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Almanacs and bibliographies or: about reminding that we are walking in the footsteps of previous generations [Book review: Biljana Albahari, Vesna Trijić, Bibliography of the Jewish Almanac, Belgrade, 2023]
Get PDF"Bibliografija Jevrejskog almanaha" već na prvi pogled pokazuje da je za buduća istraživanja jevrejskog života u XX veku ova knjiga postala nezaobilazni izvor. Veliki napor i znanje koje su autorke uložile udahnuće novi život jednom dragocenom časopisu, ali, a to nije manje važno, pomoći će nam i da se setimo da smo, kao lјudi, deo jednog trajanja koje je počelo pre nas i koje se neće sa nama završiti.The "Bibliography of the Jewish Almanac" shows that this book has become an inevitable source for future research into Jewish life in the 20th century. The great effort and knowledge invested by the authors will breathe new life into this valuable magazine, but, and this is no less important, it will also help us to remember that we, as humans, are part of a continuation that began before us and that will not end with us
Hitahdut Olej Yugoslavia (Association of Jews of Yugoslavia in Israel) - Eventov Collection
No full textPredstavljanje Eventov kolekcije deo je saradnje između Narodne biblioteke Srbije i Nacionalne biblioteke Izraela, kao i srodnih institucija u Izraelu. Reč je o arhivi i specijalizovanoj biblioteci koja se bavi istorijom jugoslovenskih Jevreja. Damjan Haim Peković, direktno zadužen za Eventov kolekciju, predstavlja kolekciju raznorodnih dokumenata i time otvara nove mogućnosti za dalja istraživanja na ovu temu.The presentation of the Eventov collection is part of the cooperation between the National Library of Serbia and the National Library of Israel, as well as related institutions in Israel. It is an archive and a specialized library that deals with the history of Yugoslav Jews. Damjan Haim Peković, directly in charge of the Eventov collection, presents a collection of diverse documents and thus opens new opportunities for further research on this topic.Predavanje održano 30. marta 2022. godine preko Zoom platforme sa početkom u 11 časova (the lecture was held on March 30, 2022 via the Zoom platform starting at 11 p.m.).Trajanje 1:12:12 minuta (duration 1:12:12 minutes)
Fashion world of the Kalef family
No full textDraginja Maskareli, muzejski savetnik, priča o modi i odevanju u XIX i početkom XX veka u Kneževini i Kraljevini Srbiji. Poseban osvrt daje na modni svet porodice Kalef i odevanju Jevreja kroz koje se takođe može pratiti njihov status i različite društvene i političke okolnosti.Draginja Maskareli, the museum advisor, tells the story of fashion and clothing in the XIX and early XX centuries in the Principality and Kingdom of Serbia. He gives special attention to the fashion world of the Kalef family and the clothing of the Jews, through which their status and various social and political circumstances can also be traced.Predavanje održano 6. maja 2022. godine preko Zoom platforme (Zoom Šabat) sa početkom u 19.30 časovaThe lecture was held on May 6, 2022, via the Zoom platform (Zoom Shabbat) starting at 7:30 p.m.YouTube link [https://www.youtube.com/watch?v=_DZ3TI51UwE].Trajanje 1:09:24 minuta (duration 1:09:24 minutes)
A Few More Days: Budapest Diary 1944
Get PDF„Dragi oče, zar nije neobično da Ti pišem 75 godina nakon Tvoje pogibije? Zar nije neobično da Ti pišem, a Ti ćeš ovo pismo pročitati samo u mojoj mašti? Neobičan je i poticaj na koji Ti pišem. No pisat ću Ti kao da ćeš Ti ovo pismo stvarno čitati, pisat ću Ti o onome što mislim da bi Te zanimalo. Pitat ću Te i kako bi Ti, da si mogao prisustvovati događajima koje ću opisati, na njih reagirao, bi li Te veselili ili rastužili. Poticaj za ovo pismo došao je od nekih Osječana koji su tražeći podatke o Kamilu Firingeru, Tvom kolegi, osječkom advokatu i čovjeku koji nas je spasio prebacivši nas ilegalno u Mađarsku u travnju 1943, došli i do mene, Tvoga sina, a ja sam im uručio prijepis