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Učenici s teškoćama u nastavi glazbe
No full textUčenici s teškoćama, temeljem dosadašnjih iskustava u praksi, uspješno su uključeni u redovne razredne odjele osnovne škole. Oni mogu aktivno sudjelovati u nastavnim aktivnostima uz usklađivanje sadržaja njihovim individualnim sposobnostima, mogućnostima i obrazovnim preferencijama. Budući da glazba nosi brojne pozitivne razvojne utjecaje na učenike, ali je ujedno i sredstvo koje zbližava ljude i zanemaruje razlike, inkluziju učenika s teškoćama u nastavni glazbe je, uz kompetentnog nastavnika, moguće uspješno ostvariti.... Prema tome, inkluziju učenika s teškoćama na nastavi glazbe moguće je oživotvoriti na brojne načine. Svako dijete s teškoćama je specifično i autentično te zahtjeva individualizirani odnos, a na nastavniku je da otkrije kako najbolje pristupiti svakome od njih. U radu se opisuju teškoće kroz utvrđene kategorije. Nakon toga, naglasak se stavlja na inkluziju učenika s teškoćama u glazbenoj nastavi kroz prikaze istraživanja. Poseban se naglasak stavlja na važnost i ulogu nastavnika.Students with disabilities, based on their previous experience in practice, are successfully included in the regular classrooms of primary school. They actively participate in school activities with the possibility of aligning the content with their individual abilities, capabilities and educational preferences. Since music has many positive developmental effects on students, and it is also a tool that brings people together and ignores differences, the inclusion of students with disabilities in music teaching can be successfully achieved with a competent teacher. Therefore, the inclusion of students with disabilities in music teaching can be brought to life in many ways. Every child with disabilities is specific and authentic, and requires an individualized relationship. So, it is up to the teacher to discover how to approach each of them. This work describes the difficulties through the identified categories. After that, the emphasis is placed on the inclusion of students with disabilities in music teaching through research presentations. Special emphasis is placed on the importance and role of teachers
Safe Place
No full textOvaj rad bavi se definiranjem pojma kostima i istraživanjem funkcija kostima za kazalište i film. Cilj ovog rada je opisati kreativnu putanju istraživanja, promišljanja te stvaranja kostima za likove autorskog filma Sigurno mjesto. Kostim, kao sredstvo neverbalne komunikacije, treba iskazati osobine i narav individue te je zbog toga u ovom radu naglasak na sam identitet lika koji bi se trebao iščitati iz kostima. Filmska kostimografija omogućuje izazovnije i detaljnije promišljanje o kostimu jer kamera voli detalje, A samim time se u realizaciji kostimografskih rješenja pomno promišljalo na svaki dio kostima. U filmu su kreirani suvremeni kostimi koji ukazuju na problem pojedinca te utjecaj okoline i medija na mlade danas. Zbog toga se u prethodnim poglavljima proučila sociologija kostima te utjecaj i simbolika boja u kostimu. Svaki kostim za film Sigurno mjesto ogledalo je emocionalnog i duševnog stanja svakog lika u filmu. Cilj ovog rada obuhvaća kreativan proces od pisanja scenarija, izrade plana snimanja, pronalaženja lokacija, glumaca, te osmišljavanje i realiziranje scenografije i kostimografije za film Sigurno mjesto. Detaljnijim istraživanjem, skiciranjem i promišljanjem o kostimu realizirana su kreativna i vizualno zanimljiva kostimografska rješenja za sve likove filma Sigurno mjesto.This paper deals with defining the concept of costume and researching the functions of costumes for theater and film. The goal of this paper is to describe the creative path of research, reflection and creation of costumes for the characters of the author's film Safe Place. The costume as a means of non-verbal communication should express the characteristics and nature of the individual. Therefore, this paper emphasises the very identity of the character which should be read from the costume. Film costume design allows for a more challenging and detailed consideration of the costume. Because the camera loves details, every part of the costume was carefully considered in the realization of the costume design. In creative process, contemporary costumes that point out the problem of the individual and the influence of the environment and the media on today's youth were created. For this reason, the sociology of costumes as well as the influence and symbolism of colors in costumes were studied in the previous chapters. Each costume for the film Safe Place is mirroring the emotional and mental state of each character in the film. The goal of this paper is to cover the creative process of writing the script, creating a shooting plan, finding locations, actors, designing and realizing scenography and costumes for the film Safe Place. Through detailed research, sketching and thinking about the costume, creative and visually interesting costume designs were realized for all the characters in the film Safe Place
Day by day
