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RAF - Repository of the Faculty of Architecture - University of Belgrade
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    3129 research outputs found

    U10 : 3/6 : 2016-2017 [3. Dvogodišnji katalog]

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    U trećem dvogodišnjem katalogu Umetničkog prostora U10 su pojedinačno pred- stavljeni programi koji su se 2016. i 2017. godine održali u Prostoru, kao i projekti koje je Umetnički kolektiv U10 organizovao van njega. Od svog nastanka u maju 2012. godine, U10 je za glavni cilj imao promociju i afirmaciju mladih umetnika, što je ostao fokus i tokom ove dve godine. Međutim, ove dve izlagačke sezone se međusobno razlikuju po načinu na koji je program formiran.3. DVOGODIŠNJI KATALOG Umetničkog prostora U10 iz Beograd

    Мапирање културно-историјских амбијенталних целина Београда: применљивост психогеографских метода [апстракт]

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    Урбано окружење представља сложени систем физичке и функционалне структуре, људских међуодноса и наслеђених вредности које дефинишу идентитет града. Поменути елементи су у сталној међусобној интеракцији, те се вишеслојност карактеристика једне територије може дефинисати методама мапирања скупа елемената грађене структуре сродних амбијенталних вредности. Циљ овог рада огледа се у препознавању специфичних амбијенталних целина Београда које представљају потенцијал за развој савремених токова културе уз очување културног наслеђа града. Испитивањем применљивости општих метода мапирања на студији случаја Београда дефинишу се аспекти техника психогеографског мапирања у специфичном локалном контексту.The urban environment is a complex system of physical and functional structure, human interrelations and inherited values that define the identity of the city. Mentioned elements are in constant mutual interaction, therefore the complex attributes of one territory can be defined by mapping methods that consider elements of uniform ambient values in the urban structure. The aim of this paper is to identify specific ambiental unities of Belgrade that represent the potential for development of contemporary cultural fluidity, while preserving the cultural heritage of the city. By examining the applicability of general mapping methods to the city of Belgrade, the aspects of psychogeographical mapping techniques are defined in a specific local context. Contemporary environmental experience is built on the basis of functional, perceptual and symbolic meanings of architecture in a particular context. The research result is an environmental mapping methodology that illustrates and emphasises the relation between the internal and external representation of space through user’s sensual experience; its verification within the layered contextual structure of Belgrade gives the potential for method objectification and further use in different contexts

    The orthogonal urban matrix of the towns in Vojvodina, Northern Serbia: Genesis and transformation

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    The subject of the chapter is the transformation of the urban matrix in the Northern Serbian province of Vojvodina. Being placed at the crossroads of important trans- European corridors, this territory in Southern Pannonia has always been exposed to various influences and shifts of power, which have left a significant mark on their urban matrix. The most prominent period was certainly Habsburgs' rule in Southern Pannonia in the eighteenth and nineteenth centuries, which radically reshaped inherited organic medieval-oriental matrix into planned, orthogonal regulation. This, Habsburg legacy has influenced the urban development of these towns until today. The aim of this chapter is to present the outcome of Habsburg urban regulation and accompanied orthogonal imprint in four towns, selected as case studies. The previous periods, as well as the recent challenges, are also considered. In the conclusion, the uniqueness and identity of these towns is discussed, regarding the morphing and transformations of their urban patterns during the selected periods

    The phenomenon of shrinking illegal suburbs in Serbia: Can the concept of shrinking cities be useful for their upgrading?

