Berkala Arkeologi (E-Journal)
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Roof typology of wooden-constructed buildings on the reliefs of Borobudur Temple : Tipologi atap bangunan berkonstruksi kayu pada relief Candi Borobudur
No full textCandi Borobudur adalah candi Buddha yang mewakili puncak peradaban Jawa Kuno pada abad VIII–IX M dengan atribut ornamen arsitektural yang signifikan berupa relief cerita. Salah satu bentuk penggambaran pada relief yang cukup banyak dijumpai tetapi belum dikaji secara rinci adalah atap bangunan berkonstruksi kayu. Tulisan ini membahas tipologi atap bangunan konstruksi kayu yang dapat diidentifikasi dari relief Candi Borobudur sebagai elemen dalam perancangan bangunan dan fasilitas pendukung permukiman terkait pelestarian Kawasan Borobudur sebagai Warisan Budaya Dunia. Kajian ini menggunakan metode deskriptif analitis yang mengelompokkan bangunan kayu berdasarkan bentuk atapnya. Dari hasil kajian ini diperoleh setidaknya enam tipe bangunan berkonstruksi kayu berdasarkan bentuk atapnya. Bangunan tersebut pada masa Jawa Kuno dapat berfungsi sebagai rumah tinggal, lumbung, balai-balai, bangunan pada kompleks istana, asrama, vihara dan bangunan pendukung permukiman
The function of stone tools from Gua Arca Site, Kangean Island, East Java: Fungsi alat batu dari Situs Gua Arca, Pulau Kangean, Jawa Timur
No full textGua Arca is a prehistoric cave site in Kangean Island, East Java. Stone tools found in this site has yet to be studied in terms of the function, merely being collected instead. This article discusses the possible function of the stone tools based on typological and microscopical use-wear analysis, compared to the results from previous experimental research. The results of the analysis show that use-wear is related to the tools’ function and the material they worked on. The similarity between use-wear traces on stone tools from Gua Arca and the result from previous experimental research indicates the stone tools’ function as wood-working tools and food-processing tools
SERPENT SCULPTURE ON TELAGA BATU INSCRIPTION: AN INTERPRETATION BASED ON PEIRCE'S SEMIOTIC APPROACH: FIGUR ULAR PADA PRASASTI TELAGA BATU: UPAYA PEMAKNAAN BERDASARKAN PENDEKATAN SEMIOTIKA PEIRCE
No full textAbstract
Sriwijaya is a kingdom that developed between the 7th and 11th centuries AD. The inscriptions become archaeological remains as well as written sources that can reconstruct Sriwijaya's cultural history. The Telaga Batu inscription as one of Sriwijaya inscriptions is different from other inscriptions because it has the only ornament in living creature shape and it is the longest inscription among the others. The ornaments found on the Telaga Batu Inscription are in the form of a seven-headed snake. This study attempts to answer the meaning of the seven-headed snake figure with Peirce's triadic semiotic method. In answering these questions, a series of stages of archaeological research are used, including data collection, data analysis and interpretation. The snake figure in the Telaga Batu inscription can eventually be interpreted as a manifestation of the Datu's protector and the form of the Datu as a Buddha.
Abstrak
Sriwijaya adalah kerajaan yang berkembang antara abad ke-7 sampai dengan 11 M. Prasasti menjadi tinggalan arkeologis sekaligus sumber tertulis yang dapat merekonstruksikan sejarah kebudayaan Sriwijaya. Prasasti Telaga Batu menjadi berbeda dengan prasasti lainnya, karena satu-satunya yang memiliki ornamen berbentuk mahluk hidup dan isinya yang paling panjang di antara yang lain. Ornamen yang terdapat pada Prasasti Telaga Batu adalah berbentuk ular berkepala tujuh. Kajian ini berusaha untuk menjawab makna figur ular berkepala tujuh tersebut dengan metode semiotika triadik Peirce. Makna tersebut dapat merekontruksi konsep dibalik pembuatan figur ular berkepala tujuh beserta alasan mengapa perlu dibuat figur tersebut digambarkan pada Prasasti Telaga Batu. Dalam menjawab pertanyaan tersebut digunakan rangkaian tahapan penelitian arkeologi, meliputi pengumpulan data, analisis data dan interpretasi. Figur ular pada Prasasti Telaga Batu pada akhirnya dapat dimaknai sebagai perwujudan pelindung Datu dan juga wujud sang Datu sebagai Buddha
BACK COVER VOLUME 40 NO. 2 NOVEMBER 2020: BACK COVER VOLUME 40 NO. 2 NOVEMBER 2020
No full textBACK COVER VOLUME 40 NO. 2 NOVEMBER 202
COVER VOLUME 40 NO. 1 MAY 2020: COVER VOLUME 40 NO. 1 MAY 2020
No full textCOVER VOLUME 40 NO. 1 MAY 202
TRACKING THE LOCATIONS OF HINDU - BUDDHIST ARCHAEOLOGICAL REMAINS IN MAGELANG REGION BASED ON ROD 1914 AND GIS APPROACH: PELACAKAN LOKASI TINGGALAN HINDU - BUDDHA BERDASARKAN ROD 1914 DAN PENDEKATAN SIG DI WILAYAH MAGELANG
No full textAbstract
Java was once the center of Hindu and Buddhist culture around the 4th until the 15th century AD. The number of archaeological remains from this period is infinite, both monumental remains such as temples and petirtaan (water shrines/ temple), and other remains such as yoni, linga, and statues. These remains are registered systematically by the Dutch East Indies government through its Archaeological Service (Oudheidkundig Dienst). unfortunately, most of them cannot be identified for their exact present locations. Some of the remains were later discovered unexpectedly at the time of construction or agricultural work activities. Therefore, this study seeks to investigate the locations of archaeological remains as reported by the Dutch Archaeological Service in the region of Magelang using the Geographic Information System (GIS) approach. This study suggests that, during the period of the Dutch East Indies, Magelang region has a very high density of Hindu-Buddhist archaeological remains. The result of this study can be used for further surveys, re-inventory, as well as protection and preservation efforts.
