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Goran Vojvodić: Inovativnost, kvalitetna gradnja i ekološki standardi su dobitna kombinacija u savremenoj arhitekturi
Get PDFOvogodišnje takmičenje za najbolje arhitektonsko rešenje i najbolje izvedeni objekat Xella materijalima pod nazivom „Xella Triumph“ otvoreno je do 10. decembra 2020. godine, a redovni profesor Arhitektonskog fakulteta u Beogradu i član ovogodišnjeg žirija Goran Vojvodić otkriva šta predstavlja najveću vrednost u savremenoj arhitekturi, ali i šta će se posebno vrednovati prilikom odabira pobedničkih projekata na ovogodišnjem konkursu.Poslovni objekat Roaming na Južnom bulevaru po projektu Gorana Vojvodića; Foto: Relja Ivanić / Poslovna zgrada Anex, Resavska 23, autori: Goran Vojvodić, Aleksandar Hrnjez; godina: 2010; foto: Miloš Martinović /
intervju na: https://www.gradnja.rs/goran-vojvodic-inovativnost-kvalitetna-gradnja-i-ekoloski-standardi-su-dobitna-kombinacija-u-savremenoj-arhitekturi
The myth of form
Get PDFThe myth of form contains an architectural paradox. Without form, there is no architecture. The hypothetical question of form vs. thanatos justifies the myth of form in architecture. The autonomy project of architecture is a myth that has its different fields: cognitive, practical, and, ultimately, subjective. The subjective is inseparable from the field of architecture, both in terms of creation and perception. If there is no form in architecture, architecture disappears as a field. A formal approach to architecture uses proportional analysis to find repetitiveness in intensity. The tip of the iceberg is the autonomy of architecture. In architecture, the formal has its own strict rules; by contrast, avant-garde practices questioned the rules. The following text aims to observe the city in its totality through the cracks of the narrative myth of form
UB-FA students’ yearbook 2020/2021 [Studio Design M01/S05/IP01 (1st Year - MA / 4th Year - IA)]
Get PDFГодишњак студентских радова УБ-АФ је резултат вишегодишње активности развијане на Универзитету у Београду – Архитектонском факултету и настао је са намером да буде један од канала дисеминације и промоције резултата наставног процеса на студијским програмима основног и мастер нивоа. Годишњак је публикација прегледног карактера која на систематизован начин пружа увид у теме, приступе и одговоре на семестралне задатке. Тежња је да се Годишњак приређује на годишњем нивоу архивирањем и презентацијом испитних елабората студената како на предметима типа студио пројекат, тако и осталим предметима чија се методологија заснива на пројектној настави.UB-FA Students’ Yearbook is the result of multi-year activities with a focus on archiving and presenting the students’ work in design studio courses, as well as other project-based courses at the University of Belgrade - Faculty of Architecture. The Yearbook is created to be one of the channels for dissemination and promotion of the results from the educational process in bachelor’s and master's programs. Published annually, the Yearbook gives an overview as a systematic insight into topics, approaches, and responses to semester tasks
Likovna transkripcija i digitalna reprezentacija arhitektonskog prostora [42. Salon arhitekture, 2020]
Get PDFU eri digitalnih tehnologija koje utiču na način na koji arhitektonski crtež učestvuje u procesu projektovanja i procesu (re)prezentacije arhitektonskog prostora moguće je uspostaviti različite modele arhitktonskog crteža. Jedan od ovih modela zasniva se na metodologiji transkripcije arhitektonskog prostora koja podrazumeva istovremenu upotrebu crteža kao sredstva istraživanja i sredstva prostorne reprezentacije. Navedeni model ispituje upotrebu tradicionalnih tehnika crtanja, svakodnevnih alata za dokumentovanje prostora i digitalnih aplikacija za simulaciju iskustva virtuelne stvarnosti koje se koristi za sagledavanje arhitektonskog prostora. Ovaj model nastao je kao rezultat istraživanja započetog na doktorskim akademskim studijama na Arhitektonskom fakultetu u Beogradu i razvijan je kroz rad i izložbenu praksu grupe Moderni u Beogradu
Sistem za organizaciju izložbenog prostora i izlaganje eksponata - Izložbeni mobilijar stalne postavke MSUB [22. salon arhitekture, 2020] [prikaz - izvedeno autorsko delo]
No full textNova stalna postavka Muzeja savremene umetnosti organizovana je po principima otvorenog plana, poštujući time modernističko nasleđe objekta u kojem je smeštena. Elementi postavke projektovani su kao samostalni i slobodnostojeći elementi unutar pulsirajućih volumena objekta, ne dodirujući i ne oslanjajući se na elemente arhitekture objekta. Elemente izložbene postavke čine prefabrikovani moduli panela-zidova, po meri izrađene vitrine, postamenti, stolovi za izlaganje i prostorije za video projekcije (media box) od lakih modularnih pregrada.
