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Куда ћемо? [УЛУПУДС 2019]
Get PDFГрафички експеримент на тему града, промена у граду, одлука и запитаности куда нас све то води
Polyclinic dr Zejnilović, Bar, Montenegro, 2019 [BAB 2019][3. nagrada]
Get PDFThe concept derives from the idea that a health institution should be a place where we feel safe, clean and fresh, a place in which we regenerate and take care of our selves, not the place where we feel fear or concern. The ambience is thus conceived like a garden of plants, ligth fixtures and floating white cubes that contain all the necessary functions
From the Big Mac and Ikea society to the environmental aesthetics, smart cities and storytelling architecture
Get PDFOur global society is encountering different challenges of the twenty first century. Our cities are in the process of constant transformation influenced by urbanisation, globalisation, advanced technologies, environmental and ecological changes, social, political and economic crises. While corporative capitalism has flourished, world population is growing and our cities are sprawling, architecture is reaching almost utopian visions and the boundaries of aesthetics are becoming more and more loose and permeable. Today are contemporary society lives and acts aesthetically. From art, architecture, music, religion, politics, communications, technological gadgets, homes, gardens, clothes, cuisine to sport and life couching, everything is a subject to aesthetical consideration.
Aesthetical consideration of architecture and urbanism in a constantly changing world demands critical and interactive approaches, that will not only deal with theoretical aesthetic opinions, but also the practical ones. Accordingly, this paper seeks to discuss aesthetical problems of contemporary architecture and urban planning from global, environmental, technological and social points of view.
Nature is no longer seen as a paradigmatic object of aesthetic experience, but as our unique collective environment upon which we humans depend. Therefore architecture emerges etic and aesthetic approaches in order to reconsider burden of our cities and possible ways of their future development
Fluid state of architecture
Get PDFThis paper focuses on the changes in architectural aesthetic criteria, from static to dynamic values of both figurative and non-figurative aspects in contemporary architecture and its cultural context. Fluid state of architecture refers to the notions of constant variability occurring in relations between architecture and contemporary cultural context of globalisation. Contemporary context dynamises everyday perceptual experiences, living conditions and terms of spatial appropriations. Accordingly, new networking phenomena appearing on informational, communicational and spatial levels transform the city and architecture into constant process of flows, dematerialising its elements into the new fluid, variable character. Architectural aesthetic qualities simultaneously shift trough events and effects affirmation over static formal whole in transformation from objective to (inter)subjective aesthetic spatial experience. This paper is based on hypothesis that contemporary architecture is characterised by the loss of object singularity in terms of contextual conditions and assimilation of particular characters into the dynamic character of the whole. Therefore, architectural design principles shift through dispersion of disciplinary boundaries and boundaries of inner and outer architectural space, hybridity and typological definition loss.
This paper presents how dematerialisation of architectural values transforms contemporary architectural space into the complex dynamic system of infrastructure, flows, events and effects
Konkurs poslovno-ugostiteljskog objekta i pešačko-infrastrukturnog mosta preko kanala DTD [druga nagrada]
No full textMotivi i oslonci za formiranje urbanističko-arhitektonskog koncepta ovog rada zasnovani su na težnji da novi pešačko-infrastrukturni most predstavlja logičnu ekstenziju postojećeg šetališta. Delovi projektovanih intervencija se iz tog razloga u oblikovnom smislu posmatraju kao nastavak tla, odnosno prirodnog pejzaža obale Dunava. Koncept rada se oslanja na savremenu interpretaciju uočene linearnosti priobalja, naglašenu dugačkim urbanim pravcem grada, koji kulminira na mestu prelaska preko vode. Na taj način se naglašava značaj jednog urbanog fragmenta Novog Sada, uz integraciju prostornih i programskih elemenata unutar šireg urbanog poteza, uz jasan imperativ ostvarenja novih ambijentalnih vrednosti na prostoru uže lokacije.Konstrukcija:
Rada Mladenović, dig.
Predrag Radojević, dig.
- delo je prikazano na međunarodnoj arhitektonskoj izložbi 42. Salon arhitekture, Beograd: Muzej primenjene umetnosti Beograd, 2020.
(Katalog međunarodne izložbe 42. Salona arhitekture, Beograd: Muzej primenjene umetnosti Beograd, 2020, ISBN 987-86‐7415‐220‐1, str. 144
Tipološka geneza nasleđenih prostornih obrazaca u savremenim okolnostima građenja u Crnoj Gori
No full textSažetak:
Problematizacijom prostorne i stilske neodređenosti aktuelne arhitektonske produkcije u primorskom području Crne Gore, ova studija istražuje uslove za novu tipološku genezu, koja bi tumačenjem stečenih i istorijski potvrđenih prostornih sintaksi odgovorila na promenljive potrebe društva u okolnostima ekonomske i profesionalne tranzicije. Operacionalizujući logiku tradicionalnog primorskog graditeljstva, studija ispituje mogućnosti i potencijale za definisanje (uspostavljanje) integralne projektantske uloge u zaštiti dragocenog arhitektonsko-urbanističkog nasleđa kroz savremeno disciplinarno i praktično delovanje.