Abstrak
Pulau Jawa pernah menjadi pusat perkembangan kebudayaan bercorak Hindu-Buddha sekitar abad ke-4 hingga ke-15 M. Tinggalan arkeologi dari periode ini sangat tinggi, baik berupa candi, petirtaan, maupun tinggalan lepas seperti arca, yoni, lingga, dan sejenisnya. Inventarisasi tinggalan tersebut sudah dilakukan secara sistematis sejak masa pemerintah Hindia Belanda melalui Dinas Purbakala (Oudheidkundig Dienst). Sayangnya sebagian besar tinggalan arkeologi tersebut sekarang tidak lagi diketahui secara tepat lokasi. Ada yang kemudian ditemukan secara tidak sengaja pada saat kegiatan pembangunan ataupun pengerjaan lahan pertanian. Penelitian ini berupaya untuk melacak ulang lokasi tinggalan arkeologi Hindu-Buddha yang pernah dilaporkan oleh Dinas Purbakala Belanda di Wilayah Magelang. Proses pelacakan dilakukan menggunakan pendekatan Sistem Informasi Geografis. Hasilnya berupa peta sebaran lokasi tinggalan arkeologi Hindu-Buddha. Peta ini menunjukkan bahwa di Wilayah Magelang, pada periode Hindia-Belanda, mengandung tinggalan arkeologi Hindu-Buddha yang padat. Hasil penelitian ini diharapkan dapat dimanfaatkan untuk kegiatan survei, reinventarisasi, hingga upaya pelindungan dan pelestariannya
The study of slender Agastya statue in the Mpu Purwa Museum collection, Malang City: Kajian arca Agastya bertubuh ramping koleksi Museum Mpu Purwa Kota Malang
No full textThis study aims to examine and identify the place of origin of the slender Agastya statue (arca) stored in the Mpu Purwa Museum Malang. The object of study is the Agastya depicted with a slender stomach, a hair-style partially curled and partially loose on the back, and holding the trident weapon from its backrest. The research method is qualitative descriptive, inductive reasoning with the sense of analytical description. This research uses analysis of iconography, ecology, contextual, and historical approach. The result shows that the slender Agastya is locally made with high quality and influenced by the Gupta-Indian style, which appeared in the VIII to IX centuries in Central Java. The origin of Agastya statue also known as part of the Karangbesuki temple ruins in Desa Karangbesuki. The Agastya acts as a Hindu temple mandala statue placed in a niche of the south side wall. These results are expected to be useful for further researches
Appendix Volume 41 No. 1 May 2021 : Appendix Volume 41 No. 1 Mei 2021
No full textAppendix Volume 41 No. 1 Mei 202
IMPLIKASI KULINER SESAJI DAN DHANYANG DALAM UPACARA TRADISI DI JEPARA
No full textAbstract
The article describes the culinary imp lic ation of offerings and d hanyang in 5 (five) villages in Jepara in the form of traditional ceremonies of Jembul Tulakan, Hari Jadi Kota Jepara, Sedekah Laut, Perang Obor, and Pesta Baratan. Only three out of five ceremonies were present ing culinary offerings as a representation of the dhanyang presence. The objective of this study is to reveal the existence of culinary offerings and d hanyang both by their food types and the intended dh anyang. This study was using a qualitative method which includes the collection of primary and secondary sources through literature study, observation, participants, structured interviews, indepth interviews, and Focus Group Discussion. The approaches which were used are anthropological and hermeneutical approaches. The study reveals a symbolic meaning from the presence of various culinaries presented to dhanyang and wishes expressed implicitly or explicitly in the ceremony. The wishes include the requests of safety, kindness, protection, etc. Recently, these wishes have shifted which caused by better knowledge, belief, and social experience of the performers towards their religion. Public belief in the power of d hanyang still exists even though it is not dominant