1540 research outputs found

    Negotiation of forces

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    Skriftlig del av masterprosjekt. Avdeling Kunst og håndverk, 202

    Leirens virtuelle tilstedeværelse

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    Skriftlig del av bacheloroppgave, avdeling Kunst og håndverk 202

    Language is migrant - Colomboscope interdisciplinary arts festival report

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    Tre bidrag fra Dora Garcia på Colomboscope interdisciplinary arts festival, 2022.The Hearing Voices Café - Ten days of voices being heard / 21 - 30.01.2022: A project initiated by Dora García in collaboration with Jayampathi Guruge and many others. The Hearing Voices Café revolves primarily around exchange, community, experiment, memory, research, struggle and destigmatization. A Hearing Voices Café in Sri Lanka had the extra layer of exploring experimental modes of live performance, literary affinities weaving enduring trauma and healing, as well as feminist legacies, and sacred knowledge practices such as Sufism, with 10 episodes, one on each day of the festival. Lak Café: Lak Café in Colombo hosted The Hearing Voices Café, with a series of activities that explored contiguities between the personal and the collective experiences, incidental encounters, and the modalities by which language operates in the processes of sharing testimonies and responsive witnessing. The Hearing Voices Cafe was a collective project that was presented by Dora García in collaboration with performance artist Jayampathi Guruge among several guest artists and writers Lakmahal Community Library: The Lakmahal Community Library was envisioned as a space of rest and refuge for autonomous learning, the activation of feminist vocabularies, and artist-led publishing that challenges the linear codes of reading and hierarchical dissemination in the publishing industry. This specially conceived reading room was titled Reading in Tongues, borrowing from queer Chicana poet, writer, and feminist theorist, Gloria Anzaldúa’s text ‘Speaking in Tongues: A Letter to 3rd World Women Writers.’ The spatial design has been composed by ADM Architects, keeping in view the generous ambience of a historic household and garden. It also acted as a counterpoint to the Colombo Public Library by bringing oral cultures on par with the published word; making room for sharing literature in privacy and in kinship; immersing in multilingual poetry and Zine making, which reorient our relationship with the book as a multifold body. Addressing the intimacy and hardship of writing as a ‘Third World Woman’, Anzaldúa encourages us in this cataclysmic present to remain open and courageous in using our languages as an embrace of the world: May ‘we continue to swim fearless with the length of our own bodies, in a sea of words’

    PROTOCOLS for theorising (MA)

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    Cover_descriptor Book presentation Video QUAD group document Black Book panels Black Book patches (explanation in text)The attached files feature a protocol in 3 facets featuring an immersive approach to investigations that MA students may benefit from in developing a personal line of investigation, yet communicating at a transpersonal and deep ecological level. The three facets are: 1) Book presentation; 2) Surfaces in group work [QUADs]; 3) Logbook keeping and development. Using a scenographic approach to reading, a cartography pitched by group-work and a theatrical approach to logbooks. The files attached are structured by this 3-partite division. Each contain a skeletal description of the task (a brief), and examples of where the task is performed in its entirety, or in parts. The framework of these protocols: environmental humanities. At the design department the protocol evolves in three stages: MA1 first term, working habits; MA1 second term, experimental practice; MA 2 third term, designing and performing a learning theatre. CASE EXAMPLES in the attached files: 1) Book-presentation—Rasmussen, Hans Hamid. (2022). Elva er et annet sted—Bilder fra tømmerfløting på Glomma. Prestsæter, Ellef (ed.). Prestæter, Anna (design). Göteborgstryckeriet (print). Torpedo Press. 2) QUAD— Samuel Beckett and Bruno Latour. 3) BlackBook—a nature-culture RE-PAIR in Oslo. (The latter hatched by collaboration with Håkon Caspersen, who was teaching BA3 in 2021).acceptedVersio

    [Uten tittel]

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    Emnekode og emnenavn/ fag: PPDPE Pedagogikk og PPDFD FagdidaktikkAvsluttende eksamensoppgave. Årsenhet, praktisk-pedagogisk utdanning i dans ved Avdeling Dans, 202

    Å prestere under press: Å være best når det gjelder er en kunst i seg selv. Hvordan unngå at nervøsitet og frykt hemmer oss i avgjørende øyeblikk?

