob\u27s in Kendari City. Selection of informants in this study using a purposive technique. This study uses the theory of Social Organization Caroll Stack. The data collection techniques used in this research are participant observation techniques and in-depth interviews. This research is a qualitative research using ethnographic research methods. The results of this research show that: first, it shows that the service to consumers at Banana Kob\u27s is consumer satisfaction with the contemporary culinary business, namely banana nuggets and good communication relationships between business owners, employees and consumers. This will affect the quality of service at the Banana Kob\u27s Outlet. Second, the corporate social responsibility of the banana nugget seller at the Banana Kob\u27s outlet in Kendari City, even though it is a UMKM, still provides social responsibility to employees and the community in the form of balance between work and employees\u27 personal lives, namely by arranging work hours or changing shifts, as well as providing work holidays two or three times a month, and providing salaries in accordance with the agreement. Then give a holiday to employees, namely holding a company birthday celebration by scheduling a joint holiday for all employees so they can celebrate Banana Kob\u27s birthday. Apart from that, Banana Kob\u27s also carries out charity activities, namely by distributing takjil in the month of Ramadan and donating food. Social responsibility activities were carried out unknowingly by the UMKM owner selling banana nuggets at the Banana Kob\u27s outlet in Kendari Cit
Ritual Kaghotino Buku Pada Masyarakat Desa Fongkinawa Kecamatan Tongkuno Kabupaten Muna
No full textRitual kaghotino buku merupakan ungkapan rasa syukur keluarga kepada Tuhan yang diyakini ikut mengatur kehidupan manusia. Penelitian ini bertujuan untuk mendeskripsikan proses pelaksanaan, fungsi, dan makna simbolik dari ritual kaghotino buku di Desa Fongkaniwa Kecamatan Tongkuno Kabupaten Muna. Penelitian ini menggunakan metode deskriptif kualitatif dengan teknik pengumpulan data melalui observasi, wawancara mendalam, dan dokumentasi. Hasil penelitian menunjukkan bahwa pelaksanaan ritual Kaghotino Buku terdiri atas tahapan persiapan dan pelaksanaan ritual. Ritual ini memiliki beberapa fungsi, yaitu fungsi sosial-psikologi, fungsi personal, fungsi kesehatan, dan fungsi religi.Fungsi sosial-psikologi mencerminkan keyakinan masyarakat sebagai bentuk reaksi positif terhadap asimilasi antara pikiran dan kepercayaan tradisional. Ritual ini berperan sebagai sarana permohonan dukungan spiritual melalui hubungan batin antara anggota masyarakat. Fungsi personal bersifat individual, yang ditujukan untuk kesejahteraan pribadi pelaksana ritual. Fungsi kesehatan tercermin dalam penyajian makanan bergizi seperti daging ayam kampung, telur rebus, nasi, dan pisang, yang menjadi bagian penting dari ritual sebagai media pemenuhan kebutuhan biologis.Fungsi religi menjadi dasar utama pembentukan budaya, termasuk dalam pelaksanaan ritual Kaghotino Buku di Desa Fongkaniwa. Ritual ini berakar pada ajaran Islam dan mencerminkan hubungan spiritual antara manusia dengan Tuhan. Nilai-nilai religi diwujudkan melalui pembacaan ayat-ayat Al-Qur’an dalam mantra, sebagai bentuk doa, syukur, serta harapan akan kekuatan, kesehatan, dan kelancaran rezeki. Makna simbolik dalam Haroa ritual Kaghotino Buku , berupa nasi, ayam, telur, pisang, dan air minum, dimaknai sebagai ungkapan rasa syukur serta harapan atas kekuatan fisik untuk keselamatan dan kemudahan dalam memperoleh rezeki.Penelitian ini menegaskan pentingnya pelestarian tradisi lokal sebagai identitas budaya dan spiritual masyarakat Mun
EKSKAVASI ARKEOLOGI ERA STUTTERHEIM KE TEMUAN TERKINI: MENGUNGKAP STRUKTUR KASTIL BATAVIA YANG TERLUPAKAN
No full textThe history of Batavia as an emporium and colonial administration from the 17th century to the independence era began with a building known as the Batavia Castle. This building, which served as the administrative and governmental center of the VOC for approximately 200 years, was built at the mouth of the Ciliwung River by Jan Pieterszoon Coen. During Daendels’ era, the center of government was relocated to the southern area namely Weltevreden (present- Gambir, Jakarta) due to various environmental and political factors. The castle\u27s materials were dismantled and repurposed for the construction of new government buildings in the new administrative center. Since then, the castle’s existence gradually faded from public memory, and the site underwent changes in function. The lack of historical records regarding the demolition led to uncertainty about whether the castle was entirely destroyed. Archaeological excavations conducted from 1940 