Dimenzije i proporcije elemenata projektovane su tako da zadovolje uslove izlaganja od najvećih do najmanjih eksponata koje Muzej čuva, kao i da postoji mogućnost njihovog daljeg rekombinovanja i organizovanja u nove izlagačke pejzaže. Prostorije za video projekcije nalaze se na poslednjem nivou izlagačkog prostora, izgrađene su od modularnih montažno-demontažnih elemenata, tako da se za potrebe narednih izložbi mogu demontirati i preneti na drugo mesto i rekombinovati u media box-ove drugih dimenzija i pozicija.
Pored mobilijara za izlaganje predviđeni su elementi i ambijenti za odmor. Klupe D bench prate tok izložbe. U organizaciji enterijera prepoznaju se tačke odmorišta - prostorni džepovi sa pogledom na okruženje, u kojima se smeštaju ambijenti za odmor - I resting point i H resting point koji predstavljaju višeznačne objekate u kojima se polica za knjige, klupa i svetiljka međusobno transformišu i prelaze u međutip. Jastuci za klupe pod nazivom Liquid China rad su dizajnera Milana Simića i vajarke Lene Jovanović.u okviru projekta:
Rekonstrukcija Muzeja savremene umetnosti, Beograd
autori rekonstrukcije: Dejan Todorović, Ivanka Raspopović,
autori objekta: Ivanka Raspopović, Ivo AntićNapomena administratora: Po odluci Fakulteta, naziv stručno umetničkog dela definiše autor. U ovom slučaju, naziv dela se razlikuje od naziva objavljenog u katalogu. Naziv dela u katalogu je: Izložbeni mobilijar stalne postavke Muzeja savremene umetnosti u Beogradu – Sistem za organizaciju izložbenog prostora i izlaganje
eksponata = Exhibition Furniture of the Permanent Setting of the Museum of
Contemporary Arts in Belgrade - A System for the Exhibit Space Organisation and for
the Showpieces Exhibitio
Reflections on the learning objectives for sustainable development in the higher education curricula – three cases from the University of Belgrade
Get PDFPurpose This purpose of this study is to explore the integration of the sustainable development concept and goals into the curriculum of higher education studies using the example of three faculties of the University of Belgrade. Design/methodology/approach A qualitative content analysis has been applied on two levels: the evaluation of the sustainability of courses starting from the criteria defined using the Sustainability Tracking, Assessment and Rating System (ASHE, 2017), and the analysis of the outcomes defined in the curricula of subjects within the three faculties using the UNESCO learning objectives related to selected sustainable development goals (SDGs) as a criteria. Findings While the largest number of courses were analyzed from the Faculty of Architecture, the highest proportion of sustainability courses was found in the Faculty of Security Studies. Both study areas reflect a stronger interdisciplinary orientation, although it should be strengthened in the case of the Andragogy study program. Based on the experience of the Faculty of Architecture, the courses implemented by linking theory and practice may significantly contribute to achieving the LOs and to implementing the education for sustainable development. At the University of Belgrade, strategic documents are missing that would encourage and oblige the faculties to apply the concept of sustainability. Originality/value This is the first study to apply this type of curricula analysis at the University of Belgrade. It is performed by teachers from the university, coming from different disciplinary fields but oriented towards an interdisciplinary perspective. Although performed in three specific study areas within a single university, the identified gaps and trends may be useful for planning interventions toward accelerating the implementation of SDGs in the higher education curricula
The Possibilities of Preservation, Regeneration and Presentation of Industrial Heritage: The Case of Old Mint “A.D.” on Belgrade Riverfront
Get PDFThis paper aims to explore industrial heritage of Belgrade that is located in the city center
and therefore, has considerable potential for future architectural and urban development of the
Serbian capital. The whole Belgrade riverfront area along the Sava and the Danube Rivers has a
large number of abandoned industrial buildings that have significant value and need to be preserved
and revitalized. This paper represents a research project conducted by lecturers at the Faculty of
Architecture in Belgrade in the course History and Theory 1—Visual Culture in Architectural Theory
and Practice. In order to provide productive research, we have employed the case study method based