Tvoga ratnog dnevnika iz nesretne ratne 1944. godine. Taj Tvoj dnevnik, mali dio onoga što si u svojoj samoći i neizvjesnosti ratnih strahota pisao u ono grozno vrijeme rata i Holokausta, taj mali dio Tvojih razmišljanja i uspomena ostao je čudom sačuvan, našla ga je naša mama sakrivenog u jednoj fotelji. Dugo je taj tekst ostao u rukopisu u strogo čuvanim porodičnim okvirima. Na moju inicijativu Tvoja unuka, Lelina kći, pretipkala ga je. I evo, sada ga objavljuju. Koliko bi zbog toga bio sretan Ti, naša mama i Lela, to ne znam. No od svih nas samo sam ja još na životu i preuzeo sam odgovornost da se Tvoj dnevnik objavi. Tvoj sin Darko (Fišer)...“"Dear father, isn't it strange that I am writing to You 75 years after Your death?" Isn't it strange that I write to You, and You will read this letter only in my imagination? The motivation for which I am writing to you is also unusual. But I will write to You as if You will read this letter. I will write to You about what I think could interest You. I will also ask you how, if you could be present at the events I will describe, you would react to them, whether they would make you happy or sad. The impetus for this letter came from some people from Osijek who, looking for information about Kamil Firinger, your colleague, a lawyer from Osijek and the man who saved us by illegally transferring us to Hungary in April 1943, came to me, your son. I gave them a copy of your war diary from the unfortunate war year 1944. Your diary, a small part of what you wrote in your loneliness and uncertainty of the horrors of war during that terrible time of war and the Holocaust, that small part of your thoughts and memories was miraculously preserved. Our mother found it hidden in an armchair. For a long time, that text remained in the manuscript in a strictly guarded family frame. On my initiative, your granddaughter, Lela's daughter, retyped it. And here, they publish it now. I don't know how happy you, our mom and Lela would be because of that. But of all of us, I am the only one still alive, and I have taken responsibility for your diary to be published. Your son Darko (Fisher)..."Biblioteka svagdan (9. knjiga)
What can be learnt about the Jews from Ludbreg based on a document of the religious municipality from 1937?
No full textU ovome radu su objavljeni statistički podaci o židovskoj zajednici u gradu na rijeci Bednji za stanje u prethodnoj 1936. godini. Informacije koje je potraživalo centralno tijelo židovske manjine u Kraljevini Jugoslaviji - Savez židovskih vjeroispovjednih općina, rukovodstvo Židovske vjeroispovjedne općine Ludbreg je temeljito prikupilo, uredno obradilo i blagovremeno poslalo potražiteljima. Podaci koji su bili od naročitog interesa za Savez odnose se na opće prilike u židovskim općinama u vezi s demografijom, promjenama i kretanjima unutar članstva, općinskim ustanovama, vjerskim životom članova, njihovim školovanjem, profesionalnom orijentacijom i stanjem u općinskom budžetu. Dokument se nalazi u posjedu autora i pripada cjelini istovjetnih predmeta drugih židovskih vjeroispovjednih općina Kraljevine Jugoslavije. Svi su oni nastali istim povodom i okončali na adresi Saveza koji ih je dalje obrađivao i služio se njima pri tekućim i budućim aktivnostima. Dokumenti su u formi obrasca s pitanjima pisanim na pisaćem stroju i ostavljenim praznim prostorom za odgovore na srpskohrvatskom jeziku i latiničnom pismu. Ukupno je zastupljeno četrnaest pitanja raspoređenih na obje strane jednog lista dokumenta. Pored štambilja primatelja na njemu se nalazi i potpis ovlaštene osobe ispred pošiljalaca koji je time jamčio vjerodostojnost pruženih podataka.This paper contains statistical data on the Jewish community in a town along the Bednja River for the previous year, 1936. The information requested by the central body of the Jewish minority in the Kingdom of Yugoslavia - the Union of Jewish religious municipalities, was thoroughly collected, properly processed, and promptly sent to the