9820 research outputs found
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Installation image for exhibition: Peter Anton: Just Desserts
No full texthttps://digitalcommons.fairfield.edu/peteranton-images/1036/thumbnail.jp
Installation image of the exhibition - Streaming: Sculpture by Christy Rupp
No full texthttps://digitalcommons.fairfield.edu/christyrupp-images/1022/thumbnail.jp
Installation image of the exhibition - Streaming: Sculpture by Christy Rupp
No full texthttps://digitalcommons.fairfield.edu/christyrupp-images/1028/thumbnail.jp
Streaming: Christy Rupp - Digital Board
Get PDFhttps://digitalcommons.fairfield.edu/christyrupp-ephemera/1013/thumbnail.jp
Installation image of the exhibition Ink & Time: European Prints from the Wetmore Collection
No full texthttps://digitalcommons.fairfield.edu/ink-and-time-images/1017/thumbnail.jp
Installation image of the exhibition Ink & Time: European Prints from the Wetmore Collection
No full texthttps://digitalcommons.fairfield.edu/ink-and-time-images/1024/thumbnail.jp
Installation image of the exhibition Sacred Space: A Brandywine Workshop and Archives Print Exhibition
No full texthttps://digitalcommons.fairfield.edu/sacredspace-images/1019/thumbnail.jp
Installation image of the exhibition Sacred Space: A Brandywine Workshop and Archives Print Exhibition
No full texthttps://digitalcommons.fairfield.edu/sacredspace-images/1021/thumbnail.jp
Records of the Program in Applied Ethics
Get PDFThe contents of this collection include annual reports; grant applications and awards; lecture series conference agenda; committee notes; course catalogs and syllabi; lecture transcripts; materials related to the hiring of adjunct faculty; materials related to Earth Day events and the Environmental Studies program; letters from Lisa Newton in support of colleagues’ applications for tenure; and papers and articles authored by her. Topics covered include business ethics, stewardship of the earth, surrogate motherhood, and abortion.https://digitalcommons.fairfield.edu/findingaids/1019/thumbnail.jp
Narrating the Nation: Language and the Landscape of Time in Scego’s \u3cem\u3eAdua\u3c/em\u3e
No full textIn Adua (2015), Igiaba Scego illuminates the legacy of Italian colonialism by chronicling the intergenerational trauma passed from Zoppe, a Somali translator working for Italians during the fascist ventennio, to his daughter Adua, an actress exploited by the Italian film industry. This study analyzes Scego’s use of perspective to represent fundamentally different experiences of time in Adua, emphasizing Scego’s unique contribution to a postcolonial aesthetics that combats colonial temporality as defined by Johannes Fabian. In Time and the Other, Fabian asserts that time has not yet been decolonized, and thus has not been deconstructed as an ideological instrument of power. Scego unflinchingly documents the effects of colonial chronopolitics through her third-person narration of Zoppe’s perspective, which deteriorates into a series of invectives that portray his complete arrest in time. Adua endures similar traumas, but she embraces narration as a means of refashioning her voice and restoring community. In depicting Adua’s story as a triumph over colonial temporality, Scego champions first-person narration as a tool for the construction of a postcolonial chronopolitics that decolonizes time in order to work towards a more ethical geopolitical order