on the old Mint “A.D.”, which we have chosen as a characteristic example of Belgrade’s industrial
heritage architecture. An important goal of this research is to provide professional information
and raise public awareness about the importance and potential of industrial heritage for the future
economic, cultural, social and tourist development of the city. This paper analyzes possibilities to
comprehend the problems of the city’s industrial heritage protection regarding its historical and
urban context, its genesis, authenticity, identity, cultural, architectural, economic, social, productive,
creative and environmental values. According to that, the main goal of this research is concentrated
on the sustainable preservation of specific cultural tangible and intangible values, spirit of the place,
city identity and historic cityscape values that characterize industrial heritage in the social, cultural,
natural and built environmental systems
Wind [Godišnja izložba Dizajn sekcije ULUPUDS-a, 2020]
No full textKoncipirana na poetici piktogramske likovnosti, ilustracija metaforički dočarava prirodu autoritarnih sistema. Rad je prikazan u okviru tradicionalne Godišnje izložbe Dizajn sekcije ULUPUDS-a, koja je održana 2020. godine u galeriji Studentskog kulturnog centra u Beogradu (SKC)
Space Digitization as a Tool to Enhance the Identity of Historic Public Space
Get PDFThe 21st century is the era of new technologies, Internet, overall digitalization, and
the applications that represent a major advance in science and technology. On the
other hand, these innovative technologies have had a very challenging impact on
various social activities. People are spending more time in a virtual space, instead
going out, socialising or enjoining outdoor recreation. Despite this, digitalization
has also led to new ideas and directions for creativity, such as the creation of
various applications that can encourage human mobility and interaction in the
open space of a settlement. Accordingly, these applications can supplement and
upgrade the values of existing open spaces, adding them a new, ‘digitized’
dimension. This opportunity especially comes to light when these open spaces, such
as public squares, streets or quays, contain the elements of culture and heritage
that make up their identity.
The aim of this paper is to examine the level which the digitalization of heritage,
history, tradition, and culture is presented in open spaces in Serbia, including
public squares and promenades, as well as heritage sites outside settlements.
Based on this, a list of the nationally promoted digitized culture and heritage is
formed, while few best-practice examples are elaborated. The focus is on their
connection to real space and its identity. Therefore, all enlisted items are mapped.
In that sense, the final contribution of the research is to understand the role of
these innovative applications in the revitalisation and activation of open public
spaces based on this new dimension of their identity
The Role of Identity in Shaping Resilient Open Public Spaces Surrounding Small Urban Streams
No full textOpen public spaces surrounding small urban streams are faced with a growing number of problems in the last few decades as a result of climate change. Frequent floods and droughts made most of these areas non-functional, abandoned and devastated for the better part of the year. Majority of the spaces surrounding small urban streams currently are not capable to adapt and transform in accordance with new ecological challenges.
In order to create public spaces that live year-round, it is necessary to design them according to principles of resilient design. The socio-ecological resilience, an interdisciplinary concept based in ecology, offers a conceptual ground for the principles for creation of resilient spaces, i.e. spaces that are resilient to the changes and utilize natural disturbances for the improvement of space. According to this concept, one of the most important qualities of resilience is preservation of identity in times of natural disturbances and recovery.
In this paper we will analyse the question of identity of open public spaces surrounding small urban streams in the context of resilience, based on the case of watercourses in Belgrade. The goal of this research is to identify the elements that shape the identity of open public spaces and to determine their role in the future revitalization of these spaces, in order to realize year-round uniform quality of space