Studija se bavi pitanjima kako intervenisati u zatečenim — starim prirodno stvorenim ambijentima, te koje su moguće korekcije i pravci budućeg razvoja — modeli profesionalnog ponašanja i uslovi zaštite koji omogućavaju adekvatni ekonomski razvoj, a istovremeno kvalitetno nadgrađuju tradiciju građenja.
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This study focuses on the polemical outline of spatial and architectural inconsistencies of the recent architectural production in the context of Montenegrin coast. Therefore, this study investigates the possibilities for new typological framework, which would incorporate evolutive capacity of inherited, historically affirmed spatial syntaxes as an apparatus for addressing the elusive conditions of contemporary society in the context of economical and professional transition.
The logic of traditional Mediterranean craftsmanship is operationalized through the contemporary disciplinary practical method and design process as a potential for defining a new integral role of architecture in preserving valuable architectural and urban heritage.
This study also opens a debate of how to intervene in the context of inherited, natural and built ambients; what are the possible correctives and trajectories of future development? What are the models of professional conduct and conditions for protection that enable adequate economical growth, without jeopardizing the tradition and character of inherited landscape
Defining the methodology of integrated research in the process of digital documentation of architectural heritage: case study Lizori, Italy
Get PDFThe aim of this paper is to define the methodology of integrated research in the process of digital documentation of architectural heritage. The thematic framework of this work was stimulated
by participation in a professional workshop in Lizori, Italy, held in June 2018. The paper presents a result based on the integration of traditional and instrumental methods of heritage surveying. This specific method of integrated research uses a variety of tools, in the process of morphological
specifications of different parts of a historic building. The specific nature of architectural heritage requires the integration of different methods in order to achieve a high level of accuracy. The
Lizori digitisation project, on the one hand, aims to present an almost unknown historical heritage through multimedia valorisation, and on the other, to set up an information tool for restoration, maintenance and valorisation
Gallery November [BAB 2019]
Get PDFGallery space November is designed in respect to space features of inherited plan and the general concept of gallery exibition space. The context of Vracar and the Kalenic Market, defined the idea of a space that should be empty, clean polygon, and at the same time comfortable, urban and appealing to the neighbourhood. The materials were selected in accordance with the standards of gallery exibiting
SAJ : Serbian architectural journal [Aleksandar Deroko]
No full textAleksandar Deroko (1894-1988) is universally known in Serbia, but is nevertheless not often studied at either undergraduate or post-graduate level. While knowledge of Deroko and his work are essential for the historiography of the discipline, he is not often cited, and his work is not usually part of ongoing conversations about the current state of architectural history. Deroko’s work is so encyclopaedic that every art and architectural historian can no doubt find a link between his or her own work and something Deroko wrote. However, although he exemplifies twentieth-century development of the discipline in Serbia in a way that few other architectural historians do, both twentieth-century literature and more recent scholarship on Serbian architectural history show little interest in the principal concerns that drove Deroko’s work, whether theoretical or practical
Konkurs za izradu idejnog urbanističko-arhitektonskog rješenja centralne pješačke zone u Banjoj Luci [2019] [druga jednakovredna nagrada]
No full textОсновни концепт овог рада је заснован успостављању нове пјешачке зоне града, која је овим приступом афирмисана као наглашена „озелењена оса“. Уз увођење нових садржаја, обликована је нова флуидна партерна површина намењена пешацима и активном градском животу. Рјешење наговештава нову димензију амбијентализације простора као допуну постојећој градској матрици Бања Луке, пре свега постојећој пјешачкој зони и већ развијеном зеленом фонду града. Следећи концепт „зеленог града“, предложена су рјешења: нове зелене површине у амбијенту „старе аутобуске станице“ са објектом модерне градске гараже (амбијент 1), ремоделација платоа испред Музеја савремене умјетности и стварање вишенамјенског градског трга (амбијент 2), нови дизајн градског парка (амбијент 4) који је интегрисан са амбијентом унутрашњег блока између улица Српске и Бана Лазаревића (амбијент 5). Средиште овог амбијента је унутарблоковски отворени простор који ријешен као озелењена парковска површина која, поред пјешачких стаза и кружних „зелених острва“, посједује проширња погодна за активно коришћење и различите намјене. Амбијент је употпуњен концептом „двоструке фасаде“ нових објеката коју чине озелелењени фасадни елементи „вертикалне баште“, чиме се подцртава укупна оријентација града Бања Луке ка концепту „зеленог града“.Odluka broj: 12-Г-5127/19 od 29.11.2019. godine Gradonačelnika, Grada Banjaluke, Republika Srpsk