No full textRad „Dan po dan“ propituje problem tjelesnog dismorfnog poremećaja koji uz zamišljene preuveličane mane osobama uzrokuje otežano društveno funkcioniranje. Na početku rada daje se uvid u poremećaj pomoću stručne literature i vlastitih primjera. Sadrži 100 autoportreta kojima pratim svoje stanje u periodu od nekoliko mjeseci. Osnovna ideja rada je suočavanje i osvješćivanje navedenog problema. Naposljetku se nalazi tehnička razrada djela. Kako je rad osmišljen kao vrsta samopomoći, posjeduje terapeutski učinak s ciljem da pomogne osobama sa sličnim problemom.The work "Day by Day" presents the problem of body dysmorphic disorder, which, along with imagined exaggerated flaws, causes difficulties in social functioning. At the beginning of the paper, an insight into the disorder is given using professional literature and own examples. It contains 100 self-portraits with which I monitor my condition over a period of several months. The basic idea of the work is to face and raise awareness of the mentioned problem. Finally, there is the technical elaboration of the work. As the work is designed as a type of self-help, it has a therapeutic effect with the aim of helping people with a similar problem
Implementation of guerrilla marketing in the museum activity
No full textDonedavno su ljudi o marketingu razmišljali jedino u kontekstu oglašavanja, a shodno tomu tradicionalne metode oglašavanja bile su dovoljne. Kako su potrošači s vremenom počeli biti bombardirani s mnoštvom reklama koje su napravljene prema istom principu, pojedini marketinški stručnjaci uvidjeli su da je vrijeme za promjenu i diferencijaciju. Sve češće se počinje prakticirati gerila marketing koji na neočekivane i neuobičajene načine privlači pažnju potrošača mnogo više nego tradicionalni marketing. Zahvaljujući svojim upečatljivim metodama, kampanje gerila marketinga uspješno se provode i na području kulture. Takve se kampanje posebno uspješno provode među Generacijom Y i Generacijom Z, čije je pripadnike u današnje vrijeme teško impresionirati. S tim na umu, provedeno je istraživanje kojim se nastojalo utvrditi koliko su ljudi zapravo upoznati s pojmom gerila marketinga, da li on uistinu više privlači pažnju potrošača za razliku od tradicionalnog marketinga te može li se takav oblik oglašavanja implementirati u kulturne institucije, odnosno u ovom slučaju u muzeje.Until recently, people thought about marketing only in the context of advertising, and consequently traditional methods of advertising were sufficient. As consumers over time began to be bombarded with a multitude of advertisements made according to the same principle, some marketing experts realized that it was time for change and differentiation. Increasingly, guerrilla marketing is beginning to be practiced, which unexpectedly and unusually attracts the attention of consumers much more than traditional marketing. Thanks to their striking methods, guerrilla marketing campaigns are also successfully implemented in the field of culture. Such campaigns are particularly successful between Generation Y and Generation Z, whose members are hard to impress these days. With this in mind, a study was conducted to determine how familiar people are with the concept of guerrilla marketing, whether it really attracts more attention than traditional marketing and whether this form of advertising can be implemented in cultural institutions, ie in this case in museums
Digitalization of music content / Final concert.
No full textKomunikacija putem računala postala je svakodnevnica te sama količina dostupnih informacija sve je veća. Računala i programska okolina neprestano se mijenjaju, što uzrokuje nova koncepcijska rješenja pa često nije dovoljno prijeći na novu verziju bez većeg oblikovanja cijeloga informacijskog sustava. Prebacivanje u digitalni oblik glazbenog sadržaja otvara se čitav niz novih mogućnosti, od razmjene podataka između institucija, čime znatno brže dolazi i do obrade podataka, pa sve do spajanja sadržaja koji su vrlo udaljeni u svrhu stvaranja novih uređenih glazbenih materijala. Jako bitan proces je i pregledavanje gradiva kojim članovi povjerenstva daju mišljenja o određenim segmentima gradiva. Potom ide proces procjenjivanja gradiva gdje povjerenstvo procjenjuje koje će se digitalizirati. Većina zvučnih zapisa pohranjeno je magnetskim trakama ili vinilskim pločama. Digitalizacija zvuka ostvaruje se u dva koraka: uzorkovanjem i kvantizacijom.Computer communication has become commonplace and the amount of information available is growing. Computers and the software environment are constantly changing, which causes new conceptual solutions, so it is often not enough to switch to a new version without a major design of the entire information system. Switching to digital form of music content opens up a whole range of new possibilities, from data exchange between institutions, which makes data processing musch faster, to merging content that is very distant for the purpose of creating new edited music materials. A very important process is the review of material by which the memebers of the commission give opinions on certain segments of the material. Then comes the process of evaluating the material where the committee evaluates which ones will be digitized. Most sound recordings are stored on magnetic tapes or vinyl records. Digitization of sound is achieved in two steps: by sampling and quantization
The development of tamburica music for the area of northwestern Croatia / Classical compositions arranged for a tamburica trio.