claimants by the management of the Jewish Religious Municipality of Ludbreg. The data that were of particular interest to the Union refer to the general situation in Jewish municipalities in relation to demographics, changes and movements within the membership, municipal institutions, the religious life of their members, as well as their education, professional orientation, and the state of the municipal budget. The document is in the possession of the author and belongs to a set of identical items from other Jewish religious municipalities of the Kingdom of Yugoslavia. All of them were created on the same occasion and ended up at the address of the Union, where they were further processed and used in current and future activities. The documents are actually forms with questions written on a typewriter and contain empty spaces left there for the answers, which are to be written inn the Serbo-Croatian language and Latin script. In total, there are fourteen questions distributed on both sides of the document, which contains only one sheet. In addition to the stamp of the recipient, there is also a signature of an authorised person which is located before the sender’s name, who, thereby, guaranteed the authenticity of the data provided.Preuzeto s (downloaded from): [https://hrcak.srce.hr/295306].Rad je 2022. godine učestvovao na 66. nagradnom konkursu Saveza jevrejskih opština Srbije (In 2022, the text participated in the 66th prize competition of the Federation of Jewish communities of Serbia)
Jews in Dojran
No full textДојран бил изграден во стилот на Цариградската и Солунската архитектура. Имал калдрмисани улици, чиста вода за пиење каптирана од изворите над градот и спроведена до повеќе градски чешми преку канали со керамички цевки, градска бања - амам кој и служел на сите жители, мажи и жени, христијани и муслимани, три цркви и три џамии, неколку училишта (повеќе основни и една гимназија) и една заедничка саат кула. На Дојран во тоа време припаѓале и околу 79 села при што имало околу 30.000 жители од кој над 18.000 Турци, повеќе од 9.500 Македонци, околу 160 Евреи и 1.000 Роми. Додека се снимаше документарното видео беа најдени стари надгробни плочи и донесени во Меморијалниот центар на холокаустот на Евреите од Македонија.Dojran je izgrađen u stilu carigradske i solunske arhitekture. Imao je kaldrmisane ulice, čistu vodu za piće koja se hvatala iz izvora iznad grada i dovodila do nekoliko gradskih fontana kroz kanale sa keramičkim cevima, gradsko kupatilo - hamam koji je služio svim stanovnicima, muškarcima i ženama, hrišćanima i muslimanima, tri crkve i tri džamije, nekoliko škola (nekoliko osnovnih i jedna srednja škola) i zajedničku sat-kulu. Dojran je u to vreme obuhvatao i oko 79 sela sa oko 30.000 stanovnika, od čega preko 18.000 Turaka, više od 9.500 Makedonaca, oko 160 Jevreja i 1.000 Roma. Dok se snimao dokumentarni video, pronađeni su stari nadgrobni spomenici i doneti u Memorijalni centar Holokausta za Jevreje Makedonije.Dojran was built in the style of Constantinople and Thessaloniki architecture. It had cobblestone streets, clean drinking water captured from springs above the city and carried to several city fountains through canals with ceramic pipes, a city bath - hammam that served all residents, men and women, Christians and Muslims, three churches and three mosques, several schools (several primary and one high school) and a common clock tower. Dojran at that time also included about 79 villages with about 30,000 inhabitants, of which over 18,000 were Turks, more than 9,500 were Macedonians, about 160 were Jews and 1,000 were Roma. While the documentary video was being filmed, old tombstones were found and brought to the Holocaust Memorial Center for the Jews of Macedonia.Trajanje 12:00 minuta (duration 12:00 minutes).YouTube link [https://www.youtube.com/watch?v=oTfFglcDGlY&t=3s]Ovaj video je deo projekta „Život Jevreja u Makedoniji“, koji je Fond za holokaust Jevreja Makedonije realizovao sa ciljem dokumentovanja i predstavljanja istorije jevrejske zajednice u Makedoniji, njenog nasleđa, života i stradanja kroz vreme. (This video is part of the project “The Life of Jews in Macedonia,” which was carried out by the Holocaust Fund of the Jews from Macedonia with the aim of documenting and presenting the history, heritage, life, and suffering of the Jewish community in Macedonia over time)
