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Kilim [22. salon arhitekture, 2020]
Get PDFSocio-spatial dynamics and diversity of the context initiated the concept based on the notion of kilim, signifying the place of gathering and community. Kilim is in architectural-spatial terms interpreted into the emphasized ambient dynamics. The aim of this project is to create the architecture which forms the space of kilim, as a three-dimensional, stratified texture conceived as contemporary interpretation of the Bauhaus qualities and aesthetics and the local context
Practise beyond context : seeking for difference
Get PDFAbstract
Outside platform sets the framework for research into architectural practice by examining the conditions of contemporary context. The OUTSIDE project proposes the notion of otherness by rethinking the existing architectural concepts materialized in practice, while striving to structure new mechanisms for their interpretation.
In this way, selected projects become elements for the interpretation of reality - a radical critique of modern society, the genesis of the multiple layers of perception or the experience of the impossible. One of the main intentions was to underline the capacity of a regional scene for producing architectural newness beyond the local framework of architectural education, regulations and structural patterns of the practice. The presented research argues that formal regulations and conditions of architectural practice are inversely proportional to the innovative approaches in architecture
The role of targets and standards in delivering urban greenspace for people and wildlife
No full textTHE ROLE OF TARGETS AND STANDARDS IN DELIVERING URBAN GREENSPACE FOR PEOPLE AND WILDLIFE
Greenspace and blue spaces, parks and natural areas (wildspaces) are the places where those who live and work in urban areas have the contact with nature that is important for their mental and physical health and well-being and their quality of life (Faculty of Public Health 2010; Lee and Maheswaran 2011; Tzoulas and Greening 2011; van den Berg et al. 2015; Parliamentary Office of Science and Technology 2016; World Health Organization (WHO) 2016). People experience biodiversity where they live and work. Opportunities for people to come into contact with nature in their everyday lives should be a fundamental part of urban planning and design.
Case study 4: Regulating greenspaces: initiatives, documents and standards in Belgrade, Serbia
The green features of the city of Belgrade have always represented an important element of its identity. The major development strategies and documents have followed the contemporary paradigms of urban planning and design by thoroughly elaborating the issues of distribution, typology, and quality of greenspaces.Eds. Ian Douglas, P M L Anderson, David Goode, Michael C. Houck, David Maddox, Harini Nagendra, Tan Puay Yo
What To Do? [Godišnja izložba Dizajn sekcije ULUPUDS-a, 2020]
Get PDFGrafički i tipografski eksperiment na temu dinamičnosti, uzburkanosti i nedoumica
Re-Thinking City Space in the Context of Nineteenth Century Belgrade
Get PDFThe split into “nature” and “culture” has lasted for centuries in Western civilization and remains the framework through which we consider various important problems of contemporary society. In the last decades of the twentieth century there has been a clear reaction to this dichotomy, first in a geography discourse then elsewhere, and a move towards studying the construction and representation of nature in cultural history. A very important feature in the approach to design for recovering contemporary urban landscape is urban greenery regeneration as well as the study of the urban greenery past. The broader historical context of our study is the establishment of new capitalist relations towards urban territory in nineteenth century Belgrade, and with it a new distribution of political and economic power. This process led to the disappearance of the main green spaces in the city and the suppression of the memory they carried. The reconstruction of Belgrade’s historic core was implemented according to Emilijan Josimović’s urban plan (1867). Nevertheless, it contained some very important indications of ecological thinking. In order to elaborate a refined approach to environmental and cultural problems that Belgrade, like other cities, faces today, we bring to light and critically examine those features and aspects of Josimović’s plan that established organic relations and balance between nature, culture, city memory and city development
WÜRTH Srbija trening i test centar [22. Salon arhitekture, 2020] [Priznanje]
Get PDF22. Salon arhitekture Novi Sad - obrazloženje internacionalnog žirija: Ideja reciklaže u arhitekturi jako je bitna I sve više aktuelna. Arhitekta Dejan Todorović je u nekadašnjoj industrijskoj hali ostvario savremeni i mulifunkcionalni ambijent. Izborom materijala (beton, metal i drvo), neutralne bele boje i rasterom svetla ukazuje na konstruktivni raster originalne arhitekture ali je istovremeno bez banalizovanja pretvara u prostor koji se rotirajućim akustičnim panelima brzo prilagođava željama i potrebama korisnika. Kao što u svom tekstu zaključujuje arhitekta: “Ovaj enterijer cilja da ukaže na lakoću postojanja, uspostavljajući novu dimenziju mentalnog prostora kojim se korisnicima pruža mogućnost da se fokusiraju na njegove osnovne funkcije: obuku i testiranje”
Речник кључних појмова коришћених у истраживању „Exo [global eye(s)]): Динамички респонзивни систем“ – Лексикографски прилог
Get PDFРечник представља суплементарну студију на плану оште терминологије (појмовних, концепцијских и терминолошких одредница) научног чланка Exo [global eye(s)]: Dynamic Responsive System (Critical Review of the Research Project, Prototype and Exhibition Concepts) / Exo [global eye(s)]: Динамички респонзивни систем (Критички приказ истраживачког пројекта, прототипа и излагачких концепција). Приређен је у циљу адекватније оријентације читалаца на плану значења коришћених, успостављених и новоформираних концепција у међудисциплинарној равни просторних (архитектонских и урбанистичких) студија, студија савремених технологија и технолошког друштвеног развоја, информационог инжењерства и машинског инжењерства.Лексикографска јединица - суплементарни материјал, рецензиран, доступан на посебан захтев.
