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Fluidity of open public space boundary
Get PDFГраница, као место сусрета два подручја различитог значаја, осликава својства простора које спаја. Услед дуалне природе коју поседује, наглашена је флуидност границе која се испољава са аспекта перцепције простора у току кретања у отвореном јавном простору. Циљ овог рада огледа се у разумевању релативног односа границе и корисниковог доживљаја амбијенталних и архитектонских вредности отвореног јавног простора у оквиру сложеног савременог контекста града. Као последица различитог схватања граница од стране корисника, јавља се мноштво доживљаја визуелне динамике простора услед промене разумевања хијерархије архитектонских елемената. Утицај границе на корисникову представу о простору испољен је кроз непоновљиви карактер који простор чини јединственим и разликује га од других, а може се сагледати кроз специфичност ове границе – својство флуидности. Флуидност границе се у раду огледа у формирању динамичног доживљаја отвореног јавног простора у току кретања и истражује у односу на аспекате флексибилности, континуалности и пропустљивости. Испитују се потенцијали доживљајних вредновања границе при формирању искуства о простору, имајући у виду да је кроз својство флуидности границе испољено јединство статичних и динамичких компоненти архитектуре.Boundary connects areas of different significance, depicting their characteristic. Dual nature emphasises the fluidity of the boundary expressed through spatial perception within the mobility framework in open public spaces. Significance of this paper is reflected in defining open public space boundary phenomenon. This phenomenon is presented through variability, relativity, diffusion and dialecticism. Transformation of conventional boundary perception implies occurrence of fluidity concept as a basic tool for spatial experience recognition within architecture discourse. Evaluation of architecture receptiveness depicts boundary significance in experiencing integral spatial context and determines city identity. Goal of this paper is to understand relation of boundary to user’s experience of ambient and architecture values of open public space within complex city context. Different user’s understanding of the boundary reflects in variety experiences of visual spatial dynamics, due to change of understanding of architecture elements hierarchy. Boundary influence on user’s perception of open public space is expressed through unique spatial feature – fluidity. This paper depicts boundary fluidity by forming dynamic experience of open public space through mobility and investigates aspects of flexibility, continuity and permeability. Potentials of boundary perception, during acquiring spatial experiences, are challenged through property of boundary fluidity which is expressed as unity of static and dynamic architecture components. This research contributes through improvement and transformations of existing public spaces within the frame of complex spatial situations aspiring adaptation to development of contemporary city.Посебном одлуком надлежног матичног одбора Министарства просвете, науке и технолошког развоја Републике Србије од 13. марта 2019. године верификовано је да су радови публиковани у зборницима Међународног научног скупа Српски језик, књижевност, уметност који организује Филолошко-уметнички факултет у Крагујевцу радови категорије М14 (монографска студија/поглавље у књизи М12 или тематском зборнику међународног значаја) почев од 2011. године
Конкурс за урбанистичко-архитектонско решење за вишенаменски објекат за потребе културе у Нишу [2. награда]
No full textПолазни концепт условљен је са једне стране урбанистичким условима, регулацијом и
односом према Булевару Немањића као примарном приступу из центра града; а са друге стране функционалним и просторним захтевима новог центра за културу. У том смислу, артикулација мултифункционалне сале и задовољавање квалитета њене вишенаменске употребе представљају основно пројектантско исходиште укупне просторне поставке. У таквом приступу, артикулисана је јавна зона центра намењена публици оријентисана на Булевар Немањића. У тој зони осмишљени су холски простори велике мултифункционалне сале, конференцијске сале и камерне сцене као јединствена визуелна целина коју укључује и приступни плато са широким степенишним прилазом.Сарадник 3Д : Игор Писарић, студент МАС
Sundial for Spatial Echoes, Installation at Bauhaus Museum Weimar, Germany, 2019
