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"Aristotle and the Stoa",
No full textInternational audienceEtude de l'influence, des critiques et des usages d'Aristote dans l'école stoïcienne de Zénon à Epictète, dans les domaines de la physique, de la logique et de l'éthique. Le chapitre insiste sur la manière dont le stoïcisme a tenté de répondre aux critiques aristotéliciennes de Socrate ou d'Héraclite et s'est parfois approprié certains concepts aristotéliciens en changeant considérablement leur sens
« Un chercheur/Un objet »: Patrimoine culturel : Le Vase qui parle
No full textAudio en streamingLes 25 et 26 juin 2016, le CNRS a fêté les dix ans du Musée du Quai Branly-Jacques Chirac en présentant une vingtaine de projets scientifiques lors d’un « speed dating » intitulé « Un chercheur/Un objet ». Dans ce cadre, Isabelle Westeel et Christophe Hugot ont répondu durant trente minutes aux questions de Mathieu Rouault et du public intrigués par Le Vase qui parle. Cet événement peut être réécouté en podcast sur la wikiradio du CNRS
''Décorporéïté du bouc - émissaire apsychique, désolé et désocialisé''
No full textInternational audienc
Surveying ETD Infrastructure Needs: From Author to End User
No full textInternational audienceClemson University is a medium-sized public land-grant institution located in the Upstate region of South Carolina. The University adopted an electronic thesis and dissertation program in 2006. In the initiative's first iteration, ETDs were submitted by students through the Graduate School to ProQuest. ProQuest then transmitted metadata and ETD PDFs to the library, where they were archived in a home-grown open access database. In 2013, the Libraries migrated this database to a newly launched DigitalCommons- supported institutional repository. The confluence of a new institutional repository, new leadership in both the Libraries and the Graduate School, and impending data management and public access policies emanating from major funding agencies prompted us to reflect on both the data management needs of our students and faculty, as well as the end users of our open access ETDs.To that end, Clemson University Librarians conducted two surveys. First, in late 2012, Librarians surveyed Clemson graduate students and faculty to better understand their data management needs. Respondents were asked fifteen questions about the type, size and storage methods of the data they generated through research conducted at the university. The results were used internally, to help guide policy decisions and develop infrastructure and services to assist our community in managing their research data. The results, though potentially applicable to other institutions, have not been previously shared publicly.Additionally, one might argue that a thesis or dissertation is more than a project. It is an affirmation that the graduate can participate in, and meaningfully contribute to, the scholarly dialog in his or her field. With this understanding, the end-users of theses and dissertations become key to the progression of the scholarly dialog. Much literature and anecdotal evidence has indicated that theses and dissertations are among the top used items in institutional repositories. However, little is known about who these end users are, and what value they are deriving from electronic theses and dissertations.Clemson Librarians ran a second survey, which concluded in December of 2015 to provide a snapshot of the users of its theses and dissertations. The “1-minute survey” asks researchers to identify their primary role, the reason they are downloading a thesis or dissertation, and whether or not they were aware that graduate students produced the research. In addition, the IP addresses of the respondents give us an insight into their country of origin.Taken in combination, these surveys give a broad overview of the infrastructure needs of ETD authors, as well as the perspectives of ETD end-users. At Clemson, as we begin to make policy decisions related to our ETD initiative, these surveys will provide valuable guidance, as well as applicability beyond our institution
Evaluate the subjective experience of the disease and its treatment in the partners of young women with non-metastatic breast cancer
No full textInternational audienceEvaluate the subjective experience of the disease and its treatment in the partners of young women with non-metastatic breast cancer The impact of the disease experience on the quality of life of the relatives of patients with cancer is now well documented. However, few scales specifically address the partners' subjective quality of life. This study aims to validate a questionnaire assessing the impact of cancer on the quality of life of the partners of young women with breast cancer. Partners (n = 499) of women aged <45 when diagnosed with a non-metastatic breast cancer completed a self-reported questionnaire generated from non-directive interviews led in an initial study. The structure of the scale was examined by exploratory and confirmatory factor analyses. Internal consistency, test–retest reliability and concurrent validity were assessed. The final Partner-YW-BCI contained 36 items and assessed eight dimensions of the subjective experience of partners: (1) feeling of couple cohesion, (2) negative affectivity and apprehension about the future, (3) body image and sexuality, (4) career management, (5) deterioration of the relationships with close relatives, (6) management of child(ren) and of everyday life, (7) financial difficulties, and (8) sharing and support from close relatives. The scale showed adequate psychometric properties, and will help clinicians to identify the problems of partners and to respond to them by an optimal care management
Architectures Numériques et Résurgence Baroque : bernard Cache, Greg Lynn et le Pli de Deleuze
No full textDuring the 1990s, the word baroque reappears in some discourses on emerging digital architecture and the changes induced by new design and production softwares. Can we say that some architects are extending a baroque impetus in new exploratory modes of architectural form by digital tools? This thesis proposes an approach that combines philosophy, anthropology and linguistics to analyze the speeches of two architects, pioneers in the development of digital technologies. Greg Lynn (USA, 1967*) approaches the design by algorithms that generate complex forms, while Bernard Cache (France, 1958*) explores and theorizes the file-to-factory, which is a continuous chain between design and production. They become closer in their respective interpretation of The Fold, Leibniz and the Baroque, Gilles Deleuze (1988), a philosophical work from which they pull out many concepts to theorize the themes of continuity, the infinite variety of forms, and the non-standard. The analysis focuses on the involvement of the baroque in the discursive strategies as an homology structuring their thoughts, and raises its fictional dimension. The concept, in addition to be a founding archetype of the imaginary of these architects, is a useful operating tool in their theoretical and architectural productions. However, it is adapted to answer the intellectual challenges of their time.Autour des années 1990, le mot baroque ressurgit dans certains discours sur l’architecture numérique naissante et sur les changements qu’induisent les nouveaux logiciels de conception et de production par ordinateur. Peut-on dire que certains architectes vont jusqu’à prolonger un élan baroque dans de nouveaux modes d'exploration de la forme architecturale par les outils numériques ? Cette thèse propose une approche croisant la philosophie, l’anthropologie et la linguistique pour analyser les discours de deux architectes pionniers dans le développement des technologies informatiques. Greg Lynn (USA, 1967*) aborde la conception par des algorithmes qui génèrent des formes dites complexes, alors que Bernard Cache (France, 1958*) explore et théorise le file-to-factory, c’est-à-dire une chaîne continue entre la conception et la production. Ils se rapprochent tous deux par leur interprétation de Le Pli, Leibniz et le Baroque, de Gilles Deleuze (1988), ouvrage dans lequel ils puisent de nombreux concepts pour approcher les thèmes de la continuité, de la variation infinie des formes, et du non standard. L’analyse se concentre sur l’implication du baroque dans les stratégies discursives en tant qu’homologie structurante de leur pensée, et soulève sa dimension fictionnelle. La notion, en plus de constituer un archétype fondateur de l’imaginaire architectural de ces architectes, constitue d’une part un outil opératoire utile à leurs productions théoriques et architecturales. Elle est d’autre part instrumentalisée pour répondre aux enjeux intellectuels de leur époque