Повезани резултати: Ćirić, D. (2020). Exo [global eye(s)] - dinamički responzivni sistem kritički prikaz istraživačkog projekta, prototipa i izlagačkih koncepcija. Arhitektura i urbanizam, 50, 20-35. https://doi.org/10.5937/a-u0-2562
21st ICA Meets Popular Inquiry
Get PDFThe Organization of the 21st International Congress of Aesthetics by the Faculty of Architecture, University of Belgrade and the Society for Aesthetics of Architecture and Visual Arts of Serbia (DEAVUS) under the auspices of International Association for Aesthetics on “Possible Worlds of Contemporary Aesthetics: Aesthetics Between History, Geography and Media”, had the basic in-tention to show, interpret and map the unity and diverseness in aesthetic thought, expression, research, and philosophies on our planet. This special issue of Popular Inquiry consists of six of the papers presented at the ICA 21st Congress that are thematically within the scope of the journal. Dušan Milenković’s text “Understated Significance of Form in Gracyk's Aesthetics of Popular Music” discusses the significance of form which causes specific problems in Theodore Gracyk’s aesthetic theory. Fuminori Akiba’s “Aesthetics of Japanese Convenience Stores: From the Point of 'Eating Alone'” reconsiders the lack of shadow/darkness and food culture from convenience stores in contemporary Japan. Maxim Dem-chuk’s article on “Deconstruction of Melody and Rhythm as Aesthetic Elements of Contemporary Popular Music (The Case of Kanye West’s Album «Yeezus»)” emphasizes the phenomenon of the consumption of contemporary musical products available for listening on the various social net-works. Aleš Čakalič’s article “Tragedy and Farce in Dušan Kovačević’s Post-Yugoslav Screenplays” interprets how specific Serbian film scripts can be read in relation to Marx’s assertion. Yumi Kim Takenaka’s paper on “The Family of Man in Japan: A Photographic Exhibition for World Peace and Atomic Culture in the 1950s” stress the ethical dimension of the exhibition The Family of Man, a large-scale photographic record of the human development and cycles of life in the context of con-temporary global antagonisms. Texts collected in this issue discuss complex relations between political, philosophical, cul-tural, aesthetic modalities of contemporary art and culture
Methodology of hybridization in architecture: elementality readings in axonometric drawings
Get PDFThe subject of this paper is hybrid architecture, and the topic of research is the methodology of architectural hybridization with an emphasis on its elementality. Hybridity in architecture is defined as a tendency to transform and take on new forms, in terms of shape and function, manifesting itself through formal transformation or exclusively, through the perceptual apparatus of the user. This paper seeks to investigate the process of hybrid formation in architecture through the principles of hybridization and, closely determine and define the concept of hybrids. Hybrid is seen as a re-interpretation of architectural thought and concept that is a consequence of changes in stylistic order and reactions to reconfigurations of cultural and social formations. According to this, the problem of hybridization is examined through case studies mapped through different stylistic periods. Each case study will observe the process of formation of one of the hybrid objects. For the purposes ofthis paper, a special methodological apparatus has been established • diagrammatic mapping of the principle of hybridization through an axonometric graphical representation. Combining the instrumental technique of diagram mapping and the representative technique of axonometric drawing, the established apparatus relies on two procedures: analytical representation of the bare structure and synthetic implementation of potential programs inhabiting it. Therefore, each case study will be subjected to diagrammatic mapping which will result in the definition of general and palúular methodological formations of hybridization, as well as the basic principles of hybridization
Reality greater than reality: Shakespeare at the end of architectural studies
Get PDFNo other form of art has kept so many of its conventions unchanged for centuries as theatre. It has a similar approach towards the act and the event as architecture has towards physical space. This creates strong inclination towards own means: each type of art engages certain number of "tricks" derived from their material conditions, but they are more justified in theatre than in other places. These are not easy rules because they do not correspond the technical conditions of the scene, more precisely its advantages and shortages. The play itself marks to which extent the theatre abandons truthfulness of the situation in respect of the nature. In other words, the line between what is acceptable and what interrupts the Dream, is less abrupt and is more emphasised than it is common in art. As stated by Arnold Hauser, it is exceptional that no one is bothered by the fact that the actors drink from empty glasses or they fight using tin swords, while people have strong objections in case a shot is heard a split second too early or too soon, or in case an element of the scenery, regardless how naively it is painted, accidentally starts to shake. (Hauser 2016) Thus, it is impossible to accept differential movement as any type of reality in case it is not in harmony with the plot. The fact is that the drama develops in its own principal, idealized existence, but the scene pafiially instrumentalises the elements of our direct experience, live actors, existing characteristics, real space and time. Maybe the fictions that differentiate the work on scene from the world observing that scene are so numerous and provisional precisely because our reality of the scene is so obviously tangible and raw. Whatever the case may be, in respect of drama, the series of fictions, which are extremely sustainable and persistent, is longer than in any other form of art.
With open-air theatre as the assignment of the Master thesis, and particularly by naming it after Shakespeare's title A Midsummer Night’s Dream, we initially subjected the architecture to the laws of changed conditions of an unusual discursive reality. However, the consent carries a great relief since the world that we design does not to be the one that exists outside of the reality designed for it. Such a concept equally affects both the architecture and the nature the concept of the architecture refers to, and methodological capacity of such formulation creates an authentic basis for contemporary interpretation of interactivity of still classical (ancient- Renaissance) understanding of the vision of the Theatre.
"The poet's eye, in fine frenzy rolling,
Doth glance from heaven to earth, from earth to heaven;
And as imagination bodies forth
The forms of things unknown, the poet's pen
Turns them to shapes and gives to airy nothing
A local habitation and a name." (A Midsummer Night's Dream, ACT V, SCENE I, Athens.)
A famous architect (Koolhaas,1997) would say that the first word is the same as the last.https://www.strand.rs/2020-proceedings