to 2024 have finally shed light on this mystery. A feasibility study for the construction of Tongkol Public Housing (2021–2023) revealed not only remnants of the original castle but also structures from subsequent periods. This entire excavation effort has not only reconstructed the physical structure of Batavia Castle but also reflected the socio-political dynamics that shaped, dismantled, and reinterpreted this historic site.Sejarah kota Batavia sebagai pusat perdagangan dan pemerintahan kolonial sejak abad ke-17 hingga masa kemerdekaan berawal dari sebuah bangunan yang disebut sebagai Kastil Batavia. Bangunan yang menjadi pusat pemerintahan dan administrasi VOC selama sekitar 200 tahun ini didirikan di muara Kali Ciliwung oleh Jan Pieterszoon Coen. Pada masa Daendels, pusat pemerintahan dipindahkan ke wilayah selatan, yaitu Weltevreden (sekarang kawasan Gambir, Jakarta) disebabkan oleh berbagai macam faktor seperti lingkungan dan politik. Material kastil kemudian dibongkar dan digunakan untuk membangun gedung-gedung pemerintahan baru di sana. Sejak saat itu, keberadaan kastil mulai dilupakan, dan lokasinya mengalami perubahan fungsi. Minimnya catatan sejarah tentang pembongkaran kastil oleh Daendels menimbulkan misteri apakah bangunan itu dihancurkan seluruhnya atau tidak. Ekskavasi arkeologi sejak 1940 hingga 2024 akhirnya menjawab pertanyaan ini. Studi kelayakan pembangunan Rumah Susun Tongkol (2021–2023) mengungkap tidak hanya sisa-sisa kastil, tetapi juga bangunan dari periode-periode berikutnya. Seluruh rangkaian ekskavasi tersebut tidak hanya merekonstruksi fisik Kastil Batavia, tetapi juga mencerminkan dinamika sosial-politik yang membentuk, meruntuhkan, dan menafsirkan ulang situs bersejarah ini
COMPARATIVE INTERRELATION BETWEEN VISUAL BIMA AT SUKUH TEMPLE RELIEF WITH BIMA FIGURES IN WAYANG KULIT OF YOGYAKARTA STYLE
No full textPenelitian ini dilatarbelakangi dari asumsi bahwa Bima relief Candi Sukuh dan Bima wayang kulit gaya Yogyakarta memiliki kemiripan perwujudan. Oleh karena itu, tujuan penelitian ialah mengidentifikasi persamaan dan perbedaan antara Bima relief Candi Sukuh dengan Bima wayang kulit gaya Yogyakarta; serta mengungkap interelasi konseptual dari keduanya. Penelitian ini merupakan penelitian kualitatif dengan pendekatan komparasi. Teknik pengumpulan data yang dilakukan meliputi observasi lapangan dan studi pustaka. Analisis diltempuh melalui tahapan identifikasi atribut Bima relief Candi Sukuh dan Bima wayang kulit gaya Yogyakarta; pelacakan persamaan dan perbedaan; dan penelaahan interelasi. Hasil yang ditemukan menunjukkan bahwa Bima relief Candi Sukuh dan Bima wayang kulit gaya Yogyakarta memiliki persamaan penggambaran Bima sebagai pahlawan perkasa dalam kultus kesuburan. Perbedaan dari keduanya ialah gaya perwujudan; yang mana Bima relief Candi Sukuh diwujudkan dalam bentuk en profil semi realis, sedangkan Bima wayang kulit gaya Yogyakarta diwujudkan secara stilasi dekoratif. Interelasi yang dilakukan mengungkap bahwa Bima wayang kulit gaya Yogyakarta merupakan salah satu bentuk transformasi Bima relief Candi Sukuh melalui turunan wayang kulit Kedu yang muncul pada era Jawa Islam. Disimpulkan Bima relief candi Sukuh merupakan induk dari bentuk Bima wayang kulit Jawa.This research is based on the assumption that Bima at Sukuh Temple Relief and Bima in wayang kulit of Yogyakarta style have similar manifestations. Therefore, the purpose of the research is to identify the similarities and differences between Bima at the Sukuh Temple Relief and Bima in the wayang kulit of Yogyakarta style and to reveal the conceptual interrelation of the two. This research is qualitative research with a comparative approach. Data collection techniques used include field observation and literature study. The analysis was carried out through the stages of identifying the attributes of Bima at the Sukuh Temple Relief and Bima in wayang kulit of Yogyakarta style; tracing similarities and differences; and examining interrelations. The results showed that Bima at the Sukuh Temple Relief and Bima in wayang kulit of Yogyakarta style have similarities in depicting Bima as a mighty hero in the fertility cult. The difference between the two is the style of manifestation where Bima at the Sukuh Temple Relief are manifested in a semi-realistic en profile form, while Bima in the wayang kulit of Yogyakarta style are manifested in decorative stylization. The interrelation carried out revealed that Bima in the wayang kulit of Yogyakarta style are one form of transformation of Bima at the Sukuh Temple Relief through derivatives of Kedu wayang kulit that appeared in the Javanese Islamic era. It was concluded that Bima at the Sukuh Temple Relief are the parent form of Bima in wayang kulit in Java
