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Rapport för Jan Pettersson KU Publikations projekt Printmaking in the Expanded Field
Get PDFPrintmaking in the expanded field A pocket book for the future collected text and thoughts är en sammanställning och registrering av det forskningsprojekt som jag initierade 2011 och som avslutades med seminaret PITEF, 15-18 sept , 2015 på KHiO. Föremålet med publikationen är att sprida de tankegångar som registrerats och accelererats under mitt forskningsarbete och med texter som presenterats under seminaret på global basis. Sammansättningen av föreläsare som kontribuerat till publikationen är av en pregnant karaktär. Resultatet är en behållare av information i pocket bok format som focuserar på en teoretisk - historisk - filosofisk och konstnärlig tillnärmning innanför grafikfältet. Bruksområde: undervisning, individuellt, nationellt, internationellt, museealt, kuratoriskt, teoretiskt, konsthistoriskt
Ornamenter
Get PDFI denne artikkelen skriver jeg om forholdet mellom hva ornamenter er og hvordan de blir oppfattet og misoppfattet. Jeg argumenterer for at ornamenter er sentrale i enhver billedbruk og forståelse. I Ornamentet ligger et enkel tilgjengelig visuelt uttrykk. I teksten gjør jeg et forsøk på å korrigere den gamle fordommen om at ornamenter ikke er meningsfylte. Jeg ønsker å vise at ornamentet er viktige i samtidskunsten. I den forbindelse minner jeg om at all kunst har vært samtidskunst en gang. Først presenterer jeg en introduksjon for å sette sammen flere perspektiver. Her tegner jeg et røft kart over hovedlinjene i det som har påvirket vårt forhold til ornamenter. Deretter bruker jeg eksempler for at leserne skal se hva den visuelle arumentasjonen hviler på, både av estetiske valg og komposisjonelle uttrykk.OrnamenterpublishedVersio
ACROSS THE WIRES – ANTI TYPE
Get PDFProject reportThis project took the KHiO Letter Archive at the Oslo National Academy of the Arts as an Archive source that informs Norwegian design and design education. The archive facilitates an understanding of the historic context for drawing in typography and provides a range of international (USA, UK, Sweden, Germany, Italy etc.) source material influencing the typography and printing traditions of the 20 century.
The point of departure for this artistic research project was role of drawing with regards to the edge of form in type design in the creation of letter forms. In order to structure the investigation, this the project examined a variety of tools that facilitate drawing ranging from; the humble pencil to contemporary design programmes such as Adobe Illustrator and Glyphs (a type design programme), and also a number of other tools such as CNC milling, letterpress techniques, lino printing etc.
Through a series of workshops various iterative exercises were undertaken in order to not only identify and edit the research material and to develop questions more accurately, but also identify the thematic sources for investigation. This included issues such as the role of line, form, shape etc.
The project team was expanded at his point to include; Ane Thon Knutsen, Artistic Research Fellow at the Department of Design, and Ellmer Stefan, type designer and Visiting Lecturer were invited to join the project. The team developed a number of key insights which identified that an investigation of the spaces between letters, offers a means of understanding the role of form in creation of letter forms. In other words creating form from the outside in, as oppose starting from a line and working out.
The project's working title was reformulated into ACROSS THE WIRES - ANTI TYPE.
Moreover, it was felt that a more methodologically robust process would be to examine these insights by inviting colleagues from an international background, involved in letter design, letterpress and lettering arts to also co-investigate the idea. To this end Helen Ingham at Central Saint Martins - London and Edwin Pickstone at the Glasgow School of Art were invited to participate in this project
Avgangsforestilling 2018, bachelor jazzdans og bachelor samtidsdans
No full textProgram og foto. Danseforestillinger vist 8., 11.-15. juni 2018, på Scene 4 og 5 ved Seilduken.3BA studentene på jazzdans viser "Ringen" (koreograf: Jo Strømgren) og "Corruption" (koreograf: Lukas Mc Farlane).
3BA studentene på samtidsdans viser "Kneeding" (koreograf: Jefta van Dinther).