No full textEntangling disciplines from physics and biology to sociology and architecture, sensitive to our political milieu, Saraceno’s cloudlike landscape of interwoven, web-like fibres creates a dynamic, reflective atmosphere. His artistic research and endeavours are driven by his desire to develop new modes of interaction and perception, in response to socio-political and environmental realities of our time. Contextually, ‘Sundial for Spacial Echoes’ refers to Saraceno’s many years of research and projects. Inspired by the study of complex, net-like configurations and structures characterized by clouds, bubbles and other geometries found in the natural world. The systems of interwoven ropes and cloud-like cluster modules arranged in the nets reclaim Saraceno’s artistic research on the potentials of spider webs and how they can be transferred and correlated to other phenomena. The artwork is interactive in that visitors can touch a rope of the installation reflecting both the daylight and artificial light. The network then generates its own room echo. This constant change of perception turns the aesthetic experience into a synaesthetic event for the visitor. He is stimulated in this very sensuous way to discover his individual limits of perception. The surreal, almost virtual environment lets forget the real world for a moment and creates a dynamic as well as a reflective atmosphere.Napomena administratora: Autorski tim je naveden od strane Nemanje Kordića
Trgovačko-poslovni kompleks u Rajićevoj ulici u Beogradu [Međunarodni konkurs za nagradu ISA - najbolji realizovani projekat] [2. nagrada]
No full textNagradu ISA za najbolji realizovani projekat, Biškek, Kirgistan, projekat Trgovačko poslovnog i hotelskog kompleksa u Rajićevoj ulici u Beogradu (septembar 2019)
Diagrammatics, the field of convergence : spatial/architectural perspective
No full textThe author problematises the definition and broader acceptance of the term ‘diagrammatics’. She attempts to historically analyse and theoretically ground it, as well as to provide its precise meaning and scope regarding both historical references and modality she is using and conceptualising as a new one. Aside from interpretation and function of the term ‘diagrammatics’ that is independent of any disciplinary specification, the author also reflects upon the term's spatial and architectural perspective and designation, narrowing down research domain in order to inspect its application in spatial discourses. • • • While the first part of the lecture title implies the involvement of different research fields, and the second one announces a specific disciplinary view regarding diagrammatics, diagrammatic reasoning, and representation, the relationship between mathematics (geometry), architecture, imagination, and data is put forward in response to the workshop's call, offering an inquiry into and historical preview of the mathematical-architectural line of thought (microhistory), its contemporary stage of development, and future prospects, based on its inherent diagrammatic nature and character.(предавање по позиву) (осим на конференцијама)
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Invited Lecture (by Prof. Amirouche Moktefi, PhD)
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Event: Workshop: Mathematics and Imagination, Ragnar Nurkse Department of Innovation and Governance (School of Business and Governance) & Department of Cybernetics (School of Science), Tallinn University of Technology, Estonia, 28 August 2019; Location: TalTech. Akadeemia tee 3, Tallinn. Building SOC, 4th floor, room SOC-415 ; Organisers: Olga Graf (Department of Cybernetics, TalTech / Technical University of Munich) & Amirouche Moktefi (Ragnar Nurkse School of Innovation and Governance, TalTech) ; Support: School of Business and Governance, TalTech;
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Participants: Gerhard Heinzmann (University of Lorraine, Nancy, France), Leticia Vitral (Linnaeus University, Sweden), Dragana Ciric (Belgrade, Serbia), Yacin Hamami (Vrije Universiteit Brussel, Belgium), Kate Mccallum (University of Brighton, UK), Fabrice Pataut (University Panthéon-Sorbonne, Paris 1, France), Olga Graf (Tallinn University of Technology, Estonia), Natalia Nikiforova (Higher School of Economics, Moscow, Russia
Aleksandar Deroko: Rebuilding Smederevo after 5 June 1941 explosion
Get PDFAleksandar Deroko had a noteworthy and decisive impact on the architectural culture of Smederevo. This paper will not treat the issue of his exceptional work on evaluating and protecting the medieval Smederevo Fortress, but rather it will focus on a very specific period during which Deroko, as an architect, set up a significant number of parameters for a new vision for Smederevo’s urban culture. This vision is embodied in his projects and architectural realisations in one of the most delicate periods of the town’s history, during its reconstruction that lasted a few years after a horrific wartime explosion nearly wiped Smederevo off the map, on 5 June 1941. In spite of many different ideological and political reason, as a comprehensive historical and monographic assessment of Deroko’s works in Smederevo had not been made to this date. This paper will assess subject such as Deroko’s relationship with the city’s historical and cultural heritage, political and ethical qualities of this relationship during a delicate period in Serbian history, and architectural and aesthetic principles that affected the way Deroko would shape his work in Smederevo and his vision for a rebuilt city. Lastly, this paper will hint at the qualifications of his work in Smederevo and its impact on the present-day town
