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3rd Prize at the Competition for the design of the conceptual architectural design of the Congress Center in Trebinje [STRAND, 2024]
No full textThe design concept is inspired by the geographical characteristics of the wider location, which fall into the category of karst landscape, and which largely reflects and influences the morphological structure of the city of Trebinje.
The project explores the harmonious combination of the complexity of the natural environment while preserving the uniformity of expression, thus creating an integrated spatial experience that enlivens the landscape while interactive elements and installations in the public space contribute to its
dynamism. The creation of an energy transversal serves as a backbone of the development of the entire complex and influences the layout of streets and buildings, paths and public spaces
What Is ‘Perpetual Change’? Concept or Protocol(s) of Change in John Ruskin as Substance of Architectural Writing
No full textAs an architect and philosopher respectively, we have written a two‑part text (architectural‑philosophical) that would present the main outlines and figures of writing about architecture and architectural writing in John Ruskin. His endeavour to describe buildings and cities transformed into an imperative to find ‘the substance of the architectural’, simultaneously preserving the utmost significance of its ontological aspect, that is, change. We reconstruct Ruskin’s understanding of various protocols of ‘change’ in two different ways: first, within the general difficulty in the histories of Western culture and thought to determine ‘change’ (which is certainly not a Western invention), and where Ruskin’s contribution is crucial. Further, we understand Ruskin’s project as being in a state of tension between continuous amendment of his written description of buildings, while defending the paradoxical intransience of change that goes beyond the objects in which it is manifested. Ruskin’s method of endless correction and revision thus becomes an introduction to the preservation of the unadaptable and unchanging, and then also the beautiful
Research of public open spaces in areas of multi-family housing in Serbian cities [33rd International Urban Planners' Exhibition, 2024] [Grand prix of the Salon „Vladimir Macura“]
No full textИстраживање јавних отворених простора (ЈОП) спроведено је као активност пројекта „Reclaiming Public Open Space in Residential Areas: Shifting Planning Paradigms and Design Perspectives for a Resilient Urban Future – RePOS“, у оквиру ПРИЗМА програма Фонда за науку Републике Србије. Истраживање обухвата in situ анализу ЈОП-а у одабраним градовима у Србији, који су представници различитих величинских категорија (Београд, Ниш, Лесковац, Бор). У овим градовима је извршена инвентаризација типичних насеља вишепородичног становања, укључујући и наслеђена и новоизграђена насеља. Анализиране су карактеристике ЈОП-а у одабраним насељима коришћењем скупа просторних, функционалних, социо- економских и еколошких критеријума, у циљу утврђивања типологије ЈОП-а.The research of public open spaces (POS) was carried out as an activity of the project „Reclaiming Public Open Space in Residential Areas: Shifting Planning Paradigms and Design Perspectives for a Resilient Urban Future – RePOS“, within PRISMA Program of the Science Fund of the Republic of Serbia. The research includes an in situ analysis of POS in chosen cities in Serbia, which are representatives of different size categories (Belgrade, Niš, Leskovac, Bor). An inventory of typical multi-family housing settlements in these cities was performed, including inherited and newly built ones. Characteristics of POS were analyzed in selected settlements, by using a set of spatial, functional, socio-economic and environmental criteria, with the aim of determining POS typology.Велика награда Салона „Владимир Мацура“. 33.Међународни Салон урбанизма
Grand prix of the Salon „Vladimir Macura“ . 33rd International Urban Planners' Exhibitio
UB-FA students’ yearbook 2023-2024 [Structural Systems (3rd Year - BA/IA)]
No full textГодишњак студентских радова УБ-АФ је резултат вишегодишње активности развијане на Универзитету у Београду – Архитектонском факултету и настао је са намером да буде један од канала дисеминације и промоције резултата наставног процеса на студијским програмима основног и мастер нивоа. Годишњак је публикација прегледног карактера која на систематизован начин пружа увид у теме, приступе и одговоре на семестралне задатке. Тежња је да се Годишњак приређује на годишњем нивоу архивирањем и презентацијом испитних елабората студената како на предметима типа студио пројекат, тако и осталим предметима чија се методологија заснива на пројектној настави.UB-FA Students’ Yearbook is the result of multi-year activities with a focus on archiving and presenting the students’ work in design studio courses, as well as other project-based courses at the University of Belgrade - Faculty of Architecture. The Yearbook is created to be one of the channels for dissemination and promotion of the results from the educational process in bachelor’s and master's programs. Published annually, the Yearbook gives an overview as a systematic insight into topics, approaches, and responses to semester tasks
UB-FA students’ yearbook 2023-2024 [Studio Design M02/S06/IP02 (1st Year - MA / 4th Year - IA)]
