International Research Journal of Tamil
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    Philosophy in Kannadasan and Pattukottaiyar's Works

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    At a time when uncivilized human society was in the history of the world, there was no intellectual environment at that time to moralize him. As the language developed, he gave his mute thoughts a form of expression. He gathered a collection of experiences he felt and tried to refine his life. It was then that he decided to give up hunting, create habitats to suit the way he produces and eats, and think about the importance of dressing up. The use of one's own knowledge is estimated to be the main factor for this dialectical change. It was this beginning that gave rise to today's knowledge society, which thinks centrally and using knowledge today. The whole form of this sphere of knowledge is called philosophy. The main purpose of philosophy is to promote the life of the individual and the social life which becomes synergistic with the life of each individual. The basis of philosophy is the formulation of the laws of life for everything, regardless of whether it is uyarthinai or akrinai. The Tamil poets Pattukottai Kalyanasundaram and Kaviyarasu Kannadasan, at the point of philosophy, similarly promote social welfare and individual welfare in many places. In particular, philosophy should not be confined to being developed according to the context; On the contrary, it should reach out to the common man. For this, both of them handle the literary base very well. It is noteworthy that the theoretical ideas they formulated, especially in film song forms and in simple terminology, have brought about many changes in Tamil society even today. The aim is to study comparatively these philosophical ideas expressed in the works of the two

    Kurunthogai Kalviyal Songs based on Tholkappiya Agathinai Elements

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    Tholkappiyam is one of the greatest grammar books from ancient times to the present day. Tholkappiyar was the author of Tholkappiyam. The Tolkappiyam describes the five types of grammar in great detail. The third of these is Porulathikaram. It is designed to reflect the inner and outer lives of the people. Porulathikaram is something that cannot be found in any other languages and literature, and is the literature of life. The section on theft and chastity best describes the inner life of the Hero and the Heroine. In the Sangam literary work, the Kurunthogai songs, there are plenty of elements of the Agattinai of Tholkappiyar

    Love in Jeevakumaran's short stories

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    Love is the reason why the world is alive. Animals, birds and all living beings are filled with love. It is not possible to avoid love and bring this world into the imagination. Love stirs everyone to the point of saying that there are no poets who do not sing about love, and there are no creators who do not write about it. Every creator writes this love according to his opinion or on the basis of recording the reality as it is. Thus, this article seeks to explore what accounts of love have been given in his works by V. Jeevakumaran of Denmark

    Female Psychology in Sangam Era and in Velliveediyar songs

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    Sangam literary works are very good and among those works the feminine features given by male writers are completely different from female writers. Writings about women by women is unique both emotionally and socially. Feminist songs are often about demanding identity. It is appropriate to assume that Velliveethiyar is unique among Sangam women singers in her choice of song and style of singing. Sangam era writers in their writings destroys a woman's personal feelings, likes, dislikes, sexual desires, etc. and makes her just as a body. But Velliveethiyar is different from all these writers and she unabashedly poeticises love and lust

    Human Dignities in Kulothungan Poems

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    Human life is great. Human birth is one of the rarest of births. Only human beings have a uniqueness that no other birth has. Only man speaks, writes, studies, works, struggles, and labors in poverty. Olavaiyar says that it is rare to be born monitarai. The sixth sense is the gifted man who acquires reason. That is why it can bring other planets under its dominion. Although many appreciate the glory of such qualities of man, not all fully realize his astonishing power. But the poet Kulothungan is greatly surprised. That is why the purpose of this article is to explore the way in which the poet has praised and praised man in his poems considering man as more than God

    Mother Goddess Worship in Cultural Change

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    Mother Goddess worship plays an important role in bringing about a great change in culture. Women are prioritized in determining relationships, property rights, and marriage. Literature and historical documents confirm this, sculptures and inscriptions have been found in Tamil Nadu to show that Isakhyamman was a female deity during the Jain period. The practice of worshiping them under many names as household deities, ethnic deities, clan deities, village deities, guardian deities, boundary deities, and tribal deities has been going on since then till today