Architecture as a textual phenomenon: Alexander Brodsky’s architectural practices of appropriation [SAJ]
Get PDFThis paper analyses architecture created through appropriating existing materials while focusing on strategies of intertextuality. It argues that the meaning of an architectural object does not derive from itself, or its poetic concepts, but rather from its relationship with order architectural objects, other art works as texts, cultural texts, and every day practices. My aim is to show various theoretical problems of the theory of architecture and art, which is a network of overlapping texts of culture, surround the architectural production of Alexander Brodsky. Here I use different and varied theoretical concepts, selecting two case studies by Brodsky – The Pavilion for Vodka Ceremonies and Rotunda – upon which the paper is based as an interdiscursive study
Међународни урбани концепти и њихово појмовно одређење: од „Shrinking cities“ до градова у опадању
Get PDFСа појавом урбаног опадања широм света, током последњих петнаест година јавља се и појам “Shrinking City”(град у опадању) у оквиру истоименог међународног урбанистичког концепта. Упркос томе, српски научници нису разматрали сличне појмове, нити је дат велики значај овој појави, иако можемо тврдити да је очито да је велики број градова у Србији у опадању. Циљ овог истраживања је да се терминолошки одреде градови у опадању у нашој земљи, кроз три методолошка приступа: објашњење појма на међународном нивоу, његово разматрање и поређење на главним међународним језицима и поређењем са неколико сличних појмова. Као резултат овог истраживање имамо нови појам – градови у опадању – за коришћење у домаћем урбанистичком планирању
Živeti zajedno
No full textU ovoj knjizi sakupili smo različite tekstove koji tematizuju zajednički život, zajedničko stanovanje i trajanje u vremenu. Šta rade dvoje ili više njih istovremeno ili istoprostorno, jedan ili jedna pored drugoga ili druge, ili, šta rade i kako jesu zajedno? Da li je bitisanje ili obitavanje zajedno jedna radnja, zbir individualnih činova ili jedno zajedničko delovanje? Ili je život ili "životarenje" uvek u suprotnosti naspram smrti, ali još uvek nedovoljna ili nejasna aktivnost? Tražili smo veze i odnose između različitih društvenih oblika koji postoje u određenom vremenu i u istom prostoru, a svi ovi tekstovi koje smo izabrali trebalo bi da objasne i neprestana terminološka preplitanja filozofije, sociologije, prava, ekonomije, politike i arhitekture. Cilj nam je uvek, kao i u prethodnim zbornicima, da rekonstruišemo odnos arhitekture i drugih oblasti znanja, odnosno da konstruišemo skice jedne buduće arhitektonske terminologije koja bi trebalo da arhitekturi donese istinsku autonomiju, kao i epistemološko opravdanje. Proućavanje socijalnih ili životnih formi takođe nužno implicira arhitektonsku aktivnost ili arhitektonski "angažman sa društvom", gde arhitektonski diskurs nužno pogađa društvo i ključno utiče na njega
Pop(o)s of shopping centre - a new approach towards urban design
Get PDFThe constant decline in the number of public space and the attendant emergence of pseudopublic
spaces with limited access occur simultaneously with the aggression of commercial
culture and the emergence of cultural spectacle. Shopping centres provide physical spaces for
social activities, and increasingly they have been replacing all aspects of urban life. Nowadays
it is becoming an alternative centre in the city with its own “public space”. With the creation
of places for public, cultural and recreational events, and above all, places for leisure and
socialization, shopping centres have become more than a “commercial city”.
According to various authors, the quality of POP(o)S has been called into question, and even
though it usually suggests a negative phenomenon, this paper focuses on its advantages and
possibilities. Paper also investigates the ways to use privately owned public spaces, with special
focus on open spaces, plazas, and atrios owned by shopping centres. Paper presents three
case studies: Ušće shopping centre in Belgrade, Rajićeva shopping centre in Belgrade and
Manufaktura shopping centre in Lodz. With the comparison of the above mentioned, the aim
is to recognize different patterns of use of POP(o)S in correlation to the model of the built
structure.
New urban design strategy should provide integration of different civic functions, in order
to create a new type of public realm, which would improve the connectivity and usability of
surrounding public spaces and urban environment. The aim of the paper is to present that
carefully located and well-integrated shopping centers can contribute to the circulation of
activities and people, thus to the preservation of city values and promotion of public life.
However, question how could one consider private space as public space remains