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    Illegal residential construction at the fringes of urban areas has been typical for Serbia and the other countries of South Eastern and Southern Europe, spanning through all periods of modern urbanisation. Illegal suburbs are currently so widespread that they cannot be omitted in any future policy or strategy regarding urban development and planning, land and property management. However, this phenomenon is being transformed over the recent years; after rapid and uncontrolled suburbanisation during the second half of the 20th century, the first shrinking outer suburbs around Serbian cities have appeared recently, with the post-socialist transition of the country. Yet, even more suburbs are in demographic and economic stagnation, emphasising the necessity to tackle it in the near future. This paper aims to open the debate about the future of illegal residential settlements with shrinking and stagnation patterns in Serbia, connecting this phenomenon with the concept of shrinking cities. Despite this concept being well-known, it is traditionally more oriented towards urban decline in well-developed and organised countries, where it deals with shrinking inner urban areas. Confronting the existing knowledge from the concept with the problems that shrinking outer suburbs in Serbia are facing today, this paper seeks to revise and adjust it by proposing the creative institutional changes for these vulnerable areas that simplify legalisation procedures, better integrate involved stakeholders, connect different spatial levels to form a polycentric network, and support bottom-up initiatives for the socio-economic regeneration of illegal suburbia. Institutional changes can be important for understanding and dealing with expected urban shrinkage in the less developed part of the world, such as in the Global South and fast-developing countries in Eastern Asia, where the problems of illegal suburbia are acute, but which certainly can expect urban shrinkage in the future

    The 1923 Belgrade Master Plan - historic town modernization

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    The paper analyses the 1923 Belgrade Master Plan's preparation and implementation process, a significant moment in Belgrade's political and urban history when, after the First World War, the city lost its centuries-long border position, becoming the capital of a newly established extended country, the Kingdom SHS, later the Kingdom of Yugoslavia. The goal of government and city authorities was to create a representative national capital and overcome the city's existential and functional problems. Crucial to the process was the Association of Serbian Architects and Engineers' organization of an international competition in 1921-1922. Twenty-two projects were submitted, from Vienna, Paris, Budapest, Berlin, Zurich, Prague, etc. First prize was not awarded, but 18 were rewarded and purchased. These represented the basis for creating a final plan, supervised by G. P. Kovalevsky. The 1923 Master Plan introduced very innovative and modern approaches to solving the city's problems and improving residential areas, traffic, and greenery. The paper discusses the plan's realization, its extensive changes and partial implementation, which greatly influenced later city development. Despite obstacles, the plan initiated some important and progressive ideas whose impact was vital for the functional transformation of the city and its realization represents Belgrade's modern urban heritage

    Улога архитектонског цртежа у динамици поделе стамбеног простора

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    Possible roles of architeciural drawing within ihe study of living space are presented by discussing ihe dynamics of space partition...Питање могућих улога архитектонског цртежа у студијама стамбеног простора поставља се кроз проблематизацију динамике поделе простора. Динамику узимамо за једно од примарних својстава феномена поделе простора, које везује културу становања и њено испитивање у цртежу. У нашем истраживачком приступу, архитектонски цртеж се подразумева као основни архитектонски медиј и алат архитектонске концепције и анализе, а подела простора се сматра феноменом који је могуће проблематизовати и испитати у односу на начине коришћења стамбеног простора. Централни проблеми истраживања постављени су најпре у обострано условљен однос између својстава линије у цртежу и динамике поделе стамбеног простора, а затим у разматрања различитих улога цртежа у студијама стамбеног простора..

    Cultural landscape of ancient Viminacium and modern Kostolac – creation of a new approach to the preservation and presentation of its archaeological and industrial heritage

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    Viminacium, once an important Roman city and a legionary fortress near the Danube, situated in the villages of Stari Kostolac and Drmno, in Serbia, near a strip coal mine and a power plant, today is the most developed archaeological park in Serbia and is visited by many tourists. However, the future sustainable development of the wider area requires the creation of a more comprehensive approach to the presentation of its archaeological and industrial heritage, connecting Viminacium and other historical traces into a cultural landscape where industrial progress, heritage preservation and modern tourism are linked