No full textГодишњак студентских радова УБ-АФ је резултат вишегодишње активности развијане на Универзитету у Београду – Архитектонском факултету и настао је са намером да буде један од канала дисеминације и промоције резултата наставног процеса на студијским програмима основног и мастер нивоа. Годишњак је публикација прегледног карактера која на систематизован начин пружа увид у теме, приступе и одговоре на семестралне задатке. Тежња је да се Годишњак приређује на годишњем нивоу архивирањем и презентацијом испитних елабората студената како на предметима типа студио пројекат, тако и осталим предметима чија се методологија заснива на пројектној настави.UB-FA Students’ Yearbook is the result of multi-year activities with a focus on archiving and presenting the students’ work in design studio courses, as well as other project-based courses at the University of Belgrade - Faculty of Architecture. The Yearbook is created to be one of the channels for dissemination and promotion of the results from the educational process in bachelor’s and master's programs. Published annually, the Yearbook gives an overview as a systematic insight into topics, approaches, and responses to semester tasks
Захвалница за ангажовање у настави [Ћирилица у покрету 2024 - први конкурс]
No full textКроз аутентично решење ћириличног типографског склопа, графичко решење захвалнице указује на сазнајне и креативне вредности процеса визуелног истраживања и графичког експеримента. Захвалница се додељује демонстраторима за ангажман и допринос у раду на предметима из области Визуелних комуникација и архитектонске графике на Архитектонском факултету у Београду. Рад је приказан у оквиру међународне изложбе Ћирилица у покрету, која је одржана 2024. године у београдској галерији "Графички колектив".Конкурс за најбоља графичка решењ
Dihotomije
No full textKoncipirana na estetici geometrijske apstrakcije, izložba "Dihotomije" problematizuje našu spremnost da otkrivamo i istinski promišlјamo raznolike i višeslojne aspekte sveta oko nas, ali i sveta u nama. Iako su sve grafike osmišlјene kao kompozicije idealno prekloplјenih crnih i belih slojeva, gde su fragmenti belina savršeno "prikriveni" iza crnih oblika, izložbeni eksponati neće determinisati takve slike. Naime, zbog prostornosti slojevite strukture, nijedan rad nije moguće sagledati kao njegovu idealnu reprodukciju. U zavisnosti od pozicije opažanja eksponata, moguće su recepcije različitih prostornih slika, zasnovanih na dinamičkoj igri pozitivne i negativne forme, kroz koju nam se bele površine postupno "otkrivaju". Takođe, neke beline, koje na pojedinim reprodukcijama dominiraju u svojoj ikoničnosti, u stvarnosti postaju relativizovane oblikovnim ekstenzijama. Distanciranjem slojeva digitalnih otisaka na staklu i papiru nije dobijen samo domen prostornosti, nego i semantička višeslojnost i potencijal za vizuelnu interakciju. Na ovaj način, postavka afirmiše posebnost i značaj svakog pojedinca, upućujući ga na svojevrsnu perceptivnu igru sa izloženim grafikama. Zasnovan na dinamici kretanja, ovaj proces donosi ishodišta pojmovnog, ali i emocionalnog saznanja. Upravo zbog toga, "Dihotomije" predstavlјaju i savremeni grafički omaž estetici suprematizma i njegovom uticaju na moderni pokret u arhitekturi, koji su u prvoj polovini prošlog veka konsekventno izmenili okvire kreativnog stvaralaštva i mišlјenja, a time i samu umetnost u celini, afirmišući snagu čiste i ogolјene forme. Uspostavljanjem dinamičkog odnosa među slojevima geometrizovanih površina, kao vizuelnim otklonom od pojavnih odlika realnog sveta, stvara se poligon za imanentna saznanja o tom svetu. Istovremeno, apstrahovanim vizuelnim jezikom i svedenom geometrijom, radovi upućuju i na neophodnost stalnog preispitivanja i rafinisanja ličnih stavova i uverenja, te ukazuju na važnost kritičkog mišlјenja u savremenom trenutku."Dihotomije" (Centar za grafiku i vizuelna istraživanja "Akademija" Fakulteta likovnih umetnosti u Beogradu), 22. februar – 08. mart 2024- samostalna izložb
Савремена визуелна интерпретација лика и дела Александра Дерока : каталог изложбе студентских радова, [Aула Архитектонског факултета, 11-25. децембар 2024. године] : јубилеј посвећен обележавању 130 година од рођења академика и професора Александра Дерока (1894-1988)
No full textУ поводу Јубилеја посвећеног обележавању 130 година од рођења академика и професора Александра Дерока (1894–1988), у Аули Архитектонског факултета је приређена изложба студентских радова, инспирисаних ликом и делом овог изузетног архитекте и истакнутог професора наше школе. Изложени радови су конципирани и реализовани током јесењег семестра школске 2024/25 године у оквиру радионице на изборном предмету Архитектура интегралног цртежа, позиционираном на другој години мастер студија и петој години интегрисаних студија архитектуре. Поставка обухвата селекцију од четрнаест презентационих радова у чијој реализацији су учествовала 24 студента.Савремена визуелна интерпретација лика и дела Александра Дерока (Владимир Ковач - уредник каталога; уредник изложбе; аутор уводног текста
Facade Reconstruction and Landscape Design of UB-FoF as an Educational-Experimental Model for Climate Change Resilience [STRAND 2024]
No full textIn light of climate change and frequent extreme weather events, it is essential to rebuild current structures to adapt to these changes. UoB - FoF has the opportunity to reconstruct its space using integrative and inclusive nature-based solutions, enhancing urban life quality. Such ecological projects benefit cities by promoting health and well-being. The facade and landscape reconstruction can serve as a model for sustainable urban development, benefiting both students and staff while contributing to broader urban and community development.