Putne isprave Jevreja
No full textThe Archives of Vojvodina keeps a valuable collection of civil personal documents from the period 1743-1923. Part of this collection are journeyman journals and pouch journals of Jews from the area of present-day Vojvodina. Journeyman journals were introduced in the Habsburg Monarchy in 1816, primarily as a measure of protection and control of journeymen during their obligatory three-year wandering travels. After completing his painstaking apprenticeship, which usually lasted from three to five, even seven years, it was considered that the boy was taught the basics of the craft. Then he became “free”, that is, he could go on a journey to big craft centres to expand his knowledge and gain practice.Arhiv Vojvodine čuva vrednu zbirku građanskih ličnih dokumenata iz perioda 1743-1923. Deo ove zbirke su kalfini dnevnici i i knjižice (vandrovke) Jevreja sa područja današnje Vojvodine. Kalfini dnevnici su uvedeni u Habzburškoj monarhiji 1816. godine, prvenstveno kao mera zaštite i kontrole kalfi tokom njihovog obaveznog trogodišnjeg putovanja. Nakon završetka mukotrpnog šegrtovanja, koje je obično trajalo od tri do pet, čak i sedam godina, smatralo se da je dečak naučio osnove zanata. Tada je postajao „slobodan“, odnosno mogao je da krene na putovanje u velike zanatske centre kako bi proširio svoje znanje i stekao praksu
Degenerate art: they had four years
Get PDFPredmet rada jeste moderna umetnost koja se u vreme nacističke Nemačke smešta u fokus Hitlerove propagande, odnosno antipropagande. Moderna umetnost postaje meta nacista, biva istrgnuta iz konteksta, te se epitet „moderna” zamenjuje epitetom „degenerisana” Na ovaj način, moderna umetnost u poretku Trećeg rajha mapira se kao nešto zabranjeno, izopačeno, izvitopereno. U fokusu rada jeste izložba Degenerisane umetnosti, otvorena jula 1937. godine u Minhenu. Izložbu je za četiri meseca posetilo preko dva miliona ljudi. Publici su predstvaljeni radovi Maksa Ernsta, Oskara Kokoške, Georga Grosa, Ota Diksa, Emila Noldea, Ernsta Kirhnera, Eriha Hekela, Karla Brendela, Marka Šagala, Jankela Adlera, Pita Mondrijana i mnogih drugih. Cilj je rada da nam ukaže na položaj i status umetnika, kao i da mapira umetnost u političkom, socijalnom i ideološkom diskursu.When Hitler was appointed Chancellor of Germany m 1933, many people did not realize the change that was underway, not only for the Jewish community but for the entire Western world. Degenerate art is a term constructed by the National Social Party in the 1930s in Germany. Term degenerate assumes a loss of physical, mental and moral qualities considered normal and desirable. The subject of this text is modern art, which during Nazi Germany was placed in the focus of Hitler’s propaganda, that is, anti-propaganda. Modern art becomes a target of the Nazis, it is torn out of context, and the epithet „modern” is replaced by the epithet „degenerate”. In this way, modern art is mapped in the order of the Third Reich as something forbidden, perverted, and twisted. In July 1937, the Nazi Party organized two spectacular exhibitions in Munich. One was the „Great Exhibition of German Art” (Grosse Deutsche Kunstausstellung), which aimed to present the leading examples of “Aryan” art, which is reflected in the themes mentioned above. The second was the exhibition „Degenerate Art” (Entartete Kunst). A year later, it was the turn of the music. The focus of the work is the Degenerate Art exhibition, which opened in July l937 in Munich. The audience had the opportunity to see the art of Max Ernst, Oskar Kokoschka, Georg Cross, Otto Dix, Emil Nolde, Ernst Kirchner, Erich Haeckel, Karl Brendel, Marc Chagall and many others. The goal of the text is to indicate the position and status of the artist, as well as to map art in political, social and theological discourse
