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The sacred self: a cultural phenomenology of charismatic healing
No full textHow does religious healing work, if indeed it does? In this study of the contemporary North American movement known as the Catholic Charismatic Renewal, Thomas Csordas investigates the healing practices of a modern religious movement to provide a rich cultural analysis of the healing experience. This is not only a book about healing, however, but also one about the nature of self and self- transformation. Blending ethnographic data and detailed case studies, Csordas examines processes of sensory imagery, performative utterance, orientation, and embodiment. His book forms the basis for a rapprochement between phenomenology and semiotics in culture theory that will interest anthropologists, philosophers, psychologists, physicians, and students of comparative religion and healing
Consuming the romantic utopia: love and the cultural contradictions of capitalism
No full textTo what extent are our most romantic moments determined by the portrayal of love in film and on TV? Is a walk on a moonlit beach a moment of perfect romance or simply a simulation of the familiar ideal seen again and again on billboards and movie screens? In her unique study of American love in the twentieth century, Eva Illouz unravels the mass of images that define our ideas of love and romance, revealing that the experience of "true" love is deeply embedded in the experience of consumer capitalism. Illouz studies how individual conceptions of love overlap with the world of clichés and images she calls the "Romantic Utopia." This utopia lives in the collective imagination of the nation and is built on images that unite amorous and economic activities in the rituals of dating, lovemaking, and marriage.Since the early 1900s, advertisers have tied the purchase of beauty products, sports cars, diet drinks, and snack foods to success in love and happiness. Illouz reveals that, ultimately, every cliché of romance - from an intimate dinner to a dozen red roses - is constructed by advertising and media images that preach a democratic ethos of consumption: material goods and happiness are available to all.Engaging and witty, Illouz's study begins with readings of ads, songs, films, and other public representations of romance and concludes with individual interviews in order to analyze the ways in which mass messages are internalized. Combining extensive historical research, interviews, and postmodern social theory, Illouz brings an impressive scholarship to her fascinating portrait of love in America
Movies as politics
No full textIn this new collection of reviews and essays, Jonathan Rosenbaum focuses on the political and social dynamics of the contemporary movie scene. Rosenbaum, widely regarded as the most gifted contemporary American commentator on the cinema, explores the many links between film and our ideological identities as individuals and as a society. Readers will find revealing examinations of, for example, racial stereotyping in the debates surrounding Do the Right Thing , key films from Africa, China, Japan, and Taiwan, Hollywood musicals and French serials, and the cultural amnesia accompanying cinematic treatments of the Russian Revolution, the civil rights movement, and the Vietnam War. From Schindler's List, Star Wars, Pulp Fiction, Forrest Gump, The Piano , and Ace Ventura: Pet Detective to the maverick careers of Orson Welles, Jacques Tati, Nicholas Ray, Chantal Akerman, Todd Haynes, and Andrei Tarkovsky, Rosenbaum offers a polemically pointed survey that makes clear the high stakes involved in every aspect of filmmaking and filmgoing
Loose change: three women of the sixties
No full textThis is a compelling story of the experiences of three young women who attended the University of California at Berkeley and became caught up in the tumultuous changes of the Sixties. Sara Davidson follows the three - Susie, Tasha, and Sara herself - from their first meeting in 1962, through the events that "radicalized" them in unexpected ways in the decade after the years in Berkeley. Susie navigates through the Free Speech Movement and the early women's movement in Berkeley, and Tasha enters the trendy New York art and society scene. Sara, a journalist, travels the country reporting on the stories of the sixties.The private lives that Davidson reconstructs are set against the public background of the time. Figures such as Timothy Leary, Mario Savio, Tom Hayden, and Joan Baez are here, as are the many young people who sought alternatives to "the establishment" through whatever means seemed worth exploring: radical politics, meditation, drugs, group sex, or dropping out. Davidson's honest and detailed chronicle reveals the hopes, confusion, and disillusionment of a generation whose rites of passage defined one of the most contentious decades of this century
Medieval stereotypes and modern antisemitism
No full textThe twelfth century in Europe, hailed by historians as a time of intellectual and spiritual vitality, had a dark side. As Robert Chazan points out, the marginalization of minorities emerged during the "twelfth-century renaissance" as part of a growing pattern of persecution, and among those stigmatized the Jews figured prominently.The migration of Jews to northern Europe in the late tenth century led to the development of a new set of Jewish communities. This northern Jewry prospered, only to decline sharply two centuries later. Chazan locates the cause of the decline primarily in the creation of new, negative images of Jews. He shows how these damaging twelfth-century stereotypes developed and goes on to chart the powerful, lasting role of the new anti-Jewish imagery in the historical development of antisemitism.This coupling of the twelfth century's notable intellectual bequests to the growth of Western civilization with its legacy of virulent anti-Jewish motifs offers an important new key to understanding modern antisemitism
A silent minority: deaf education in Spain, 1550-1835
No full textThis timely, important, and frequently dramatic story takes place in Spain, for the simple reason that Spain is where language was first systematically taught to the deaf. Instruction is thought to have begun in the mid-sixteenth century in Spanish monastic communities, where the monks under vows of silence employed a well-established system of signed communications. Early in the 1600s, deaf education entered the domain of private tutors, laymen with no use for manual signs who advocated oral instruction for their pupils. Deaf children were taught to speak and lip-read, and this form of deaf education, which has been the subject of controversy ever since, spread from Spain throughout the world.Plann shows how changing conceptions of deafness and language constantly influenced deaf instruction. Nineteenth-century advances brought new opportunities for deaf students, but at the end of what she calls the preprofessional era of deaf education, deaf people were disempowered because they were barred from the teaching profession. The Spanish deaf community to this day shows the effects of the exclusion of deaf teachers for the deaf.The questions raised by Plann's narrative extend well beyond the history of deaf education in Spain: they apply to other minority communities and deaf cultures around the world. At issue are the place of minority communities within the larger society and, ultimately, our tolerance for human diversity and cultural pluralism