Dansere fra jazzdans: Kyra Althén Bergman, Oliver Gramenius, Ludvig Herstad, Silje Moe Iversen, Veslemøy Johannesen, Liza Johanne Stokseth.
Dansere fra samtidsdans: Sebastian Biong, Oda Bjørholm, Runa Sætervoll, Vilja Tjemsland Kwasny, Elin Andrine Lilleslåtten, Brage Nordang, Bjørk-Mynte Buchgraitz Paulse, Emilie Klitgaard Jungersen.
Foto: Yaniv Cohe
Sommerkonsert i Aulaen - med studenter fra Operahøgskolen
Get PDFMasterstudenter fra 1MA og 2MA samt Årsstudium holder konsert i Universitetets Aula, og synger arier og duetter fra forskjellige verk og komponister.
MA2 studenter: Eilert Egil Taugbøl Hasseldal, Marcela Randem, Nora Oleanne Sårheim.
MA1 studenter: Marika Schulze, Gustav Hasfjord, Jørgen Magnus Haslum, Henriette Stabell Johnson, Victoria Randem.
Årsstudium: Therese Khachik Aa
MISS READ: Berlin Art Book Festival 2018
No full textPoster, catalogue and photos from exhibitionFounded in 2009, MISS READ is Europe’s major Art Book Festival, dedicated to community-building and creating a public meeting place for discourse around artists’ books, conceptual publications and publishing as practice. The festival brings together the most interesting artists/authors, artist periodicals and art publishers and is accompanied by a series of lectures, discussions, book launches and workshops exploring the boundaries of contemporary publishing and the possibilities of the book. KHiO’s bookstand has been kindly supported by the Art and Craft department.
Participants from KHiO: Beatrice Guttormsen, Elise Macmillan, Erika Reed, Jan Pettersson, Jeannette Christensen, Jessica Williams, Lea Josephine Tetrick, Liva Wraae Roth, Lucia Fiorani / Lechuck, Mattias Hellberg, Md Wahiduzzaman Bhuian, Nina Bjørkendal, Victoria Browne, Yichun Tang, Youngshin Jeon, Zoi Johansson
[Uten tittel]
Get PDFSkriftlig obligatorisk arbeid levert som del av MA avslutningsarbeid ved Avdeling Kunstakademiet, 201
Mesteruke – internasjonal konferanse om sangteknikk
No full textProgram og intformasjonsmateriale.Internasjonal konferanse om sangteknikk, arrangert av Avdeling Operahøgskolen, Kunsthøgskolen i Oslo.
Sted: Den Norske Opera og Ballett
Tidspunkt: 29. mai - 03. juni 2018
Konferansen er støttet av KUF-utvalget ved Kunsthøgskolen i Oslo
The 6th Riga International Textile and Fibre Art Triennial Tradition&Innovation. Theme: IDENTITY
No full textParticipation at The 6th Riga International Textile and Fibre Art Triennial Tradition&Innovation. Theme: IDENTITY, The State Art Museum`s Exhibition Hall “Arsenals”, Riga, Latvia, June 6 - September 9, 2018.
Work: “Identity: Undefined” (felt, crochet work, 210 x 55 x 30 cm)
Concept of the work: In our world we are surrounded by people, objects and phenomena that we wish to identify and categorize. We wish to give everything a name and preferably also an identity. It seems we need some form of register or system to orientate ourselves by. I approach these systems with caution and doubt because they have a tendency to divide and categorize, leaving no room for imagination. I am more interested in the undefined; not that which is similar but that which is unique – something you wish to explore and which ignites our imagination. This is the theme that inspired my work “Identity: Undefined”
Love, labour is our oxytocin (prints)
No full textPhoto documentationA remix of screenshots taken from One Born Every Minute’s YouTube channel. The hyperboled reality TV series captures women in the throws of labour, though their expressions imply being in the throws of love. Risograph, reduction relief and multi-plate printed at KhiO.
Part of the exhibition Frekvens vol. 2 Aftermath, at Galleri Wald, Porsgrunn, 09.06.18 - 06.07.18