Rock’n’roll and Holocaust
Get PDF„Rock’n’roll i Holokaust”, tekst u kome se sve već dogodilo, ali i u kome se sve tek treba dogoditi, budući da živimo u „odsustvu svake prave prisutnosti” (Džejmson 1974: 145), ima želju, ma koliko ona bila neostvariva, da se "oslobod[i] od obaveze započinjanja” (Fuko 2019: 7). On, međutim, ipak mora „započeti” i pokušati da, u nekom jeziku i diskursu, kaže nešto o ideologijama, Holokaustu i rock’n’roll-u: Belsen was a Gas Sex Pistols-a, Puppets Lenarda Koena, No Love Lost Joy Division-a.“Rock’n’roll and Holocaust” represents, on one hand, a text in which everything has already happened and, on the other, a text in which everything is yet to happen because we, if we are to believe Jameson, live in the absence of any true presence. Moreover, this paper has a Focauldian desire to liberate itself from the obligation of commencing. It, however, has to “commence” and, with some language and discourse, attempt to say something about ideologies, Holocaust and rock-n-roll: Sex Pistols’ Belsen was a Gas, Leonard Cohen’s Puppets, Joy Division's No Love Lost.Istraživanje sprovedeno u radu finansiralo je Ministarstvo prosvete, nauke i tehnološkog razvoja Republike Srbije (Ugovor o realizaciji i finansiranju naučnoistraživačkog rada NIO u 2022. godini broj 451 -03-68/2022 14/ 200198)
Two petitions: we are not giving up Jews - our neighbours
Get PDFPoložaj Jevreja u zemljama s većinskim srpskim stanovništvom, tokom 19. i početkom 20. veka, bio je pod uticajem različitih tendencija: od zalaganja za ravnopravnost, do protivjevrejskih ispada i antisemitskih zločina. Rad je usmeren na život Jevreja u Kragujevcu tokom 19. veka, sve do Drugog svetskog rata, koji karakteriše značajan stepen njihove kulturne asimilacije i društvene integracije. Opisan je njihov uticaj na privredni, kulturni i zdravstveni razvoj Kragujevca, kao i javno poštovanje i priznanje kojim su im Kragujevčani srpskog porekla uzvraćali. Okosnica rada jesu peticije za ostanak dvojice Jevreja u Kragujevcu (jedna je iz 19. veka, a druga iz prve polovine 20. veka), s tim što se povod prve peticije problematizuje i analizira u svetlu drugih istorijskih izvora. U javnom prostoru Kragujevca postoje obeležja koja svedoče o životu Jevreja, a buduće politike pamćenja trebalo bi usmeriti ka izgradnji aktivnih vidova memorijalizacije, kreativnih i empatičnih.The status of Jews in countries with the largest Serbia population, during the 19th and 201h centuries was under the influence of various tendencies: from commitment to equality to anti-Jewish outbursts and antisemitic crimes. The effort was directed towards the life of Jews in Kragujevac during the 19th century, all up to World War II, which characterizes a significant level of their cultural assimilation and social integration. Described is their influence on the economic, cultural and health development of Kragujevac, as is publicly displayed respect and recognition with which Kragujevac’s inhabitants of Serbia origin reciprocated. The core of die effort is petitioning for two Jews to stay in Kragujevac (one is from the 19th century, the other from the first half of the 20th century), with the fact that the cause of the first petition is problematized and analyzed in the light of newer historical sources. We also used scientific and specialized literature, and archive sources, as were digitized Kragujevac newspapers from the 1930-1941 period. The sociocultural milieu of Kragujevac has preserved the marks testifying about the presence and everyday lives of Jewish people in this city, hence, the establishment of the future concept of collective memory and remembrance policy should be directed towards shaping the active forms of memorialization, both creative and empathetic ones