Ceramic Placement Patterns: The Collection of the State Museum of Southeast Sulawesi Province
No full textThe Provincial Museum of Southeast Sulawesi houses a collection of ceramics that reflect the cultural heritage and history of its people. This study aims to analyze the management and display of ceramic collections in the museum and propose a development model for the ceramic exhibition space. The research uses a qualitative descriptive approach, with data collection techniques including literature review, observation, interviews, and documentation. The results show that the current management of the ceramic display lacks informativeness, with static presentation and minimal historical narrative. The proposed development model includes enhancements in visual presentation, the addition of more informative labels, and the use of interactive technology to increase visitor engagement. These efforts are expected to boost public interest in the ceramic collection and enhance the museum’s educational role.Museum Negeri Provinsi Sulawesi Tenggara memiliki koleksi keramik yang mencerminkan warisan budaya dan sejarah masyarakat. Penelitian ini bertujuan untuk menganalisis tata kelola penyajian koleksi keramik di museum tersebut serta mengembangkan model pengembangan ruang pameran keramik. Penelitian ini menggunakan pendekatan deskriptif kualitatif dengan teknik pengumpulan data melalui studi pustaka, observasi, wawancara, dan dokumentasi. Hasil penelitian menunjukkan bahwa tata kelola penyajian koleksi keramik saat ini masih kurang informatif, dengan penyajian yang bersifat statis dan minim narasi sejarah yang mendalam. Model pengembangan yang diusulkan mencakup peningkatan penyajian visual, penambahan label yang lebih informatif, serta penggunaan teknologi interaktif untuk meningkatkan daya tarik pengunjung. Upaya ini diharapkan mampu meningkatkan minat masyarakat terhadap koleksi keramik serta meningkatkan peran edukatif museum.
PERKEMBANGAN PEMBANGUNAN MASJID AL-MUNAJAT DI DESA KOTANO WUNA KECAMATAN TONGKUNO KABUPATEN MUNA TAHUN 1986-2022
No full textPenelitian ini bertujuan untuk menjelaskan perkembangan pembangunan Masjid Al Munajat di Kotano Wuna. Penelitian ini menggunakan metode sejarah menurut Kuntowijoyo yang terdiri dari lima tahapan penelitian, yaitu: (a) Pemilihan topik, (b) Heuristik sumber, (c) Kritik sumber, (d) Interpretasi sumber, (e) Historiografi. Hasil penelitian ini menunjukkan bahwa Masjid Al-Munajat pada masa pemerintahan Bupati Muna Maola Daud Masjid masih berukuran kecil dengan luas 15x 25 m. Masjid tersebut awalnya masih berdinding papan dan beratap rumbia dan kemudian dibangun menjadi setengah permanen. Bangunan masjid kemudian diperluas di masa pemerintahan Bupati Muna Ridwan Bae pada tahun 2000. Masjid tersebut dibangun kembali dengan ukuran 30 x 40 m. Bangunan masjid tersebut terpelihara hingga saat ini karena masyarakat Muna menjadikan masjid Al-Munajat sebagai tempat peribadatan. Masyarakat Muna juga masih melakukan tradisi turun-temurun dengan berdatangan meminta doa di masjid tersebut. Pembangunan masjid telah berlangsung mulai tahun 1986 hingga tahun 2022 dan dilakukan oleh empat Bupati Muna di periode tahun yang berbeda-beda. Adapun infrastruktur yang diperbaiki atau ditambah yakni penambahan tangga kiri kanan, benteng pekarangan mengelilingi masjid, bak tempat wudhu, renovasi cat masjid, renovasi rangka atap masjid, sumur bor dengan kedalaman 167 meter, bak penampung air dan pipa penyalur air, jalan aspal depan masjid, penambahan lampu jalan depan masjid, serta kipas angin dan mikrofon
ANALYSIS OF THE IMAGE OF COASTAL COMMUNITIES IN IMAN SEMBADA\u27S COLLECTED POEMS
No full textPoetry is a form of literary work that conveys the poet\u27s heart, thoughts, and feelings through the author\u27s use of language, creativity, and imagination, employing a series of beautiful language that contains rhythm and meaning. The analysis of Iman Sembada\u27s poetry, particularly its portrayal of coastal communities, is the primary goal of this study. The intimate bond between people and the environment is highlighted in Sembada\u27s poetry, particularly in the lives of coastal populations who are constantly impacted by the forces of the sea. Sembada illustrates the resilience, interdependence, and complex relationships that exist between coastal towns and their surroundings by using natural symbols like wind, waves, and weathering conditions. This analysis demonstrates how Sembada addresses the spiritual and cultural aspects that influence coastal people\u27s identities in addition to depicting their daily lives in his poetry. According to the study\u27s findings, Iman Sembada used natural images in his poetry to depict the realities, difficulties, and cultural diversity of coastal towns