Berkala Arkeologi (E-Journal)
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HASIL RAPAT KOORDINASI PENELITIAN ARKEOLOGI
Rapat Koordinasi Penelitian Arkeologi dilangsungkan di Yogyakarta selama 4 (empat) hari, mulai dari tanggal 2 sampai dengan 4 September 1984. Rapat koordinasi tersebut dihadiri oleh 3 ( tiga) perguruan tinggi dan 3 ( tiga) instansi yang bergerak dalam bidang arkeologi. Perguruan tinggi tersebut adalah Jurusan Arkeologi Fakultas Sastra Universitas Udayana, Jurusan Arkeologi Fakultas Sastra, Universitas Gadjah Mada, dan Jurusan Arkeologi Fakultas Sastra Universitas Indonesia. Sedang instansi arkeologis terdiri atas Pusat Penelitian Arkeologi Nasional, Direktorat Perlindungan dan Peninggalan Sejarah dan Purbakala, dan Direktorat Permuseuman.
Tujuan rapat koordinasi ini adalah untuk mengatasi masalah-masalah mengenai pengadaan tenaga peneliti dan pengelola kepurbakalaan, terutama untuk mencukupi kebutuhan tenaga yang berkemampuan akademis dan terampil. Berbagai evaluasi telah dilakukan, antara lain adalah evaluasi terhadap para lulusan perguruan tinggi, lapangan pekerjaan, pelaksanaan pendidikan arkeologi di perguruan tinggi, program studi, dan penjajagan kemungkinan pembukaan program baru. Hasil-hasil rapat tersebut dapat dilihat pada kesimpulan rapat dibawah ini
MENGAPA PHALLUS ARCA SIWA-BHAIRAWA DI PURA KEBO EDAN MENGHADAP KE ARAH KIRI?
Di dalam makalah saya berjudul "Betulkah Astasura-ratna-bumi-banten seorang raja Bali yang murka dan hina (?)" pada Seminar Sejarah Nasional ke III di Jakarta tahun 1981, saya juga menguraikan secara singkat sebuah arca Siwa-Bhairawa yang tersimpan di Pura Kebo Edan di Bali. Makalah itu pada pokoknya membahas seorang tokoh raja Bali yang disebut Paduka Bhatara Sri Astasura-ratna-bumi-banten di dalam prasasti tembaga Patapan Langgaran yang bertarikh 1259 Saka. Tetapi di dalam kitab Nagarakertagama yang digubah oleh pujangga Prapanca, yaitu Nyanyian 49, bait 4, disebut seorang raja Bali yang murka dan hina dan yang kemudian dikalahkan oleh bala-tentara Majapahit
TEKNIK ANALISIS SERPIH BILAH
In general, stone tool technology is based on two factors, namely methods and techniques. Method is in the form of mind, while technique is in the way we are practicing. The method of making tools is an order that is carried out systematically and regularly and is not something that happens by accident. The manner in which stone tools are made with the same technique and for hundreds of years has produced the same forms and technological features in various parts of the world.
 
POLA TATA LETAK SITUS TRADISI MEGALITIK DI DAS SEKAMPUNG
From research on earthen structures, it can be seen that the megalithic settlements in the Sekampung watershed are settlements built by making trenches and mounds of land. These settlements can be made by building mounds of land and trenches or just ditches, the shape of the land surface of these settlements is different. Some follow the existing patterns of natural formation and some are not. Some are located close to the main river and some are far from the main river. Sites located on major rivers include the Pejambon, Gedig, Parigi and Meris sites; while the sites located on the Sekampung tributary are the sites of Gelombang, Pugung Raharjo, Cicilik, and Bentengsari. The shape of the site that does not follow the landscape and has an orderly shape is the Parigi site.
 
BUDAYA AWAL HOLOSEN DI GUNUNG SEWU
Research carried out so far, both through purely Puslit Arkenas field programs, in collaboration with France and assistance from the Toyota Foundation, has made various advances in an effort to understand the prehistory of Gunung Sewu. Various problems have been resolved and all of them are related to the process of settlement and exploitation of this area, since its existence until the approaching historical period. This paper tries to discuss specifically the culture that developed from the early Holocene to the approaching Neolithic, or what is generally called as mesolithic. The discussion will be based on the results of research in the Braholo and Song Keplek caves with some supporting data from other caves
BUSANA BANGSAWAN DAN PENDETA WANITA PADA MASA MAJAPAHIT: KAJIAN BERDASARKAN RELIEF-RELIEF CANDI
In this paper, we will study the reliefs of temples in East Java, where the temples were built during the reign of the Majapahit Empire. The reliefs depicted contain elements of stories that were popular at that time, for example the stories of Sri Tanjung, Panji, Bubuksah and Gagangaking, and Jarum Atat. In addition to the reliefs of these temples, the ancient Javanese inscriptions mentioned the types of batik cloth used by the people at that time. In East Java, two reliefs of the temple were successfully constructed, namely; Pendopo Penataran temples in the eleventh - eighth centuries and the sixteenth - sixteenth century Kendalisodo temple. In the two temples, the reliefs of women are depicted wearing different clothes, both in terms of shape and how to wear them
DUA BATU BERHIAS DARI RUAS SUNGAI OPAK: DATA TAMBAHAN PEMBANGUNAN PERCANDIAN PRAMBANAN
Two ornate stones from the Opak River are interesting to observe. Until now it is seen that each has a different function and meaning. BG. 748 decorated stone which contains the attributes of the deity, namely vajra, trident and padma which can all be associated with Shiva. Similarly with the ancient Javanese script which mentions na - ma - kha. The noun relates to yogis to attain a level of inner purity by doing good deeds and contemplation of God. The yogis do this by using a means called a yantra. Similarly, with the writing of kha is a symbol of the sankhya which is related to the position of the moon and stars which are 27 pieces, in accordance with the number of BG. 748. The circle in the middle may symbolize candra, making it possible if BG. 748 is a candramandala which is one of the yantra as well as a description of the typical nature of the god Shiva