No full textOvaj diplomski rad bavi se razvojem tamburaške glazbe na području sjeverozapadne Hrvatske. Nakon kratkog uvodnog dijela o povijesti tambure, slijedi središnji, glavni dio rada s jasno razrađenim razvojem tamburaštva kroz županije spomenute regije. Županije koje spadaju u sjeverozapadnu Hrvatsku su Grad Zagreb, Zagrebačka županija, Krapinsko-zagorska županija, Varaždinska županija, Koprivničko-križevačka županija te Međimurska županija. Iz svake županije detaljnije su opisani važniji tamburaški orkestri te sam razvoj tamburaške glazbe kroz povijest. Na kraju rada slijedi zaključak s osobnim stavovima i mišljenjem o tamburaškoj glazbi i samom njenom razvoju u opisanoj regiji.This graduation thesis deals with the development of tambura music in northwestern Croatia. After a short introductory section on the history of the tamburitza, followed by the central one, the main part of the work with a clearly elaborated development of tambura music through the counties of the mentioned region. The counties that belong to northwestern Croatia are City of Zagreb, Zagreb County, Krapina-Zagorje County, Varaždin County, Koprivnica-Križevci County and Međimurje County. More important tambura orchestars from each county are described in more detail and the development itself of tambura music throughtout history. A conclusion follows at the end of the paper with personal views and opinions about tambura music and its development in the described region
The cloud of starlings
No full textOblak čvoraka naslov je diplomske ispitne predstave studentice Magdalene Živaljić Tadić pod mentorstvom izv. prof. art. Jasmina Novljakovića i sumentorstvom umj. sur. Selene Andrić na Akademiji za umjetnost i kulturu u Osijeku, na Odsjeku za kazališnu umjetnost, smjer gluma. Unutar ovog pisanog rada studentica teorijskim pristupom opisuje svoj proces rada na monodrami izučavajući i analizirajući lik Lucije. Zaključuje kako je rad na monodrami izuzetno koristan za rast svakog glumca zbog odgovornosti i posvećenosti koju on nosi. Predstava je rađena u komprodukciji Kazališta Oberon i Dječjeg kazališta Branka Mihaljevića u Osijeku u režiji Damira Mađarića.A cloud of starlings is the title of the graduate exam presentation of the student Magdalena Živaljić Tadić under the mentorship of professor Jasmin Novljaković and Selena Andrić at the Academy of Arts and Culture in Osijek, at the Department of Theatre Arts, Department of Acting. In this paper, with the theoretical approach, the student is describing her work on monodrama by exploring and analysing the character of Lucija. Her conclusion is that the work on a monodrama is incredibly useful for the growth of every actor because of the responsibility and dedication it carries. The play was made as coproduction of Theatre Oberon and Children's theatre of Branko Mihaljević in Osijek and was directed by Damir Mađari
RAD NA ULOZI HAPPYJA U PREDSTAVI SMRT TRGOVAČKOG PUTNIKA
No full textRad na ulozi Happyja u predstavi Smrt trgovačkog putnika naslov je diplomskog rada Tonija Leakovića pod mentorstvom red.prof.art. Tatjane Bertok-Zupković i sumentorstvom izv.ass. Gorana Vučka na Akademiji za umjetnost i kulturu, na odsjeku za kazališnu umjetnost, smjer gluma i lutkarstvo. Predstava je nastala u produkciji Kazališta Virovitica, režiji Vanje Jovanovića i premijerno je izvedena 5. prosinca 2021. godine. U ovom pismenom radu student opisuje proces rada na predstavi, s naglaskom na stavak Glumac – lik – uloga u kojemu analizira svoj rad na ulozi i objašnjava svoje procese. U ostalim stavcima obuhvaćeni su podatci o autoru i djelu, kao i o svim vanjskim elementima predstave poput scenografije, svjetla i kostimografije. Na kraju rada nalazi se životopis studenta.Work on the role of Happy in the play Death of a Salesman is the title of Toni Leaković's graduation thesis under the mentorship of professor Tatjana Bertok-Zupković and co-mentoring of assistant Goran Vučko at the Academy of Arts and Culture, at the Department of Theatre Arts, acting and puppet animation studies. The play was produced by the Virovitica Theatre, directed by Vanja Jovanović and premiered on 5th of December, 2021. In this written work, the student describes the process of working on the play, with an emphasis on the paragraph Actor - character - role, in which he analyzes his work on the role and explains his processes. The other paragraphs include information about the author and the literary work, as well as information about all external elements of the production, such as scenography, lighting, and costumes. At the end of the paper, student's CV is presented