    Application of BIM technology in the processes of documenting heritage buildings

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    Building Information Modelling (BIM) is present for more than two decades in domain of new build construction, and is already gaining certain levels of maturity. In the centre of this technology stands a 3D model, consisting of intelligent objects, as an infrastructure for all non-geometric information. Theoretically the model is accessible to all participants of the processes of building conception, design, construction and use, until the end of its life cycle. In domain of built heritage, however, BIM is still a new technology that needs to be tested and examined on various examples, from different points of view. In this study we are focused on selected cases from international practice, in which BIM has been applied in heritage domain with aim to examine the technology, its usefulness and various purposes of its application. The three analysed cases (Harmondsworth Barn, Manchester Town House Restoration and Sydney Opera House) are selected by diversity, searching for different building sizes, significance, chronologic appearance and functionality, as well as by BIM application purposes. All of the selected cases of BIM application are part of wider research projects financed by either government agencies, ministries or city councils. Methodologically this study is based on the analysis and comparison of the contents of detailed research reports accompanying each of the considered cases. After giving a general introduction of BIM technology, in this paper we are highlighting some specificities of BIM application for the heritage buildings and places. The paper proceeds with brief analyses of each of the three cases, than a comparison of initial data and the main findings. After that, a discussion of possible generalization of the main findings is given. The paper concludes with a set of general directions for the possible BIM technology application in domain of built heritage

    Documentalità

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    Povodi adresiraju filozofsku, kritičku i teorijsku osnovu izložbe kreativnih praksi "Koliko snage imam ja, koliko sna...", pružajući pogled na arhitekturu koja nastaje na granici užeg disciplinarnog (naučnoistraživačkog i umetničkog) polja arhitekture, ostvarenu kroz inter- i krosdisciplinarne formate kreativnog delovanja. Savremeni kontekst primene arhitektonskih kompetencija se razmatra u odnosu na teme dokumentarnosti, postdisciplinarnih tendencija, autorstva (kreativnog procesa i inovacija), individualizma i identiteta, projektantskog načina akvizicije i primene znanja, i dizajn-arhitektonskih istraživačkih praksi, sugerišući u zaključnim razmatranjima potencijalne pravce razvoja obrazovanja u oblasti arhitekture i urbanizma, odnosno razvoja profesionalnih profila koji se kroz dato kreativno obrazovanje oblikuju i verifikuju. Komentari formiraju jednu misaonu sliku o aktuelnom momentu, definisanu navedenim konceptima kao konceptima transformacije arhitektonskih praksi i konceptima u odnosu na čije okvire je neophodno projicirati ili opredeliti predmetno arhitektonsko delovanje

    Osnovni principi arhitekture Nikole Dobrovića

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    Over fifty years since the death of architect Nikola Dobrović (1897­1967), his rich architectural practice has prompted a number of serious historical and scientific researches. In one of the first detailed studies, in an article entitled 'Nikola Dobrović or On the Increase With Time', nine key principles of Dobrović's architecture have been distinguished in a summary of previous studies. This paper is conceived as an imaginary dialogue with the author of the study, Ranko Radović (1935­2005), who was also an excellent architect and urbanist, professor and theoretician of contemporary architecture, as well as Dobrović's student and collaborator. Considering results of more recent researches, this work seeks to document and critically observe Radović's early insights and interpretations. Also, it aims to acknowledge, once again, yet from a new historical perspective, the value of Dobrović's 'messages and news, words and ideas, drawings and buildings, 'proper' space that is always part of the world' - as Radović has precisely pointed out.U periodu od pedeset godina, koliko je prošlo od smrti arhitekte Nikole Dobrovića (1897-1967), o njegovom bogatom projektantskom opusu preduzeto je niz ozbiljnih istoriografskih i naučnih istraživanja. U jednoj od prvih detaljnih studija, u članku pod naslovom 'Nikola Dobrović ili o povećanju s vremenom', kao rezime prethodnih analiza navedeno je devet ključnih principa Dobrovićeve arhitekture. Ovaj rad je koncipiran kao imaginarni dijalog sa autorom predmetne studije, Rankom Radovićem (1935­2005), Dobrovićevim studentom i saradnikom, takođe vrsnim arhitektom i urbanistom, profesorom i teoretičarem savremene arhitekture. Imajući u vidu rezultate novijih istraživanja, rad nastoji da dokumentuje i kritički preispita njegove rane uvide i tumačenja, i ponovo, iz savremene istorijske perspektive, ukaže na vrednost koju imaju, kako navodi Radović, Dobrovićeve 'poruke i vesti, reči i ideje, crteži i građevine, 'valjani' prostor koji je uvek i deo sveta'

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