    J.M. Nallasamy Pillai’s Magazine “Siddhanta Deepikai” Study Summary

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    Newspapers are the primary means in giving information to the people. Newsapapers contains various types of publications such as daily, weekly and monthly. The present era which is excellent in information technology, publishes many magazines with various innovations throughout world in different languages. In Tamil Nadu, many magazines have been published in many languages including English, Telugu, Malayalam, etc. Political Magazines, Medical Magazines, Religious Magazines, Literary Magazines, Sports Magazines are also published. In the history of Tamil journalism, there are many magazines that have been published continuously since its inception, there are magazines that have been re- published after a hiatus, and magazines that have not been published again after a hiatus. Among them J.M. Nallasamy Pillai’s “Siddhanta Deepikai” was a magazine of Saivism and Tamil literature that began in the late nineteenth and early twentieth centuries. Siddhantha Deepika magazine which was published in Tamil as “Siddhanta Deepika” and in English as “The Siddhanta Deepika or The Light of Truth”. The purpose of this article is to briefly explore about Nallasamy Pillai. This article follows both historical research and evaluation research

    Language in Erode Tamilanban's Poetry

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    'Long live the Tamil language! Measure yourself with the sky and speak the language!' Says Mahakavi Bharatiyar. Our Tamil language is the oldest classical language in the world. Many languages spoken in the world are now defunct. There are more than 1000 languages are spoken in India and only less than fifty languages are in written forms. Only 22 languages are listed in the Eighth Schedule of the Constitution. Tamil people of minor group blends with the major group and lives along with them, the language is the only thing which remains with them as their identity and they continue to speak in their own language. They have to live with their language and cultural heritage. V.S. Kulanthai Saamy says the main requirement for this is a clear knowledge about Tamil, its art and connection with Tamil literary life. Emerson's idea is that each man brought a stone to build the city of language and thus language was not created by any single man. A language can live and grow only as long as if there are native speakers

    Stages of Action in Mullai Songs from a Rhetorical Point of View

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    Mullai songs is the fifth song in Pattupattu. It contains 103 beats, composed by Asiriyappa and authored by Napothanar. Mullai songs are about the lifestyle of Mullai regional people. It is also about the separation of husband from his wife and she waits for him patiently.  In Mullai region the white flower is seen as a symbol of chastity while the mulberry flower symbolizes chastity. The location of Mullai land is forest and forested area. Motifs belonging to Mullai land are thirumal, kannai flower, mullai flower, and deer etc, and takes place in the Mullai songs

    Thirukalyana Matha Shrine Sebasthiyar Drama Beliefs

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    Tamil language consists of three categories namely Unit, Music Drama. Drama is known as the queen of arts. The drama is very ancient and unique. Drama is a combination of both Unit, Music and performed as a story. The performing arts are narrative based and include street dance, archery, puppet show, costume dance, drama, and liturgical dance. Today, both the words ‘drama’ and koothu have different meanings. The songs have increased, the prose has improved, and the facilities like stage decoration have decreased is Koothu. The drama is full of facilities like songs, prose, beautiful stage, sound, light etc. Drama was considered as a branch of Koothu. Narrators say that drama is a story-driven speech. Drama is the change and development of Ku in the post 19th century period. Associate teachers were given as theater actors and professors of drama. It can be seen that the names of Koothu are given as Rama Drama Siruthondar drama, Arichandra drama. The development of street play is drama. Koothu are performed in the open air in villages and are performed for the people by folk artists. This can also be considered as rural drama. It can be seen that the drama, which first started as a street play, then turned into a stage play and developed into a literary play, has evolved and progressed and the old traditional folk plays are dying out. A song from natrinai paalai song 9 is mentioned as an example here to prove about mans trust on God due to his need. There is no known reason for the beliefs that have arisen in human life. Man was afraid of the obstacles, diseases and problems he encountered in his life. Hope was born as a result. He started doing many remedies based on faith to solve a problem. After that, he performed many rituals like sacrifices as a way of making amends to God. By doing so he was confident that everything would be fine. Through performances, rituals and ceremonies, the people of the country get what they want by begging or making amends with their faith In God. Thus in this article we can see what are the beliefs of the country people through the play performed in Thirukalyana Matha Shrine

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