Influencer Marketing as a Way of Promoting on Social Media
No full textInfluencer marketing sveprisutniji je fenomen koji iz dana u dan napreduje i postaje profitabilniji, što ga čini jednim od najpoželjnijih oblika oglašavanja današnjice. Ovaj rad temelji se na proučavanju influencer marketinga kao načina promoviranja na društvenim mrežama. U radu se analiziraju pojava i razvoj društvenih mreža te se daje uvid u marketing na društvenim mrežama prikazujući njegove pozitivne i negativne strane. Posebna je pozornost posvećena influencerima koji su ključni pokretači ovog fenomena, a dana je i analiza odabranih hrvatskih influencera. Naposljetku, iz rada se zaključuje zašto se sve više poslovnih subjekata okreće influencer marketingu te zašto se on smatra prikladnijim oblikom oglašavanja od tradicionalnog marketinga.Influencer marketing is a widespread phenomenon which is developing and becoming more profitable by the day, making it one of the most desirable forms of advertising today. This paper is based on the study of influencer marketing as a way of promotion on social networks. The paper analyzes the emergence and the development of social networks and gives insight into marketing on social networks by showing both the positive and negative sides of it. Special attention is given to influencers who are the key drivers of this phenomenon, as well as to the analysis of selected Croatian influencers. Lastly, the paper provides an answer as to why more and more businesses are shifting their attention to influencer marketing and why this is a more suitable form of advertising rather than traditional marketing
Instrumental Music Kinds in the Music Classes of General Education Schools
No full textInstrumentalne glazbene vrste predstavljaju vrlo značajnu nastavnu cjelinu u nastavi glazbe općeobrazovnih škola. Obrađuju se u osnovnom i srednjoškolskom obrazovanju, tj. u okviru predmeta Glazbena kultura i Glazbena umjetnost. Kroz učenje o njima, učenik upoznaje glazbena djela, skladatelje i muzikološke sadržaje, a znanje o njima omogućuje bolje razumijevanje glazbe. Njihova obrada zahtijeva nešto kompleksnije metodičke postupke, koji moraju biti pažljivo planirani i izvedeni. Posebno je važan izbor glazbenih primjera, budući da on utječe na motivaciju učenika i razvoj glazbenog ukusa. U radu se najprije govori o slušanju glazbe kao neizostavnoj aktivnosti za obradu glazbenih vrsta uopće te muzikološkim sadržajima koji se upoznaju temeljem slušanja, objašnjava se pojam instrumentalnih glazbenih vrsta, zatim se daje prikaz sedam instrumentalnih vrsta s muzikološkog i povijesnog gledišta, razlaže se upoznavanje instrumentalnih vrsta u nastavi glazbe prema važećem kurikulumu, te završno, daje se pregled primjera realizacije nastavnih jedinica na temu instrumentalnih vrsta u nastavi Glazbene kulture i Glazbene umjetnosti, s preporučenim glazbenim primjerima, detaljnim metodičkim koracima te ishodima učenja.Instrumental music kinds represent a very significant teaching module in music classes of general education schools. They are taught during both elementary and secondary education, in the Music Culture and Music Art school subjects. Through learning about them, a pupil gets to know music works, composers, musicological topics, and that knowledge provides a better understanding of music. The teaching of instrumental kinds requires somewhat more complex methodic procedures, which need to be carefully planned and executed. The choice of music examples is of significant importance, since it affects the motivation of pupils and the development of their musical taste. This thesis begins with the topics of music listening as an indispensible activity for teaching the music kinds in general and the musicological topics which are learned through the process of listening, then it elaborates on the subject of instrumental music kinds, it provides an overview of the seven instrumental kinds from the musicological and historical points of view, it explains the learning of the instrumental kinds in music classes in regard to the current curriculum, and lastly, it provides an overview of the realization of lesson units on the subject of instrumental kinds in the classes of Music Culture and Music Art, with recommended music examples, detailed methodic steps and the learning goals