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    Prosjektet er et forprosjekt til CARPE-prosjektet, som er et samarbeidsprosjekt mellom de tre scenefagene på KHiO. Målet er å styrke individuell bærekraft hos unge scenekunstnere med tanke på å utvikle mental og psykologisk stamina, styrke og mot, på fagspråket kalt resiliens. Midtveis i prosjektet arrangerte Kringlebotn og forskningsleder på Operahøgskolen Nils H. Sødal et bredt anlagt seminar. Resultatet av dette seminaret var en utkrystallisering av faktorer som er viktig for å holde ut i et såpass krevende yrke som scenekunst. En av hovedkonklusjonene på seminaret var viktigheten av å utvikle strategier for personlig impulskontakt

    Avgang 2022: Jamsis

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    Avgangsutstilling bachelor i medium- og materialbasert kunst, Avdeling Kunst og håndverk, 2022.Utstillingskoordinatorer: Olaf Tønnesland Hodne og Thomas Iversen Design: Mathilda Sæthre Studenter: Rasmus Gaare, Tamara Marbl Joka, Ingmar R. Nilsen, Aurora Stange, Dariusz Wojdyga, Vida Aasen. Robert Bergvall, Halvor Skiftun Digernes, Marius Hokstad, Audun Jansen Haga, Nora Kielland, Silje Kjørholt, Trine Marie Melvold, Jens Thygesen, Atma Rose Andersson, Tone-Marie Andersson, Ronja Elvenes, Ragnhild Fors, Lise Larina Hudson, Stian Jacobsen, Márjá Karlsen, Gina Mastrianni, Sofie Alm Nordsveen, Nathalia Isabelle Sandli, Mathilde Sætre, Andre Andersen, Mathilde Borsholt, Kari Martine Bakken Fossum, Amalie Rugård Lerstrup Jensen, Iris T. Korsnes, Nina Kraft, Vebjørn Pedersen, Lena Rød Sundnes

    Oppå, over og ved siden av

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    Skriftlig del av bacheloroppgave, avdeling Kunst og håndverk 202

    Material Empathy in the Manufacturing of a Multi-block Printed Wallcovering

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    Navn på arrangementet: IMPACT 12 Sted: Bristol Dato fra: 21. september 2022 Dato til: 25. september 2022 Arrangør: Arrangørnavn: University of the West of Englan

    Print Matters III

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    Navn på arrangementet: Group Exhibition Sted: Krakow Dato fra: 15. oktober 2022 Dato til: 15. november 2022 Arrangør: Arrangørnavn: Academy of Fine Arts Jana MatejkiHow can print mediate in an age of algorithms, big data and artificial intelligence? Does scanning, scrolling and browsing digital images augment our reality? As a collection of works on paper, this group show is a beacon of kinship and a manifestation that print matters. Artists: Alejandra Aguilar Caballero, Amalie Rugård Jensen, Anna Weilhartner, Anne Hasli, Anton Fyrst, Beatrice Guttormsen Ben Clement, Bror Mikkelborg, Debangona Paul, Enrique Guardarrama, Erik Solheim, Erika Reed, Iris Korsnes, Jan Pettersson, Kamil Kak, Karen Disen, Kari Kolltveit, Lena Rød Sundnes, Lucia Aragon, Maria Viirros, Martine Fossum, Martine Gulliksen, Mathias Wischuf, Mathilda Skoglund, Milton Mondal, Nanna Amstrup, Patricia Risopatron Berg, Patrik Berg, Sally Nordström, Sara Marie Hødnebø, Scott Luther O'Rourke, Sigvei Ringvold, Sissel Johansen, Stella Vallik, Suzanna Øistad, Thomas Iversen, Tiril Schrøder, Veronica Lund, Vibeke Luther O´Rourke, Victoria Browne, Vilma Lundholm Grafikk is committed to the expanded field of printmaking; in the making, exhibiting and publishing of contemporary art. Art and Craft imparts expertise in material and haptic processes, as both formal and tacit knowledge; through fine art undergraduate, postgraduate and doctorate programmes. Oslo National Academy of the Arts is grateful to Academy of Fine Arts Jana Matejki for the opportunity to exhibit artworks by students, staff and alumni in Krakow

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