In collaboration, UoB - Faculty of Architecture and UoB - FoF are developing strategies to protect and reintegrate nature into cities, increasing resilience to climate change and improving urban life quality. Architectural interventions will restore natural spaces on rooftops, facades, and other elements to increase energy efficiency, reintroduce nature to urban areas, and foster biodiversity
Programmable Architecture, Urbanism, and Territory: Spatial Intelligence and Data-Driven Forms of Strategic Urban Scenarios [keynote lecture] [plenarno predavanje po pozivu štampano u celini]
No full textProgrammability of both existing and newly devised spatial structures, and transition to their intelligent forms, construct the main framework of the study and demonstrated design outputs. As a design mode that relies on complete computational control of a large class of processes and information related to investigated spatial situations and main research or design subjects, programmability enables fully monitored and rationalised creative thinking and design process, their representation and clear overview through propagation workflows (visual graph-based guidance through them), control of each design element and operation, as well as informed maintenance and development of specific design solutions. The expansion of graph-based visual computation methods to a greater number of software made the programmability method accessible to a wider range of users. Without the need to necessarily master all programming languages, while only relying on strong design knowledge and logic, users were given the power of understanding, creating, and defining the chains of computational operations that lead to the planned results (the power of reasoning with/through graphs as structured ways of representing data) and of expressing the generative logic of their ideas and designs by computationally and algorithmically managing generative processes. More advanced users have been given transformative power to innovate defined software frameworks by adding their own lines of code and plugins. All designers have been greatly empowered to introduce new definitions and paths to solutions to the defined problems, responses to design objectives, and new computational methods expressed through original workflows. Automated workflows and generators indicate additional design and analytical possibilities considering almost all design definitions, not only explorative design, versioning, and variation that investigate and bring about a large number of probable outcomes or enable optimisation of different design aspects. • With that in mind, several exercises and experiments are proposed while targeting the application of the mentioned theoretical framework to cultural heritage. Derived from the previous research on network science and graph-based design methods, the application of constructed workflows suggests their scalability for urban and architectural design, analytics, and planning in various situations. Even though exemplary computational workflows have been developed on one specific example and city layout (Greater Paris), their topological nature enables the underlying methods to be used in any context just by changing initial city network inputs and data. By changing the geometry of the examined urban territory and built environment, along with the information required for planned operations, the workflows can be easily adjusted to new spatial, urban, and architectural contexts. On the other side, with regards to this year’s thematic focus, inclusion of specific classes of architectural and urban entities (e.g. cultural heritage) as parameters that guide urban scenarios construction and decision-making within the generative processes, assigns different themes and quality to thus far developed network operations workflows and diversifies both probability space in terms of possible outcomes as well as propagation graphs design and logic leading them to more complex configurations. Based on that, the presented experiments having the city of Paris and its transportation network as a subject, can work as an exemplary, opening up new directions for project continuation by enlarging the number of forms of urban scenarios based on cultural heritage data and intelligence systems that drive them, as well as the number of city case studies, to which the methods can be applied. The logic that workflows contain is presumed to be applicable at various scales—from the level of the city and its administrative area or natural area (territory) to the level of individual architectural objects, their specific constitutive elements and details.Keynote - invitation by Celestino Soddu and Enrica Colabella ; all invited and accepted participants are KEYNOTE SPEAKERS, scheduled in ONLY ONE MAIN SESSION (as defined by the organisers and editors) •
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• Abstracts and papers are double-reviewed by the Conference Chair and the Scientific Committee
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• The proceedings of GA2024 are printed in advance (with ISBN international number) to give written support to the conference and enhance the discussions. The proceedings are also published as a hardcopy paper book by Domus Argenia Publisher with all the accepted papers, posters, artworks, installations, poetries and live performance presentations. The book is available in time for the conference. A e-book is available for all - https://www.artscience-ebookshop.com/.
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• The location of the GA 2024 conference: UNESCO Regional Bureau for Science and Culture in Europe, Castello 4930, 30122 Venice, Ital