Spectacular nature: corporate culture and the Sea World experience
No full textThis is the story of Sea World, a theme park where the wonders of nature are performed, marketed, and sold. With its trademark star, Shamu the killer whale - as well as performing dolphins, pettable sting rays, and reproductions of pristine natural worlds - the park represents a careful coordination of shows, dioramas, rides, and concessions built around the theme of ocean life. Susan Davis analyzes the Sea World experience and the forces that produce it: the theme park industry; Southern California tourism; the privatization of urban space; and the increasing integration of advertising, entertainment, and education. The result is an engaging exploration of the role played by images of nature and animals in contemporary commercial culture, and a precise account of how Sea World and its parent corporation, Anheuser-Busch, succeed. Davis argues that Sea World builds its vision of nature around customers' worries and concerns about the environment, family relations, and education.While Davis shows the many ways that Sea World monitors its audience and manipulates animals and landscapes to manufacture pleasure, she also explains the contradictions facing the enterprise in its campaign for a positive public identity. Shifting popular attitudes, animal rights activists, and environmental laws all pose practical and public relations challenges to the theme park. Davis confronts the park's vast operations with impressive insight and originality, revealing Sea World as both an industrial product and a phenomenon typical of contemporary American culture. Spectacular Nature opens an intriguing field of inquiry: the role of commercial entertainment in shaping public understandings of the environment and environmental problems
The early works of Arnold Schoenberg, 1893-1908
No full textHere is the first full-scale account of Schoenberg's early tonal works, a rich repertory that music historians have tended to neglect or view as transitional to a mature atonal style.Between 1893 and 1908, Schoenberg created many genuine masterworks in the genres of Lieder, chamber music, and symphonic music. This book includes detailed critical analyses of such widely admired and performed compositions as Verklärte Nacht , Gurrelieder , and the First Chamber Symphony, as well as discussions of little-known but important songs and instrumental works from the earlier years.Drawing on original manuscript sources, on Schoenberg's musical environment, on a range of analytical methods, and on Schoenberg's own theories, Frisch traces the development of technique and aesthetic across this critical fifteen-year period of the composer's career
Made in God's image?: Eve and Adam in the Genesis mosaics at San Marco, Venice
No full textThe stunning mosaics that illustrate the story of Creation in the church of San Marco in Venice are the focus of Penny Howell Jolly's compelling and provocative book. Scholars of medieval art have long been interested in the Genesis mosaics because they copy a nearly destroyed fifth-century illuminated Greek manuscript known as the Cotton Genesis. But instead of seeing the mosaics as a vehicle for reconstructing a lost cycle of paintings, Jolly presents them as a social document revealing the essential misogyny that existed in thirteenth-century Venice. Jolly analyzes more than twenty scenes, one by one in narrative order, and her perceptive reading goes well beyond what the Genesis Vulgate text says about Eve and Adam. The mosaics establish Eve as the culpable character from the very moment of her Creation, says Jolly, and depict her as dangerous and unrepentant at the end. Incorporating both feminist religious and narratological studies, Jolly poses important questions on the nature of visual language as opposed to verbal language. The very ability of visual forms to recall a rich variety of references is one source of their power, and propaganda must have enough breadth of reference to be read by diverse groups. The San Marco cupola, Jolly maintains, is dealing in powerful propaganda, and her pictorial observations offer an articulate and refreshing new view of this well-known work
The private worlds of Marcel Duchamp: desire, liberation, and the self in modern culture
No full textMarcel Duchamp is a founding figure of twentieth-century art and culture, the common source to which many contemporary movements trace their roots. His career has often been celebrated for its contradictions and discontinuities, its disparate parts unified only by their assault on the traditions of art. Jerrold Seigel offers a wholly different view, revealing a web of interrelated themes that unify Duchamp's work and tie it to his life.At the book's center is a reinterpretation of the famous "readymades," of which the urinal "Fountain" and the defaced Mona Lisa were the most shocking. By recovering their history, Seigel shows that their playful and rebellious surface veiled the meanings that linked them to Duchamp's pictures (especially the famous "Large Glass," here illuminated by a comprehensive new reading) and to his experiments with language. The result gives the artist's career the unity of a colorful and intricate puzzle.Behind that puzzle were the great modernist themes of isolation, perpetuated desire, and the imagined dissolution of the self. These themes entered Duchamp's mind both from his social and cultural environment and from the shaping experience of his family; around them were woven the patterns of working and loving that Seigel uncovers in his life. Duchamp emerges not just as a coherent, understandable personality, but as an exemplary one, his very eccentricities reflecting essential dimensions of modern experience.A mythic presence in modern culture, a hero whose story we tell for the sake of its valuable lessons, Duchamp opened the floodgates to a sea of questions about the nature and meaning of art. Seigel demands that we think again about these questions, and about the answers that Duchamp's heirs and followers have tried to give to them